Joe Dallesandro (37 results)

Paperback. Condition: Very Good. Joe Dallesandro on the cover; b/w illus (illustrator). pictorial wraps. edges chipping;ite toning; 56 pages; includes items by/about: John Garrity (David Harris); Robert Greenfield (Rolling Stones on Tour); Brian Blevins (Island: Beatniks Make it Rich); Robin Green (What the Bee-Gees mean to me); Grover Lewis (Roaring Around with R.9 Robert) Redford); Ben Pong-Torres (Doing the Shuffle with Boz Scaggs); Amie Hill (The Water Bed); Ralph J. Gleason (Perspectives: Problem with NonViolence); Dotson Bader (Joe Dallesandra, with hotos by Annie Leibovitz); john Lambardi (Paul Morrissey w/hotos by Annie Leibovitz);Pete Retondo (Fat Tuesday);

Magazine. 100p. including covers 8.5x11 inches, articles, features, reviews, listings, illustrated with b&w photos and ads, wraps worn, else very good semi-glossy entertainment magazine in stapled pictorial wraps. Cover story on Andy Warhol's "Frankenstein". Also: Bright Lights Off Broadway. Mark Medoff, Lanford Wilson etc. Reworking of "Ballroom Dance Magazine" and "Dance Magazine" A magazine of arts, stage, dance and music that bridged the gap between gay and straight readers in the 1970s-80s.

Magazine. 84p. including covers 8.5x11 inches, articles, features, reviews, listings, illustrated with b&w photos and ads, very good semi-glossy entertainment magazine in lightly-worn stapled pictorial wraps. Great nude dancer photos by Duncan. Mime Robert Shields on Union Square. The numbering of the volumes is illogical in the beginning years up to about 1971. The numbering of the volumes is illogical in the beginning years up to about 1971. "After Dark" was originally "Ballroom Dance Magazine" which ended with its volume 9, #4. The new magazine's first issue continued the numbering of the previous magazine and so issue #1 is stated as volume 10, #1. By the third year of the magazine they changed the numbering from volume 13 to volume 3, #9. A fine magazine of arts, stage, dance and music that bridged the gap between gay and straight readers in the 1970s-80s.

Magazine. 88p. including covers 8.5x11 inches, articles, features, reviews, listings, illustrated with b&w photos and ads, lightly-worn, otherwise a very good semi-glossy entertainment magazine in lightly-worn stapled pictorial wraps. Cover story on American Ballet Theatre, Factory Brothers (the Dallesandros) David Lean, etc. This issue continues the mistaken volume number from issue #7. Likely they meant vol. 3 as by January 1971 the numbering was vol. 3, #9. The numbering of the volumes is illogical in the beginning years up to about 1971. "After Dark" was originally "Ballroom Dance Magazine" which ended with its volume 9, #4. The new magazine's first issue continued the numbering of the previous magazine and so issue #1 is stated as volume 10, #1. By the third year of the magazine they changed the numbering from volume 13 to volume 3, #9. A fine magazine of arts, stage, dance and music that bridged the gap between gay and straight readers in the 1970s-80s.

Photograph. Corners bumped otherwise a very good publicity photo for the Morrisey film, number 11 of unknown number. Photograph of a semi-nude Joe and a nude woman.

Exhibition invite, 4 x 6 inches; very good condition; postal smudge to front; a mailed copy with address and postal marks on rear.

18,6 x 14,2 x 2,2 cm, DVD. Condition: Sehr gut. 3 DVDs Hülle und Pappbox mit kleinen Lagerspuren, DVDs geprüft, ACHTUNG FSK 18-Artikel - Versand via DHL mit Alterssichtprüfung - Kein Versand an Packstationen möglich! überQ10 Altersfreigabe FSK ab 18 Jahre Sprache: Englisch Gewicht in Gramm: 518.

