Language: English
Published by The Sun Dial Press, New York NY, 1944
Seller: OddReads, Harper, TX, U.S.A.
Hardcover. Condition: Fair. No Jacket. worn boards; penciled price on fep.
Condition: Good. The Viking Press New York 1943 grey cloth boards soiled and stained. corners bumped. light hand soiling to pages. binding secure.
US$ 21.61
Quantity: 2 available
Add to basketPaperback. Condition: Brand New. 1st edition. 316 pages. 8.25x5.75x0.75 inches. In Stock.
US$ 27.33
Quantity: 2 available
Add to basketPaperback. Condition: Brand New. rep tra edition. 579 pages. 7.75x5.25x1.75 inches. In Stock.
US$ 27.33
Quantity: 2 available
Add to basketPaperback. Condition: Brand New. rep tra edition. 579 pages. 7.75x5.25x1.75 inches. In Stock.
Language: English
Published by Harcourt, Brace and Company, New York, 1935
Seller: Theoria Books, Andover, MA, U.S.A.
First Edition
Hardcover. Condition: Fine. Dust Jacket Condition: Good. 1st Edition. 405pp. First published in 1919 under the title "Christian Wahnschaffe"; First published in One-Volume edition, 1930; this copy, Stated: "Fifth Printing, December, 1935". Two Volumes in One: Volume One, "Eva", pp.1-383; Vol. II, "Ruth", pp. 1-405. Shiny brick-red linen boards with crisp black lettering on spine; deckled fore-edge; offsetting on inside covers; uniform light toning to pages; medium toning to text-block edges; closed 1/4" tear, through all pages at once, near midpoint right edge, pp. 171-186 (Nugatory, with NO impact on text itself); lower corners slightly bumped and curled inward; top corners sharp (NOT bumped or curled); hint of wear at top spine corners, else none. Yellow dustwrapper not price-clipped (no price) with front cover and spine lettering in blue, title across top half front cover, author name lettering across bottom front cover; Spine browned, but dark blue lettering still eminently readable; small missing pieces at spine and cover corners with thin piece missing across top spine; wear down spine edges and cover edges (slightly soiled); 1 3/4" partial, circular coffee cup stain on rear dw cover (can barely be seen on shimmering of brick-red linen boards beneath); some general soiling down 1 1/4" horizontal closed tear from gutter toward right top front cover, but long ago backed with archival tape (all flaws are now backed with archival tape): NOW in Brodart mylar which graciously forgives these sins and affords the book (dustwrapper did its job in protecting the book itself) a certain charm, befitting a book 85 years-old: The way to read a classic Novel. Binding still tight (NO cracks); NO previous owner names. Clean text.
US$ 33.65
Quantity: 1 available
Add to basketPaperback. Condition: Brand New. rep tra edition. 579 pages. 7.75x5.25x1.75 inches. In Stock.
Published by The Viking Press, New York, 1942
Seller: Livresse, Gatineau, QC, Canada
Couverture rigide. Condition: Bon. 575 p. Call number and stamps 9some on edge0 of library. Ex libris.
Language: English
Published by Paris, 1930
Seller: Clayton Fine Books, Shepherdstown, WV, U.S.A.
First Edition
Soft cover. Condition: Near Fine. First Edition. Near fine in original wrappers with light edgewear. Pages uncut.
Published by The Viking Press, New York, 1936
Seller: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB), Santa Monica, CA, U.S.A.
First Edition
Softcover. Condition: g. First American edition. Octavo. XI, [1], 144pp. Original pictorial wrappers. Publisher's logo on title page. The Eternal Road is a remarkable play originally published in German under the title: Der Weg der Verheissung The Way of the Covenant, by Austrian novelist and playwright Franz Werfel. "The Eternal Road" premiered at the Manhattan Opera House on January 7, 1937, given a lavish and spectacular production involving 245 actors, and ran for 153 performances. Although it received good reviews, it was not revived for 63 years. The play was conceived by Zionist activist Meyer Weisgal to alert the then-ignorant public to Hitler's persecution of the Jews in 1937 Germany. Weisgal enlisted the help of director Max Reinhardt, who found Weill to compose the music and Werfel to write the libretto. Set in a synagogue where Jews hide all night as a pogrom rages outside, the story combines Biblical and pre-World War II Jewish history. The rabbi reads from the Torah, leading, in each act, to the exploration and re-enactment of a different Biblical theme. At the conclusion, the destruction of the Temple in Jerusalem and the deportation of those hiding become one, while the despair of a scattered people is balanced by a messianic voice that speaks of hope for deliverance of the Jews in Zion (although by 1937 Jews were unable to emigrate from Germany to most countries and were barred from Palestine). Moderate age wear on wrappers with spine and edges age-toned and rubbing along joints. Wrappers in overall fair to good, interior in very good condition.
Published by The Jewish Publication Society, 1952
Seller: Red's Corner LLC, Tucker, GA, U.S.A.
hardcover. Condition: Good. Grade 2 out 5 points. This is a used book. Books has moderate wear on cover and pages. Books with this grade may have any of the following: Personalized notes/names, stickers/labels, markings on pages, bends/creases on cover/spine, ex-library markings. May not include extra materials such as dust jackets, access codes, CDs, accessories, etc. All orders ship by next business day! We are a small company and very thankful for your business!
Language: English
Published by Boni and Liveright
Seller: Shelley and Son Books (IOBA), Hendersonville, NC, U.S.A.
Association Member: IOBA
First Edition
Softcover. Condition: Very Good. Modern Library First Edition. THE MODERN LIBRARY FIRST EDITION. Softcover. Bound in a textured dark navy blue leatherette with gilt Modern Library embellishment and gilt lettering on the spine. 416 pp. Illustrated endpapers in a light olive green on a tan background. Toledano 2 spine. Toledano 1 end sheets. "Gustav Frenssen (1863-1945) was a German novelist. He wrote patriotically about his native country and promoted Heimatkunst (regionalism) in literature. Once a pastor, he abandoned Christianity in his later years because Christian morals were in conflict with his racialism. He turned to a form of Germanic Neopaganism which also suited his liberal views on sexuality." (Wikipedia). Moderate wear on the cover, particularly along the edges and the edges of the spine. Front end paper edge is chipped and bears a half inch open tear. Unmarked except for a previous owner's signature on the front endpaper and the number "318", and a mark in the margin on page 333. Binding is sound. A nice copy. Full refund if not satisfied.