Keller Regula (59 results)

Hardcover. Condition: Very Good. Zurich: Daros / Scalo, 2001. 135 pp. 27 x 22 cm. Plain boards with blindstamped title and black cloth spine with grey lettering. Some light sunning to spine with rubbing to lettering. Slight bumps and some rubbing to corners of boards. Some faint spotting to first and last page from contact with red paper endpapers. Interior is otherwise clean and unmarked. Binding is firm. . Hard Cover. Very Good.…

Halbleinen. Condition: Sehr gut. 27x21,5cm Halbleinen. Zustand: Sehr Gut; Und in englischer Sprache; Schutzumschlag fehlt, oder es gibt keinen; * Die Photos sind original von uns erstellt worden, u.a. erkennbar an einem kleinen weißen Stück Papier im oberen Schnitt. Ab und an verwenden Suchmaschinen Verlagsphotos, bei den Portalen selbst, werden aber nur unsere Originalphotos gezeigt.…

Hardcover. Condition: Near Fine. No Jacket. Hardcover, no dust jacket, 135 pp, color illustrations, very slight edgewear to boards, else a nice, clean and near fine copy.

Halbleinen, Kl.-4°, 135 (2) S. mit Abbildungen. Gutes Exemplar. ISBN 3908247608. 800 gr.

Hardcover. Condition: Used - Very Good. Through large-scale installations that radically, idiosyncratically combine text and image, Bruce Nauman, Barbara Kruger, and Alfredo Jaar each address social injustice, violence, and the profound ambiguities that shape individuals and society. Working in media ranging from neon to video, Nauman playfully and perplexingly plays language games that disorient the viewer into a critique of the power relations that underlie private and public violence. Kruger, who started out as a graphic designer, uses the ambiguously seductive language of mass media to challenge commonplace notions about body, gender, pleasure, and power. And Jaar, who was born in Chile but is now based in New York, combines photography, text, and architecture to visualize and define the political, economic, and ethnic relations and interdependencies of the First and Third Worlds. Innovatively designed, with plate and essay sections printed on different sizes and types of paper, Nauman, Kruger, Jaar deftly differentiates between the strategies these three artists employ in their respective, poignant examinations of the uses and abuses of power. Slight scratching/scuffing on cover. Out of print. Book has minor shelf wear.…

First Edition. First edition. Softcover. 197 pages. Exhibition catalog for a show that ran September 13, 2023 through January 28, 2024. A catalog on the work of Georgian artist Niko Pirosmani. Text in English. Features contributions by Daniel Baumann, Demna Shengelala, Mariam Dvali, Kirill Zdanevich, Grigol Robakidze, Nana Kiplani, Andro Wekua, Nino Tarishvilik, Irine Jorjadze and a conversation between Ana Shanshiashvili and Daniel Baumann. Includes numerous illustrations and a checklist. A clean near fine copy in wrappers.…

4°, 135 S., OHLn. Mit sw. und farbigen Abbildungen illustriert. Sehr guter Zustand. 750 Gramm.

Vom Umgang des Aischylos mit der Sprache. Interpretationen zu seinen Namensdeutungen. Diss. Univ, Zürich 1972. Getitelte Broschur, sauberes Exemplar, von der Verfasserin innenseitig signiert. 87 S. Aischylos, auch Aeschylos, Äschylos, oder Æschylos geschrieben (s' und ch' sind jeweils getrennt zu sprechen), (* 525 v. Chr. in Eleusis, Attika; 456 v. Chr. in Gela, Sizilien) gilt neben Sophokles und Euripides als einer der großen griechischen Tragödiendichter. Im Jahre 406 v. Chr. macht Aristophanes in seiner Komödie Die Frösche Aischylos im Wettstreit mit Euripides zum Vertreter der altehrwürdigen Zeit und Vorbild des tragischen Dichters. Gegen Mitte des 4. Jahrhunderts v. Chr. wird seine Statue neben denen des Sophokles und Euripides im Theater des Dionysos aufgestellt. - Seine Einführung des zweiten Schauspielers revolutionierte durch den dadurch ermöglichten Dialog das griechische Theater. Aber auch durch Sprache, Stil und die Wahl des Mythos als Thema der griechischen Tragödie beeinflusste er seine Nachwelt maßgeblich. Seine Charaktere sind keine gewöhnlichen Menschen aus dem Volk, sondern ragen aus ihnen durch ihre übermenschliche Leidenschaft und Charakterstärke, aber auch die kraftvolle, schroffe, erhabene und bilderreiche Sprache heraus (aus Wikipedia).…

