Published by Comparative Literature Programme, 1997
Seller: Webster's Bookstore Cafe, Inc., State College, PA, U.S.A.
Paperback. Condition: Very Good. A clean and tight copy.
Published by Oxford University Press, Incorporated, 1998
ISBN 10: 0195906071 ISBN 13: 9780195906073
Seller: Better World Books, Mishawaka, IN, U.S.A.
Condition: Good. Used book that is in clean, average condition without any missing pages.
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Published by Oxford University Press, 1999
ISBN 10: 0195916581 ISBN 13: 9780195916584
Seller: Amazing Books Pittsburgh, Pittsburgh, PA, U.S.A.
Paperback. Condition: Very Good. Sturdy copy, unmarked text. Light wear on outside edge of pages. Vintage sticker on back cover. Minor edge-wear on cover, top of front cover with small crease. Lh.
Published by The Chinese University of Hong Kong Press, 2003
ISBN 10: 9629960036 ISBN 13: 9789629960032
Condition: Very Good. Very Good condition. From the collection of Tom Verlaine. Verlaine was a guitarist, singer, and songwriter who was a founding member of the seminal punk rock band Television. He was known for his innovative guitar playing and songwriting, and he is considered to be one of the most important and influential musicians of the past 50 years.
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Published by The Chinese University of Hong Kong Press, 2002
ISBN 10: 9622019935 ISBN 13: 9789622019935
Seller: SecondSale, Montgomery, IL, U.S.A.
Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
Published by The Chinese University of Hong K, 2010
ISBN 10: 962996399X ISBN 13: 9789629963996
Seller: HPB-Ruby, Dallas, TX, U.S.A.
hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
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Published by Oxford University Press, 1998
Seller: Berkshire Rare Books, Maidenhead, United Kingdom
First Edition
Hardcover. Condition: Used - Very Good. Dust Jacket Condition: None. 1st Edition. Spine, binding and cover all fine; contents clean and no inscription. 96 pages.
Published by The Chinese University of Hong K, 2001
ISBN 10: 9622019072 ISBN 13: 9789622019072
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Hardcover. Condition: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.
Published by The Chinese University of Hong K, 2002
ISBN 10: 9622018696 ISBN 13: 9789622018693
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Paperback. Condition: Very Good. crisp clean w/light shelfwear/edgewear - may have remainder mark Standard-sized.
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Published by The Chinese University of Hong K, 2004
ISBN 10: 9629961849 ISBN 13: 9789629961848
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.
Published by Oxford University Press, Hong Kong, 1999
ISBN 10: 0195916581 ISBN 13: 9780195916584
First Edition
Soft Cover. Condition: Fine. First Edition. Anthology of 26 short stories written by contemporary Chinese speaking authors from China, Taiwan, Hong Kong and Singapore, many translated for the first time into English. The stories explore the manifestations of 'self' and the impact of place upon Chinese identity in the four communities, sharing a common cultural heritage but separated by differing social, political and economic realities. The book not only demonstrates the diverse creativity of contemporary Chinese authors, but also expresses the aspirations and fears of many who live in regimes where the mass media are controlled by the state and opportunities for open discussion are limited. xxii, 419 pp., biographical sketches of authors, translators and editors. Size: 22 x 14 cm.
Published by Oxford University Press, Hong Kong, 1998
Seller: Bij tij en ontij ..., Kloosterburen, NL, Netherlands
Hardcover, 20 cm, 96 pp. Ills.: black and white illustrations. Cond.: zeer goed / very good. ISBN: 0195906071.
Published by The Chinese University of Hong Kong Press, 1985
ISBN 10: 9629960788 ISBN 13: 9789629960780
Seller: PBShop.store US, Wood Dale, IL, U.S.A.
PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
Published by Singapore, Springer., 2019
ISBN 10: 9811325197 ISBN 13: 9789811325199
Seller: Universitätsbuchhandlung Herta Hold GmbH, Berlin, Germany
XI, 154 p. Hardcover. Versand aus Deutschland / We dispatch from Germany via Air Mail. Einband bestoßen, daher Mängelexemplar gestempelt, sonst sehr guter Zustand. Imperfect copy due to slightly bumped cover, apart from this in very good condition. Stamped. Sprache: Englisch.
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Published by Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften, 2002
ISBN 10: 363138100X ISBN 13: 9783631381007
Seller: PBShop.store US, Wood Dale, IL, U.S.A.
PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
Published by Singapore, Springer., 2019
ISBN 10: 9811363021 ISBN 13: 9789811363023
Seller: Universitätsbuchhandlung Herta Hold GmbH, Berlin, Germany
XI, 298 p. Hardcover. Versand aus Deutschland / We dispatch from Germany via Air Mail. Einband bestoßen, daher Mängelexemplar gestempelt, sonst sehr guter Zustand. Imperfect copy due to slightly bumped cover, apart from this in very good condition. Stamped. Sprache: Englisch.
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Published by Springer, 2023
ISBN 10: 9811992142 ISBN 13: 9789811992148
Seller: Ria Christie Collections, Uxbridge, United Kingdom
Condition: New. PRINT ON DEMAND Book; New; Fast Shipping from the UK. No. book.
Published by Novus Press, 2019
ISBN 10: 828390017X ISBN 13: 9788283900170
Seller: Revaluation Books, Exeter, United Kingdom
Paperback. Condition: Brand New. 1st edition. 202 pages. 9.41x6.69x0.63 inches. In Stock.
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Published by Springer Nature Singapore, 2020
ISBN 10: 9811363056 ISBN 13: 9789811363054
Seller: AHA-BUCH GmbH, Einbeck, Germany
Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book is a study of the relation between theatre art and ideology in the Chinese experimentations with new selfhood as a result of Ibsen's impact. It also explores Ibsenian notions of self, women and gender in China and provides an illuminating study of Chinese theatre as a public sphere in the dissemination of radical ideas. Ibsen is the major source of modern Chinese selfhood which carries notions of personal and social liberation and has exerted great impacts on Chinese revolutions since the beginning of the twentieth century. Ibsen's idea of the self as an individual has led to various experimentations in theatre, film and fiction to project new notions of selfhood, in particular women's selfhood, throughout the history of modern China. Even today, China is experimenting with Ibsen's notions of gender, power, individualism and self.Kwok-kan Tam is Chair Professor of English and Dean of Humanities and Social Science at the Hang Seng University ofHong Kong. He was Head (2012-18) and is currently a member of the International Ibsen Committee, University of Oslo. He is a Foundation Fellow of the Hong Kong Academy of the Humanities. He has held teaching, research and administrative positions in various institutions, including the East-West Center, the Chinese University of Hong Kong and the Open University of Hong Kong. He has published numerous books and articles on Ibsen, Gao Xingjian, modern drama, Chinese film, postcolonial literature, and world Englishes. His recent books include Ibsen, Power and the Self: Postsocialist Experimentations in Stage Performance and Film (2019), The Englishized Subject: Postcolonial Writings in Hong Kong, Singapore and Malaysia (2019), and a co-edited volume Fate and Prognostication in the Chinese Literary Imagination (2019).
Published by Brill Academic Pub, 2020
ISBN 10: 9004427341 ISBN 13: 9789004427341
Seller: Revaluation Books, Exeter, United Kingdom
Hardcover. Condition: Brand New. 206 pages. 9.25x6.25x0.75 inches. In Stock. This item is printed on demand.
Published by Springer, 2023
ISBN 10: 9811992126 ISBN 13: 9789811992124
Seller: booksXpress, Bayonne, NJ, U.S.A.
Hardcover. Condition: new.
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Published by Springer, 2023
ISBN 10: 9811992088 ISBN 13: 9789811992087
Seller: Revaluation Books, Exeter, United Kingdom
Hardcover. Condition: Brand New. 239 pages. 9.25x6.25x0.75 inches. In Stock.
