Kronenberg Robert (9 results)

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condition: good. Signs of wear and consistent use.

paperback. Condition: Very Good. Ex-library hardcover. No dust jacket. Library stickers, labels and stamps on cover and inside. Cover is in good condition. Spine is tight. Pages are clean, free of markings, notes or stains. Ships from Friends bookstore to benefit Beaverton (Oregon) library.

Hardcover. Condition: Good. Dust Jacket Condition: No Dust Jacket. 8.7 X 6.9 X 0.8 inches; 160 pages; Book Tight, Dust Jacket shows little wear of usage, Text is clean no markings seen, and Illustrated.

Paperback. Condition: As New. Glossy pictorial boards, Book is in excellent condition, text is unmarked and pages are tight.

Hardcover. Condition: Very Good. Dust Jacket Condition: No Dust Jacket. First Edition. Articles include: The Cathedral Libraries Catalogue; the Spanish Masquerado; An Examination of the Method of Proof Correction in Lear; Horace Walpole's Library; Forged Addresses in Low Country Books in the Period of the Reformation; Early English Books at the London Oratory; MacBeth at the Globe; Further Notes on Paper used in England after 1600; Konrad Haebler: In Memoriam; Geneva as a Centre of early Printing; the Gifts of Elizabethan Printers to the Library of King's College, Cambridge; Some Notes on the Bibliography of Jeremy Taylor; Halliwell-Phillipps and Trinity College Library. Bibliographical Notes: The 1618 Quarto of Field's Amends for Ladies; Pen-and-Ink Corrections in Seventeenth-century Books; Paper Saving in 1639; Additional Observations to the Later Editions of Nosce Teipsum; A Letter of Petrus Savornanus to Bibald Pireckheimer; Albertus Trottus and Albertus de Ferrariis; Foxe's Acts and monuments, 1570 and Single page Imposition; An Apparently Unrecorded French Translation of Galen's De simplicium medicamentorum facultatibus 1544; Andrew Boorde's Dyetary of Helth and its Attribution to Thomas Linacre; Notes on a Late-sixteenth-century Opthalmic Work in English; The Archpriest Controversy and the Printers 1601-1603; Correction at Press in the Quarto of Law-Trickes; The Date of the Earliest Play-Catalogues; Browne's Urn Burial; Jacob Bryant and the Sunderland Library; Two Caslon Specimens; Tennyson's Carmen Saeculare; Notes on Some Tools used by the Unicorn Binder; Books printed at Heidelberg for Thomas Cartwright; A Note on the Authorship of Three Works against Thomas Bell; the First Series of Plays published by Francis Kirkman in 1661. Correspondence. Reviews. Clean grey boards with clean grey linen spine with black lettering, sound binding, penciled note at top of page 1 otherwise clean pages. No dust jacket, as published. Quantity Available: 1. Shipped Weight: 1-2kg. Pictures of this item not already displayed here available upon request. Inventory No: 12210100059. All our books are sent by tracked mail. This book is extra heavy, and may involve extra shipping charges to some countries.

Paperback. Condition: Brand New. 430 pages. 11.00x9.00x1.00 inches. In Stock.

Hambourg,Verlag Br. Sachse, mars 1931, 157x121mm, 42pp., broché sous couverture typographique imprimée en rouge et noir. Les pages 1 à 28 présentent les 100 uvres exposées avec description et prix, et 12 reproductions pleine page de Fritz Ahkers-Hestermann, Alma del Banco, Egbert Baumann, Fritz Bürger, Lore Feldberg-Eber, Arnold Fiedler, Fritz FlinteWillem Frimm, Erich Hartmann, Ivo Hauptmann, Hella Jacobs, Robert Jodelh, Paul Kayser, Karl Kluth, Fritz Kronenberg, Kurt Löwengard, Emil Maetzel, Olga Meyer, Karl Opfermann, Wilhelm Plate, Hans Ruwoldt, Hilde Schroeder, Willi Titze, Else Weber, Maria Wenz, Albert Wöbcke, Gretchen Wohlwill, Karl Ballmer, Naum Slutzky, Ralf Nesch.Les pages 29 à 42 sont consacrées à l'exposition de l'architecte Karl Schneider, qui occupait le rez-de-chaussée du bâtiment, avec 10 reproductions photographiques pleine page dues au photographe hambourgeois Ernst Scheel. Karl Schneider avait réalisé le nouveau bâtiment de l'exposition et avait veillé à l'organisation générale ; proche du Bauhaus, il avait collaboré avec Walter Gropius, Adolf Meyer et, à partir de 1915, avec Peter Behrens.Les membres de la Sécession de Hambourg, fondée à l'été 1919 en tant qu'association interdisciplinaire d'artistes de la peinture, de la sculpture, de l'architecture et de la littérature voulaient une scène artistique animée à la hauteur de l'importance économique de de leur ville. Jusqu'à leur autodissolution en mai 1933, sous la pression des nazis, ils réalisèrent des conférences, des lectures, des festivals d'artistes et douze expositions annuelles, auxquelles ils invitèrent d'autres artistes. Les expositions avaient lieu dans les salles de la Hamburger Kunsthalle. La vaste collection du musée offrant aux artistes beaucoup d'inspiration.Quelques défauts marginaux. (105615).