Lichtenstein Roy, Signed (37 results)

Soft cover. Condition: Fine. Profusely Illustrated (illustrator). 1st Edition. SIGNED by Bob Adelman with gift inscription on the title page. Fine contents and binding; appears unread. Inscribed by Author(s).

Hardcover. Condition: Fine. Lichtenstein, Roy (illustrator). A hardcover. A fine copy of an alphabet with the art of Lichtenstein designed by Antupit and written by Adelman. The book is signed and inscribed by the author. This is an alphabet for kids and grown-ups. Signed by Author(s).

Softcover. Condition: Very Good. Signed by Author. Exhibition catalog from 1983 gallery opening. SIGNED and inscribed by Solomon in year of publication. Some bumping and nicking to edges. Artists represented include: Roy Lichtenstein; William Wegman; Andy Warhol; Christo; Laurie Anderson; Robert Mapplethorpe; and more. Installation views and B+W plates. 126 pages. Binding is tight, covers and spine fully intact. Quantity Available: 1. Shipped Weight: 2-3 Pounds. Category: Art::Painting, Drawing & Sculpture; Signed by Author. Inventory No: 030953.

Hardcover with dustjacket, 200 pages; very good condition except 2-inch tear to top left edge of front cover; inscribed and signed by John Coplans on first page; no other internal marks.

Roy Lichtenstein (illustrator). Very nice FLAT SIGNED copy . SIGNED by Lichtenstein, with a note by the then Director of MOCA (Museum of Contemporary Art, Los Angeles- Richard Koshalek. Indeed the exhibition moved on to MOCA after it's run at the Guggenheim Museum. Roy Lichtenstein by Diane Waldman, hardcover in dustjacket. published by Guggenheim Museum, 1993. "very good condition, small jacket tear, book inside almost near fine" VERY HEAVY VOLUME WOULD INCUR EXTRA SHIPPING CHARGES SBED.

Softcover. Condition: Near fine. Profusely Illustrated (illustrator). First Edition. First Edition. Softcover. SIGNED & INSCRIBED by Lichtenstein on the title page. Uncommon signed. 142 illustrations, including 130 plates in full color. With an essay by Calvin Tomkins. Photographs and interview by Bob Adelman. Square 8vo, pictorial wraps. PLEASE NOTE that all our First Editions are also First Printings, unless we specifically note otherwise. All our dust jackets are protected in clear mylar covers.

Hard Cover. Condition: As New. First Edition / Limited. Limited Specially-Bound First Edition with fold-out frontispiece in slipcase SIGNED by Roy Lichtenstein & author Jack Cowart direct to title page, a Fine unread copy in matching red cloth slipcase not to be confused with the dust jacketed trade edition; 4to; 175pp illus. Extra shipping charge REQUIRED for priority or overseas delivery of this heavy oversize book (extra charge SUBSTANTIAL for overseas shipment). Signed by Artist.

Hardcover. Condition: Fine. First Edition, First Printing. Hudson Hills Press, New York, 1981. Hardcover in cloth boards with decoration housed in cloth slipcase. First Edition, First Printing. Deluxe Issue SIGNED BY both Lichtenstein and Cowart on the title page. Edition size unknown. 175 pages profusely illustrated in color including several gatefolds. Includes list of illustrations, a biographical outline, selected bibliography, an appendix of works by other artists mentioned in the text, and an index. Exhibition catalogue published in conjunction with show organized by Jack Cowart at the Saint Louis Art Museum, May 8 - June 28, 1981. Traveled to Seattle Art Museum, July 16 - September 6, 1981 ; Whitney Museum of American Art, New York, September 22 - November 29, 1981 ; Fort Worth Art Museum, December 16, 1981 - February 7, 1982. 9.5 x 12.5in. BOOK CONDITION: Fine/As New (the set).

175 pp.; 31.8 x 23.9 cm.; sewn bound; slipcase; color; edition size unknown; signed and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show organized by Jack Cowart at the Saint Louis Art Museum, May 8 - June 28, 1981. Traveled to Seattle Art Museum, July 16 - September 6, 1981 ; Whitney Museum of American Art, New York, September 22 - November 29, 1981 ; Fort Worth Art Museum, December 16, 1981 - February 7, 1982. In addition selected works traveled to Museum Ludwig, Cologne, 1982 ; City of Florence, Summer, 1982 ; Musee des Arts Decoratifs, Paris, Festival d'Automne, Fall, 1982 ; Fundacion Juan March, Madrid, Fall, 1982 and Seibu Museum, Tokyo, Winter, 1983. Text by Jack Cowart. Includes list of illustrations, a biographical outline, selected bibliography, an appendix of works by other artists mentioned in the text, and an index. Fine. Book and slipcase are pristine as issued. Signed by both Roy Lichtenstein and Jack Cowart.

