Lübecker (271 results)

Zeitung, brosch., guter Zustand, Abb., Preis pro Stück.

Paperback. Condition: Used: Good. Good overall, no marks; mild shelfwear; interior has some creasing to pages; art gallery exhibition catalog.

14,0 x 9,0 cm. Die Portokosten betragen im Inland 1,00 Euro. [SW - Ansichtskarte].

56,5 x 39,5 cm, 4 Seiten. Waagerechter und senkrechter Mittelknick, dort mit kleinem Loch.

mit Abb. 22 X 16 cm 84 Seiten Einband leicht lichtrandig Einband leicht angeschmutzt Papier leicht gebräunt Sprache: Deutsch Einband: Brosch. OHNE Schutzumschlag 150 gr.

Paperback. Condition: New. For more than forty years, the experimental filmmaker James Benning has been engaged in a systematic investigation of the relations between man, landscape, and the filmic medium, and during the last decade it has become increasingly clear how much these investigations have to offer to contemporary debates about ecology, the age of the anthropocene and the potentialities of new digital technologies. In James Benning's Environments a range of international scholars highlight the thematic and formal coherence of Benning's practice, whilst providing readers with an artistic and historical context to understand his experimental film work. The volume offers a number of interpretative frameworks drawing on film theory, environmental humanities, visual culture and philosophy, explaining why Benning has emerged as one of today's essential filmmakers.

Paperback. Condition: new. Paperback. For more than forty years, the experimental filmmaker James Benning has been engaged in a systematic investigation of the relations between man, landscape, and the filmic medium, and during the last decade it has become increasingly clear how much these investigations have to offer to contemporary debates about ecology, the age of the anthropocene and the potentialities of new digital technologies. In James Benning's Environments a range of international scholars highlight the thematic and formal coherence of Benning's practice, whilst providing readers with an artistic and historical context to understand his experimental film work. The volume offers a number of interpretative frameworks drawing on film theory, environmental humanities, visual culture and philosophy, explaining why Benning has emerged as one of today's essential filmmakers. A range of international scholars highlight the thematic and formal coherence of James Benning's practice, whilst providing readers with an artistic and historical context to understand his experimental film work. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

kartoniert, Condition: Gut, 254 S., mit zahlr. sch.-weiß Abb., Size: 8°,

kartoniert, Condition: Gut, 254 S., zweite erweiterte Auflage, mit zahlr. sch.-weiß Abb., Size: 8°,

kartoniert, Condition: Gut, 192 S., mit zahlr. sch.-weiß Abb., Size: 8°,

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Gr.-8°, 118 SS., Originalbroschur (leicht berieben, Golddruck etwas oxydiert. Kleiner Namensstempel sowie kleine handschriftliche Nummer auf dem Titelblatt. Halbleinenband der Zeit.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Broschur. Condition: leichte Gebrauchsspuren. dänisch / deutsch Mit einem Stempel des Vorbesitzers auf der ersten und letzten Seite (im Preis berücksichtigt) SOFORTVERSAND AUF RECHNUNG! Ein gutes Exemplar In deutscher Sprache. n. pag. (30 S.) Din A5.

Paperback. Condition: New. In recent years some of the best-known European and American art film directors have made films that place the spectator in a position of intense discomfort: Feel-Bad Films. These films systematically manipulate the spectator: sometimes by withholding information from her, sometimes by shocking her, and sometimes by seducing her in order to further disturb her. As a result, they have been criticized for being amoral, nihilistic, politically irresponsible and anti-humanistic.The Feel-Bad Film raises three questions to this body of work: How is the feel-bad experience created? What do the directors believe they can achieve in this manner? And how should the films be situated in intellectual history? Through close analysis of films by Lars von Trier, Gus Van Sant, Claire Denis, Michael Haneke, Lucille Hadzihalilovic, Brian de Palma, Bruno Dumont and Harmony Korine, the book argues that feel-bad directors invite the spectator to think of art as an experimental activity with ethical norms that are different from the ones we hope to find outside the movie theatre. Only when given the freedom to take advantage of this asymmetry can film realize its ethical potential.

