Kirby Atkinson (37 results)

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: Very Good. 8vo., pp.ix,451, paperback, colour and b/w illustrations and figures; slight creasing to upper edge of front wrapper, indentation to front wrapper, internally fresh and otherwise very good indeed.

paperback. Condition: New. 1st.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New.

Paperback. Condition: new. Paperback. The papers in this volume are from the 2014 biennial ATSR symposium held in AmsterdamThe papers in this volume are from the 2014 biennial ATSR symposium held in Amsterdam which focused on art technological sources and their aid to research. The papers focus on using source material to research works of art such as artist's notebooks, workshop inventories and documents on the trade in artists' material from the middle ages until today. They show the importance of source material for art historical as well as material-technical or conservation research to highlight the coherence between the style of a work of art and the materials and techniques used in its production. Ultimately, concluding that the disclosure of such source material is of paramount importance for both art-historical as well as material-technical and conservation research. Contents: The Painter's Workshop as Seen by Stradanus - Jan Piet Filedt Kok Back to Basics: Finding the Sources then What? What Do We Do with Art Technological Sources once We Have Found Them?- William Whitney Artists' Recipe Books as Sources for Historical Research in Art Technology: Diversity, Function and Reliability - Sylvie Neven Artists' Treatises and Recipe Books: On Authors, Readers and Users - Cristiana Pasqualetti Between Painting, Printing and X: Re-Reading Early Sources for Photochemical Imaging Processes - Albrecht Pohlmann Archival Sources on Swiss Easel Painting in the Late Nineteenth and Early Twentieth Century - Karoline Beltinger Eilido colours: Sources on the introduction of tar colours and the contradictionary reception in the early 20th century - Heide Skowranek, Christoph Krekel and Heike Stege The Talens Archive - Klaas Jan van den Berg Recipes for Deceit: The Forgery of Paintings 1300-1900 as Expressed in Written Sources - Jilleen Nadolny Reception in the Ateliergebouw, guided tours through the conservation studios - Ateliergebouw Transformation, Transmutation and Transmission: Some Thoughts Regarding the Origins of the 'Compositiones ad tingenda' and 'Mappae clavicula' Art Technology Treatises - Stefanos Kroustallis A Seventeenth-Century Textile Dyers Manuscript on the Production of Painters' Pigments - Arie Wallert What's Wrong with Thompson's Cennino?- Lara Broecke An autonomous compendium of recipes in the Palatine Manuscript 981 of the Biblioteca Nazionale di Firenze - Sandro Baroni 'Pictoria, sculptoria et quae subaltenarum artium': the De Mayerne Manuscript between Unity and Heterogenity - Cecile Parmentier Breaking the Mould: A History of Sand Casting in Western Europe Based on Early Written Sources - Tonny Beentjes Lac Dye in Medieval Written Sources and in Medieval Portuguese Scriptoria - Rita Castro .to Keep the Colours Fresh, Alive and Bright: Discussions about the Influence of Preparatory Layers on the Durability of Oil Paintings in North West European Recipe Books, 1550-1900 - Maartje Stols-Witlox The Jesuit's Contribution to Written Art Technological Sources during the Seventeenth and Eighteenth Century - Corinna Gramatke Colourful archives: Liotard, Stoupan and Pastel Colours Available for Artists in Europe during the Eighteenth century - Leila Sauvage and Cecile Gombaud" A collection of papers from the 2014 ATSR symposium in Amsterdam, exploring how art technological source materialssuch as artists notebooks, workshop records, and trade documentsinform the study of artworks from the Middle Ages to today. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condition: Brand New. 156 pages. 11.50x8.25x0.75 inches. In Stock.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

paperback. Condition: New. 1st.

First Edition. Near fine paperback copy; wrapper edges very slightly dulled. Remains well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description; vii, 163 pages : illustrations (some colour), colour map ; 30 cm. Subjects; Art, technique, history, congresses. Art and technology, congresses. Technical art history. Conference papers and proceedings. 1 Kg.…

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Paperback. Condition: Brand New. 451 pages. 9.50x6.75x1.25 inches. In Stock.

Condition: Bon. Attention: Ancien support de bibliothèque, plastifié, étiquettes. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme. Lane, Kim (illustrator).

Condition: New. 2016. paperback. . . . . .

Softcover. Condition: Gut bis sehr gut. 1. Auflage. S : 64 pp., numerous b/w illustrations - Catalogue published in conjunction with an exhibition held at The Gemeentemuseum Den Haag, July 25 - August 30, 1970. Includes installation views, reproductions of preliminary drawings, various writings by the artist, an inventory of projects, plans, and proposals, as well as writings by artists, critics, and contemporaries such as Carl Andre, Dan Flavin, and Lucy R. Lippard.…

Condition: New. 2017. paperback. . . . . .

Condition: New. 2016. paperback. . . . . . Books ship from the US and Ireland.

Paperback. Condition: New.

Condition: New. pp. 451.