Published by Springer Nature Singapore, 2024
ISBN 10: 9811992150 ISBN 13: 9789811992155
Seller: AHA-BUCH GmbH, Einbeck, Germany
Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - This volume reshapes a contemporary understanding of research in theatre and performance arts. Bringing together distinguished scholars from all over the world, the book serves as an arena for international scholars to introduce innovative research methodologies and disseminate their research findings regarding VLT, data archiving, and digital history and discusses the impacts of digital culture in art production, stage performance, film, and literature. The Ibsen focus in the book is illustrative of the power of digital database research that is generating new relations in spatial-historical dimensions that have otherwise gone unnoticed. It demonstrates how a new methodology can bring practical benefits to handling big data with the support of digital technologies. In line with the post-pandemic landscape, this book engages a reflectionon how the digital revolution has brought about changes and challenges, and constraints and breakthroughswithin the field of theatre and performance arts.It is of appeal to theatre artists and practitioners, scholars, critics, librarians, digital archive engineers, and postgraduate students interested in theatre, performance studies, digital media, information technology, library science, communication, education, sociology, as well as political science.'The book investigates the latest methodological development in digital cultures and performance arts, which significantly contributes to the ever-changing and increasingly advanced technological culture in this field.' - Jessica Tsui-yan Li, York University, Canada'In line withthepost-pandemic landscape, this book engages thereader in reflecting onhow thedigital revolution has brought about chances and challenges, constraints and breakthroughs tothefield oftheatre and performance arts. An original, eye-opening and inspiring volume atmultiple levels, this book brings together distinguished scholars fromall over theworld.' - Dr Anna Tso,The Hang Seng University of Hong Kong.
Published by Brill 2020, 2020
Seller: Pali, Roma, RM, Italy
Hard Cover. Condition: As New. 8vo, hardcover, 206pp, The essays collected in Fate and Prognostication in the Chinese Literary Imagination deal with the philosophical, psychological, gender and cultural issues in the Chinese conception of fate as represented in literary texts and films, with a focus placed on human efforts to solve the riddles of fate prediction. Viewed in this light, the collected essays unfold a meandering landscape of the popular imaginary in Chinese beliefs and customs. The chapters in this book represent concerted efforts in research originated from a project conducted at the International Consortium for Research in the Humanities at the Friedrich-Alexander-University Erlangen-Nuremberg, Germany. Contributors are Michael Lackner, Kwok-kan Tam, Monika Gaenssbauer, Terry Siu-han Yip, Xie Qun, Roland Altenburger, Jessica Tsui-yan Li, Kaby Wing-Sze Kung, Nicoletta Pesaro, Yan Xu-Lackner, and Anna Wing Bo Tso.See Less. Michael Lackner is Chair Professor of Chinese Studies at the University of Erlangen-Nuremberg and Director of the International Research Consortium in the Humanities. He is editor of the book series Prognostication in History (Brill). He is a historian-philosopher and an international authority in the study of fate and prognostication. Kwok-kan Tam is Chair Professor of English and Dean of Humanities and Social Science at the Hang Seng University of Hong Kong. He has held senior positions as Professor and Dean at other universities in Hong Kong. He is formerly Head and currently Member of the International Ibsen Committee, University of Oslo. His research covers Ibsen studies, Gao Xingjian studies, World Englishes, Chinese film, drama, and gender and literature. Monika Gaenssbauer is Associate Professor of Chinese Studies at Stockholm University. From 2009?2015 she served as Deputy Chair of Chinese Studies at the University of Erlangen-Nuremberg. Her main research areas are Chinese contemporary literature and translation studies. Terry Siu-han Yip is Professor in the Department of English Language and Literature at Hong Kong Baptist University. She served as Chair of the Department of English in 1995?2008. Her research interests range from European Romanticism and British Modernism to modern Chinese literature, Chinese-European literary relations and gender studies.