Lawrence Alloway (609 results)

Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condition: Very Good. 1st Edition / 1st Printing. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. 1st Edition / 1st Printing. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Condition: Good. 1st Edition / 1st Printing. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: Good. Featuring close to 50 full color illustrations, this entry in the Modern Masters series demonstrates how artist Roy Lichtenstein was not only one of the most significant postwar artists, but also a perceptive, ironic commentator on contemporary society. Roy Lichtenstein became famous in the early 1960s for his deadpan recreations of popular imagery, particularly paintings based on war and romance comics. As this book demonstrates, Lichtenstein's interest in quoting subjects form both high and low art has continued throughout his career, producing a fascinating and varied body of work. As Lawrence Alloway's incisive text makes clear, Lichtenstein was not only one of the most significant postwar artists, but also a perceptive, ironic commentator on contemporary society. About Abbeville's Modern Masters series: With informative, enjoyable texts and over 100 illustrations--approximately 48 in full color--this innovative series offers a fresh look at the most creative and influential artists of the postwar era. The authors are highly respected art historians and critics chosen for their ability to think clearly and write well. Each handsomely designed volume presents a thorough survey of the artists life and work, as well as statements by the artist, an illustrated chapter on technique, a chronology, lists of exhibitions and public collections, an annotated bibliography, and an index. Every art lover, from the casual museum goer to the serious student, teacher, critic, or curator, will be eager to collect these Modern Masters. And with such a low price, they can afford to collect them all.…

Condition: good. The item shows wear from consistent use, but it remains in good condition and works perfectly. All pages and cover are intact including the dust cover, if applicable . Spine may show signs of wear. Pages may include limited notes and highlighting. May NOT include discs, access code or other supplemental materials.…

Softcover, 284 pages, fair condition, spine and front cover starting to separate from still bound pages; no internal marks. As is. Foreign shipping may be extra.

Hardcover. Condition: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

4th printing. Page edges foxed (not effecting page margins & text) otherwise a clean, unmarked, complete good+ paperback in decorative wrappers (soft cover book).

hardcover. Condition: Good. Hardback. No dust jacket. Cover edges and corners in good shape. Spine is tight. Pages are clean, no markings, notes or stains. Ships from Friends bookstore to benefit Beaverton (Oregon) library.

Paperback. Condition: Good. 1st. 191 pages, illustrations (some colour); 20 cm. Modern Dreams: The Rise and Fall and Rise of Pop accompanies "The Pop Project," a series of exhibitions presented by The Institute for Contemporary Art developed for The Clocktower Gallery, from October 22, 1987 through June 12, 1988. A good reading copy with some underlining, chiefly clean. A good reading copy for the thrifty scholar. *** CONTENTS: Tomorrow and tomorrow and tomorrow: the independent group and popular culture, by Brian Wallis; Bunk: Eduardo Paolozzi and the legacy of the independent group, by Thomas Lawson; The long front of culture, by Lawrence Alloway; This is tomorrow: genesis of an exhibition, by Graham Whitham; Designed aesthetic: exhibition design and the independent group, by Judith Barry; New brutalism and the welfare state: 1949-59, by Kenneth Frampton; But today we collect ads, by Alison and Peter Smithson; Persuading image, by Richard Hamilton; Vehicles of desire, by Reyner Banham; The sci-fi connection: the IG, J. G. Ballard, and Robert Smithson, by Eugenie Tsai; In poor taste: notes on pop, by Dick Hebdige; An observed conversation, by Leo Castelli [and others]; I am for an art that ., by Claes Oldenburg; Public image: homeless projects by Krzsztof Wodiczko and Dennis Adams, by Tom Finkelpearl; Why is pop so unpopular?, by Patricia Phillips; The necessity of walls: the impact of television on architecture, by Glenn Weiss and Edward Leffingwell; A brokerage of desire, by Howard Halle; Nostalgia as resistance, by Thomas Lawson; Afterword and acknowledgments, by Alanna Heiss. Size: 8vo.…

3rd printing. 216 pages, illustrated. Light foxing on end papers otherwise a clean, unmarked, complete very good paperback in decorative wrappers (soft cover book).

Condition: Good. 1st Edition / 1st Printing. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. 1st Edition / 1st Printing. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Condition: Very Good. 1st Edition / 1st Printing. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Condition: Near Fine. Later printing. Only the very lightest wear visible. Clean square and solid with NO spine creasing. Securely packaged for shipment.

Soft cover. Condition: Very Good. No Jacket. 1st Edition. 126 pages including index and bibliography. The reverse of the covers and the first and last pages are illustrated. The head and tail of the backstrip are worn. The text appears unread.

Softcover, 128 pages; good condition; spine very faded; scattered scuffs to covers; no internal marks. Foreign shipping may be extra.

hardcover. Condition: Very Good +. very good +. First American edition. Introductory essay by Alloway. Square 8vo. Gray textured cloth, with black spine and cover titles. [unpaginated]. With 71 illustrations, including 3 plates. Includes Chronology, Bibliography, and List of Exhibitions. No names or marks. A title in Abrams's Modern Artists Series.…

Softcover. Condition: Good. First Edition. Uber-scarce in the trade, there being currently no additional copies available on-line. Structurally sound art gallery exhibit catalog, square softcover format measuring 7 1/4" on each side, side-stapled. Unpaginated, but roughly 12 pp. Previous owner's ink-stamp or signature to front cover, else about Near Fine, clean and unmarked. Black-and-white reproductions of Carl-Henning Pedersen's best paintings, printed on high-gloss paper.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.…