Couverture souple. Condition: bon. R100000285: 1975. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Affiche de cinéma 120 cm x 160 cm. + 14 photos de présentation de 27 x 21 cm. . . . Classification : 0-Affiches Cinéma.

Magazine. 72p. includes covers, 8.5x11 inches, b&w and color full frontal male nudes, old price label on cover else very good gay magazine in stapled pictorial wraps. The Warhol Factory actor with short hair!

No Binding. Condition: Near Fine. 8BY11, glossy photo, publicity still, printed info on bottom.vv2/0/88.

Vintage lobby card for the German release of the 1974 film. Count Dracula travels from Transylvania to pre-fascist Italy in search of virgin blood to drink, but soon discovers there are no longer any virgins to be found in the entirety of Italy. One of Andy Warhol's two horror films (the other being "Frankenstein," released the same year on a double bill), both USA/Italy/France co-productions, and the pinnacle of his film career in terms of popularity outside avant-garde circles. Set in Italy, shot on location in Italy and Serbia. 11.75 x 9.5 inches. Near Fine. Criterion Collection 28. Severin Films 721.

Vintage borderless photograph of Joe Dallesandro and Tom Hompertz from the 1968 film. Hilarious and tedious, Andy Warhol and Paul Morrissey's satirical take on Hollywood Westerns features five gay cowboys (including Dallesandro and Hompertz), ranch lady Romana D'Alvarez (Viva) and her stoned nurse (Taylor Mead), handsome drifter Julian (Tom Hompertz), and a drag queen Sheriff (Francis Francine). Set in and shot on location in Arizona. 9.5 x 7.25 inches. Near Fine, some light creasing and light edgewear.

Unbound. Condition: Very Good. Original promotional film poster. Measuring approximately 27" x 40". Folded (presumably as issued), a tear on the left side, title written in ink at the bottom, and rubbing, still very good. Directed by Paul Morrissey and starring Joe Dallesandro, Udo Kier, and Victoria de Sica, with a short appearance by Roman Polanski.

Vintage studio still photograph from the 1974 film featuring Joe Dallesandro and Roman Polanski (uncredited in the role of 'man in tavern'), here under the working title "Andy Warhol's Dracula," title visible through paper tape covering byline in bottom margin. One of Warhol's two horror films (the other being "Frankenstein," released the previous year), both USA/Italy/France co-productions, and the pinnacle of his film career in terms of popularity outside avant-garde film circles. Attempts to court commercial markets included rating the film X, and director Paul Morrissey, very much influenced by the look of the Hammer horror films of the 1960s, gave the films a lurid, shocking appeal. Set in Italy, and shot on location in Italy and Serbia. 9.75 x 8 inches. Slight diagonal trim on upper left side margin, else Near Fine. Criterion Collection 28.

Magazine. [32p] includes covers, 5.25x8.5 inches, trade catalog of b&w explicit nude male photos of mostly amateur models, very good booklet in stapled pictorial wraps. Deitrick worked with Bruce of LA until Bellas' death. He started Kensington Studio in 1974 and sold Bruce's photos a short while after. Dallesandro's photos were taken pre-1968 before Warhol and his long haired look.

[80] pp.; 21.6 x 14 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Issue of the periodical Farm, published by Feature Gallery. This issue includes stories by Dennis Cooper, Sam D'Allesandro, Robert Glück, Brad Gooch, Richard Hawkins, Richard House, Ishmael Houston-Jones, Hudson, Bo Huston, Gary Indiana, Kevin Killian, Manuel Ramos Otero, Gregory Kolovakos, David Sedaris, Ken Siman, Benjamin Weissman, and Bernard Welt, with cover art by Arnold Fern, and an introduction by Farmer Joe Jr. Includes contributor notes. Reference : "Hello, We Were Talking About Hudson" Edited by Steve Lafreniere, Chicago, IL : Soberscove Press, 2024. Good / Very Good. Moderate wear to covers. Contents clean and unmarked.

