June Gallery (105 results)

0 Very good. light shelfwear, ex-museum stamp to blank flyleaf.

Condition: Good. Well-illustrated (illustrator). [ No Hassle 30 Day Returns ][ Ships Daily ] [ Underlining/Highlighting: NONE ] [ Writing: NONE ] [ Edition: First ] Publisher: Whitney Museum of American Art in association with Norton Pub Date: 1/1/1986 Binding: Hardcover Pages: 228 First edition.

Condition: Good. 1950 National Gallery, 174 pages, softbound wraps, creases on spine- sewn binding cracked at least twice internally- nothing loose, bump at top corner effects corner margins, wear at edges, name blacked out on cover is only marking found, spine has tanning & small-faint stain.

Small 4to; black and white pictorial stiff covers; softcover; 87 pages; text by LLoyd Goodrich; black and white illustrations; sunned and edgeworn covers with slightly sunned pages else a very good clean tight copy.

Small square 4to., pictorial wraps, softcover; (12) pages. black & white illustrations; sunned covers with one soil spot on the back cover else a very good tight clean copy.

small 4to., stiff blue wraps; 250 b&w plates; light edgeworn covers else very good.

Paperback. Condition: Good. June Kelly Gallery. Paper covers, 24 pp. Catalog of an exhibition held in New York, 1998, at June Kelly Gallery. Color illustrations, 25 x 25 cm. In good condition. Green paper covers have light bumping and creasing to edges and corners. 3/4" scuffed patch on top corner of front cover from where price sticker was removed taking some of the color with it. Light overall scuffing to covers as well. Binding tight. Pages clean and unmarked. Includes 9 single page full color reproductions, intro by Gerrit Henry, and Exhibitions and privately held collections lists. [From Intro] Carmen Cicero had not yet decided on the right adjective five to describe his big, bold, near-fatally beautiful, funnily dreamy new canvases, although he had been searching through some of his own suggestions, "trying to find out what kind of painting this is," he said, in a reflective mood. A painter does not necessarily need to know intellectually what he is doing visually. But Cicero is an extremely intelligent, self-aware, and art-aware kind of painter. "First, it's existential??by which I mean, there's a degree of alienation to it, a standing-back from the painting in a detached way." Cicero proffers a few more words from a small piece of paper. "Romantic.evocative. slightly surreal." Then, suddenly, he hits on the first adjective upon which we both most totally concur: "Visionary?? "Visionary" means, among other interesting things, "unreal; imaginative. Also interesting is the title Cicero has given?not entirely coincidentally?to this show of new work, "Unseen Events." But, wait. How can you hope, even in representational art to paint-to see-the unseen let alone make an event of it?

Paperback. Condition: Very Good.

Softcover. Condition: VG. Grey wraps. 155 pp. 110 bw plates. With 110 prints (intaglios, relief prints, lithographs) representing the best graphic artists such as George Bellows, Edward Hopper, John Marin, John Sloan, Beatrice Wood, Jan Matulka, Werner Drewes, and many more. Published to accompany a traveling exhibition. A fresh look at a lively and underappreciated art form. Amazingly clear and detailed plates. Contents as follows: Acknowledgments / Serena Rattazzi -- Preface / David W. Kiehl -- "I hear American singing" : modes of expression in American prints / David W. Kiehl -- The American printmaker comes of age / Karen F. Beall -- Catalogue -- Biographies of the artists / Margaret W. Doole -- Index of the artists.

Softbound. Light blue wraps. 39 pp. 21 bw plates. Lists 120 works by more than 100 artists.

Softbound. Condition: VG. Color illustrated wraps. 23 pp. 12 large color plates, 6 or so smaller bw plates and photographs. Keith Sonnier exhibition from April 29 - June 3, 2000. Essay by Kathryn Dean.

Paperback. Condition: Very Good. Softcover and dust jacket. Good binding and cover. Edge wear. Some soiling to jacket. Clean, unmarked pages. David Nash works primarily with wood; copses are grown and manipulated to form domes and grids of saplings; fallen trees are carved and charred to make sculpture. He documents his progress through drawings, film, photographs and more recently, pastel stencil editions, which reflect the natural formations and shapes in his sculpture.

