Kazuko Nakane (40 results)

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Wraps. Condition: Very Good -. 87pgs, ill, nice copy with slight edgewear.

Paperback. Condition: Good. y First printing. It's a preowned item in good condition and includes all the pages. It may have some general signs of wear and tear, such as markings, highlighting, slight damage to the cover, minimal wear to the binding, etc., but they will not affect the overall reading experience.

Paperback. Condition: Very Good. minor wear to wraps. Text and images unmarked.

Trade Paperback. Condition: Very Good+. Dust Jacket Condition: None. 8.25 X 0.25 X 8.25 inches; 88 pages.

Condition: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Soft cover. 1st. tiny tear at bottom of front cover, small notation on front cover. This catalog was published in conjunction with an exhibition organized by the Wing Luke Asian Museum September 9, 1994 through January 15, 1995. 40 works in the exhibition of which 18 are illustrated. The second part of this publication is the directory of Asian American Artists in Washington and Oregon (1900-1975) compiled for the Archives of American Art. 88pp 0.65lb 8.0x8.0x0.2in.

Softbound. Condition: Very Good. Oblong octao, paper covers, 88 pp., b/w photos, b/w and color reproductions, directory Directory compiled by Alan Lau and Kazuko Nakane.

Trade Paperback. Condition: Fine. First Edition. First Printing with a complete numberline. Oblong 10 x 9 in. 80pp., including bibliography, biographical note and exhibition checklist. More than fifty illustrations, including forty in color. Stiff illustrated wraps with gatefold flaps; a Fine copy, as New. // 'Artist Frank Okada played a significant role in the modern art history of the Pacific Northwest. Born a Nisei in 1931, he was raised in Seattle's International District and throughout his life retained its influences and his vivid memories in his art. From his first painting award - received at the Washington State fair - until his death in 2000, he worked at the confluence of regional art, Asian culture, and national art movements. At the beginning of his career, Okada received a series of prominent fellowships - John Hay Whitney in 1957, Fulbright in 1959, and Guggenheim in 1966-67. He was greatly influenced by the artists he met and was a close observer of the art scenes in New York, Paris, and Kyoto in an effort to find his own style of painting. He began teaching painting at the University of Oregon in 1969, a tenure that lasted almost thirty years. His work from the seventies, eighties, and nineties balanced forms and colors in intensely worked surfaces. The color blocks gradually became more intellectually structured and his compositions more expressive as he made his colors more powerful. As Nakane notes, 'without recognizable reference to nature or his own personality, he created a texture that brought light to a field of color. . . . In order to appreciate his paintings, one needs to spend time observing how the colors respond to the changes of light throughout the day.' ~ from the publisher.

Condition: As New. Unread book in perfect condition.

paperback. Condition: As New. Book is in excellent condition, text is unmarked and pages are tight.

paperback. Condition: Very Good. First Edition. Lightly read if read at all. No markings in book. Binding is tight. 80pp.

Softcover. Condition: Very good. 88p. The Asian American Artists Directory lists Washington and Oregon artists. Published on the occasion of an exhibition organized by the Wing Luke Asian Museum, Sept. 9, 1994 - January 15, 1995. Examines the work of 18 Asian Pacific American artists in the Pacific Northwest from 1900 to 1960, with essays on art in Seattle, Asian American painters of Washington state, early Asian American photographers, and the legacy of Asian American art. [WorldCat] B&w and color photographs. (8"x8").

Condition: FINE. First printing, a trade paperback original. A catalog published in conjunction with an exhibition organized by the Wing Luke Asian Museum September 9, 1994 through January 15, 1995. Of the 40 works in the exhibition, 18 are included here in both full color and black and white. With a focus on examining the work of Asian Pacific American artists in the Pacific Northwest from 1900 to 1960, this includes essays on art in Seattle, Asian American painters of Washington state, early Asian American photographers, and the legacy of Asian American art. The second part of this publication is the directory of Asian American Artists in Washington and Oregon (1900-1975) compiled for the Archives of American Art. Square format. 88 pp. Very near fine in illustrated wrappers.

Color, B/w Illustrations (illustrator). 73pp. 4to Profusely illustrated in color and black and white Original wrappers (paperback) Exhibition curator Nancy A. Corwin Fine 0-913689-40-8.

Soft cover. Condition: Good. Softcover, 10 1/2 by 8 1/2 inches, 73 pages, bibliography. Front cover has slight wave on lower edge. Pages clean.

Softcover. Condition: As New. First Edition. Sterling condition softcover copy, with unfurled tips, tight binding, and clean internals, showing only very slight shelf- and edge-wear to the glossy pictorial covers, in gate-fold. Stated First Edition, First Printing, with "1" or "a" in "number" line present. Bound in oblong softcover format, measuring 10" x 9" wide and tall, respectively. 80 pp., including a full bibliography, a biographical note and an exhibition checklist. Several dozen fine illustrations, including 40 in full-color, full page. From the publisher blurb, "Artist Frank Okada played a significant role in the modern art history of the Pacific Northwest. Born a Nisei in 1931, he was raised in Seattle's International District and throughout his life retained its influences and his vivid memories in his art. From his first painting award - received at the Washington State fair - until his death in 2000, he worked at the confluence of regional art, Asian culture, and national art movements."Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

Condition: New.