Original, studio-issued, 11 x 14 inch, 6 page (tri-fold) pressbook plus an 11Ó x 14Ó (double-sided) Ad Supplement for the 1974 horror film, ÒAndy WarholÕs DraculaÓ (a.k.a. ÒBlood for DraculaÓ), a far cry from either the Universal horror / Bela Lugosi or Hammer horror Peter Cushing / Christopher Lee versions, this one written and directed by Paul Morrissey, starring Joe Dallesandro (ÒAndy WarholÕs FrankensteinÓ), Udo Kier (ÒShadow of the VampireÓ; ÒBladeÓ), Vittorio De Sica, Maxime McKendry and Milena Vukotic. The folded pressbook and Ad Supplement are in near excellent condition (with an additional center fold line).

Unbound. Condition: Very Good. Original film poster. Measuring approximately 27" x 40". Folded (presumably as issued), light wear along the folds including small holes where the folds intersect, and some creasing at the corners, very good. Released in West Germany and the U.S. as *Andy Warhol's Frankenstein* and as *Flesh for Frankenstein* elsewhere, this is director Paul Morrissey's over-the-top retelling of the classic horror tale. The film was given an X rating for its explicit scenes of sex and violence; it starred Joe Dallesandro, Monique Van Vooren, Udo Kier, Arno Juerging, Dalila Di Lazzaro, and Srdjan Zelenovic.

Vintage pressbook for the 1973 film. An X-rated, Andy Warhol-produced take on Mary Shelley's 1818 classic novel, featuring Warhol superstar Udo Kier as Baron von Frankenstein, a man obsessed with creating a new Serbian race to obey his every command. Shot on location in Rome, Italy and Vojvodina, Serbia. Three pages, partially bound with a single staple at the top right corner, 19 x 12 inches. Very Good plus, with a horizontal crease affecting the center of the book, and a few small creases to the bottom left corner of the first leaf. Restored and released in 4K UHD format by Vinegar Syndrome in 2021.

Vintage borderless reference photograph from the 1979 French film, showing actress Dominique Laffin half-nude. An early effort by noted director Catherine Breillat, about a young filmmaker's aimless sexual conquests while editing her latest project. 7 x 9.5 inches. Near Fine.

Six vintage lobby cards for the 1975 French film. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene, befriending Andy Warhol and his superstars, Lou Reed, Allen Ginsberg, Patti Smith, Salvador Dali, and many others. A graduate of the Parsons School of Design, his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat, and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. An experimental film, loosely based on Lewis Carroll's "Alice's Adventures in Wonderland," about a young woman in a post-apocalyptic world who seeks refuge from a violent civil war in an abandoned château. 11.5 x 9.25 inches. About Fine. Criterion Collection 571.

Two vintage oversize borderless color reference photographs from the 1974 film. Printed labels specific to the film's French release affixed to the verso. Count Dracula travels from Transylvania to pre-fascist Italy in search of virgin blood to drink, but soon discovers there are no longer any virgins to be found in the entirety of Italy. One of Andy Warhol's two horror films (the other being "Frankenstein," released the same year on a double bill), both USA/Italy/France co-productions, and the pinnacle of his film career in terms of popularity outside avant-garde circles. Set in Italy, shot on location in Italy and Serbia. 11.5 x 8.5 inches. Very Good plus, with light wear at the corners. Severin Films 721. Criterion Collection 28.

Two vintage black-and-white double weight still photographs from the 1968 film. Both photographs feature the film's lead actor, Viva, one a head shot that is a variant on the familiar image used on the cover of Viva's later autobiography, "Superstar," the other a waist-up shot. 8 x 10 inches, white border, with film credits at the bottom margin of the recto, along with mention of the film's first distributor, Sherpix. Fine.

Vintage oversize borderless double weight color reference photograph from the 1976 film, showing a nude, wet Jane Birkin. A tomboyish waitress at a truck stop develops a crush on a gay garbage truck driver, and in spite of all odds they begin a relationship. Serge Gainsbourg's directorial debut. 11.25 x 9 inches. With sets of pinholes at the edges, else Near Fine.

