Joseph Kosuth, Signed (18 results)

Softcover, 290 pages; very good condition; clean and crisp; signed by artist on first page "Printed Matter, Joseph Kosuth" but signature is virtually illegible; no other internal marks. The pen marks have partially rubbed off on the inside front cover. A copy signed for the Printed Matter bookstore in New York City.

Hardcover with dustjacket, 290 pages; very good condition; light rubbing to dj; inscribed and signed by Joseph Kosuth on first blank page (although his signature is virtually illegible); no other internal marks.

Hardcover. Condition: Very Good. No Jacket. 1st Edition. Signed limited first edition. Hard bound no dust jacket. One of 100 copies in the limited edition numbered edition signed by Joseph Kosuth on the first white page. Some minor shelf wear, otherwise very good. Interior clean and binding sound. Rare! Signed by Author(s).

Hardcover. Condition: Near fine condition. Dust Jacket Condition: Near fine condition (DJ). First Edition. xvi, 148 pages of text. Hardcover binding in almost new condition. Unclipped dustjacket with minimal shelfwear, in almost new condition; protected in archival mylar. Signed and inscribed on the half-title page "To.Thanks for the conversation! [signed] Joseph Kosuth Chicago 20.VI.92." Numerous illustrations. The text is clean and unmarked. First edition. Size: Quarto (4to). Signed by Author(s). Book.

Encuadernación de tapa dura. Condition: Como Nuevo. Ejemplar n. 97 de una edición limitada de 150 firmados y numerados por Kosuth. Textos en inglés (ENGLISH). 134 pp. de textos + imágenes. Cartoné dentro de cajetín de cartón. 23,5 x 16 cm. Firmado por el autor.

Original-Pappband. Condition: Gut. 1. Auflage. auf Vorsatz mit langer Widmung , Ort und Datum signiert von dem amerikanischen Konzeptkünstler Joseph Kosuth (*1945). Der Katalog zur Ausstellung ist aus schwarzen Karton, darauf die Widmung mit Signatur mit Silberstift geschrieben. ohne Seitenangabe, leichte Gebrauchspuren, signed by artist Size: gr. 8 °. Vom Künstler signiert. Buch.

Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. 1st Edition. NY: The New Press/The Brooklyn Museum, 1992. First edition. Xv, 148pp.; color plates; b&w illus. 4to. Black boards; black quarter-cloth; silver spine titles; dust jacket. About fine in a near fine, unclipped jacket with light edge crumpling and mild toning to interior. Signed, dated and inscribed by Kosuth to ffep. Laid in are a press sheet and exhibition guide for Kosuth's 2015 show, "Agnosia, an Illuminated Ontology," at Sean Kelly Gallery, and a color photograph of Kosuth, presumably taken at the same event. Book documenting an exhibit about censorship by American conceptual artist Joseph Kosuth (b. 1945). "Using artworks drawn from the permanent collection of The Brooklyn Museum, "The Play of the Unmentionable" showed graphically how public and institutional ideas of obscenity and artistic value have changed throughout history?and continue to change today" (front flap). Inscribed by Author(s).

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. First edition first impression (this being 56 from an edition of 750) signed with dedication to blank endpage, there is toning to pages. no other markings, jacket in removable protective sleeve. Signed by Author(s).

Soft cover. Condition: Very Good. 1st Edition. RARE! SIGNED and INSCRIBED by Joseph Kosuth on front free end page. First edition. Bound in flexible card wraps in dust jacket. Important artist's book. Jacket shows some soiling, otherwise very good. Boards show some minor soiling, otherwise very good. Inscribed by Author(s).

