Showing results for Luc Boltanski (689 results)

Condition: acceptable. USED book in ACCEPTABLE condition. Cover and pages are in tact but may show creases, tears, water damage, handwriting, underlining, or highlighting. Supplemental items such as access codes and CDs not guaranteed.

Condition: good. USED book in GOOD condition. Great binding, pages and cover show normal signs of wear from use.

Condition: Good. Meets or exceeds the good condition guidelines. Nice copy. Five star seller - Buy with confidence!

paperback. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item for full refund. Ships USPS Media Mail.

Soft cover. Condition: Very Good. 8vo, card covers, xiv, 191pp. Later printing. VG: clean covers, a spot of soiling to the fore edge; very sound binding; clean and unmarked text.

Paperback. Condition: Very Good+. Text clean and tight; 9.06 X 5.98 X 1.18 inches; 448 pages.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Paperback. Condition: New. Abortion is a contentious issue in social life but it has rarely been subjected to careful scrutiny in the social sciences. While the legalization of abortion has brought it into the public domain, it still remains a sensitive topic in many cultures, often hidden from view and rarely spoken about, consigned to a shadowy existence. Drawing on reports gathered from hospital settings and in-depth interviews with women who have had abortions, Luc Boltanski sets out to explain the ambiguous status of this social practice. Abortion, he argues, has to remain in the shadows, for it reveals a contradiction at the heart of the social contract: the principle of the uniqueness of beings conflicts with the postulate of their replaceable nature, a postulate without which no society would achieve demographic renewal. This leads Boltanski to explore the way human beings are engendered and to analyze the symbolic constraints that preside over their entry into society. What makes a human being is not the foetus as such, ensconced within the body, but rather the process by which it is taken up symbolically in speech - that is, its symbolic adoption. But this symbolic adoption presupposes the possibility of discriminating among embryos that are indistinguishable. For society, and sometimes for individuals, the arbitrary character of this discrimination is hard to tolerate. The contradiction is made bearable, Boltanski shows, by a grammatical categorization: the "project" foetus - adopted by its parents, who use speech to welcome the new being and give it a name - is juxtaposed to the "tumoral" foetus, an accidental embryo that will not be the object of a life-forming project. Bringing together grammar, narrations of life experience and an historical perspective, this highly original book sheds fresh light on a social phenomenon that is widely practised but poorly understood.

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: New. Abortion is a contentious issue in social life but it has rarely been subjected to careful scrutiny in the social sciences. While the legalization of abortion has brought it into the public domain, it still remains a sensitive topic in many cultures, often hidden from view and rarely spoken about, consigned to a shadowy existence. Drawing on reports gathered from hospital settings and in-depth interviews with women who have had abortions, Luc Boltanski sets out to explain the ambiguous status of this social practice. Abortion, he argues, has to remain in the shadows, for it reveals a contradiction at the heart of the social contract: the principle of the uniqueness of beings conflicts with the postulate of their replaceable nature, a postulate without which no society would achieve demographic renewal. This leads Boltanski to explore the way human beings are engendered and to analyze the symbolic constraints that preside over their entry into society. What makes a human being is not the foetus as such, ensconced within the body, but rather the process by which it is taken up symbolically in speech - that is, its symbolic adoption. But this symbolic adoption presupposes the possibility of discriminating among embryos that are indistinguishable. For society, and sometimes for individuals, the arbitrary character of this discrimination is hard to tolerate. The contradiction is made bearable, Boltanski shows, by a grammatical categorization: the "project" foetus - adopted by its parents, who use speech to welcome the new being and give it a name - is juxtaposed to the "tumoral" foetus, an accidental embryo that will not be the object of a life-forming project. Bringing together grammar, narrations of life experience and an historical perspective, this highly original book sheds fresh light on a social phenomenon that is widely practised but poorly understood.

paperback. Condition: Very Good. Light shelf wear. Else clean and tight.

Paperback. Condition: Good. Good paperback copy, from a personal collection (NOT ex-library). Spine is uncreased, binding tight and sturdy. Highlighting, minor shelfwear. Ships same or next business day from Dinkytown in Minneapolis, Minnesota.

Condition: Very Good. Ships SAME or NEXT business day. We Ship to APO/FPO addr. Choose EXPEDITED shipping and receive in 2-5 business days within the United States. See our member profile for customer support contact info. We have an easy return policy.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st. 239 pages, [16] pages of plates, illustrations (some colour); 21 cm. First published under title: Vie possible de Christian Boltanski. Translated from the French by Marc Lowenthal. Tight, clean copy. Dust jacket protected in a mylar cover. A fine copy of the first printing. *** "Christian Boltanski's votive installations, archives and objects, revolving around the fragile polarities of memory and amnesia, identity and anonymity, have made him one of the world's most renowned contemporary artists. And yet, despite the centrality of biography and testimony to his work, Boltanski's own story is little known and has never been fully told. Published on the occasion of the artist's sixty-fifth birthday, The Possible Life of Christian Boltanski, written in the form of a book-length interview (which the artist likens to a 'psychoanalysis' or 'confession') with the art historian Catherine Grenier, is Boltanski's oral autobiography. In it, he recounts his unusual wartime childhood ('my mother hid my father under the floorboards. He stayed there for a year and a half, between two floors in the house. He'd come out from time to time--I'm living proof of that!'), his career, friendships and marriage, successes and regrets, his approaches to art and teaching, how he created various installations, his relations with dealers and the public, and other matters that illuminate as never before his complex, enigmatic works. Boltanski is refreshingly phlegmatic about the realities of the world (art and otherwise), and he relates his remarkable stories--some enormously amusing, others tragic--with a matter-of-factness and self-deprecating humor that highlight his capacity for humane responsiveness. As both the self-portrait of a major contemporary artist and a frank, fascinating memoir, this is a document of capital importance." - Publisher. *** CONTENTS: Foreword, by Luc Sante; 1. Childhood; 2. Becoming an Artist; 3. Making a Splash; 4. Personal Mythologies; 5. Idea that Means a Lot to Me; 6. Shaking Things Up; 7. Beautiful Photographs; 8. Miracle of Success; 9. All Saints; 10. Between the Trivial and the Dramatic; 11. Artist's Life; 12. Artistic Affinities; 13. Dark Years; 14. Before Dying; 15. Life of Works; 16. Tell the Truth?; 17. Catalogue Raisonne. Size: 8vo. Collectible.

Condition: acceptable. Ausreichend/Acceptable: Exemplar mit vollständigem Text und sämtlichen Abbildungen oder Karten. Schmutztitel oder Vorsatz können fehlen. Einband bzw. Schutzumschlag weisen unter Umständen starke Gebrauchsspuren auf. / Describes a book or dust jacket that has the complete text pages (including those with maps or plates) but may lack endpapers, half-title, etc. (which must be noted). Binding, dust jacket (if any), etc may also be worn.

Paperback. Condition: Very Good-. Cambridge Cultural Social Studies; 6 X 0.67 X 9 inches; 268 pages; Light foxing to the exterior edge of pages only. Yellowing to pages. Great overall condition. Minor cosmetic wear. No noteworthy blemishes. No writing.; - We're committed to your satisfaction. We offer free returns and respond promptly to all inquiries. Your item will be carefully wrapped in bubble wrap and securely boxed. All orders ship on the same or next business day. Buy with confidence.

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: New.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condition: New.

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Very Good. Photography: A Middle-brow Art This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

paperback. Condition: Very Good. L'instant (A) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .