Larry Kart (22 results)

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing.…

hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

hardcover. Condition: As New. Used, hardcover like new with original dust jacket. Sharp, square, clean, fresh & serviceable copy. No highlighting, marginalia or page tears.

Hardcover. Condition: Very Good. Very good++/near fine. Hardcover with dust jacket. Moderate edgewear and wear to corners. Very nice copy.

Hardcover. Dust Jacket Condition: Fine. 342pp. A fine copy in a fine dust jacket. Size: 8vo - over 7¾" - 9¾" tall. Book.

Condition: new.

Hardcover. Condition: As New. 1st Edition. Mint 1st printing.

Condition: Very Good.

Hardback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: fine. l'article peut presenter de tres legers signes d'usure. vendeur professionnel; envoi soigne en 24/48h.

Condition: New. 2004. hardcover. . . . . .

Condition: New. 2004. hardcover. . . . . . Books ship from the US and Ireland.

Condition: New. pp. x + 342.

Condition: New. &Uumlber den AutorLarry Kart has been music critic, editor, and book editor for the Chicago Tribune and Down Beat magazine.KlappentextIn this engaging and astute anthology of jazz criticism, Larry Kart casts .

Condition: New. pp. x + 342.

Buch. Condition: Neu. Neuware - Is history driven more by principle or interest Are ideas of historical progress obsolete Is it unforgivable to change one's mind or political allegiance Did the 18th century really exchange the civilizing force of commercial advantage for political conflict In this account of liberal thought from its roots in 17th-century English thinking to the end of the 18th century, Annabel Patterson tackles these important historiographical questions. She rescues the term Whig from the low regard attached to it; denies the primacy of self-interest in the political struggles of Georgian England; and argues that while Whigs may have strayed from liberal principles on occasion (nobody's perfect), nevertheless many were true progressives.…

HRD. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

HRD. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Hardback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Hardcover. Condition: new. Hardcover. In this engaging and astute anthology of jazz criticism, Larry Kart casts a wide net. Discussing nearly seventy major jazz figures and many of the music's key stylistic developments, Kart sees jazz as a unique perpetual narrative - one in which musicians, their audiences, and the evolving music itself are intimately intertwined. Because jazz arose from the collision of specific peoples under particular conditions, says Kart, its development has been unusually immediate, visible, and intense. Kart has reacted to and judged the music in a similarly active, attentive, and personal manner. His involvement and attention to detail are visible in these pieces: essays that analyze the supposed return to tradition that the music of Wynton Marsalis has come to exemplify; searching accounts of the careers of Miles Davis, Thelonius Monk, Bill Evans, and Lennie Tristano; and writing that explores jazz's relationship to American popular song and examines the jazz musician's role as actual and would-be social rebel. In this engaging and astute anthology of jazz criticism, Larry Kart casts a wide net. Discussing nearly seventy major jazz figures and many of the music's key stylistic developments, Kart sees jazz as a unique perpetual narrative— one in which musicians, their audiences, and the evolving music itself are intimately intertwined. Because jazz arose from the collision of specific peoples under particular conditions, says Kart, its development has been unusually immediate, visible, and intense. Kart has reacted to and judged the music in a similarly active, attentive, and personal manner. His involvement and attention to detail are visible in these pieces: essays that analyze the supposed return to tradition that the music of Wynton Marsalis has come to exemplify; searching accounts of the careers of Miles Davis, Thelonius Monk, Bill Evans, and Lennie Tristano; and writing that explores jazz's relationship to American popular song and examines the jazz musician's role as actual and would-be social rebel. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…