Paperback. Condition: new. Paperback. The papers in this volume are from the 2014 biennial ATSR symposium held in AmsterdamThe papers in this volume are from the 2014 biennial ATSR symposium held in Amsterdam which focused on art technological sources and their aid to research. The papers focus on using source material to research works of art such as artist's notebooks, workshop inventories and documents on the trade in artists' material from the middle ages until today. They show the importance of source material for art historical as well as material-technical or conservation research to highlight the coherence between the style of a work of art and the materials and techniques used in its production. Ultimately, concluding that the disclosure of such source material is of paramount importance for both art-historical as well as material-technical and conservation research. Contents: The Painter's Workshop as Seen by Stradanus - Jan Piet Filedt Kok Back to Basics: Finding the Sources then What? What Do We Do with Art Technological Sources once We Have Found Them?- William Whitney Artists' Recipe Books as Sources for Historical Research in Art Technology: Diversity, Function and Reliability - Sylvie Neven Artists' Treatises and Recipe Books: On Authors, Readers and Users - Cristiana Pasqualetti Between Painting, Printing and X: Re-Reading Early Sources for Photochemical Imaging Processes - Albrecht Pohlmann Archival Sources on Swiss Easel Painting in the Late Nineteenth and Early Twentieth Century - Karoline Beltinger Eilido colours: Sources on the introduction of tar colours and the contradictionary reception in the early 20th century - Heide Skowranek, Christoph Krekel and Heike Stege The Talens Archive - Klaas Jan van den Berg Recipes for Deceit: The Forgery of Paintings 1300-1900 as Expressed in Written Sources - Jilleen Nadolny Reception in the Ateliergebouw, guided tours through the conservation studios - Ateliergebouw Transformation, Transmutation and Transmission: Some Thoughts Regarding the Origins of the 'Compositiones ad tingenda' and 'Mappae clavicula' Art Technology Treatises - Stefanos Kroustallis A Seventeenth-Century Textile Dyers Manuscript on the Production of Painters' Pigments - Arie Wallert What's Wrong with Thompson's Cennino?- Lara Broecke An autonomous compendium of recipes in the Palatine Manuscript 981 of the Biblioteca Nazionale di Firenze - Sandro Baroni 'Pictoria, sculptoria et quae subaltenarum artium': the De Mayerne Manuscript between Unity and Heterogenity - Cecile Parmentier Breaking the Mould: A History of Sand Casting in Western Europe Based on Early Written Sources - Tonny Beentjes Lac Dye in Medieval Written Sources and in Medieval Portuguese Scriptoria - Rita Castro .to Keep the Colours Fresh, Alive and Bright: Discussions about the Influence of Preparatory Layers on the Durability of Oil Paintings in North West European Recipe Books, 1550-1900 - Maartje Stols-Witlox The Jesuit's Contribution to Written Art Technological Sources during the Seventeenth and Eighteenth Century - Corinna Gramatke Colourful archives: Liotard, Stoupan and Pastel Colours Available for Artists in Europe during the Eighteenth century - Leila Sauvage and Cecile Gombaud" A collection of papers from the 2014 ATSR symposium in Amsterdam, exploring how art technological source materialssuch as artists notebooks, workshop records, and trade documentsinform the study of artworks from the Middle Ages to today. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardcover. Condition: Brand New. 319 pages. 11.25x9.50x1.25 inches. In Stock.

Condition: New. 2017. paperback. . . . . . Books ship from the US and Ireland.

Couverture souple. Condition: Neuf.

pbk. Condition: Near Fine. Near Fine softcover, 498 pages, just the faintest of edge-wear to covers, interior flawless.

498 pp.; 21 x 15 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Extensive book of critical texts by and about Sol LeWitt edited by Adachiara Zevi including "Sol LeWitt in Two and Three Dimensions" by Zevi; "Texts by Sol LeWitt," which includes LeWitt's texts "I Find it Difficult to Write a Statement.," "The Cube," "Ziggurats," "Serial Project No. 1 (ABC)," "Paragraphs on Conceptual Art," "La Sfida del Sistema / Inquiry on the Artistic Situation in the U.S.A. and in France" interview with Anna Nosei Weber and Otto Hahn, "Some Points Bearing on the Relationship of Works of Art to Museums and Collectors," "Some Points Bearing on the The Museum of Modern Art and its Relationship to Artists and the General Community," "Sentences on Conceptual Art," "Wall Drawings," "The Draftsman and the Wall.," "Ruth Vollmer: Mathematical Forms," "Doing Wall Drawings," "Comments on an Advertisement Published in Flash Art, April 1973," "The LeWitt Riddle" interview by Susan Rand Brown, "Excerpts from a Correspondence, 1981-1983" with Andrea Miller-Keller, "Sol LeWitt Works" interview with Phyllis Rosenzweig, "Sol LeWitt Interviewed" interview with Andrew Wilson. Also includes "Critical Essays About Sol LeWitt": "Sol LeWitt Drawings 1968-1969" by Barbara Reise texts by Carl Andre, Terry Atkinson, Mel Bochner, John N. Chandler, Enno Develing, Dan Flavin, Dan Graham, Coosje van Bruggen, Eva Hesse, Michael Kirby, Rosalind Krauss, Ira Licht, Lucy R. Lippard, Dick van der Net, Hans Strelow, Lawrence Weiner, Filiberto Menna, Lawrence Alloway, Donald B. Kuspit, Joseph Masheck, Bernice Rose, Robert Rosenblum, Jan Debbaut, Alexander van Grevenstein, Ann-Sargent Wooster, Lisa Liebmann, Tommaso Trini, Jeremy Lewison, Germano Celant, Marjorie Welish, Bruno Corà, Irving Sandler, Andrea Miller-Keller, Ingrid Mössinger, Kim Levin, Trevor Fairbrother, Rudi Fuchs, Franz W. Kaiser, and David Batchelor. Also includes extensive bibliography compiled by Susanna Singer with index. Good / Very Good. 4.5 cm. dog-ear to verso corner and moderate bumping of upper left corner. Additional edge wear including six 2 mm. stains on edges of text block. Discrete small rubber stamp logo inside rear cover, otherwise contents clean and unmarked.…