Labarthe Philippe (508 results)

Language: English
Published by Fordham University Press 2015
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Heidegger, Philosophy, and Politics: The Heidelberg Conference
Lacoue-Labarthe, Philippe,Gadamer, Hans-Georg,Derrida, Jacques
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Language: English
Published by State University of New York Press, (Albany, 1992) 1992
Series: SUNY series in Contemporary Continental Philosophy, Book 5 of 158. Book 5 of 158 - SUNY series in Contemporary Continental Philosophy
- Softcover
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Condition: acceptable. Paperback Book. Pages are still legible. Contains minimal underlining and or highlighting. Book shows signs of Use and Wear on Cover s - All Pages are still legible and in Acceptable Condition.
Language: French
Published by Musee e d'art moderne 1983
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Paperback. Condition: Very Good. Softcover exhibition catalog, light shelfwear to covers and price sticker on rear cover. Contents clean and tight. Unpaginated. B&W photos.

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- Softcover
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Paperback or Softback. Condition: New. Poetry as Experience. Book.

- Softcover
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More images- Softcover
- First Edition
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Paperback. Condition: New. Lacoue-Labarthe's Poetry as Experience addresses the question of a lyric language that would not be the expression of subjectivity. In his analysis of the historical position of Paul Celan's poetry, Lacoue-Labarthe defines the subject as the principle that founds, organizes, and secures both cognition…and action-a principle that turned, most violently during the twentieth century, into a figure not only of domination but of the extermination of everything other than itself. This thoroughly universal, abstract, and finally suicidal subject eradicates all experience, save the singularity of this experience of voiding. But what is left, as Paul Celan insisted, is a remainder to the lyric voice alone: Singbarer Rest. Lacoue-Labarthe's detailed analyses of two decisive poems by Celan, "Tübingen, Jänner" and "Todtnauberg"-the one a response to Hölderlin, the other to Heidegger-and his sustained reading of "The Meridian" present Celan's verse of singularity as the movement at and beyond the border of generalizable experience, i.e., as an experience, a traversing of a dangerous field, in which language no longer dominates anything, but rather commemorates the voiding of concepts and the collapse of the constitutive powers of the subject. For Lacoue-Labarthe, poetry after the Shoah, the poetry of bared singularity, is no longer a poetry that would correspond to the concept of the subject-or, for that matter, to the concept of poetry-but is rather the language of the decept. Only by being disappointed of the heroic language of idealistic poetry, and of the mytho-ontological tendencies of philosophy, can Celan's poetry keep open the possibility of another history, another future.

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Paperback. Condition: Good.

Language: English
Published by Basil Blackwell 1990
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Soft cover. Condition: Very Good. 23×15cm. The book has been cleaned. No noticeable scratches or stains. There's no writing in the text, and the condition is good.

Language: English
Published by State University of New York Press 1988
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Soft cover. Condition: Very Good. 23×15.5cm. The book has been cleaned. No noticeable scratches or stains. There's no writing in the text, and the condition is good.

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- Softcover
- First Edition
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Paperback. Condition: Fine. Translated from the French by Felicia McCarren. First paperback edition. Fine in illustrated wraps.

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Condition: very_good. Supports Goodwill of Silicon Valley job training programs. The cover and pages are in very good condition! The cover and any other included accessories are also in very good condition showing some minor use. The spine is straight, there are no rips tears or creases on the cover or the pages.

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Language: English
Published by State University of New York Press 1992
Series: SUNY series in Contemporary Continental Philosophy, Book 5 of 158. Book 5 of 158 - SUNY series in Contemporary Continental Philosophy
- Softcover
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Soft cover. Condition: Very Good. Trade paperback. Free of any internal markings. Binding is frim.

Language: English
Published by State University of New York Press 1992
Series: SUNY series in Contemporary Continental Philosophy, Book 5 of 158. Book 5 of 158 - SUNY series in Contemporary Continental Philosophy
- Softcover
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Condition: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

- Softcover
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Paperback. Condition: new. Paperback. Lacoue-Labarthe's "Poetry as Experience" addresses the question of a lyric language that would not be the expression of subjectivity. In his analysis of the historical position of Paul Celan's poetry, Lacoue-Labarthe defines the subject as the principle that founds, organ…izes, and secures both cognition and action—a principle that turned, most violently during the twentieth century, into a figure not only of domination but of the extermination of everything other than itself. This thoroughly universal, abstract, and finally suicidal subject eradicates all experience, save the singularity of this experience of voiding. But what is left, as Paul Celan insisted, is a remainder to the lyric voice alone: "Singbarer Rest." Lacoue-Labarthe's detailed analyses of two decisive poems by Celan, "Tubingen, Janner" and "Todtnauberg"—the one a response to Holderlin, the other to Heidegger—and his sustained reading of "The Meridian" present Celan's verse of singularity as the movement at and beyond the border of generalizable experience, i.e., as an "experience," a traversing of a dangerous field, in which language no longer dominates anything, but rather commemorates the voiding of concepts and the collapse of the constitutive powers of the subject. For Lacoue-Labarthe, poetry after the Shoah, the poetry of bared singularity, is no longer a poetry that would correspond to the "concept" of the subject—or, for that matter, to the concept of poetry—but is rather the language of the "decept." Only by being "disappointed" of the heroic language of idealistic poetry, and of the mytho-ontological tendencies of philosophy, can Celan's poetry keep open the possibility of another history, another future. Lacoue-Labarthe's Poetry as Experience addresses the question of a lyric language that would not be the expression of subjectivity. In his analysis of the historical position of Paul Celan's poetry, Lacoue-Labarthe defines the subject as the principle that founds, organizes, and secures both cognition and action—a principle that turned, most violently during the twentieth century, into a figure not only of domination but of the extermination of everything other than itself. This thoroughly universal, abstract, and finally suicidal subject eradicates all experience, save the singularity of this experience of voiding. But what is left, as Paul Celan insisted, is a remainder to the lyric voice alone: Singbarer Rest. Lacoue-Labarthe's detailed analyses of two decisive poems by Celan, "Tubingen, Janner" and "Todtnauberg"—the one a response to Holderlin, the other to Heidegger—and his sustained reading of "The Meridian" present Celan's verse of singularity as the movement at and beyond the border of generalizable experience, i.e., as an experience, a traversing of a dangerous field, in which language no longer dominates anything, but rather commemorates the voiding of concepts and the collapse of the constitutive powers of the subject. For Lacoue-Labarthe, poetry after the Shoah, the poetry of bared singularity, is no longer a poetry that would correspond to the concept of the subject—or, for that matter, to the concept of poetry—but is rather the language of the decept. Only by being disappointed of the heroic language of idealistic poetry, and of the mytho-ontological tendencies of philosophy, can Celan's poetry keep open the possibility of another history, another future. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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- Hardcover
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Hardcover. Condition: Fine. Near Fine. First English language edition. Cloth. From the Meridian Crossing Aesthetics series, edited by Werner Hamacher and David E. Wellbery. Addresses Baudelaire, Mallarme, Heidegger, and Adorno. With extensive notes and references.

- Softcover
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Paperback or Softback. Condition: New. Musica Ficta: (Figures of Wagner). Book.