Vintage borderless photograph of actress Jane Forth and producer Andy Warhol attending the German premiere of the 1970 film, which took place on February 19, 1971, in Berlin. Printed mimeo snipe affixed to the verso. Actor Joe Dallesandro's fifth film with director Paul Morrissey, and the film debuts of Factory regulars Holly Woodlawn (in a role that George Cukor unsuccessfully put forth as a write-in candidate for an Academy Award) and Jane Forth. 6 x 8.25 inches. Very Good plus, slightly wavy on the bottom edge.

Five vintage lobby cards from the Dutch release of the 1974 film. Stamps of Meteor Film on the versos, and all six with blindstamps on the corners. Count Dracula travels from Transylvania to pre-fascist Italy in search of virgin blood to drink, but soon discovers there are no longer any virgins to be found in the entirety of Italy. One of Andy Warhol's two horror films (the other being "Frankenstein," released the same year on a double bill), both USA/Italy/France co-productions, and the pinnacle of his film career in terms of popularity outside avant-garde circles. Set in Italy, shot on location in Italy and Serbia. 11 x 9 inches. Very Good plus, with pinholes and light wear at the corners. Criterion Collection 28. Severin Films 721.

Vintage oversize matte-finish borderless reference photograph from the 1976 film, showing a crying, nude Jane Birkin, with Joe Dallesandro in the foreground. Mimeo snipe on the verso. A tomboyish waitress at a truck stop develops a crush on a gay garbage truck driver, and in spite of all odds they begin a relationship. Serge Gainsbourg's directorial debut. 11.75 x 8 inches. About Fine.

Seven vintage borderless reference photographs from the 1973 film. An X-rated, Andy Warhol-produced take on Mary Shelley's 1818 classic novel, featuring Warhol superstar Udo Kier as Baron von Frankenstein, a man obsessed with creating a new Serbian race to obey his every command. Shot on location in Vojvodina, Serbia. 7 x 9.25 inches. Near Fine.

Vintage borderless reference photograph of Jane Birkin from the 1976 film. "Societe Nationale" stamp on verso. Waitress Johnny works and lives in a truck stop, lonely and longing for love. She develops a crush on the garbage truck driver Krassky, although her sleazy boss Boris warns her that Krassky is gay. Krassky likes Johnny too, perhaps because of her boyish physique. But both of them fail to notice the growing jealousy of Krassky's boyfriend Padovan, and trouble sets in. Billy Stevenson of notes in the "A Film Canon" blog: "Serge Gainsbourg directed this film based on his iconic song, and it plays as an extended gloss on that song, an attempt to visualize what was happening during those infamous sighs and pants . It is a testament to Gainsbourg's commitment to the song, and his own status as sexual outlaw, that he presents us with a film that's just as confronting and titillating some 30 years later. "[Set] against a drifting, rambling desert backdrop, part New Wave, part New Hollywood. Johnny and Krassky's attraction is sexually charged, and yet it doesn't seem to conform to their sexual proclivities.with an audioverite that makes you wonder whether these scenes [might actually] involve real sex. In its yearning to experience sex in every conceivable wayas a gay man, as a lesbian, as a man, as a woman, as pleasure, as pain[the film] ends up virtualizing it, or at least generalizing it into an undifferentiated sexual access that feels quite incorporeal, a clear forerunner to both the Cinema du Look and art porn movements." 6.5 x 9 inches. Near Fine.

Vintage one sheet poster for the 1974 film. An X-rated, Andy Warhol-produced take on Mary Shelley's 1818 classic novel, featuring Warhol superstar Udo Kier as Baron von Frankenstein, a man obsessed with creating a new undead Serbian race to obey his every command. Shot on location in Vojvodina, Serbia. 27 x 41 inches. Folded, as issue. Near Fine. Criterion Collection 27.