HARDCOVER. Condition: Fine. 1st Edition. Square Quarto size (4to) in colour printed boards. Unpaginated, approx. 60pp. Presentation copy, inscribed and signed by Adelman on half title leaf, inscription reads 'A book even I could write!' . [CONDITION: An extremely well preserved almost AS NEW copy (some very slight bumping to covers) ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.

The Monacelli Press, New York 2011. Small square 4to. 128 pages. Orig. boards with dust wrapper. Very Good/Good+. Some wear on edges of wrapper. * Signed by the artist Peter Brandes on front endpaper.

Roy lichtenstein (illustrator). The red barn roy Lichtenstein.

Hardcover. Condition: Good. Dust Jacket Condition: Good. First Edition. This is a rare copy of a novel (with the jacket) by the Soho gallerist who helped market and sell Pop artists in the 1960s like Roy Lichtenstein, Andy Warhol, and Robert Rauschenberg. Karp inscribed the book to fellow gallerists, the Hegemann family, of whom Marta, the matriarch, was a member of the 1920s German movement called Stupid. New mylar added to ensure future enjoyment. signed and inscribed by author.

Condition: Good. 4to. 108 pp. Portfolio. First Edition. Very Good. Mostly Black and White Plates, 364 total, 20 in color. Signed. In Hardcover White Plastic Box, with Jasper Johns 'Target 1970' inside covers, with Johns offset-litho-facsimile signature, watercolor pads, paintbrush & catalogue. Includes exhibition checklist and bibliography. Prospectus loosely laid in. Catalogue Raisonne of Gemini's complete publications.Provenance: From the estate of Gerald Nordland (1927-2019). Nordland was a museum director, art critic, educator and author. Dean of the Chouinard Art Institute (1960-64), Director of the San Francisco Museum of Art (now SFMoMA (1966-73), Milwaukee Art Museum (1977-85), and the UCLA Wight Art Gallery (1973-77). He is the author of over 60 publications, including books on Lachaise, Nakian, Diebenkorn and Frank Lloyd Wright.

Hardcover. Condition: Very Good. Dust Jacket Condition: Good. First Edition. New York: Doubleday & Company, 1965. Stated first edition, 1965, inscribed "For Ann with my very best wishes" and signed by the author on the half-title. Very good in good to very good dustjacket. Author's first novel. Blue and yellow cloth with dustjacket illustrated by Roy Lichtenstein on the front and Andy Warhol on the back. Light edgewear, good hinges, firm text block, name and address written inside front cover beneath the dustjacket flap, embossed stamp with the same address at lower corners of front free endpaper and half-title, no other markings. The mylar protected dustjacket has edgewear and a slightly darkened but legible spine, some light shelf soil to the white background, chips to spine ends and lower corner of rear panel, none of the chips interfering with dustjacket design. . Inscribed by The Author. First Edition. Hard Cover. Very Good/Good. 8vo - over 7¾" - 9¾" tall.

Paperback. Condition: Very good in wraps. 23 x 32cm 180pp very good paperback with many fold-out colour reproductions. Roy Fox Lichtenstein was an American artist. A leading figure of the Pop Art movement, he is best known for his large-scale paintings inspired by comic books, advertisements, and mass-produced imagery. Lichtenstein's art is represented in major museum collections worldwide, and he remains one of the most influential and recognizable artists of the 20th century. The book is signed by Lichtenstein to Babs and Paul Thomson, collectors from LA, on the title page.

