Mainetti (175 results)

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Paperback. Condition: Very Good. Lightly edge worn. Clean and solid. ; Color Photographs; 12mo; 541 pages.

paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Soft cover. Condition: New. 260pp. Colour illustration. Italian/English text.

Hardcover with plastic dustjacket 742 + pages, in English with Italian at rear; very good condition, no internal marks, clean and crisp. Foreign shipping may be extra.

paperback. Condition: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. PAPERBACK Standard-sized.

N. PAG.192 - BROSSURA - OTTIMO.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. A fine fresh copy in like jacket. This volume accompanies the latest exhibition from Berlin-based artist duo Elmgreen & Dragset, which explores how bodies lose their centrality to everyday experience in our postindustrial age.

Brossura. Condition: quasi ottimo. senza sovraccoperta. prima edizione. Formato in 16° piccolo; 122 pagine. Brossura editoriale: qualche ossidazione alle copertine. Esemplare in barbe. Antiporta figurata con ritratto. Alcune Tavole fuori testo in bianco e nero. Testo in lingua Francese.

Hoepli, 1948. In-16, brossura, pp. 192, con 21 figure e 6 tabelle. In buono stato.

Rústica. Condition: Muy buen estado. Ilustrado con láminas en b/n. [Libro en Español / Book in Spanish] === MEDICINA - FILOSOFIA === 8vo.

Taschenbuch. Condition: Sehr gut. Gebraucht - Sehr gut Ungelesenes, vollständiges Exemplar; in sehr gutem Zustand, leichte Lagerspuren, als Mängelexemplar gekennzeichnet -Nach dem grossen Erfolg des ersten Bandes begleiten wir den passioniertenBündner Bergsteiger Arno Mainetti erneut auf seinen ausgedehnten Touren durch die Bündner Bergwelt. Beim sanften Anstieg und beim steilen Aufstieg immer mit dabei ist geliebte Kamera. Grandiose Panoramen, neckische Details und intime Aufnahmen von Flora und Fauna gehen in Mainettis Aufnahmen Hand in Hand und lassen die Leserinnen und Leser unmittelbar und hautnah an der ebenso faszinierenden wie geheimnisvollen Bündner Bergwelt teilhaben. Dieses Mal führte es den Autoren z.B. auf folgende Berge Piz Chapütschin, Flüela Schwarzhorn, Gletscherhorn, Piz Kesch, Piz Lagrev, Piz Terri,Tiejer Flue. Dazu kommen detaillierte Aufstiegsberichte und persönliche Anekdoten, spannungsvolle Geschichten sowie landschaftliche, kulturelle und kulinarische Geheimtipps für alle jene, die in die Fusstapfen des berghungrigen Bündners treten wollen. 96 pp. Deutsch.

paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Tapa Blanda. Condition: New. Libro.

Condition: NEW.

Hardcover. Condition: new. Hardcover. Slipcased in a giant "K," this beautiful book looks at three treatments of Kafka by Martin Kippenberger, Orson Welles and Tangerine DreamGathering three works by Martin Kippenberger, Orson Welles and Tangerine Dream inspired by Kafka's uncompleted novels Amerika, The Trial and The Castle, K is also a tribute to the publishers and translators of Kafka, and their republication of texts or first translations into English or Italian. The preferred editions of the three novels in English and Italian republished in K are those translated from the restored versions of the German texts. The structure of the book is led by archival documents with cross-references shown next to the texts representing correspondences with Kafka's thinking. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. PAPERBACK.

Brossura. Condition: new. Milano, Fondazione Prada, February 21 - July 27, 2020.Edited by Kittelmann U.English Text.Milano, 2020; paperback in a case, pp. 448, b/w and col. ill., cm 13x17. "K" presenta la celebre opera di Martin Kippenberger "The happy end of Franz Kafka's "Amerika"" in dialogo con l'iconico film di Orson Welles "The trial" e l'album di musica elettronica "The castle" dei Tangerine Dream. Concepita da Udo Kittelmann come una trilogia, la pubblicazione rimanda ai tre romanzi incompiuti di Franz Kafka (1883-1924) "Amerika" (America), "Der Prozess" (Il processo) e "Das Schloss" (Il castello), pubblicati postumi tra il 1925 e il 1927. La natura incompleta di questi libri consente letture multiple e aperte e il loro adattamento in un progetto espositivo, che esplora i soggetti e le atmosfere dei romanzi attraverso allusioni e interpretazioni soggettive. Libro.

Soft cover. Condition: Fine. 556 pages. English text. Unread unmarked copy in excellent condition.

