Keizo, Signed (13 results)

Softcover, 168 pages, very good condition; clean and crisp; inscribed and signed by author on first page; no other internal marks.

Original-Pappband. Condition: Gut. Dust Jacket Condition: Guter Umschlag. reich bebildert, auf Vorsatz mit 11-zeiliger Widmung ( in deutsch) und Datum signiert von dem japanischen Schriftsteller und Germanisten Prof. Keizo Miyashita (*1936) . leichte Gebrauchsspuren. signed by author. Size: 8°. Vom Autor signiert. Buch.

Hardcover. Condition: New. 1st Edition. SHIPPING NOTE: Due to size and weight, additional shipping fees apply (calculated at checkout). 2006-2013. First edition, first printing. Witness #1 is signed by Stephen Shore; Witness #7 is signed by Todd Hido. Eight volumes, sharing the following format: Hardcover. Black paper-covered boards with tipped-in plate on cover; no dust jacket as issued. Approximately 88 pp., with numerous four-color and black-and-white plates. 12 x 9-1/2 inches. All volumes New in publisher's shrinkwrap (volumes #1 and #7 slit open for signature). Witness #1: Signed by Stephen Shore. Photographs, text, editing and design by Stephen Shore. Additional photographs by Shannon Ebner, Jamie O'Shea and Laura Gail Tyler, selected by Shore from among his recent students at Bard College. Essay "11 Interesting Photography Books About Which Very Little is Known," by Martin Parr. Conversation with Shore by Jeff Rosenheim. Witness #2: Photographs, text and editing by Daido Moriyama. Additional photographs by Emi Anrakuji and Ken Kitano. Witness #3: Photographs, text and editing by Martin Parr. Additional photographs and text by Rob Hornstra, Mark Neville and Bart Sorgedrager. Additional photographs by Keizo Kitajama, Kohei Yoshiyuki and Osamu Kanemura. Essay by Susie Parr. Interview with Martin Parr by Gerry Badger. Witness #4: Photographs, text and editing by Eduardo del Valle and Mirta Gómez. Additional photographs and text by Tony Mendoza and Abelardo Morell. Additional text by Guillermo Cabrera Infante. Witness #5: Photographs, text and editing by Joseph Mills. Additional photographs by Mary DelPopolo and Norman Carr. Text by Paul Roth. Witness #6: Photographs by Lee Friedlander. Afterword by Maria Friedlander. Witness #7: Signed by Todd Hido. Photographs and text by Todd Hido. Additional photographs by Leon Borensztein. Witness #8: Photographs and text by Ed Kashi. Additional text by Julie Winokur. Signed by Author.

1st ed. 8° 95 + 153 S. Hardcover, with Dustjacket, very good condition. Sprache: Englisch, some pictures. SIGNED by Keizo Yamaji (SIGNIERT). Keizo Yamaji is Japanese. The first directorship we have on file for him was in 1993 at Canon Europa Nv. His newest directorship was with Shadanhoujin Nihon Noritsu Kyokai where he held the position of "Businessman". The company was established 05 Oct 2000 and is based in Surrey. Keizo has held 2 directorships,

Paperback in slipcase. Condition: Fine. KEIZO KITAJIMA: PORTRAITS+PLACES (Signed) two thin volumes of 30+ photos each housed on a paper slipcase which the photographer has signed. 10 5/8" x 9 1/2". Each volume is glossy paper with stiff cover. Fine condition.

Soft cover. Condition: Good. Softcover, 141p, illustrations (chiefly in color), 20x20 cm. Good/very good, age-toning, light shelf-wear wrappers. Text in Chinese. Inscribed by Author(s).