Hardcover. Condition: Fine. First Edition. A twenty-image gallery of original engravings printed from plates made in 1962, the defining year of American Pop Art, by the defining artists of the era, including Andy Warhol (his first multiple), Roy Lichtenstein, Wayne Thiebaud, Jim Dine, and others. These etchings are presented in book format, with each artwork bound into the book in a mat with a clear plastic protector. Usually, these images are four removed from the book. However, in your cataloguer's most humble opinion, this book presentation is far superior to looking at individual images hanging on a wall. The intimate presentation of the book and the alphabetical sequencing which requires patience to find the famous works leads to unexpected discoveries. And the excitement of having a Warhol you can set on your lap is a real joy. For this issue of the International Anthology of Contemporary Engraving, the editors commissioned the hottest young artists on the American scene to make engravings for this book, mostly in 1962 (for publication two years later). The highlight is Roy Lichtenstein's etching of a light switch. Wayne Thiebaud adapted a painting of yo-yos, shifting the placement of the toys for this black-and-white medium. Andy Warhol appropriated an ad for a discount cooking pot that he found on page 35 of the October 16, 1962 New York Daily News and made it visually interesting through clever cropping (the ad may have appeared on other days as well, but I found it first on October 16 and I stopped looking). These engravings were issued in an edition of 100 copies: 60 numbered with Arabic numerals, 25 numbered with Roman numerals for the contributors, and 15 artist's proofs marked "e.a." for "épreuve d'artiste." The mats measure 9 by 11-3/4 inches, plus the binding stub. This bound volume includes 8 leaves (two blank) for text, with all contents presented in English as well as French and Italian translation. The introduction is by Billy Klüver, who worked with Andy Warhol. The original etchings presented in this volume are all signed by the artist with the exception of the Warhol, which is blindstamped. They are as follows, with captions for untitled works invented by your cataloguer and the mediums and plate sizes (w x h) taken from the cataloging of the Museum of Modern Art website: 1. George Brecht. Untitled ("1 cut out this block"). Etching; plate 4-3/4 by 5-1/2 inches; 2. Allan D'Arcangelo. "American Madonna." Etching; plate, 4-3/8 by 5-7/8; 3. Jim Dine. "Corner Brace." Etching; plate, 6 by 4-3/8; 4. Stephen Durkee. Untitled ("Salvation"). Photogravure; plate, 4-7/16 by 6; 5. Lette Eisenhauer. Untitled (Crossword Puzzle). Etching with pencil additions; plate, 5-78 by 3-7/8; 6. Stanley Fisher. Untitled ("BMOB"). Etching; plate, 4-7/16 by 5-7/8; 7. Sam Goodman. Untitled ("6,000,000 Dead"). Etching; plate 4-7/16 by 5-7/8; 8. Red Grooms. Untitled (Walking Man). Etching; plate 6-1/6 by 4-5/8; 9. Robert Indiana. "Err." Photogravure with etching; plate, 6 by 4-3/8; 10. Allan Kaprow. Untitled ("srorriM"). Etching; plate, 4-7/16 by 5-13/16; 11. Roy Lichtenstein. "On." Etching; plate, 4-1/2 by 5-7/8 inches. Corlett 32; 12. Boris Lurie. Untitled (Stars of David). Etching and drypoint; two images, each 5-3/4 by 4-1/2; 13. Claes Oldenburg. "Orpheum Sign." Etching and aquatint; plate, 4-7/16 by 5-7/8; 14. James Rosenquist. "Certificate." Photogravure and etching; plate, 6 by 4-1/2; 15. George Segal. Untitled (Telephone). Etching; plate, 4-5/16 by 5-7/8; 16. Richard Stankiewicz. Untitled (Ink Blots). Etching; plate, 4-1/4 by 5-13/16; 17. Wayne Thiebaud. Untitled (Yo-yos). Etching; plate, 5-13/16 by 4-1/4; 18. Andy Warhol. "Cooking Pot." Relief halftone; 4-5/8 by 6-3/16. Feldman 1; 19. Robert Watts. Untitled (Dollar Bill). Etching; plate, 5-7/8 by 2-1/2; 20. Robert Whitman. Untitled (Crossroads). Etching; plate, 5-15/16 by 3-15/16. A fine volume, complete with all artwork. In a near fine paper sleeve, as issued. All works are from the smallest limitation of 15 artist's.

Paperback. Condition: Very Good. Limited. 1/1700 Copies. Covers lightly rolled. Binding tight, inner pages clean and unmarked. Signed by Lichtenstein on title page.; 64 pages; Signed by Author.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. This copy is signed by all six artists on the title page, with each name overlapping the printed name in 7 unique hands. Amazing to see the signatures of 7 stalwarts of the 20th century all in one place. Overall excellent copy, besides the signatures it is unmarked, with bright and clean pages. Sturdy binding and the cloth is attractive underneath the dustjacket, which is also excellent with one small indent on the front panel and light surface wear elsewear, now in brodart. Signed by Illustrator(s).

Hardcover. Condition: Very Good. original plate multiple. 12 1/8 inches in diameter. glazed porcelain. loosely inserted in original clamshell box with printed certification booklet. Edition of 3000, numbered on verso; signed by Lichtenstein in the print, on recto & verso. "When Roy Lichtenstein was asked over thirty years ago, how he would classify this new trend in painting, he replied: ". in reality it is industrial painting, the significance of my work lies in the fact that it is industrial." By "industrial", Lichtenstein meant the kind of art which is in keeping with the machine age, an art based on absolute precision and clarity of form: 'The style is cool'." Prof. Dr. Heinz Spielmann, Director Museum of Schleswig-Holstein. Signed by Author(s).

