Johann Weinmann (349 results)

Condition: New.

Hardcover. Condition: Used; Very Good. **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Condition: New.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New. Print on Demand pp. 82.

Condition: New. Print on Demand pp. 80.

Softcover/Paperback. 31, 11 S. 31, 11 Seiten, kleines Handzeichen des Vorbesitzers, sonst sehr gut, sauber und ohne Anstreichungen. Sprache: Deutsch Gewicht in Gramm: 250.

No Binding. Condition: Very Good. 1st Edition. Mezzotint with original hand-colouring. Sheet size: 37.7cm x 24.2cm with good, wide margins to the printed image. Dating from 1737-1745, this is a plate from 'Phytanthoza Iconographia', one of the most important botanical works of the 18th century. The illustrations for this florilegium were by Georg Dionysius Ehret and the engravings by Seuter and Ridinger. It is widely considered to be the first botanical work to use colour engraved prints. Stain to top left hand corner which would be covered by a mount. Very minor age toning else in very good, bright, clean condition. Location: MAP DRAWER B: FS.…

No Binding. Condition: Near Fine. 1st Edition. Mezzotint with original hand-colouring. Sheet size: 44.8cm x 40.6cm with good, wide margins to the printed image. Dating from 1737-1745, this is a plate from 'Phytanthoza Iconographia', one of the most important botanical works of the 18th century. The illustrations for this florilegium were by Georg Dionysius Ehret and the engravings by Seuter and Ridinger. It is widely considered to be the first botanical work to use colour engraved prints. Original fold lines. Very minor age toning else in near fine, bright, clean condition.…

No Binding. Condition: Near Fine. 1st Edition. Mezzotint with original hand-colouring. Sheet size: 37.7cm x 24.2cm with good, wide margins to the printed image. Dating from 1737-1745, this is a plate from 'Phytanthoza Iconographia', one of the most important botanical works of the 18th century. The illustrations for this florilegium were by Georg Dionysius Ehret and the engravings by Seuter and Ridinger. It is widely considered to be the first botanical work to use colour engraved prints. Very minor age toning else in very near fine, bright, clean condition. Location: MAP DRAWER B: FS.…

No Binding. Condition: Near Fine. 1st Edition. Mezzotint with original hand-colouring. Sheet size: 37.7cm x 24.2cm with good, wide margins to the printed image. Dating from 1737-1745, this is a plate from 'Phytanthoza Iconographia', one of the most important botanical works of the 18th century. The illustrations for this florilegium were by Georg Dionysius Ehret and the engravings by Seuter and Ridinger. It is widely considered to be the first botanical work to use colour engraved prints. Very minor age toning else in near fine, bright, clean condition.…

No Binding. Condition: Near Fine. 1st Edition. Mezzotint with original hand-colouring. Sheet size: 37.7cm x 24.2cm with good, wide margins to the printed image. Dating from 1737-1745, this is a plate from 'Phytanthoza Iconographia', one of the most important botanical works of the 18th century. The illustrations for this florilegium were by Georg Dionysius Ehret and the engravings by Seuter and Ridinger. It is widely considered to be the first botanical work to use colour engraved prints. Very minor age toning else in near fine, bright, clean condition. Location: MAP DRAWER B: FS.…

No Binding. Condition: Near Fine. 1st Edition. Mezzotint with original hand-colouring. Sheet size: 37.7cm x 24.2cm with good, wide margins to the printed image. Dating from 1737-1745, this is a plate from 'Phytanthoza Iconographia', one of the most important botanical works of the 18th century. The illustrations for this florilegium were by Georg Dionysius Ehret and the engravings by Seuter and Ridinger. It is widely considered to be the first botanical work to use colour engraved prints. Very minor age toning else in near fine, bright, clean condition. Location: MAP DRAWER B: FS.…

No Binding. Condition: Near Fine. 1st Edition. Mezzotint with original hand-colouring. Sheet size: 43.3cm x 40.6cm with good, wide margins to the printed image. Dating from 1737-1745, this is a plate from 'Phytanthoza Iconographia', one of the most important botanical works of the 18th century. The illustrations for this florilegium were by Georg Dionysius Ehret and the engravings by Seuter and Ridinger. It is widely considered to be the first botanical work to use colour engraved prints. Original fold lines. Very minor age toning else in near fine, bright, clean condition.…

