Kitaj, Signed (97 results)

Condition: Very Good. Signed Copy . Signed by author on title page.

Soft cover. Condition: Good. 1st Edition. Inscribed by the author at top of title page. Cover and pages at front have creasing at bottom; tight, text clean. 303 p., 16 p. of plates [b 380]. Signed by Author(s).

Soft cover. Condition: Very good. No jacket. 128 page book. Ilustrated with 60 black and white drawings. A scarce book inscribed by Kitaj on half-title page. Cover is lightly rubbed and lightly worn along edges. Front cover is lightly tanned, but text is bright and legible. Spine is very lightly sunned, not affecting legibility. Binding is tight and inside is clean and unmarked.

Soft cover. Condition: Fine. 1st Ed. Illustrated with B&W photographs. SIGNED by the Author on title page. Women's Studies, Signed. Signed by Author(s).

Paperback. Condition: Very Good. First Edition. Wraps. 8vo. pp 72. ISBN: 1857099567. pp 72. Publisher's illustrated wrappers; illustrations in colour. Presentation inscription by Anthony Rudolf on title page: "Richard Love, Tony. Dec. 04". Near Fine. Ê. Signedes.

Hardcover. Condition: Very Good. First Edition. Hardback. Large 8vo. 21cm by 21cm. pp [22]. Original publisher's black cloth, lettered gilt at the spine. Illustrated in colour and b/w throughout. One of 200 unnumbered copies on Keays Dove Grey, designed by Sebastian Carter and printed by him at the Rampant Lions Press. Signed presentation from the publisher Rick Gekoski. ISBN: 094840910X Fine in vg acetate dust jacket. Signedes.

Paperback. Condition: Very Good. First Edition. Inscribed/signed by artist along head of title-page. : 44 pp.; bw plates (some color), 4to. : Bright copy, no other markings, light bumping to bottom edges of first few pages, spine edge sunned with one scratch along front edge. : Well packaged, ships with tracking. Signed.

Paperback. Condition: Very Good. First Edition. Inscribed by artist on title page, dated same year as exhibition. : [28] pp.; bw ill., annotations, pictorial wraps, 23cm. : Tail of spine dented, else Fine. : Well packaged, ships with tracking. Signed by Author.

OKarton. 1. Auflage. 72 S. unpaginiert, mit 26 teils farbigen Illustrationen Einband sauber, kaum bestoßen, Vorderdeckel leicht knickspurig, Seiten sauber, auf Titelblatt mit SIGNATUR und WIDMUNG von WERNER HAFTMANN (Texte), Ronald Brooks Kitaj RA (* 29. Oktober 1932 in Chagrin Falls bei Cleveland, Ohio; 21. Oktober 2007 in Los Angeles, Kalifornien) war ein US-amerikanischer Maler, Grafiker und Zeichner, der sich Ende der 1950er Jahre in England niederließ. Kitaj zählte zu den wichtigsten Vertretern der britischen Pop-Art. Er begann mit verrätselten Allegorien und wandte sich in seinem späteren Werk einer verständlicheren figürlichen Darstellungsweise zu, die als School of Londonbekannt wurde. 0 Sprache: Deutsch Gewicht in Gramm: 300.

Soft Cover. Condition: Very Good. First Edition Thus. SIGNED and inscribed, "For Ellie and Peter with love from Kitaj". From the Collection of the writer and art historian Peter Clothier. ; 108 full-page plates in color and black and white, Essays by John Ashbery, Joe Shannon, and Jane Livingston. Interview with Kitaj by Timothy Hyman. Revised and expanded edition of the exhibition catalogue originally published by the Smithsonian Institution in 1981 on the occasion of the retrospective exhibition of R. B. Kitaj's work at the Hirshhorn Museum & Sculpture Garden, Smithsonian Institution, Washington, D. C. ; Tight and clean. Solid binding. Age-toning to covers. Interior is in excellent condition. ; 4to; 168 pages; Signed by Author.

Soft Cover. Condition: Very Good. First Edition; First Printing. SIGNED and inscribed on the title page, "To Ellie and Peter with love from Kitaj". From the Collection of the writer and art historian Peter Clothier. ; Numerous full-page color plates. With essys by Richard; Morphet and Richard Wollheim. Published on the occasion of the exhibition at the Tate Gallery 16 June - 4 September 1994. Also shown at Los Angeles County Museum of Art 23 October 1994 - 8 January 1995 and at The Metropolitan Museum of Art, New York 15 February - 14 May 1995. ; Tight, clean and crisp. A gently read book in Very Good condition. ; 4tol; 240 pages; Signed by Author.