Small 4to; stiff pictorial wraps with decorative inside covers; softcover; 96 pages; color and black and white illustrations; with support of the Cooper-Hewitt Museum, The Smithsonian Institution's National Museum of Design in New York, under the High Patronage of Mme. Minister Hertha Firnberg, the Austrian Federal Ministry for Science and Research, Vienna; lightly sunned covers else a very good clean tight copy.

Soft Cover. Condition: Fine. Owen Gallery, New York: April 20 to June 28, 2002. Soft cover. Fine.

Soft cover. Condition: Very Good. 1st Edition. Excellent condition soft cover, unbroken spine, unmarked text, light edge wear, Ships from Berlin Bookshop Bxn08.

Condition: Good. Good condition. (pablo picasso, catalogs) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

8vo.; illustrated stiff wraps, softcover; color illustrations; very good.

Oblong 16mo.; stiff wraps with stapled binding, softcover; 48 pages; black and white illustrations; very lightly edgeworn else very good.

Softcover. Bw wraps. 24 pp. 7 color, 11 bw plates. Catalogue lists 73 works, with biographical chronology. Contains two essays by the artist, 'Nothing is mean' and 'Communication on the wall', translated from the Spanish. VG- (slight wear to wraps and bumping to corners).

Softcover. Color wraps. Appx. 44 pp. 8 bw, 28 color plates. The illustrated checklist of 38 works is accompanied by a list of exhibitions, writings, and other activiites of the artist. VG, two small labels at corners of cover.

Hardcover. Condition: VG. Black cloth; Color pictorial dj.; 254 pp.; 135 photos, 127 bw, 8 color. Includes essay by Jane Livingston; Accompanied a traveling exhibition of war photography that appeared at the Grey Art Gallery and Study Center; Institute for the Arts, Rice Museum; and the Corcoran Gallery of Art.

Softcover. Condition: VG. White wraps. 64 pp. Numerous mostly color plates. Includes a lengthy essay by Percy North which follows the artist's life and career. Also conatins a biographical chronology and many wonderful color plates.

Softbound. Condition: VG, ex art library very clean. Wraps. 64 pp. 28 bw plates. The Third Biennial exhibition. 28 artists represented by at least 90 works. These 28 artists and their works were selected from more than 200 entries. Edition limited to 500 copies.

Softcover. Condition: VG. Color wraps. 207 pp. 144 color plates. Text by Anne Hollander, examining how artists have used clothing and drapery as elements in their paintings to give emphasis and emotional force to their figures. Draws on works by artists over a span of six centuries. Beautiful illustrations . "This book examines how artists have used clothing and drapery - real and imagined, sacred and secular - as elements in their paintings to give emphasis and emotional force to their figures." "Drawing on works by artists over a span of six centuries as well as fashion plates, photographs and film stills, the author shows how drapery in painting evolved in the period following the Renaissance, becoming ever more flamboyant and theatrical, before the revolution of taste at the end of the eighteenth century saw a return to Neoclassical ideals of simplicity in art and dress."--Jacket. Contents: Cloth of Honour -- Liberated Draperies -- Sensuality, Sanctity, Zeal -- High Artifice -- Romantic Simplicity: Women -- Romantic Simplicity: Men -- Restraint and Display -- Nude and Mode -- Woman as Dress -- Form and Feeling.

Hardcover. Condition: VG- light shelfwear. Pictorial boards with white lettering in blue plastic slipcase. 60 pp. Profuse color plates. Contributions by David Levy, Stacey Schmidt and Ferdinand Protzman. Instructions on "How to Paint a Mural in Your Basement," by Newman as told to Casey Smith.

paperback. Condition: Good. Stapled gallery catalogue Light marking on front cover Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Standard-sized.

Soft cover. Condition: Very Good. David Nash's sculpture works from 1971 to 1990 are documented in this comprehensive catalog, highlighting his innovative use of natural materials and environmental themes. The publication offers detailed insights into Nash's evolving artistic techniques and conceptual approach. From the library of John Russell Taylor.

Condition: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Paperback. Condition: VG. Pict. wraps. 12 pp. 3 bw, 10 color plates. Essay by Sheila Dugan. Catalogue lists 62 paintings and prints. Nice plates.

Paperback. Wraps. 20 pp. 8 color plates. Introductory essay by David Bourdon. Checklist of 9 works in the exhibition. VG, label on upper left corner of cover.