Paperback. Condition: New. Artist Frank Okada played a significant role in the modern art history of the Pacific Northwest. Born a Nisei in 1931, he was raised in Seattle's International District and throughout his life retained its influences and his vivid memories in his art. From his first painting award -- received at the Washington State fair -- until his death in 2000, he worked at the confluence of regional art, Asian culture, and national art movements.At the beginning of his career, Okada received a series of prominent fellowships -- John Hay Whitney in 1957, Fulbright in 1959, and Guggenheim in 1966-67. He was greatly influenced by the artists he met and was a close observer of the art scenes in New York, Paris, and Kyoto in an effort to find his own style of painting. He began teaching painting at the University of Oregon in 1969, a tenure that lasted almost thirty years. His work from the seventies, eighties, and nineties balanced forms and colors in intensely worked surfaces. The color blocks gradually became more intellectually structured and his compositions more expressive as he made his colors more powerful. As Nakane notes, "without recognizable reference to nature or his own personality, he created a texture that brought light to a field of color. . . . In order to appreciate his paintings, one needs to spend time observing how the colors respond to the changes of light throughout the day.".

Paperback. Condition: new. Paperback. Artist Frank Okada played a significant role in the modern art history of the Pacific Northwest. Born a Nisei in 1931, he was raised in Seattles International District and throughout his life retained its influences and his vivid memories in his art. From his first painting award -- received at the Washington State fair -- until his death in 2000, he worked at the confluence of regional art, Asian culture, and national art movements.At the beginning of his career, Okada received a series of prominent fellowships -- John Hay Whitney in 1957, Fulbright in 1959, and Guggenheim in 196667. He was greatly influenced by the artists he met and was a close observer of the art scenes in New York, Paris, and Kyoto in an effort to find his own style of painting. He began teaching painting at the University of Oregon in 1969, a tenure that lasted almost thirty years. His work from the seventies, eighties, and nineties balanced forms and colors in intensely worked surfaces. The color blocks gradually became more intellectually structured and his compositions more expressive as he made his colors more powerful. As Nakane notes, without recognizable reference to nature or his own personality, he created a texture that brought light to a field of color. . . . In order to appreciate his paintings, one needs to spend time observing how the colors respond to the changes of light throughout the day. From his first painting award -- received at the Washington State fair -- until his death in 2000, he worked at the confluence of regional art, Asian culture, and national art movements.At the beginning of his career, Okada received a series of prominent fellowships -- John Hay Whitney in 1957, Fulbright in 1959, and Guggenheim in 196667. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Soft cover. Condition: Fine. First Wraps. Signed by Author. First Softcover Edition. Fine. Softcover, French flaps, 80 pp, color plates, oblong thin quarto, very light edgewear, otherwise a bright, clean and crisp copy. Signed by Author(s).

Paperback. Condition: new. New Copy. Customer Service Guaranteed.

Soft cover. Condition: New. 1st Edition. Wing Luke Museum, 1995, Paperback, 1st Edition, 1st printing. Edited by Mayumi Tsutakawa. New book. Unread. Amazing history of Asian American Artists of the Pacific Northwest. With a complete directory of Asian Artists of both Washington and Oregon artists.

Paperback. Condition: New.

Condition: New.

Paperback / softback. Condition: New. New copy - Usually dispatched within 3 working days.

Paperback. Condition: NF. Paperback in Near Fine condition. . 8vo 8" - 9" tall. 80 pages. Signed by Kazuko Nakane. . * Quick Shipping * All Books Mailed in Boxes * Free Tracking Provided *.

Condition: very_good. Supports Goodwill of Silicon Valley job training programs. The cover and pages are in very good condition! The cover and any other included accessories are also in very good condition showing some minor use. The spine is straight, there are no rips tears or creases on the cover or the pages.

Paperback. Condition: Near Fine. Color, B/w Illustrations (illustrator). First Edition. Color reproductions; b&w photos; 4to 11" - 13" tall; 73 pages; [SIGNED] 1995 Spencer Museum of Art. Oversize paperback in glossy color pictorial covers. Inscribed and signed by Shimomura on the title page. Bright, tight and fresh. Feels and appears generally unread. Just a whisper of shelf evidence to cover edges. Illustrated with color reproductions of prints and work from the exhibition along with b&w photos from installations and performance. NF; Signed by Artist.

Paperback. vi, 110p., wraps, one red pencil notation in the footnotes, else very good condition. Order form for more copies laid in. A portrait of the Issei in Pajaro Valley.