Leeson Lynn (75 results)

Condition: Good. Bk&CD-Rom. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good. Bk&CD-Rom. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good. Bk&CD-Rom. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. …

Hardcover. Condition: As New. Hardcover, with 40-pg side-stapled book bound in, two DVDs (one containing 10 short films, the other a bonus DVD containing"The Power of Nightmares Part III: The Shadows in the Cave"). Near mint+ discs, no visible flaws.

Condition: Very Good.

Condition: Good. Bk&CD-Rom. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Condition: Very Good.

Softcover, 230 pages, very good minus condition, 1-inch tear with hanging flap to bottom of spine; covers have light creasing; no internal marks. DVD in unopened pouch on inside rear cover. Foreign shipping may be extra.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. Open Books is a nonprofit social venture that provides literacy experiences for thousands of readers each year through inspiring programs and creative capitalization of books.

Softcover, 230 pages, very good condition, clean and crisp; no internal marks. DVD in unopened pouch on inside rear cover. Foreign shipping may be extra.

Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,800grams, ISBN:9780941920421. …

Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,800grams, ISBN:9780941920421. …

Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,850grams, ISBN:9780941920421. …

Hardcover. Condition: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Soft cover. Condition: Very Good.

Hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Condition: As New. Unread book in perfect condition.

Ephemera. Condition: Very Good. --ALL INVENTORY 40% OFF in Sept--Unmarked exhibition card for Lynn Hershman Leeson's exhibition Found Objects at Gallery Paule Anglim, November 5-29, 2008. Exhibition presented in conjunction with The Art of Participation 1950 to Now at the San Francisco Museum of Modern Art. Text on one side. Image from the Olympia series: Stalker, on the other side. Measures 7.75x5.5 inches.…

Condition: New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: As New. Unread book in perfect condition.

Condition: New.

Hardback. Condition: New. A visionary life at the intersection of art, technology, and feminism.In Private I, Lynn Hershman Leeson - one of the most influential conceptual artists of our time-shares her personal journey and the struggle for her visionary work to be recognized as art. In the 1970s, women artists were often dismissed unless linked to more successful male counterparts. Defying this marginalization, Hershman Leeson carved her own path, creating groundbreaking conceptual works such as her Roberta Breitmore series, the Video Diaries, and films starring Tilda Swinton, including Conceiving Ada and Teknolust. Her innovative installations took place in unconventional venues-hotels, department store windows, San Quentin State Prison, and housing projects-while she raised her daughter and endured long periods of poverty.To support fellow artists, she launched The Floating Museum, bringing site-specific art to reclaimed public spaces. She was also one of the first to document women artists' lives and work in her acclaimed documentary !W.A.R. (Women, Art, Revolution). Private I traces her lifelong commitment to experimentation-embracing film, video, AI, chatbots, touch screens, even her own DNA-to challenge ideas of identity and warn of the perils of technology and surveillance. At its core, Private I is a moving portrait of resilience, artistic innovation, and personal transformation through friendship, family, and fearless creativity. …

Condition: New.

hardcover. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condition: As New. Unread book in perfect condition.

Hardback. Condition: New. A visionary life at the intersection of art, technology, and feminism.In Private I, Lynn Hershman Leeson - one of the most influential conceptual artists of our time-shares her personal journey and the struggle for her visionary work to be recognized as art. In the 1970s, women artists were often dismissed unless linked to more successful male counterparts. Defying this marginalization, Hershman Leeson carved her own path, creating groundbreaking conceptual works such as her Roberta Breitmore series, the Video Diaries, and films starring Tilda Swinton, including Conceiving Ada and Teknolust. Her innovative installations took place in unconventional venues-hotels, department store windows, San Quentin State Prison, and housing projects-while she raised her daughter and endured long periods of poverty.To support fellow artists, she launched The Floating Museum, bringing site-specific art to reclaimed public spaces. She was also one of the first to document women artists' lives and work in her acclaimed documentary !W.A.R. (Women, Art, Revolution). Private I traces her lifelong commitment to experimentation-embracing film, video, AI, chatbots, touch screens, even her own DNA-to challenge ideas of identity and warn of the perils of technology and surveillance. At its core, Private I is a moving portrait of resilience, artistic innovation, and personal transformation through friendship, family, and fearless creativity. …

Hardcover. Condition: new. Hardcover. PRIVATE I: The memoir of Lynn Hershman Leeson, the artist who was making work about surveillance, artificial intelligence and invented identity decades before the culture caught upfrom the Roberta Breitmore performances to the Tilda Swinton filmsillustrated throughout from her own archive.For five years in the 1970s, Lynn Hershman Leeson lived part of her life as somebody else. Roberta Breitmore was a performance persona who moved through the real world and its institutions, and she prefigured by decades everything the culture would later come to say about digital identity and surveillance. At the time, most of the art world declined to call her art at all.Private I is Hershman Leesons account of a career spent making work that arrived too early to be recognized. In the 1970s women artists were routinely dismissed unless they could be attached to a more successful man. Defying that, Hershman Leeson built her own path: the Roberta Breitmore series, the Video Diaries, and the feature films starring Tilda Swinton, Conceiving Ada and Teknolust. Her installations went up in the places that would have herhotels, department store windows, San Quentin State Prison, housing projectswhile she raised her daughter and endured long stretches of poverty. To make room for other artists she launched The Floating Museum, which put site-specific work into reclaimed public space. She was among the first to document women artists lives and work on film, in the acclaimed !W.A.R. (Women, Art, Revolution).The list of technologies she has taken up and turned against itself is the real spine of the book: video, artificial intelligence, chatbots, touch screens, robotics, and finally her own DNA. Each was a way of asking the same question about identity, and a way of warning about surveillance long before anyone wanted the warning. Her collaborators and fellow travelersEleanor Coppola, George Lucas, Tilda Swintonappear here as people rather than credits.Private I is also an object: a full-color volume drawn from Hershman Leesons own archive, with rare documentation of Roberta Breitmore and the early interactive works. At its center is a portrait of resilienceof a life sustained through friendship, family and fearless invention, by an artist who turned out to be right. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…