Paperback. Condition: new. Paperback. In recent years some of the best-known European and American art film directors have made films that place the spectator in a position of intense discomfort: Feel-Bad Films. These films systematically manipulate the spectator: sometimes by withholding information from her, sometimes by shocking her, and sometimes by seducing her in order to further disturb her. As a result, they have been criticized for being amoral, nihilistic, politically irresponsible and anti-humanistic.The Feel-Bad Film raises three questions to this body of work: How is the feel-bad experience created? What do the directors believe they can achieve in this manner? And how should the films be situated in intellectual history? Through close analysis of films by Lars von Trier, Gus Van Sant, Claire Denis, Michael Haneke, Lucille Hadzihalilovic, Brian de Palma, Bruno Dumont and Harmony Korine, the book argues that feel-bad directors invite the spectator to think of art as an experimental activity with ethical norms that are different from the ones we hope to find outside the movie theatre. Only when given the freedom to take advantage of this asymmetry can film realize its ethical potential. An analysis of what contemporary directors seek to attain by putting their spectators in a position of strong discomfort Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback or Softback. Condition: New. James Benning's Environments: Politics, Ecology, Duration. Book.

Paperback. Condition: New. For more than forty years, the experimental filmmaker James Benning has been engaged in a systematic investigation of the relations between man, landscape, and the filmic medium, and during the last decade it has become increasingly clear how much these investigations have to offer to contemporary debates about ecology, the age of the anthropocene and the potentialities of new digital technologies. In James Benning's Environments a range of international scholars highlight the thematic and formal coherence of Benning's practice, whilst providing readers with an artistic and historical context to understand his experimental film work. The volume offers a number of interpretative frameworks drawing on film theory, environmental humanities, visual culture and philosophy, explaining why Benning has emerged as one of today's essential filmmakers.

Condition: As New. Unread book in perfect condition.

Condition: New.

. 26 S. mit Abb. Brosch. Gewicht in Gramm: 900.

Condition: new.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Soft cover. Condition: Very Good. Lars Bo (illustrator). First Edition. 1977. Unpagenated (c. 34pp). Colour and B&W illustrations. "The world Lars Bo has created . is full of phenomena that we easily recognise. Nature in a landscape, wind and weather, architecture, everyday objects, animals, birds and inects of many kinds - many kinds of human beings too, some of them, no most of them, rather strange ones." Minor shelf wear to covers. 5cm crease to top corner of rear cover. Previous owner's bookplate to inside front cover. The book is otherwise in excellent condition. There are no inscriptions and all contents are tight and clean.

Paperback. Condition: New. In recent years some of the best-known European and American art film directors have made films that place the spectator in a position of intense discomfort: Feel-Bad Films. These films systematically manipulate the spectator: sometimes by withholding information from her, sometimes by shocking her, and sometimes by seducing her in order to further disturb her. As a result, they have been criticized for being amoral, nihilistic, politically irresponsible and anti-humanistic.The Feel-Bad Film raises three questions to this body of work: How is the feel-bad experience created? What do the directors believe they can achieve in this manner? And how should the films be situated in intellectual history? Through close analysis of films by Lars von Trier, Gus Van Sant, Claire Denis, Michael Haneke, Lucille Hadzihalilovic, Brian de Palma, Bruno Dumont and Harmony Korine, the book argues that feel-bad directors invite the spectator to think of art as an experimental activity with ethical norms that are different from the ones we hope to find outside the movie theatre. Only when given the freedom to take advantage of this asymmetry can film realize its ethical potential.

Softcover. Condition: Bon. Ancien livre de bibliothèque avec équipements. Edition 2015. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Edition 2015. Ammareal gives back up to 15% of this item's net price to charity organizations.

Gr.-8°, XI,340 SS., Originalhalbleinenband (Rücken verblichen).

Condition: new.