Lambion (15 results)

Paperback. Condition: Good. Contents are tight and clean.

Softcover. Condition: Très bon. Couverture différente. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Different cover. Ammareal gives back up to 15% of this item's net price to charity organizations.

Condition: Neuf.

Taschenbuch. Condition: Gut. 279 Seiten; In FRANZÖSISCHER Sprache. Das hier angebotene Buch stammt aus einer teilaufgelösten wissenschaftlichen Bibliothek und trägt die entsprechenden Kennzeichnungen (Rückenschild, Instituts-Stempel.); leichte altersbedingte Anbräunung des Papiers; der Buchzustand ist ansonsten ordentlich und dem Alter entsprechend gut. Einbandkanten sind leicht bestoßen. Sprache: Französisch Gewicht in Gramm: 250.

Condition: Good. No edition stated (softcover). Square 4to, c. 200pp. Illustrated throughout in colour. Original laminated wrappers. Covers a little rubbed, else this copy is in very good condition. A catalogue of 74 paintings, mostly by Old Masters, which were being offered for sale by De Jonckheere at the time. No price list is included. Text in French and English.

Couverture Souple illustrée. Condition: Bon. Collection "Collection Roland", 256 pages.

Couverture rigide. Condition: bon. R200134227: 1989. In-Folio. Relié. Etat d'usage, Coins frottés, Coiffe en tête abîmée, Papier jauni. 152 pages, nombreuses cartes et photo en couleur hors texte -annotation à l'encre sur la page de garde. . . . Classification Dewey : 912-Atlas, cartes et plans.

Condition: as new. vendeur professionnel. envoi soigne en 24/48h.

Couverture souple. Condition: bon. RO20266877: 2000. In-4. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. Environ 150 pages - couverture rempliée - nombreuses reproductions couleur, dans et hors texte. . . . Classification Dewey : 750-La peinture et les peintres.

25 x 35, 170 pp., très nombreuses cartes en couleurs, reliure d'édition carton imprimé, très bon état.

Couverture souple. Condition: bon. RO20122935: 1949. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 127 pages. . . . Classification Dewey : 330-Economie.

2 Teile in einem Band. gr. 8°, 16 nn, 464 S.; 552 S., 3 Holzschn.-Druckermarken u.Initiale. Pergament-Band d. Zt. über 5 Bünden m. goldgpr. Rückensch. (Wurmsp.im Einband u.auf wenigen Seiten, einige Ränder repariert, Feuchtigkeitsspuren, ersten hundert Seiten wasserrandig und etw. fleckig). Trotz der beschriebenen Mängel ein stattlicher, dekorativer (reparierter) Pergamentband. Der französische Philologe Denis Lambin (1520? - 1572 erschlagen in der Bartholomäusnacht) war Herausgeber und Kommentator vieler lateinischer Klassiker. Vorliegende Ausgabe erschien erstmals 1561.

