John Relyea (53 results)

Hardcover. Condition: Good. No Jacket. John Jackson, C.M. Relyea (illustrator). First Edition. Vintage romance novel! Hard cover edition. 229 pages. Dimensions: 5.25" by 7.5". Published by A.L. Burt Company, Publishers, New York. 1st edition, 1910. Color illustrations. Multi-Color binding. Cover defect(s): Some fading. Slight corner/edge damage. Page defect(s): Some writing. Some dog eared pages. 2 Pound Shipping Rate. Genre(s): Historical Fiction / Romance.

Hardcover. Condition: Very Good. No Jacket. M. RELYEA (illustrator). NICE COPY FAIRLY NEW WITH ONLY DEFECT WRITING AND INK STAMP OF OLD OWNER ON FRONT ENDPAPER.

Hardcover. Condition: Good. No Jacket. Relyea, C. M. ;Jackson, John (illustrator). Early printing, stated 'Published, October, 1910' with indication this is the print date for this copy. Less expensive, popular, printing because no color in illustrations on cover and in book (although title page says ". Illustrations in Color"). Interior is tight, clean and unmarked, although ffep has been torn out leaving front gutter torn. Hardcover has blue cloth boards with gold lettering and design, but no DJ.

Cloth. Condition: Very Good. No Jacket. Relyea, C. M.; Jackson, John (illustrator). First Thus. 229pp. Tan cover with black titles and black, green, red and white decoration. Four color plates. Gift inscription on the front end paper. K10.

Cloth. Condition: Very Good. No Jacket. Relyea, C. M.; Jackson, John (illustrator). First Thus. 229pp. Tan cover with black titles and black, green, red and white decoration. Four color plates. Gift inscription on the front endpaper. E6.

Pictorial Cloth. Condition: Good. No Jacket. Relyea, C. M.; Jackson, John (illustrator). The book is good with some edge wear, bumped at corners, three very small closed tears at top edge of the ffep and original booksellers sticker on the ffep.

Soft cover. Condition: Very Good. Thomas Mitchell Page, Thomas Mitchell, R. Marvin Wilcox, Charles Sarka, C. M. Relyea, Max F. Klepper (illustrator). This is a nicely preserved issue of the June 1903 "Cosmopolitan Illustrated Monthly Magazine" . There is a lot to digest in this old periodical. There is an article on gateways for residential structures, most of which seem to be fairly ostentatious and posh. As to women's fashions, "Floral Head-dresses", is illustrated with photographs of young women wearing floral things on their heads. On a more serious front, Edward Everett Hale discusses Old-Age Pensions. There is a fine article on George Cadbury's creation of Bourneville, an utopian English town. "Mankind in the Making", a serialized work by H. G. Wells, is continued. There is plenty of fiction, a smattering of poetry, and a great deal of period advertising, covering just about anything you could imagine, including automobiles, cameras, typewriters, fashion, foods, medical curiosities, and more. TABLE OF CONTENTS : - The Rose of Yesterday and Today - by Katherine V. C. Matthews - Gateways : Artistic and Characteristic - by Phebe Westcott Humphreys - Floral Head-dresses - by Mrs. Wilson Woodrow - A Wary Campaigner - Story by Francis Willing Wharton - Making a Choice of a Profession : Journalism - by Albert Shaw - The Luck of the Three Sevens ? Story by R. H. Farnham - Old-Age Pensions ? by Edward Everett Hale. (Hale, Unitarian minister, author, & social worker. Mostly. remembered today for his story, "The Man Without a Country") - Barlasch of the Guard - Continuation of a Serialized Novel by Henry Seton Merriman - The Sugar-Beet in the United States - by William R. Lighton & Charles E. Duffie - An English Garden City - by Annie Diggs. (Article on Bourneville, a utopian village designed by George Cadbury, of Cadbury Chocolate fame - The Betrothal of Elypholate Yingst - story by H. R. Martin - Captains of Industry - Biographies of George Gilbert Williams, William Barclay Parsons, Baron Strathcona) - An Equinoctial Disturbance - story by Trumbull White - Mankind in the Making - Continued : Love and the Cultivation of the Imagination - by H. G. Wells - How to Care for the Sick in the Home - by Mary E. Thornton - Men, women , and Events - by F. W. Burry, Antoinette Van Hoesen, Julian Hawthorne, and John Brisben Walker - Poems by Ella Wheeler Wilcox, Caroline Stern - Pictures by Thomas Mitchell Page, Thomas Mitchell, R. Marvin Wilcox, Charles Sarka, C. M. Relyea, Max F. Klepper TITLE : The Cosmopolitan, An Illustrated Monthly Magazine ISSUE : Vol. XXXV, No. 2 DATE : June 1903 EDITOR : John Brisben Walker IMPRINT : Hurst & Co. PHYSICAL DETAILS : Antique Monthly Periodical; Contains numerous illustrations, including line drawings and halftone photographs; contains numerous pages of advertising; volume pp 121 - 236 (116 pp), plus 64 pages of front and back material (mostly advertising); approx. 6 7/8" x 9 3/4", decorated wraps, stapled and glued. Front cover has title, etc., and Table of contents, printed in black and red; rear cover has illustrated advertising, printed in red and black. Insides of covers, front and back, have advertising. CONDITION - VERY GOOD - This antique periodical is previously owned, but is complete and intact - clean and attractive , with the following particulars noted : EXTERIOR : Spine is slightly darkened, with extremities chipped and wrinkling sporadically along the spine's length ; cover edges display small nicking and minute tears; front cover surface rub is modest, and there is weathering around the edges. BINDING : Solid - no leaves are detached or loose. INTERIOR : There are a few bumped corner tips, and some top corner creases, else the issue is clean and unmarked.