Softcover. 8 1/2" x 11" staple bound in color pictorial wraps. The Southern California edition. Signed in black ink in the lower left hand corner of the cover in the Sunset Boulevard logo: 'Glenn Close.' Close won the 1995 Tony Award for Best Actress in a Musical for her performance as Norma Desmond in Sunset Boulevard. She also received the 1995 Drama Desk Award and the 1995 Drama League Award for her work in the musical, among other accolades. In the UK, she won the 2016 Evening Standard Theatre Award for Best Musical Performance for the same role. Very Good with some handling and light wear.

Softcover. Condition: Acceptable. Signed by Kitaj to Peter Selz. Top edge is lightly scuffed with minor chipping to top of covers. Back cover is scuffed with hole. Yellow highlighting to text of the introduction.

Soft Cover. Condition: Very Good. First Edition; First Printing. Inscribed by the artist in red ink on the first page, "Love for my dearest Jeanne and Walter from their R. B." ; 56 full page plates including 6 in color. With an essay by Timothy Hyman. Published on the occasion of the exhibition at Marlborough Gallery, New York, in April 1979. ; Tight and clean. Solid binding. A touch of light shelf wear to wraps and some foxing to bottom of last two pages, otherwise a gently read book in Very Good condition. ; Signed by Artist.

Condition: Good. 4to. 167pp. Soft cover. Very Good. Color and black and white plates. From the collection of Peter Selz, Art History Professor at UC Berkeley. Signed by Peter Selz. Includes clipping of Kitaj's obituary. 2nd Edition.

Soft Cover. Condition: Near Fine. First Edition; First Printing. SIGNED and inscribed on the half title page by R. B. Kitaj. ; 56 full-page illustrations. Essay by Timothy Hyman. Published on the occasion of the exhibition at Marlborough Gallery. New York, April 1979. ; Tight, clean and crisp. SAunning to spine, otherwise in excellent condition. No inscriptions. No remainder mark. Not ex-library. ; From the Collection of the writer and art historian Peter Clothier. ; 4to ; Signed by Author.

Paperback. Condition: Very Good. Signed. Age-toning, else VG copy in wraps. This copy INSCRIBED by Kitaj on first page. Green Apple Books and Music, Publisher Weekly's Bookstore of the Year 2014, has been San Francisco's favorite independent bookseller since 1967! Shipping costs on oversize / international orders will reflect actual shipping charges and may be more than quoted by ABE. We will need to contact you with true shipping costs and ask for authorization before adjusting cost.

Hardcover with dustjacket in protective plastic overwrap; 160 pages, very good condition except small abrasion to top of dj; light foxing to top outer edge of pages; inscribed in red pen and signed by Kitaj at top of half-title page; no other internal marks. Foreign shipping may be extra.

Broschur. Condition: Gut. ohne Seitenangebe, dem unsignierten Katalog liegt eine Briefkarte bei signiert von dem amerikanischen Maler R.B. Kitaj (1932-2007). leichte Gebrauchsspuren, Ecken bestossen. with signed card. Size: 8°. Buch.

Hardcover. Condition: As New. 1st Edition. Price is net to all; promotional discounts do not apply. First edition, first printing. Signed by Friedlander on the title page. Hardcover. Photographically illustrated laminated paper-covered boards, no dust jacket as issued. Photographs by Lee Friedlander. Foreword by Maria Friedlander. Afterword by R.B. Kitaj. 120 pp. with 94 duotone plates, beautifully printed by Meridian Printing, Rhode Island from separations made by Thomas Palmer. 9-3/4 x 9-3/4 inches. This first edition was limited to 1080 hardbound copies. Out of print. Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. As New (from Friedlander's personal archive). "A great photograph is like a great translation, which gives you a little something of a more gorgeous original. It's a short-lived illusion glancing my day. That's why we place photos of loved ones around the house. They escape the tomb, don't they? We read and reread them into a spectral life." --R.B. Kitaj. "I can sympathize with Kitaj that at times he would wish to look better in a certain photo, to be rendered differently. But there we are, both Kitaj and myself, I for more than forty years and Kitaj for over thirty, accepting ourselves as subjects for a photographer we trust." --Maria Friedlander From the publisher: "An intimate friendship of more than three decades is chronicled here, along with the aesthetic evolution of two major American artists. R.B. Kitaj's unusual, handsome, troubled, charismatic face has been a rich subject for Lee Friedlander's camera since the two artists became friends in 1970, when both were teaching at the University of California, Los Angeles. Kitaj begins and ends with photographs shot in Los Angeles, and the artist's passage from raw and vigorous young man to grizzly, white-haired prophet is charted through more than 90 images. A frank and moving series of images from 1994, focused on Kitaj during the days following his wife Sandra's sudden and unexpected death, achieve a disarming intimacy that could only have been the result of a deep and trusting friendship. Kitaj includes a reminiscence by Kitaj himself as well as an introduction by Friedlander's wife, Maria." Signed by Author. Signed.