Condition: NEW.

Condition: Good. Seconda edizione riveduta e aumentata. Brossura originale con titolo al piatto e al dorso, 232 pagine con 24 figure e 8 tabelle nel testo. Un timbro di biblioteca privata dismessa in apertura, peraltro buona copia. Spedizione in 24 ore dalla conferma dell'ordine. Book.

Condition: BUONO USATO. IV ed. ITALIANO Brossura editoriale con alette illustrata a colori con titolo al piatto e al dorso, Copertina lievemente ingiallita ai bordi, dorso sbiadito dall'esposizione al sole. All'interno foglio in copia per l'esecuzione delle opere publiche dal ministero dei lavori pubblici del 1967. Pagine in buono stato di conservazione con molte tavole. Numero pagine 427.

Condition: Buone. italiano Condizioni dell'esterno: Discrete con difetti, segni d'uso Condizioni dell'interno: Buone.

TAPA BLANDA. Condition: Bien. Medicina-salud CONSULTE NUESTRAS CONDICIONES Y GASTOS DE ENVÍO.

Brossura. Condition: new. A cura di Mainetti M.Milano, Fondazione Prada, 15 September - 8 January 2017.English Edition with Italian translations of the essays.Testo Italiano e Inglese.Milano, 2016; br., pp. 320, ill., cm 17x22,5. Fondazione Prada presents the exhibition "Uneasy Dancer", a comprehensive survey of work by Betye Saar (Los Angeles, 1926). This exhibition, hosted at the Nord Gallery, opens to the public from 15 September 2016 through 8 January 2017. Curated by Elvira Dyangani Ose, "Betye Saar: Uneasy Dancer" is the first exhibition of the American artist in Italy, and brings together over 80 works including installations, assemblages, collages and sculptures produced between 1966 and 2016."Uneasy Dancer" is an expression Betye Saar has used to define both herself and her artistic practice. In her own words, "my work moves in a creative spiral with the concepts of passage, crossroads, death and rebirth, along with the underlying elements of race and gender." This process implies "a stream of consciousness" that explores the ritualized mysticism present in recovering personal stories and iconographies from everyday objects and images. Several key elements lie at the center of her artistic practice: an interest in the metaphysical, the representation of feminine memory, and African-American identity which, in her work, takes on takes on evocative and unusual forms. As Saar has said about her work, "It was really about evolution rather than revolution, about evolving the consciousness in another way and seeing black people as human beings instead of the caricatures or the derogatory images."Through her confident usage of found objects, personal memorabilia and derogatory images that evoke denied or distorted narratives, Saar developed a powerful social critique that challenges racial and sexist stereotypes deeply rooted in American culture. In the 1970s, her assemblages began to grow in scale, ultimately becoming substantial installations and immersive environments that speak to an approach uniting spiritual beliefs and faiths of all kind - from the intimate and the mysterious to the universal - alongside politicized convictions.Curator Elvira Dyangani Ose notes, "Saar's works blur boundaries between art and life, between physical and metaphysical. Spirituality in her work, does not only resides in the works with which she addresses her concerns and her knowledge on a myriad of traditions. On the contrary, it is to be found in the artistic exercise of transforming common material in a sort of evocative new imagery, involving the viewer in reminiscent fabulations of the real.""Uneasy Dancer" expands holistically on fundamental tenants of Saar's practice including memory, mysticism and the construction of socio-political identifiers. This is none so much apparent than in the seminal work The Alpha and the Omega (2013-2016), a circular environment alluding to the initiatory journey and the experience of human life. This installation was specifically conceived for "Uneasy Dancer", and will include a number of newly created elements denoting the idea of representing the whole of anything, from beginning to end.Earlier assemblages involving objects inserted within boxes or suitcases, like Record for Hattie (1975) and Calling Card (1976), take on a performative dimension even when rendered in an intimate scale. Sculptural floor works utilizing cages, such as Domestic Life (2007) and Rhythm and Blues (2010), simultaneously represent the physical and metaphorical condition of segregation, and the increased need for resistance and survival. These works specifically reference African-American folklore, combining a political dimension with a spiritual vision that draws on a multiplicity of traditions stemming from Africa, Asia, America and Europe.The exhibition additionally highlights a series utilizing work tools and elements of domestic life, such as washboards and scales, alongside either found or inherited photographs, a. Libro.

TAPA BLANDA. Condition: Bien. Medicina-salud CONSULTE NUESTRAS CONDICIONES Y GASTOS DE ENVÍO.