Paperback. Condition: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Paperback. Condition: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

131 pp.; 21.5 x 17.8 cm.; glue bound; black-and-white & color; edition size 2000; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show and corresponding symposium held April 18 - May 10, 1986. Project directed and edited by Patti Podesta. Contributions by Joy Silverman, Patti Podesta, Jean Baudrillard, Douglas Hall, Lyn Blumenthal, Bruce and Norman Yonemoto, Dara Birnbaum, John Sanborn, Jon Wagner, William Olander, David James, Chris Dercon, Amy Taubin, Peter Rainer, Beverle Houston, and Lane Relyea. Good. Rubbing of covers and cover edges. 1 cm. dog-ear to bottom right corner of recto. Includes an inserted errata sheet with bumping of top and bottom edges and light tearing of bottom edge. Contents clean and unmarked.

Hardcover. Illustrated by Relyea, C. M.; Jackson, John (illustrator). First Edition. 229pp. Original pictorial cloth stamped in brown, red and green. Color frontispiece and five inserted plates with illustrations by C. M. Relyea and John Jackson. Light wear to extremities, two leaves with small smudges to the edges, mild foxing to endpapers. A very good+ copy. ; Octavo.

hardcover. Condition: Very good condition. In very clean condition. Ships quickly.

Condition: acceptable. Fairly worn, but readable and intact. If applicable: Dust jacket, disc or access code may not be included.

Condition: acceptable. Used - Acceptable: All pages and the cover are intact, but shrink wrap, dust covers, or boxed set case may be missing. Pages may include limited notes, highlighting, or minor water damage but the text is readable. Pages may include limited notes and highlighting, but the text cannot be obscured or unreadable. Any access codes or passwords originally included with the book may be expired, used or no longer valid. Image is stock photo and cover art edition may be different than pictured.

Hardcover. Condition: Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Condition: Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Condition: Near Fine. No Jacket. C.M. RELYEA & JOHN JACKSON (illustrator). Later Edition. FIRST A. L. BURT PRINTING. BOOK SLIGHTLY FOXED TOP EDGE. NON AUTHORIAN INSCRIPTION FRONT END SHEET. SMALL STAMP BACK END SHEET.

Condition: Very Good. Limited Copies Available - Very Good Condition - May have school stamp and/or student names - May have some cover wear - DOES NOT INCLUDE ANY CDs OR ACCESS CODES IF APPLICABLE.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. C.M. RELYEA and John JACKSON (illustrator). Vintage Reprint Edition, ca. 1910. Decorated binding; designer not attributed. DJ intact; no initial sales price data provided. Some age-commensurate browning of the pages; otherwise, text is clean and pages unmarked. Illustrated with a frontispiece and three additional full-page drawings in black-and-white by C.M. RELYEA and John JACKSON; 229 pages. Measures 5.25" x 7.75". This book has been reissued many times in many formats, but why buy a paperback version when you can own a copy in an early original state. More images and/or description can be sent on request. Condition: Near Fine in a Very Good+ DJ.

Paperback. Condition: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Condition: New.

Condition: New.

Hardcover. Condition: Good. We only honor returns for quality issues and won't accept reasons such as 'change my mind', 'find a better price', or 'school book requirement change', etc.

Condition: Fine. Multiple Copies Available - Like New/Mint Condition - DOES NOT INCLUDE ANY CDs OR ACCESS CODES IF APPLICABLE - May have barcode or school stamp.

Condition: good. This book is in good condition. The cover has minor creases or bends. The binding is tight and pages are intact. Some pages may have writing or highlighting.

Condition: very_good. This book is in Very Good condition. The cover and pages have minor shelf wear. Binding is tight and pages are intact.

Hardcover. Condition: New.

dvd. Auflage: Standard Version,. 211 min, Die DVDs sind in einem guten Zustand. Altersfreigabe FSK ab 18 Jahre Sprache: Englisch Gewicht in Gramm: 79.

Condition: New. In.

Condition: As New. Unread book in perfect condition.