No Binding. Condition: Fine. ROY LICHTENSTEIN. SIGNED VINTAGE POSTCARD "CRYING GIRL". LETTER OF AUTHENTICITY FROM PSA/DNA. An Original Roy Lichtenstein signed spectacular vintage 5.75 x 4 postcard of his iconic art titled Crying Girl, 1963. Includes a Certificate of Authenticity from PSA/DNA Signed in black felt tip in full signature along the lower edge in Roy Lichtenstein A Stunning Original Lichtenstein signature on his vintage postcard depicting one of his most iconic paintings titled Crying Girl. The signed felt tip postcard will be accompanied by a COA/LOA and would be stunning framed. University-instructor-turned-Pop-artist Roy Lichtenstein is most well-known for his comic-book style homages to 20th century Americana. In CRYING GIRL, 1963, he employs his trademark style. A pioneer of the Pop art movement, he drew upon the content and aesthetics of 1950s comic strips for his iconic Crying Girl prints. Exploring different portrayals of women in distress, Lichtenstein created two versions of Crying Girl, a lithograph in 1963 and an enamel on steel multiple the following year. The women, both blonde and wearing red lipstick, avert their gazes as tears well up in their eyes. Although Lichtenstein often used speech bubbles in his compositions, the Crying Girls are devoid of any text, allowing viewers to come to their own conclusions as to the cause of the womens sorrows. Though celebrated today, Crying Girl was controversial when first released for its simple, cartoonish style. PROVENANCE: The postcard will come with an COA/LOA from PSA/DNA. Signed by Author(s).

Six unbound sheets printed 1 side only, each 6 x 27 1/2 inches; very good condition for this item; except each sheet is yellowed and chipped at edges but no major tears; missing the clothespin clip that originally held the pages together. Landmark Neo- Dada / Pop Art exhibition designed as an alphabetical typed list with printed hand corrections of definitions of relevant art terms for a new vocabulary, interspered with quotes by the participating artists: George Brecht, Robert Breer, Jim Dine, Jasper Johns, Allan Kaprow, Billy Kluver, Roy Lichtenstein, Marisol, Claes Oldenburg, Robert Rauschenberg, James Rosenquist, George Segal, Jean Tinguely and Robert Watts.

Famous roy lichtenstein art piece music theme.

Exhibition catalog signed, `Roy Lichtenstein - A Drawing Retrospective - April 10 to May 12, 1984 - James Goodman Gallery`, 9 x 8 inch, 57 pictured artworks, on the occasion of the twenty-fifth anniversary of the gallery, softcover book, signed and dated on the first free page in blue felt tip "of Lichtenstein - 87", with mild signs of wear - in fine to very fine condition.

Kein Einband. Condition: Sehr gut. Dust Jacket Condition: Sehr gut. Roy Lichtenstein - RECORD COVER ART : Signed Cover for Keith Jarrett & Lou Harrison - 1988 - in plexi show case * Cover Design by Roy Lichtenstein. Hand Signed with message for Jay Parker"by Lou Harrison in red felt pen. Record : Keith Jarrett,Lou Harrison : Piano Concerto- Suite For Violin, Piano And Small Orchestra - New Japan Philharmonic,Naoto Otomo-Lucy Stoltzman,Robert Hughes.Includes original vinyl record. Label: New World Records NW 366-1. Professionally displayed in a high-quality Plexiglas® showcase.This decorative case can be presented hanging or standing. Size 40 x 40 x 3 cm *** Condition Cover & Vinyl : Near Mint * The vinyl condition is the primary factor in its grading, while the cover s state also holds significant collectible value. Near-mint covers and records are increasingly rare and highly desirable. *** Roy Lichtenstein (1923 1997) was a pioneering American artist known for his bold, comic book-inspired pop art. His signature style featured ben-day dots, strong outlines, and vibrant colors, drawing inspiration from commercial printing and mass media. He played a key role in defining the Pop Art movement of the 1960s. This cover, created by Lichtenstein for Keith Jarrett & Lou Harrison, features his unmistakable graphic aesthetic, making it a sought-after collectible for both art and music enthusiasts. ** Lou Harrison was an innovative American composer, best known for his fusion of Western classical music with Asian influences. His compositions are rich in percussion, unique tuning systems, and cross-cultural elements ** Keith Jarrett is a legendary American jazz and classical pianist, celebrated for his improvisational genius and expressive performances * Unique Provenance: This rare vinyl record comes from an exceptional private collection curated by a collector specializing in record cover design by renowned artists ***** Vinyl Records: The Resurgence of Timeless Beauty ***** Vinyl records have made a remarkable global comeback. In 2022, vinyl sales surpassed CDs in the U.S. for the first time, generating $1.2 billion in revenue. As demand rises, scarcity and prices follow, particularly for rare and unique pressings.Albums with original artist-designed covers are more than just music carriers they are highly collectible art pieces. Their combination of artistic significance and limited availability makes them valuable investment items. The condition of both the vinyl and cover is crucial, as pristine editions command significantly higher market values. We offer a hand-selected collection of rare vinyl records with original covers, available for immediate purchase across Europe. Just a few years ago, many records were widely available, but today, specific titles are nearly impossible to find especially in excellent condition with original artwork. This growing scarcity enhances their desirability, making each find even more special. With us, you don t need to search endlessly our curated selection is directly available, free from import hassles and long wait times. Vinyl as an Investment in Emotion and Authenticity Beyond their historical and artistic value, vinyl records remain highly tradable assets, especially when signed by artists. In the past, artists were often present at record launch events, leading to a number of signed editions that are now exceptionally valuable. In today s digital era, signed records are increasingly rare, with a few exceptions like Kanye West, who regularly signs records with bold statements such as F* Adidas **, which have since skyrocketed in value ***** SHIPPING: Worldwide shipping available ***. Signatur des Verfassers.

