Maar Michael (384 results)

Condition: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

Condition: As New. Like New condition. Very Good dust jacket. A near perfect copy that may have very minor cosmetic defects.

Hardcover. Condition: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condition: Good. First Edition, First Printing. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

paperback. Condition: Fine. LIKE NEW!!! Has a red or black remainder mark on bottom/exterior edge of pages.

Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. Translation. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good+. Dust Jacket Condition: Very Good+. First Edition; First Printing. 7.5 X 5.4 X 0.7 inches; 112 pages.

Hardcover. Condition: Good. Dust Jacket Condition: Good. First Edition.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good.

Condition: As New. Unread book in perfect condition.

Hardback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Condition: New. Does it ring a bell? The first-person narrator, a cultivated man of middle age, looks back on the story of an amour fou. It all starts when, traveling abroad, he takes a room as a lodger. The moment he sees the daughter of the house, he is lost. She is a pre-teen, whose charms instantly enslave him. Heedless of her age, he becomes intimate with her. In the end she dies, and the narratormarked by her foreverremains alone. The name of the girl supplies the title of the story: Lolita.We know the girl and her story, and we know the title. But the author was Heinz von Eschwege, whose tale of Lolita appeared in 1916 under the pseudonym Heinz von Lichberg, forty years before Nabokov's celebrated novel took the world by storm. Von Lichberg later became a prominent journalist in the Nazi era, and his youthful work faded from view. The Two Lolitas uncovers a remarkable series of parallels between the two works and their authors. Did Vladimir Nabokov, author of an imperishable Lolita who remained in Berlin until 1937, know of von Lichberg's tale? And if so, did he adopt it consciously, or was this a classic case of "cryptoamnesia," with the earlier tale existing for Nabokov as a hidden, unacknowledged memory?In this extraordinary literary detective story, Michael Maar casts new light on the making of one of the most influential works of the twentieth century.Translated by Perry Anderson.

Condition: As New. Unread copy in mint condition.

Condition: New. Brand New.

Paperback. Condition: new. Paperback. Over the last twenty years, critical discussion of Thomas Mann has highlighted the role of his homosexuality for his creative work. This not only is presented as a dynamic underlying Mann's creative work, but also is the supposed reason for the theme of guilt and redemption that grew ever stronger in Mann's fiction.Michael Maar mounts a devastating forensic challenge to this consensus: Mann was remarkably open about his sexual orientation, which he saw as no reason for guilt. But sexuality in Mann's work is inextricably bound up with an eruption of violence. Maar pursues this trail through Mann's writings and traces its origins back to Mann's second visit to Italy, during which the Devil appeared to him in Palestrina. Something happened to the twenty-one-year-old Thomas Mann in Naples that marked him for life with a burdensome sense of guilt.but what exactly was it? Germany's most gifted literary critic on the critical discussion of Nobel Prize laureate Thomas Mann. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. 148pp As new, clean, tight & bright condition.

Paperback. Condition: New. Over the last twenty years, critical discussion of Thomas Mann has highlighted the role of his homosexuality for his creative work. This not only is presented as a dynamic underlying Mann's creative work, but also is the supposed reason for the theme of guilt and redemption that grew ever stronger in Mann's fiction.Michael Maar mounts a devastating forensic challenge to this consensus: Mann was remarkably open about his sexual orientation, which he saw as no reason for guilt. But sexuality in Mann's work is inextricably bound up with an eruption of violence. Maar pursues this trail through Mann's writings and traces its origins back to Mann's second visit to Italy, during which the Devil appeared to him in Palestrina. Something happened to the twenty-one-year-old Thomas Mann in Naples that marked him for life with a burdensome sense of guilt.but what exactly was it?

Condition: New.

Hardcover. Condition: Very Good. With very good dust jacket. Very Good hardcover with light shelfwear - NICE! Standard-sized.

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: new. Paperback. Does it ring a bell? The first-person narrator, a cultivated man of middle age, looks back on the story of an amour fou. It all starts when, traveling abroad, he takes a room as a lodger. The moment he sees the daughter of the house, he is lost. She is a pre-teen, whose charms instantly enslave him. Heedless of her age, he becomes intimate with her. In the end she dies, and the narrator marked by her forever remains alone. The name of the girl supplies the title of the story: Lolita. We know the girl and her story, and we know the title. But the author was Heinz von Eschwege, whose tale of Lolita appeared in 1916 under the pseudonym Heinz von Lichberg, forty years before Nabokov's celebrated novel took the world by storm. Von Lichberg later became a prominent journalist in the Nazi era, and his youthful work faded from view. The Two Lolitas uncovers a remarkable series of parallels between the two works and their authors. Did Vladimir Nabokov, author of an imperishable Lolita who remained in Berlin until 1937, know of von Lichberg's tale? And if so, did he adopt it consciously, or was this a classic case of "cryptoamnesia," with the earlier tale existing for Nabokov as a hidden, unacknowledged memory? In this extraordinary literary detective story, Michael Maar casts new light on the making of one of the most influential works of the twentieth century. A leading German scholar reveals his astonishing discovery about Nabokov's influential novel Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condition: New. Does it ring a bell? The first-person narrator, a cultivated man of middle age, looks back on the story of an amour fou. It all starts when, traveling abroad, he takes a room as a lodger. The moment he sees the daughter of the house, he is lost. She is a pre-teen, whose charms instantly enslave him. Heedless of her age, he becomes intimate with her. In the end she dies, and the narratormarked by her foreverremains alone. The name of the girl supplies the title of the story: Lolita.We know the girl and her story, and we know the title. But the author was Heinz von Eschwege, whose tale of Lolita appeared in 1916 under the pseudonym Heinz von Lichberg, forty years before Nabokov's celebrated novel took the world by storm. Von Lichberg later became a prominent journalist in the Nazi era, and his youthful work faded from view. The Two Lolitas uncovers a remarkable series of parallels between the two works and their authors. Did Vladimir Nabokov, author of an imperishable Lolita who remained in Berlin until 1937, know of von Lichberg's tale? And if so, did he adopt it consciously, or was this a classic case of "cryptoamnesia," with the earlier tale existing for Nabokov as a hidden, unacknowledged memory?In this extraordinary literary detective story, Michael Maar casts new light on the making of one of the most influential works of the twentieth century.Translated by Perry Anderson.

Paperback. Condition: Good.

Paperback. Condition: New. Over the last twenty years, critical discussion of Thomas Mann has highlighted the role of his homosexuality for his creative work. This not only is presented as a dynamic underlying Mann's creative work, but also is the supposed reason for the theme of guilt and redemption that grew ever stronger in Mann's fiction.Michael Maar mounts a devastating forensic challenge to this consensus: Mann was remarkably open about his sexual orientation, which he saw as no reason for guilt. But sexuality in Mann's work is inextricably bound up with an eruption of violence. Maar pursues this trail through Mann's writings and traces its origins back to Mann's second visit to Italy, during which the Devil appeared to him in Palestrina. Something happened to the twenty-one-year-old Thomas Mann in Naples that marked him for life with a burdensome sense of guilt.but what exactly was it?