Dali's copy - with all copper plates and the book's maquette --- Unique copy of this livre d'artiste, with a lovely, personal, double inscription to the artists' friend Salvador Dali, the complete maquette of the book in a second volume, and in a Leroux binding integrating all original copper plates. This is the copy num. 4 of only 80 copies, from the tirage de tête of 7 copies with an original watercolour by Baltazar and additional handwritten verses by Arrabal. All copies are signed by both artists. The second volume present here isn't usually found in copies of the 1-volume book, as includes extensive added material. (We could trace another one of the 7 copies, inscribed to Aragon and in a 1988 Miguet binding - in the usual one volume.) The maquette is signed and dated by artist and author (3 and 4 Dec., 1979, respectively) and it includes: a mock-up of the double title page with drawings in ink; multiple drafts of the sonnets with Arrabal's pencil corrections and two versions of the limitation page, including inked borders by Baltazar that do not appear in the published book; and trial proofs of the 5 etchings, each accompanied by the note "essai avant aciérage". The leaves of the maquette are loosely bound, with cardboard cover and slipcover both decorated in India ink and signed "Baltazar 2:12.1979". The whole is presented in a hardback folder bound in grey suede and black box calf, inset with four of Baltazar's five copper etching plates for Cinco sonetos. The fifth original plate appears on the slipcase that contains both maquette and finished book. "Réalisme glacial ou onirisme débordant, on ne sait jamais, avec Arrabal, si l'uvre appartient au fantasme, au ricanement ou au témoignage. Et c'est justement ce qui fait son attrait: elle désoriente, elle provoque." (Clavel) Arrabal's five poems appear under such headings as "Te regalare un pequeño ataúd" and "El entierro de la sardina" (the latter after Goya, a Spanish folk ritual, and the author's own absurdist novel of two decades prior). They are matched with Baltazar's five part-coloured abstract etchings, each signed in pencil by the artist, who also opens the volume with a full-page image in watercolour, India ink, and coloured pencil, followed by watercolour contributions to the double title page. Contemporary Spanish playwright, poet, novelist, and filmmaker Fernando Arrabal Terán was born in the North African exclave of Melilla in 1932, and has been based in Paris since 1955. A friend of artists and writers such as Duchamp, Beckett, Ionesco, Tzara, and Warhol, he spent three years in André Breton's surrealist group in Paris, and was a co-founder of the Mouvement panique in 1962. Among his many other activities, Arrabal has created over 700 artists' books, in collaboration with such figures as René Magritte, Milan Kundera, and Michel Houellebecq. Collaborators have also included Salvador Dalí. It was Dalí who introduced Arrabal to the co-creator of Cinco sonetos. Born Hervé Lambion (Paris, 1949), Julius Baltazar was rebaptised by Dalí in 1967, when the latter took the budding artist under his wing. The next year both Baltazar and Arrabal were invited to stay with Dalí at his house in Cadaqués, Catalonia, a sojourn fondly recalled in this book's double dedication: "Ha! Dalí! Quels moments à Cadaquès, les sardines grillées Souvenir amical de Baltazar, 17-02-1980." "A mi querido amigo Dalí en recuerdo de nuestras noches exaltantes que nadie conocera nunca. Besos pánicos, F. Arrabal, 17-11-1980." Provenance: Salvador Dali (title-page dedications in pencil by Arrabal and Baltazar). Physical description:Two volumes large 8vo (25.9 x 19.0 and 26.4 x 18.8 cm). [14] ll., [6] ll. of colour plates; 22 ll., [5] ll. of colour plates, loose as issued. Lined binding by Georges Leroux, dated 1987, in grey-and-black patterned suede with silver flecks and title in silver on upper board, in hardback folder of black box calf with authors' names in silver on spine over grey cloth, lined with grey-and-black patterned suede with silver flecks; maquette with cardboard cover and slipcover decorated in India ink, in hardback folder lined in grey suede and bound in black box calf with title in silver on spine inset with four copper etching plates; slipcase in grey cloth inset with one copper etching plate. Condition:Frayed cloth on slipcase binding, slight offset from plates, otherwise immaculate. Bibliography:Clavel, A. "Arrabal, Fernando," in J. Beaumarchais, ed., Dictionnaire des littératures de langue française, vol. 1. Paris: Bordas, 1984. p. 85.

4. Bruxelles, Galerie Michel Vokaer, 1994, plaquette petit in-4°, 23 x 16,5 cm, 16 pp , en feuilles, avec couverture originale, contient 5 lithographies à double page, tiré à 120 exemplaires tous signés par l'auteur et l'artiste, imprimé par Jean-Louis Lavergne à Vitry-sur-Seine. Publié ''pour accompagner l'exposition de peintures sur toiles de Julius Baltazar qui se tient à Bruxelles du 30 novembre 1994 au 7 janvier 1995 en la Galerie Michel Vokaer''.

Editions La Palinte-Montréal 1996. In-12 en feuilles non paginé au format 15.5 x 12 cm. Superbe couverture typographique. Dos, plats et intérieur parfaits. Seule la graphie, de Jean Cortot située en frontispice, est rehaussée d'aquarelle. Recueil de pensées, préceptes, paradoxespar Julius Baltazar, ornées de graphies de Jean Cortot. Tirage unique à 50 exemplaires numérotés sur papier vélin gris à la forme ( n° 5 ), signés par Julius Baltazar et Jean Cortot. Rare édition originale en état proche du neuf.