Paperback. 44p., 8.25x11.5 inches, texts in Norwegian and English, introduction, b&w and color plates from the exhibition, personal inscription signed as Kitaj on the half-title page, very good exhibition catalogue bound in yellow and green printed wraps with mild sunning. The catalogue for shows in London and Zurich.

Hardcover with dustjacket in protective plastic overwrap, 176 pages; very good condition; clean and crisp; signed by Kitaj at top of first page and dated N.Y.C. 1995; no other internal marks. Foreign shipping may be extra.

wraps. Condition: very good +. Kitaj, R. B. (illustrator). First Edition. Staplebound in black and white pictorial wraps. 3.75"x8.75". A very good + copy. Signed by author and Jargon Society founder Jonathan Williams on verso of front cover.

Dust Jacket Condition: dj. First Edition. First edition and first printing. Oblong hardcover. Features a foreword by R. B. Kitaj. A collection of 71 black and white portrait photographs. A fine copy in a very near fine dust jacket. Signed by Friedlander on the half title page. A fresh copy. Signed.

Soft Cover. Condition: Very Good. First Edition; First Printing. SIGNED and inscribed, "For Ellie and Peter with love from Kitaj". From the Collection of the writer and art historian Peter Clothier. ; 48 full-page plates, some color. Introduction by Stephen Spender. Published on the occasion of the exhibition at Marlborough Fine Art, London, October 8 - November 7, 1980. ; Tight and clean. Solid binding. Tight, clean and crisp. A gently read book in Very Good condition. ; 4to; 58 pages; Signed by Author.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Signed in black ink-pen on the title page by Lee Friedlander and R. B. Kitaj. Friedlander has also numbered this copy 40/100. It is signed in the same black ink-pen on the glassine DJ by both artists. Quite uncommon. Signed by Author and Photographer. Book.

Hardcover. Condition: As New. Dust Jacket Condition: As New. 1st Edition. Please inquire. Pricing and availability are subject to change (price is net to all; promotional discounts do not apply). First edition, first printing. Signed by Friedlander. Hardcover. Black cloth-covered boards with title stamped in silver on spine, with photographically illustrated dust jacket. Photographs by Friedlander. Foreword by R.B. Kitaj. Includes a list of plates. Designed by Howard I. Gralla. Unpaginated, with 71 duotone plates, and 2 additional black-and-white frontispiece plates, beautifully printed on heavy fine matt art paper by The Meriden-Stinehour Press from separations made by Richard Benson. 10-1/4 x 11 inches. Out of print. Scarce. Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. As New (from Friedlander's personal archive). From the publisher: "Lee Friedlander Portraits presents a little-known aspect of the photographer's work, but the portraits have the wry, warm, offbeat quality that is essential Friedlander. The sitters are seen in familiar, usually simple, settings, but an instinctive photographic vision has caught them in unusual perspectives or lighting, with fleeting expressions or casual postures that are richly suggestive of context, past and future." Signed by Author.

Hardcover with dustjacket, unpaginated; very good condition; clean and crisp; signed by Lee Friedlander on half-title page; no other internal marks. Foreign shipping may be extra.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First Edition. Seventy-three images reproduced in duotone. Foreword By R. B. Kitaj. 11 by 10-3/16 inches. First edition (stated). A fine copy in a fine dust jacket. Signed by Friedlander on the half-title page.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Julie Metz (Jacket design); Kitaj (illustrator). 1st Edition. First pri-ting of the first edition. Signed by David Lehman directly on the title page; additionally signed by 8 contributors at their page of contribution: Lucille Clifton, Billy Collins, Ray Gonzalez, Tony Hoagland, Galway Kinnell, Yusef Komunyakaa, Philip Levine, and C. K. Williams. Book and dust jacket in fine condition. Signed by Author(s).