First edition, first printing, number 18 of 50 copies. Signed by Dine, Hockney, Johns, Lichtenstein, Rauschenberg, Rosenquist and Stella on a tipped in folding sheet. Together with a presentation letter from the publisher to Riva Castleman, one of the contributors. The Lilja Art Fund Foundation is a charitable trust of the Lilja family in Sweden which has one of the finest collections of Pop Art prints. Quarto. Illustrated with 201 colour reproductions of prints. Original black boards, titles to spine in white. With dust jacket. Fine in fine dust jacket.

First edition, first printing, number 24 of 80 copies signed by Lichtenstein and Ginsberg on the limitation page from a total edition of 125; each print is initialled lower right by Lichtenstein, numbered lower left. In 1991, Lichtenstein was approached to provide illustrations for a French edition of Allen Ginsberg's The New Fall of America. Ginsberg selected 11 poems to be translated into French and Lichtenstein created 10 collages inspired by them, from which etchings were printed for the book. The imagery is characteristic of Lichtenstein's work in popular illustrations. "The image of Ginsberg as a Buddha in a lotus pose, for instance, was inspired by a vignette symbolizing meditation on a yoga class sheet. Cubistic visions of the city and emblems of explosions alternate with more peaceful landscapes to provide a visual counterpart to Ginsberg's vivid evocation of contemporary America" (Morgan Library and Museum). Corlett 267-276. Folio. 10 coloured etching and aquatints on 250 gsm Velin d'Arches paper. Sheet sizes: Approx 48 x 35.4 cm. Image sizes: Approx 37.5 x 27.8 cm. Original red cloth, spine lettered in white, Velin d'Arches paper pages unbound. With the publisher's blue cloth slipcase. Fine in fine slipcase.

Edition of 50. Each plate signed, titled, and numbered by Lichtenstein in black ink on the verso. The proceeds from the original sales of these plates were for the benefit of The International Art Show for the End of World Hunger. Corlett 116-121. Screenprints on 6 glazed porcelain plates. Plate sizes: 33 x 33 cm. All in excellent condition.

Artist's proof aside from the edition of 42. Signed and dated in pencil lower right, numbered lower left. There was also an edition of 80 plus 40 hors commerce editions printed on Arches paper published in a book format, these were initialled by Lichtenstein and undated. This piece is one of ten etchings produced as a collaboration with Allen Ginsberg's poetry for a book titled La Nouvelle Chute de L'Amérique. Corlett 275 Etching and aquatint in three colours on Japon nacré paper, lower and right edge untrimmed. Image size: 27.9 x 37.8 cm. Sheet size: 35.4 x 48 cm. Framed size: 49.3 x 58.2 cm. Margins lightly toned, hidden by the mount, otherwise excellent condition. Presented in a white box frame with acrylic glazing.

No Binding. Condition: Very Good. This lithograph poster is hand SIGNED by Roy Lichtenstein; it is not numbered; sometimes it is known as "Jobs.NOT CHEESE"; printed by offset; paper size 33 x 23-1/4in (83.82x58.42cm); in VERY GOOD COND. Signed by Author(s).