Brossura. Condition: ottimo. prima edizione. KOSUTH Joseph (Toledo 1945) Abridged in Ghent, Belgium, Imschoot, Uitgevers for IC, [Printer: Imschoot-Gent], 1992, 21x14,5 cm, publisher's hardcover binding, pp. 176, artist book containing 27 black and white photographs taken by various photographers mentioned in the volume. The work is a facsimile of the text "Letters from Ludwig Wittgenstein With a Memoir" by Paul Engelmann and includes a series of letters and memoirs written to his friend Ludwig Wittgenstein. The text pages are printed with light tones of print as the background of the black and white plates, some of which are applied to the page. Polemical work and condemnation against the policies of "urban and architectural renewal", responsible for having erased the historical memory of many cities. The photographs document the progressive destruction of the city of Ghent originating from speculative real estate strategies. Edition of 1000 copies. Copy with a beautiful autograph dedication by the artist on the title page. [Bibliography: Röder 2002: pp. 150 - 153]. Autografato dall'autore.

kl.-8°,260 S. mit einigen Abbildungen und einem farbigen Leporello im hinteren Innendeckel, Orig.-Pappband. Erste Ausgabe.- Venice Biennale XLV International Art Exhibition, Pavilion of Hungary.- Auf Vortitel eigenhändige Widmung von Kosuth.- Text Ungarisch / Englisch / Italienisch.

Rilegato. Condition: molto buono. Joseph Kosuth. Rossini in Turkey. Borusan Art Gallery. Istanbul settembre 1999. Testi di AAVV. Lingua turco/inglese. Apparati. Dedica e firma autografa dell'artista. Formato cm. 23 x 21. Pagine 48. B/N. Peso kg 0,330. Copertina rigida con sovraccoperta fustellata. Condizioni buono-ottime. Normali segni del tempo. Autografato dall'autore.

senza rilegatura. Condition: ottimo. prima edizione. KOSUTH Joseph (Toledo 1945) without place), Joseph Kosuth Studio, 1994, 10x15,2 cm, original photo with a portrait of the artist, printed in color on AGFA paper. Example with the embossed writing "1994 Joseph Kosuth. Studio". Handwritten signature by the artist on the back of the photo. Autografato dall'autore.

Joseph Kosuth - Mondriaan - 1996 *** This photograph by Joseph Kosuth features a quotation by Piet Mondrian: ?Conventie, een soort herinnering, is het grootste beletsel om te genieten van leven en kunst? (?Convention, a kind of memory, is the greatest obstacle to enjoying life and art?). *** The screenprint is signed and numbered on the reverse - visible through its plexiglass back. ***From a highly limited edition of only 40. *** Published by Peninsula Foundation *** Joseph Kosuth (1945?) is an American conceptual artist, widely regarded as one of the pioneers of Conceptual Art. His work often explores the relationship between language and meaning, drawing on philosophy, semiotics, and art theory. *** Professionally presented, by our own frame-shop, housed in an exclusive Plexiglass showcase, which can be presented standing or hanging. Size showcase : approx.40 × 50 x 4 cm *** Worldwide deliveryis also offered, providing a seamless acquisition process for international buyers *** For further details regardingpricing, authentication, handmade framing, and global delivery options,pleasecontact us. *** Shipment worldwide from EU-Country.

Brossura. Condition: ottimo. prima edizione. KOSUTH Joseph (Toledo 1945) London, 1994, 20,9x9,5, paperback with papers of various weights and qualities, [108], artist's book with cover and die-cut pages alternating with text pages printed on transparent opaque paper or entirely illustrated with black and white photographic images. The spaces and elements of the library were used by Kosuth for an installation which still remains in the same rooms. The reproduced texts are taken from eighteenth-century philosophical volumes conserved in the "Voltaire Room" of the Taylor Institution (Oxford University) and exhibited in the room or extemporaneous quotations and philosophical considerations by the artist. Overall circulation of 1000 copies. Copy in the special edition of 250 numbered copies (10 out of 250), signed by the artist. Autografato dall'autore.

No Binding. Condition: Very Good. 24 x 40 inches. two colour lithograph on black paper. Edition of 50, signed and numbered by the artist, bearing impressed mark from the studio. Designed by Kosuth and produced at the Joseph Kosuth Studio. Used as a poster to announce an exhibition of books by artists at Imschoot, Uitgevers and the Art Information Centre, Rotterdam. Signed by Author(s).

Polaroid-Photo, eigenhändig signiert.

Autogrammkarte (blanko), eigenhändig signiert - mit s/w-Reproporträtfoto unter matthellblaues Passepartout (4°) gerahmt.