Search preferences
Skip to main search results

Search filters

Product Type

  • All Product Types 
  • Books (1)
  • Magazines & Periodicals (No further results match this refinement)
  • Comics (No further results match this refinement)
  • Sheet Music (No further results match this refinement)
  • Art, Prints & Posters (No further results match this refinement)
  • Photographs (No further results match this refinement)
  • Maps (No further results match this refinement)
  • Manuscripts & Paper Collectibles (No further results match this refinement)

Condition Learn more

  • New (No further results match this refinement)
  • As New, Fine or Near Fine (1)
  • Very Good or Good (No further results match this refinement)
  • Fair or Poor (No further results match this refinement)
  • As Described (No further results match this refinement)

Binding

  • All Bindings 
  • Hardcover (No further results match this refinement)
  • Softcover (No further results match this refinement)

Collectible Attributes

Language (1)

Price

  • Any Price 
  • Under US$ 25 (No further results match this refinement)
  • US$ 25 to US$ 50 (No further results match this refinement)
  • Over US$ 50 
Custom price range (US$)

Seller Location

  • Seller image for Quinti Horatii Flacci Opera for sale by Burnside Rare Books, ABAA

    Horace; John Pine [Engravings]

    Published by Aeneis Tabulis Incidit, Iohannes Pine, London, 1733

    Seller: Burnside Rare Books, ABAA, Portland, OR, U.S.A.

    Association Member: ABAA CBA ILAB

    Seller rating 5 out of 5 stars 5-star rating, Learn more about seller ratings

    Contact seller

    First Edition

    US$ 4,800.00

    Free Shipping
    Ships within U.S.A.

    Quantity: 1 available

    Add to basket

    Condition: Near Fine. First Edition. 1733, 1737. Two volumes. First edition, first issue with "post est" error in the Caesar medallion on page 108 of Volume II. In a lavish full brown morocco binding with five raised bands and ornate gilt stamping to spine, borders on covers, wide turn-ins and beautifully patterned endsheets; all edges gilt. Near Fine, with a light amount of rubbing to joints, spines lightly faded, a scuff to the front cover of Volume II and small former owner bookplates of noted collector Abel E. Berland to the front pastedowns. Pine's Latin text was based on Talbot's 1699 edition, and is remarkable for being entirely illustrated with engraved copper plates throughout the text.