Language: English
Published by Distributed Art Pub Inc, 1997
ISBN 10: 1885490143 ISBN 13: 9781885490148
Seller: Books From California, Simi Valley, CA, U.S.A.
paperback. Condition: Good. Ex library copy.
PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
Published by Luhring Augustine 2017, 2017
Seller: DR Fine Arts, New York, NY, U.S.A.
No Binding. Condition: Very Good. this is an exhibition announcement for Lygia Clark's show at Luhring Augustine 2017; unfolded size: 14 x 5-1/2 inches; edition size is unknown, it is not signed; in VERY GOOD COND.
Language: German
Published by Verlag fur moderne Kunst / Kunsthalle Wien, Nurnberg, 2010
ISBN 10: 3869840242 ISBN 13: 9783869840246
Seller: Raritan River Books, Philadelphia, PA, U.S.A.
Soft cover. Condition: Very Good. Paperback. Binding sound, text clean, light shelfwear. 80 pages. German text. Illustrated. Hard-to-find title. Book.
Condition: New. Idioma/Language: Español. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.
Language: English
Published by Guggenheim Bilbao and La Fabrica, 2020
ISBN 10: 8417769277 ISBN 13: 9788417769277
Seller: ANARTIST, New York, NY, U.S.A.
Softcover, 206 pages, in English and Spanish; new condition; still sealed in shrinkwrap; clean and crisp. Foreign shipping may be extra.
Paperback. Condition: New. Lygia Clark is primarily remembered for her participation in the Constructivist movement (leading abstract artist at the forefront of the Neo-Concretist movement in Brazil), her innovative approach to modular sculpture and the participatory art that made her a singularly pioneering force in the world of international art.This volume explores her production in the first decade of her career. Clark devoted her time to painting, constantly experimenting and testing new techniques, becoming an important avant-garde figure in Brazil. Her work in these early years oscillated between figuration and abstraction, creating geometric, system- based paintings which will articulate the visual language of her innovative career.
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New.
Language: Spanish
Published by TARAHUMARA SL EDITORIAL, 1900
ISBN 10: 9878272028 ISBN 13: 9789878272023
Seller: Agapea Libros, Malaga, MA, Spain
Condition: New. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.
Seller: PBShop.store US, Wood Dale, IL, U.S.A.
PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
US$ 39.46
Quantity: 2 available
Add to basketPaperback. Condition: Brand New. 128 pages. 10.28x8.35x0.75 inches. In Stock.
Language: English
Published by NORMAN FOSTER FOUNDATION, 2024
ISBN 10: 8412279271 ISBN 13: 9788412279276
Seller: Antártica, Madrid, M, Spain
Rustica (tapa blanda). Condition: New. Dust Jacket Condition: Nuevo. 01. The letters are, first and foremost, a testimony to their friendship and complicities, bonds that had grown since the mid-1950s, when they first met amid an atmosphere of huge creative ferment in Brazil. Their encounter turned out to be transcendental in the life and career of both, in a country that was, moreover, preparing for the surge of the so-called second Modernidade, the artistic development which, according to Ivo Mesquita, began in the 1950s and lasted until the 1980s. The letters are much more than unexpected, privileged accounts of the international art scene, told in the register of the intimacies of letter-writing. They are a testimony of affection, respect, trust, and fidelity¿artistic too¿of two friends who were also two great artists. These layers present a mix of journeys, impressions, and clues about their works; proximities, complicities, and even hardships and worries, those that inhabit the life of human beings.This book gives continuity to the Ars Litterae series which¿following the footsteps of LiberArs, artist books for all¿has the goal of making little known texts by twen. LIBRO.
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
Seller: Zubal-Books, Since 1961, Cleveland, OH, U.S.A.
Condition: Fine. *Price HAS BEEN REDUCED by 10% until Monday, April 20 (weekend SALE item)* 224 pp., softcover, brand new, still in shrink wrap. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.
Condition: Nuevo. ARS LITERAE | Encuadernación: Rústica | Páginas: 243 | Dimensiones: 220 x 140 | País: ESPAÑA | Sinopsis: The letters are, first and foremost, a testimony to their friendship and complicities, bonds that had grown since the mid-1950s, when they first met amid an atmosphere of huge creative ferment in Brazil. Their encounter turned out to be transcendental in the life and career of both, in a country that was, moreover, preparing for the surge of the so-called second Modernidade, the artistic development which, according to Ivo Mesquita, began in the 1950s and lasted until the 1980s. The letters a. - Arte, arquitectura, cine y fotografía.
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition.
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
First Edition
Condition: New. 2024. 1st Edition. paperback. . . . . .
Published by Alison Jacques Gallery, 2011
Seller: ANARTIST, New York, NY, U.S.A.
Softcover, staple-bound, 32 pages, in English; very good condition: clean and crisp; no internal marks.