Condition: As New. Unread book in perfect condition.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

1. Auflage. 27 x 22 cm. 135 S., 1 Blatt. OPappband. Sehr gutes Exemplar. Texte in Deutsch und Englisch. Durchgehend mit meist farbigen Abbildungen versehen. Sprache: Deutsch und Englisch.

Cloth. 162 pp. many colour plates. -(front board with some tiny rust stains, otherwise in good condition.). ISBN 3908247659.

Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Condition: New. A Legendary Artist Revisited Unknown to many, Niko Pirosmani is revered as a legend in his native Georgia. Conveying a sense of poignant empathy, his portraits, animal paintings, landscapes and scenes from everyday life painted around 1900 in a flourishing Tbilisi draw on medieval iconography and testify to a deeply felt sense of belonging. At the same time, the avant-garde recognised a novel and radically new form of painting in his work. Like Henri Rousseau or Marc Chagall, Pirosmani is one of the exceptional yet difficult to categorize proponents of early modern art. This catalogue demonstrates Pirosmani's qualities in numerous illustrations, showing how his rapid brushstrokes on black oilcloth give the sparsely applied colors a glow as if coming from a dark depth. Pirosmani was a master of concentration-and a storyteller. As expertly explained in the catalogue by a selection of Georgian art historians, he was a unique artist, a contradictory figure and an important part of the art scene in Tbilisi, then considered the "Paris of the East.".…

hardbound. Exhibition of works by Cy Twombly held in the Daros collections, supplemented by 6 further works on loan from the Kunsthaus Zurich; numerous full-page colour plates, b&w text illustrations; texts by Jacques Kaegi, Eva Keller, Heiner Bastian, John Berger; Yve-Alain Bois, and others (texts in German and English); linen and off-white cloth boards; Very Good throughout; boards rubbed and with prominent foxing; no dustwrapper (as issued). no dustwrapper. 162pp. 4to. Very Good in rubbed/foxed boards Very Good in rubbed/foxed boards. profusely illustrated (illustrator).…

Paperback. Grey wraps with black illustration and white lettering; 197 pp.; richly illustrated, primarily in color. Created on the occasion of an exhibition held at Fondation Beyeler, Riehen/Basel, September 17th, 2023 to January 28th, 2024. VG (Light edgewear to wraps and textblock.).

Paperback. Condition: new. Paperback. A Legendary Artist Revisited Unknown to many, Niko Pirosmani is revered as a legend in his native Georgia. Conveying a sense of poignant empathy, his portraits, animal paintings, landscapes and scenes from everyday life painted around 1900 in a flourishing Tbilisi draw on medieval iconography and testify to a deeply felt sense of belonging. At the same time, the avant-garde recognised a novel and radically new form of painting in his work. Like Henri Rousseau or Marc Chagall, Pirosmani is one of the exceptional yet difficult to categorize proponents of early modern art. This catalogue demonstrates Pirosmani's qualities in numerous illustrations, showing how his rapid brushstrokes on black oilcloth give the sparsely applied colors a glow as if coming from a dark depth. Pirosmani was a master of concentration-and a storyteller. As expertly explained in the catalogue by a selection of Georgian art historians, he was a unique artist, a contradictory figure and an important part of the art scene in Tbilisi, then considered the "Paris of the East." Georgian painter Pirosmani (1862-1918) the forgotten hero of the avant-garde--on display again: a large retrospective at the Albertina in Vienna examines his paintings in the context of art history.tory. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover without dustjacket as issued, 162 pages, in German and English; very good condition; owner's stamp to first blank page; no other internal marks. Foreign shipping may be extra.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New. In English.

