Lisa Lord (86 results)

Condition: good. Books may contain some notes and highlighting. Supplements such as Access Codes, Cd's Dust Jackets, etc. are not guaranteed with used book purchases.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

hardcover. Condition: Good. Good condition, cover has some wear, might have some writings.

Paperback. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Fine. Connecting readers with great books since 1972! May contain remainder marks. We ship orders daily and Customer Service is our top priority.

Condition: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Condition: good. Book shows wear from use but remains a usable copy. May include writing highlighting underlining library markings. LISTING USES STOCK PHOTOS AND COVER MAY VARY. Ships via USPS and typically arrives within 10-12 business days.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover. Condition: Very Good. crisp clean w/light shelfwear/edgewear - may have remainder mark Oversized.

Condition: New. Leach, Mrs Lisa (illustrator).

Hardcover. Condition: Near Fine. Dust Jacket Condition: Fine. 4to. - over 9¾ in. - 12 in. 144pp., including selected chronology, index of plates, and selected bibliography. Illustrated with 85 plates. A beautiful copy in Near Fine condition; the dust jacket is Fine. Essays include: The Salt Paper Print: Shaping Mexican Socio-Political Climate, by Lisa Volpe; Obscure Histories: The Salted Paper Print in the United States, by Russell Lord; The Human and Natural Resources Revealed in Canadian Salted Paper Prints, by Jordan Bear.…

Condition: New.

hardcover. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Hardcover. Condition: NEW. Dust Jacket Condition: NEW. 1st. Cloth, 144 pages, illustrations, portraits; 29 cm. BRAND NEW. A fine copy. Still in publisher's shrinkwrap. OVERSIZE! Additional shipping charges may be requested for international & priority orders. *** "The salted paper print process and the daguerrotype were invented, for all practical purposes, simultaneously. Though using different materials and methods (the salted paper print was patented, while daguerreotype was not) still both achieved the miracle of fixing an image from life within a substrate - in other words, they ushered in the medium of photography. This volume offers new views on the use and employment of the salted paper print in North America. The hope is that this publication will encourage investigation, for the history of photography has many areas of terra icognita yet to discover." - Publisher. *** CONTENTS: Introduction: the North American salted paper print, by Keith F. Davis; The salted paper print: shaping the Mexican socio-political climate, by Lisa Volpe; Obscure histories: the salted paper print in the United States, by Russell Lord; The human and natural resources revealed in Canadian salted paper prints, by Jordan Bear. Size: 4to. Collectible.…

Hardcover. Condition: New. Dust Jacket Condition: Not Issued. Student Edition. New 2019 Copyright In Hardcover Format, The United States Through Time, Tennessee Through Time, Grade 5: Student Text With Industrialization, The Gilded Age, The Progressive Era, World War I, The Roaring Twenties, World War II, Post-World War II, The Civil Rights Movement, Tennessee Prior To Statehood, Statehood, Early Tennessee History, Tennessee In The Civil War Era, Tennessee In The 20th Century, Business, Government In Tennessee, Atlases, Indexed Glossaries, Full Color Illustrations, Full Color Photography, 385 Pages, Pictorial Covers, Tennessee History, United States History, Comprehensive Volume; Dimensions: 9.50"W X 10.00"H; CD, Access Code, Software Not Issued; ISBN 10: 1423650808; ISBN 13: 9781423650805 (2019 Copyright).…

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New.

Hardback. Condition: New. The salted paper print process and the daguerreotype were invented, for all practical purposes, simultaneously. Though using different materials and methods (the salted paper print was patented, while daguerreotype was not) still both achieved the miracle of fixing an image from life within a substrate-in other words, they ushered in the medium of photography.The uses of each form of photography varied greatly. In Europe the salted paper print was valued for its aesthetic qualities?the massing of light and the softening of detail-while in North America, the salted paper print was valued for its portability and reproducibility. At the same time, the three evolving regions that comprised North America-Canada, the United States and Mexico-faced quite different realities and challenges than those in Europe (primarily France and Britain). In North America artistic merit was less of a priority, as each emerging nation faced vast, untamed territories, as well as social and political tumult. These were countries in the making-defining borders, struggling to create identities, and establishing metropolitan areas and transportation networks, while the scions on the other side of the Atlantic cast a leisurely eye to their artistic, architectural, and colonial heritage for subject matter. Scant research has been done on the use of the salted paper print in North America during its brief period of use (approximately 1847-1865); physical prints are often found in obscure collections and locations, and they are, as is true for most works on paper from that period, exceedingly fragile. This volume, with essays by three up and coming 19th-century scholars, offers new views on the use and employment of the salted paper print in North America. The hope is that this publication will encourage investigation, for the history of photography has many areas of terra incognita yet to discover.…

Hardcover. Condition: As New. Teachers College Press, 2012. Hard cover, first edition. Fine condition with no dust jacket, as issued.

Paperback. Condition: Brand New. 192 pages. 10.00x7.00x0.50 inches. In Stock.

Condition: New. pp. 192.

Condition: New. Series: Teachers College Press: Language & Literacy. Num Pages: 192 pages, illustrations. BIC Classification: JNT. Category: (G) General (US: Trade). Dimension: 229 x 152 x 13. Weight in Grams: 381. . 2011. Paperback. . . . .

Condition: New. In English.

Condition: New.

hardcover. Condition: New. Same / next day dispatch (Monday - Friday).

Hardback. Condition: New. The salted paper print process and the daguerreotype were invented, for all practical purposes, simultaneously. Though using different materials and methods (the salted paper print was patented, while daguerreotype was not) still both achieved the miracle of fixing an image from life within a substrate-in other words, they ushered in the medium of photography.The uses of each form of photography varied greatly. In Europe the salted paper print was valued for its aesthetic qualities?the massing of light and the softening of detail-while in North America, the salted paper print was valued for its portability and reproducibility. At the same time, the three evolving regions that comprised North America-Canada, the United States and Mexico-faced quite different realities and challenges than those in Europe (primarily France and Britain). In North America artistic merit was less of a priority, as each emerging nation faced vast, untamed territories, as well as social and political tumult. These were countries in the making-defining borders, struggling to create identities, and establishing metropolitan areas and transportation networks, while the scions on the other side of the Atlantic cast a leisurely eye to their artistic, architectural, and colonial heritage for subject matter. Scant research has been done on the use of the salted paper print in North America during its brief period of use (approximately 1847-1865); physical prints are often found in obscure collections and locations, and they are, as is true for most works on paper from that period, exceedingly fragile. This volume, with essays by three up and coming 19th-century scholars, offers new views on the use and employment of the salted paper print in North America. The hope is that this publication will encourage investigation, for the history of photography has many areas of terra incognita yet to discover.…