Condition: Nuevo. The letters are, first and foremost, a testimony to their friendship and complicities, bonds that had grown since the mid-1950s, when they first met amid an atmosphere of huge creative ferment in Brazil. Their encounter turned out to be transcendental in the life and career of both, in a country that was, moreover, preparing for the surge of the so-called second Modernidade, the artistic development which, according to Ivo Mesquita, began in the 1950s and lasted until the 1980s. The letters are much more than unexpected, privileged accounts of the international art scene, told in the register of the intimacies of letter-writing. They are a testimony of affection, respect, trust, and fidelityùartistic tooùof two friends who were also two great artists. These layers present a mix of journeys, impressions, and clues about their works; proximities, complicities, and even hardships and worries, those that inhabit the life of human beings.This book gives continuity to the Ars Litterae series whichùfollowing the footsteps of LiberArs, artist books for allùhas the goal of making little known texts by twen.
Condition: New. Enviamos a todo el mundo. We ship worldwide.
Condition: New. Enviamos a todo el mundo. We ship worldwide.
US$ 54.86
Quantity: 1 available
Add to basketPaperback. Condition: Brand New. 243 pages. 5.51x1.38x8.66 inches. In Stock.
Tapa blanda. Condition: Nuevo.
Rustica. Condition: Nuevo.
Condition: New. 2024. 1st Edition. paperback. . . . . . Books ship from the US and Ireland.
Condition: Nuevo. Las cartas intercambiadas por Lygia Clark y Hélio Oiticica entre 1964 y 1974 trazan un retrato cálido de la amistad de dos artistas brasileños claves de la estética de neovanguardia del siglo XX. "Una carta es siempre un pedazo de la persona", dice Lygia Clark en un pasaje que registra la alegría que emana del epistolario así como las obsesiones que atraviesan las obras de quienes lo escriben: el cuerpo -o su fantasmática, es decir, las percepciones sensoriales que lo derraman en "pedazos"- y lo que sucede entre las personas cuando median entre ellas objetos artísticos. Clark y Oiticica extremaron las investigaciones sobre la percepción y el "no objeto" del neoconcretismo de Brasil y, en su afán por volverlo participativo, abrieron el arte y lo pusieron en diálogo con el crisol de prácticas culturales que ocurrían a su alrededor: el under y la cultura rock, la experimentación con drogas y el psicoanálisis, el carnaval y la militancia radicalizada. Por eso, además de las esperables menciones a los artistas visuales y críticos más resonantes de la época, en estas cartas aparecen personalidades de la música p.
Rústica. Condition: New. Dust Jacket Condition: Nuevo. 01. Este volumen acompaña a la exposición en el Museo Guggenhaim de Bilbao (6 de marzo 31 de mayo de 2020) y explora la producción artística de Lygia Clark durante la primera década de su carrera, en la se dedicó a la creación de pequeñas pinturas en blanco y negro y de esculturas, constantemente experimentando con nuevas técnicas, gracias a lo que llegó a ser una importante figura de la vanguardia brasileña. Su trabajo durante estos años oscila entre la figuración y la abstracción geométrica, creando un lenguaje visual en el que se adivina su futura evolución hacia una dimensión más social y participativa. Es reconocida como uno de los mayores referentes del arte contemporáneo, convirtiendo el objeto artístico en una herramienta de comunicación interpersonal y de autoconocimiento. Todas estas facetas forjaron su compromiso para redefinir la relación entre el arte y el ser humano a nivel conceptual y sensorial. LIBRO.
Condition: New. Enviamos a todo el mundo. We ship worldwide.
Published by Alison Jacques Gallery, London, 2011
Seller: The Second Reader Bookshop, Buffalo, NY, U.S.A.
Paperback. Condition: Very Good. Staplebound in card wraps. 32 pages. Icludes two essays by Clark from 1960: "Death of the Plane" and "Bichos" Illustrations in color and black and white. Like new with light wear to covers and no marks to text. Art/A1; 8vo 8" - 9" tall; 32 pages.
Language: Spanish
Published by Caja Negra Argentina, Español, Castellano, 1900
ISBN 10: 9878272028 ISBN 13: 9789878272023
Seller: Tarahumara Libros, Madrid, M, Spain
01-05-2023 edición Rústica Las cartas intercambiadas por Lygia Clark y Hélio Oiticica entre 1964 y 1974 trazan un retrato cálido de la amistad de dos artistas brasileños claves de la estética de neovanguardia del siglo XX. "Una carta es siempre un pedazo de la persona", dice Lygia Clark en un pasaje que registra la alegría que emana del epistolario así como las obsesiones que atraviesan las obras de quienes lo escriben: el cuerpo -o su fantasmática, es decir, las percepciones sensoriales que lo derraman en "pedazos"- y lo que sucede entre las personas cuando median entre ellas objetos artísticos. páginas/pasges.