Encuadernación de tapa dura. Condition: Nuevo. Dust Jacket Condition: Nuevo. Alemán/Inglés. A través de instalaciones a gran escala, combinando texto e imagen, Bruce Nauman, Barbara Kruger y Alfredo Jaar abordan la injusticia social, la violencia y las profundas ambigüedades que conforman a los individuos y a la sociedad. Trabajando en medios que van desde el neón al vídeo, Nauman utiliza juegos de lenguaje en una crítica a las relaciones de poder que subyacen a la violencia privada y pública. Kruger utiliza el lenguaje ambiguamente seductor de los medios de comunicación para cuestionar las nociones sobre el cuerpo, el género, el placer y el poder. Y Jaar combina la fotografía, el texto y la arquitectura para visualizar y definir las relaciones e interdependencias políticas, económicas y étnicas del Primer y el Tercer Mundo. Con un diseño innovador, con secciones de planchas y ensayos impresos en diferentes tamaños y tipos de papel, esta publicación diferencia hábilmente las estrategias que estos tres artistas emplean en sus respectivos exámenes de los usos y abusos del poder. Incluye ensayos de Nicholas Serota, Peter Fischer y Hans-Michael Herzog.…

Hardcover. Condition: Fine. Dust Jacket Condition: Very Good. 1st Edition. First Edition, 2003. Published for Marden exhibition, June 14, 2003 - January 4, 2004, Daros Collection, Zurich, Switzerland. A Fine copy; clean and tightly bound. The obi wrapper shows a sticker on the rear and faint smudging, it remains Very Good. German/English text. International shipping and domestic Priority Mail may require added postage charges.…

hardbound. Condition: Very Good. Exhibition of works by Cy Twombly held in the Daros collections, supplemented by 6 further works on loan from the Kunsthaus Zurich; numerous full-page colour plates, b&w text illustrations; texts by Jacques Kaegi, Eva Keller, Heiner Bastian, John Berger; Yve-Alain Bois, and others (texts in German and English); linen and off-white cloth boards; Very Good and clean throughout; boards lightly rubbed, very lightly sunned to edge of rear board; no dustwrapper (as issued). no dustwrapper. 162pp. 4to. Very Good. profusely illustrated (illustrator).…

brossura paperback. Condition: Ottimo (Fine). 2023. Copertina editoriale in brossur apieghevole. 197 p.; Ill.; 27 cmFRN.6. Book.

Paperback. Condition: Brand New. 240 pages. 11.75x8.75x0.67 inches. In Stock.

Paperback. Condition: new. Paperback. A Legendary Artist Revisited Unknown to many, Niko Pirosmani is revered as a legend in his native Georgia. Conveying a sense of poignant empathy, his portraits, animal paintings, landscapes and scenes from everyday life painted around 1900 in a flourishing Tbilisi draw on medieval iconography and testify to a deeply felt sense of belonging. At the same time, the avant-garde recognised a novel and radically new form of painting in his work. Like Henri Rousseau or Marc Chagall, Pirosmani is one of the exceptional yet difficult to categorize proponents of early modern art. This catalogue demonstrates Pirosmani's qualities in numerous illustrations, showing how his rapid brushstrokes on black oilcloth give the sparsely applied colors a glow as if coming from a dark depth. Pirosmani was a master of concentration-and a storyteller. As expertly explained in the catalogue by a selection of Georgian art historians, he was a unique artist, a contradictory figure and an important part of the art scene in Tbilisi, then considered the "Paris of the East." Georgian painter Pirosmani (1862-1918) the forgotten hero of the avant-garde--on display again: a large retrospective at the Albertina in Vienna examines his paintings in the context of art history.tory. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

4°, gebundene Ausgabe. Auflage: 1.. 128 Seiten, Einband leicht berieben, auf dem Vorsatzpapier ist ein kleiner Fleck, sonst in einem guten Zustand. 9783908247654 Sprache: Englisch Gewicht in Gramm: 1696.