Soft cover. Condition: New. 1st Edition. First edition, first printing. Limited edition of 250 copies, signed and numbered in silver ink by Kitajima on a black label tipped in the inside rear cover. Soft cover. Photographically illustrated stiff folio (silkscreened) containing sewn-in, illustrated newsprint pages. Photographs and text (in English and Japanese) by Keizo Kitajima. Unpaginated (36 pp.), with black-and-white plates throughout. 16-3/4 x 12 inches. Published on the occasion of an exhibition at Andrew Roth Gallery, New York. New in publisher's packaging. From an interview with Andrew Roth (July 16, 2010): "Back To Okinawa 1980/2009 is a new version of Keizo Kitajima's serialized, four-volume publication Photo Express Okinawa (1980). The original self-published, serialized edition was scheduled for release every other month, over one year, though only four volumes were realized. Together these four volumes formed one work -- an investigation into the nightlife in Kozu, the red-light district surrounding the Kadena Airforce Base in Okinawa. Kitajima immersed himself in the life of Okinawa's nightclubs, bars and streets, photographing a mix of American military (chiefly African-Americans), Japanese prostitutes and drag queens. The volumes were slim zine-like publications with colorful covers and a graphically-dynamic presentation of black-and-white photographs within. Kitajima had lost the negatives for this work so we needed to scan each image from the original four volumes. Since they were printed in half-tone, the dot pattern became even more apparent after scanning them. It seemed logical not to try and make high quality reproductions from them; they would never have held up. Newsprint offset-printing seemed suitable and again, I wanted to reference Moriyama's title. Moriyama was an important early influence on Kitajima." From the publisher: "In 1980, Keizo Kitajima, a recent student from Daido Moriyama's 'Workshop,' photographed the nightlife in Okinawa. He preferred the clubs and bars in Koza, the 'red light district,' situated near Kadena, the American Air Force Base. Koza was a hub for American military throughout the 1950s (it flourished during the Vietnam War and no longer exists), although Okinawa and its citizens are still deeply impacted by the American military presence. In the tradition of Watanabe Katsumi, Kitajima made his living by selling photographs to his subjects. It was most profitable for him on paydays. As there were few galleries for photographic exhibitions in Japan, Kitajima planned to self-publish the photographs he made in 1980 as Photo Express Okinawa, a bi-monthly periodical; he realized merely 4 volumes. Each volume concentrates on a specific time frame during a single month (ie: January 1-15), much like a visual diary. The publication resembled Moriyama's Kiroku [Record] (1972-73) that was also self-published: thin volumes with multiple image-bleeds throughout, including the front and back covers. There are no surviving photographs or negatives from this body of work. The images . were generated by scanning the material from the rare, original volumes. Back to Okinawa affords us the opportunity to view this material fresh. Ten silkscreens were issued and every image from the four volumes was re-edited into the new publication. Kitajima has added a short text, translated into English, which illuminates his development as a young photographer and his experience in Okinawa. He states: 'Affection, hatred, rejection, acceptance: everything was there in Okinawa and nothing was a given. I wanted to make photographs that transcended all that . My generation was profoundly impacted by America. It is impossible to objectify my feelings about it.'" Signed by Author.

Hardcover. Condition: Near fine to fine condition. Original photograph(s). 12/30. Oblong Quarto. Original black cloth with white, framed lettering on cover, containing a matted original photograph by Keizo Kitajima depicting Keizo Nishii, Syomei Tomatsu, Daido Moriyama and Nobuyoshi Araki. Signed by Kitajima and numbered 12/30 on verso of photograph; protected by tissue guard. Minor wear to portfolio, photograph in fine condition.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. 1st Edition. Kitajima's incredible photos of late 1970s - early 1980s New York, for which he won the eighth prestigious Kimura Ihee Award in Japan. After beginning in the Camp photography collective in Japan, this is arguably Kitajima's breakout work; showing New York through the eyes of the Japanese photographer. This copy is the first edition, inscribed by Kitajima on the inner page to the famous Asahi Camera (!!), and dated November 25, 1982. In terms of condition, the book is clean overall, no tears, marks or other significant issues; minor evidence of having been read on some pages. The cover has a minor tear to the spine, as pictured. Does not include rare original obi. A wonderful and important copy, inscribed in the year of publication. Inscribed by Author(s).

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. 1st Edition. Kitajima's incredible photos of late 1970s - early 1980s New York, for which he won the eighth prestigious Kimura Ihee Award in Japan. After beginning in the Camp photography collective in Japan, this is arguably Kitajima's breakout work; showing New York through the eyes of the Japanese photographer. This copy is the first edition, with the first Obi (the brown obi is the original, prior to the pink obi, which announced that Kitajima had won the Kimura Ihee award). This copy is boldly inscribed by Kitajima on the inner page, and dated December 13, 1982. In terms of condition, there is minor age toning on some pages, and evidence of a removed seal on the back inner page (see pictures). The original obi has a tear, as pictured, and the outer cover minor wear. Altogether, this is an exceptional copy, with the original obi and inscribed in the year of publication. Inscribed by Author(s).

