Katie Pfohl (22 results)

Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condition: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condition: Like New. Never used! Light wear to corners/edges from shelving. Wholesale pricing available via Amazon business.Never used! Light wear to corners/edges from shelving.

Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Condition: New. Brand new.New.

Condition: New. Brand New.

Condition: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

Condition: New.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or limited writing/highlighting. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: new. Paperback. The 1920s through 1950s was a time of vibrant artistic connection between Louisiana and Mexico. During this period, a series of acclaimed Mexican art exhibitions brought the culture of modern Mexico to Louisiana. By 1928, the New Orleans Times-Picayune had proclaimed Mexican artist Diego Rivera ""the greatest painter on the North American continent"" and encouraged Louisiana artists to take counsel from modern Mexican art. Louisianan artists such as William Spratling, Caroline Durieux, Alberta Kinsey, and Conrad A. Albrizio began traveling to Mexico to learn from Mexican artists such as Rivera, Jose Clemente Orozco, Ruffino Tamayo, and Carlos Orozco Romero, with whom they became friends, colleagues, and frequent collaborators.In spring of 2015, the LSU Museum of Art in Baton Rouge, LA presented Mexico in New Orleans: A Tale of Two Americas, the first major museum exhibition to explore this artistic exchange. The exhibition featured more than 80 works, drawn from the LSU Museum of Art's collection, by Diego Rivera and Caroline Durieux, as well as paintings, drawings, prints, sculpture, furniture, and decorative objects by artists like David Alfaro Siqueiros, Boyd Cruise, Elizabeth Catlett, and William Spratling borrowed from public and private collections, including the Historic New Orleans Collection and the Latin American Library at Tulane University. The richly illustrated bilingual exhibition catalog tells the story of a decades-long dialogue between Mexican and Louisianan artists that has generated artistic affinities that persist into the present. In spring of 2015, the LSU Museum of Art in Baton Rouge, LA presented Mexico in New Orleans: A Tale of Two Americas. The exhibition featured more than 80 works, drawn from the LSU Museum of Art's collection. The richly illustrated bilingual exhibition catalog tells the story of a decades-long dialogue between Mexican and Louisianan artists. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: Brand New. bilingual edition. 84 pages. 8.75x10.75x0.25 inches. In Stock.

Condition: New.

Condition: New.

Softcover, 144 pages; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. First Edition. Book condition is Very Good+ in decorated boards. Text is clean and unmarked, still in factory shrink wrap. ; Philadelphia Museum of Art; 11.40 X 8.90 X 1.40 inches; 288 pages.

Condition: New. In spring of 2015, the LSU Museum of Art in Baton Rouge, LA presented Mexico in New Orleans: A Tale of Two Americas. The exhibition featured more than 80 works, drawn from the LSU Museum of Art s collection. The richly illustrated bilingual exhibition catal.

Taschenbuch. Condition: Neu. Neuware - The 1920s through 1950s was a time of vibrant artistic connection between Louisiana and Mexico. During this period, a series of acclaimed Mexican art exhibitions brought the culture of modern Mexico to Louisiana. By 1928, the New Orleans Times-Picayune had proclaimed Mexican artist Diego Rivera ''the greatest painter on the North American continent'' and encouraged Louisiana artists to take counsel from modern Mexican art. Louisianan artists such as William Spratling, Caroline Durieux, Alberta Kinsey, and Conrad A. Albrizio began traveling to Mexico to learn from Mexican artists such as Rivera, Jose Clemente Orozco, Ruffino Tamayo, and Carlos Orozco Romero, with whom they became friends, colleagues, and frequent collaborators.In spring of 2015, the LSU Museum of Art in Baton Rouge, LA presented Mexico in New Orleans: A Tale of Two Americas, the first major museum exhibition to explore this artistic exchange. The exhibition featured more than 80 works, drawn from the LSU Museum of Art's collection, by Diego Rivera and Caroline Durieux, as well as paintings, drawings, prints, sculpture, furniture, and decorative objects by artists like David Alfaro Siqueiros, Boyd Cruise, Elizabeth Catlett, and William Spratling borrowed from public and private collections, including the Historic New Orleans Collection and the Latin American Library at Tulane University. The richly illustrated bilingual exhibition catalog tells the story of a decades-long dialogue between Mexican and Louisianan artists that has generated artistic affinities that persist into the present.…

Hardcover. Condition: Brand New. 250 pages. 11.25x9.00x1.25 inches. In Stock.

Hardcover. Condition: Brand New. 271 pages. 12.00x10.00x1.00 inches. In Stock.

Hardcover. Condition: New.

Hardcover. Condition: VG. Black boards with large tipped in color illustration on metallic plate. 99 pp. Bw and color illustrations. Inscribed by artist. 'George Dunbar: Elements of Chance' is the first comprehensive museum retrospective for the artist George Dunbar, who played a pivotal role in introducing abstract art to the South. The exhibition tells the story of one of Louisiana's most beloved and important artists, and also chronicles the region's first encounter with abstraction. It explores the evolution of Dunbar's art from his early action paintings from the 1940s and 1950s to his morst recent work in clay relief.…