No Binding. Condition: Near Fine. 1st Edition. Mezzotint with original hand-colouring. Sheet size: 37.7cm x 24.2cm with good, wide margins to the printed image. Dating from 1737-1745, this is a plate from 'Phytanthoza Iconographia', one of the most important botanical works of the 18th century. The illustrations for this florilegium were by Georg Dionysius Ehret and the engravings by Seuter and Ridinger. It is widely considered to be the first botanical work to use colour engraved prints. Remains of tab mark removal to the upper reverse margin. Very minor age toning else in very near fine, bright, clean condition. Location: MAP DRAWER B: FS.…

No Binding. Condition: Near Fine. 1st Edition. Mezzotint with original hand-colouring. Sheet size: 37.7cm x 24.2cm with good, wide margins to the printed image. Dating from 1737-1745, this is a plate from 'Phytanthoza Iconographia', one of the most important botanical works of the 18th century. The illustrations for this florilegium were by Georg Dionysius Ehret and the engravings by Seuter and Ridinger. It is widely considered to be the first botanical work to use colour engraved prints. Very minor age toning else in very near fine, bright, clean condition. Location: MAP DRAWER B: FS.…

No Binding. Condition: Near Fine. 1st Edition. Set of three mezzotints with original hand-colouring. Sheet sizes: 37.7cm x 24.2cm with good margins to the printed images. Dating from 1737-1745, these are plates from 'Phytanthoza Iconographia', one of the most important botanical works of the 18th century. The illustrations for this florilegium were by Georg Dionysius Ehret and the engravings by Seuter and Ridinger. It is widely considered to be the first botanical work to use colour engraved prints. Very minor age toning else all in near fine, bright, clean condition. Location: MAP DRAWER B: FS.…

No Binding. Condition: Near Fine. 1st Edition. Set of three mounted mezzotints with original hand-colouring. Sheet sizes: 37.7cm x 24.2cm with good margins to the printed images. Mount sizes: 42.8cm x 30.8cm. Dating from 1737-1745, these are plates from 'Phytanthoza Iconographia', one of the most important botanical works of the 18th century. The illustrations for this florilegium were by Georg Dionysius Ehret and the engravings by Seuter and Ridinger. It is widely considered to be the first botanical work to use colour engraved prints. Very minor age toning else all in near fine, bright, clean condition. Location: MAP DRAWER B: FS.…

No Binding. Condition: Near Fine. 1st Edition. Set of five mezzotints with original hand-colouring. Sheet sizes: 37.7cm x 24.2cm with good margins to the printed images. Dating from 1737-1745, these are plates from 'Phytanthoza Iconographia', one of the most important botanical works of the 18th century. The illustrations for this florilegium were by Georg Dionysius Ehret and the engravings by Seuter and Ridinger. It is widely considered to be the first botanical work to use colour engraved prints. Very minor age toning else all in near fine, bright, clean condition.…

Hardcover. 1735-1745. Ränder minimal gebräunt, die Innenseite mit kleinem Ausriß im weißen Rand, unterhalb des Plattenrandes kleine Überklebung (Basters Kers. B.), Plattenrand unten in der Mitte ca. 5 cm eingerissen.

No binding. Original copper engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner. In very good to excellent condition. 320 by 210mm (12½ by 8¼ inches). 320 by 210mm (12½ by 8¼ inches).…

No binding. Original copper engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner. In excellent condition. 320 by 210mm (12½ by 8¼ inches).…

No binding. Original copper engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner. In very good to excellent condition. 320 by 210mm (12½ by 8¼ inches).…

No binding. Original copper engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner. In very good to excellent condition. 320 by 210mm (12½ by 8¼ inches). 320 by 210mm (12½ by 8¼ inches).…

No binding. Original copper engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner. In very good to excellent condition. 320 by 210mm (12½ by 8¼ inches). 320 by 210mm (12½ by 8¼ inches).…