Soft cover. Condition: Fine. Dust Jacket Condition: Near Fine. 1st Edition. First edition, first printing (with black obi). Signed in black marker on the first page by Kitajima. Soft cover. Printed wrappers; with photographically illustrated dust jacket and 3-inch obi. Photographs by Keizo Kitajima. Text in Japanese. Includes a bound, folded poster with text and illustrations on one side and a large, two-color reproduction on the other side. Unpaginated (156 pp.), with black-and-white and four-color plates throughout. [Cited in Martin Parr and Gerry Badger, The Photobook: A History, Volume III. (London and New York: Phaidon, 2014), and in Ryuichi Kaneko and Ivan Vartanian, Japanese Photobooks of the 1960s and '70s. (New York: Aperture, 2009).]. Fine in Near Fine dust jacket and obi (light crumpling to the crown of the jacket spine and slight wear to the extremities of the obi, else Fine). A fascinating and quintessentially Provoke-style glimpse of the pop cultural mecca that is Tokyo's Shinjuku district. From Parr and Badger: "The combination of black and white with colour is interesting, because this is a difficult trick to pull off. The tension between Kitajima's flamboyant, contrasty, edgy monochrome and his matter-of-fact, understated colour makes this one of the most distinctive books in the wide bibliography on Shinjuku nightlife." Signed by Author.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. First edition, first printing. Signed in black ink on the half-title page by Kitajima. Hardcover. Printed white paper-covered boards; with matching dust jacket (missing obi). Photographs by Keizo Kitajima. Essays (in Japanese and English) by Yasuo Kobayashi and Toshiharu Ito. 160 pp., with four-color and black-and-white plates. 10-1/2 x 11-7/8 inches. [Cited in Martin Parr and Gerry Badger, The Photobook: A History, Volume II. (London and New York: Phaidon, 2006).]. Near Fine (moderate foxing and shelfwear) in Near Fine dust jacket (stray surface marks and indentations; missing obi). Signed by Author.

Condition: Wie neu. PPP Editions, New York, 2009. First edition, first printing. Strongly limited edition of 250 copies only, signed and numbered in silver ink by Kitajima on a black label tipped in the inside rear cover. Here number 151/250. Softcover (as issued). New, mint, unread condition; originally shrink-wrapped in publishers plastic foil. Photographically illustrated stiff folio (silkscreened) containing sewn-in, illustrated newsprint pages. Photographs and text (in English and Japanese) by Keizo Kitajima. Unpaginated (36 pages), with black-and-white plates throughout. 16 3/4 x 12 inches. Published on the occasion of an exhibition at Andrew Roth Gallery, New York. From the publisher: "In 1980, Keizo Kitajima, a recent student from Daido Moriyama`s `Workshop,` photographed the nightlife in Okinawa. He preferred the clubs and bars in Koza, the `red light district,` situated near Kadena, the American Air Force Base. Koza was a hub for American military throughout the 1950s (it flourished during the Vietnam War and no longer exists), although Okinawa and its citizens are still deeply impacted by the American military presence.There are no surviving photographs or negatives from this body of work. The images . were generated by scanning the material from the rare, original volumes. Back to Okinawa affords us the opportunity to view this material fresh. Ten silkscreens were issued and every image from the four volumes was re-edited into the new publication. Kitajima has added a short text, translated into English, which illuminates his development as a young photographer and his experience in Okinawa. He states: `Affection, hatred, rejection, acceptance: everything was there in Okinawa and nothing was a given. I wanted to make photographs that transcended all that . My generation was profoundly impacted by America. It is impossible to objectify my feelings about it."***************PPP Editions, New York, 2009. Amerikanische Originalausgabe. Erstausgabe. Streng limitiert auf nur 250 Exemplare. Hier Nummer 151/250. Signiert und nummeriert und von Kitajima wunderschön signiert! Softcover-Großformat (nur so erschienen) in Neu-Zustand; noch verpackt in der Plastikfolie des Verlages. Fotos und Text (in englisch und japanisch): Keizo Kitajima. 36 Seiten voll wunderschöner schwarz-weiß Fotos. 305 x 420 mm. Publiziert anläßlich einer Ausstellungs in der Andrew Roth Gallery, New York. ja Gewicht in Gramm: 1600.