Marcel Duchamp and Richard Hamilton (36 results)

Softcover, 110 pages, poor condition; the bottom half of the spine is missing; pages still bound; but will probably separate from covers; no internal marks. As is; reference copy. Foreign shipping may be extra.

Cartonnage Editeur. Condition: Très bon. Edition en anglais - English text - de la transcription typographique par Richard Hamilton des notes de Duchamp de "A l'infinitif" ou "La boîte blanche" éditée en 1967. Traduction du français par Jackie Matisse, Ecke Bonk et l'auteur. 115 pages. Cartonnage illustré. Format : 16 x 23,5 cms.

softcover. 4to. one of 3000 copies. a little browned at the extremities else a very good copy.

Soft cover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st edition. VG+ in VG dustwrapper. 4to, 116pp (plus plates), stapled wrappers with printed dustwrapper. This rare collection of experimental work includes three bound-in seriagraphs by Richard de Peaux (two of which are signed) as well as work by an enormous range of great contributors. Library stamp to front jacket cover and small tears at top edge; no interior markings. Signed by Illustrator(s).

296 pp.; 28 x 23.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held March 14-June 1, 1999. Exhibition curated by, edited by, and with an essay by Kynaston McShine. Texts by artists and Lilian Tone, Birgit Pelzer, Brian Wallis, Susan Stewart, Magdalena Dabrowski, Ecke Bonk, Jodi Hauptman, Kristen Erickson, Coosje van Bruggen, James Trainor, Thomas McEvilley, Sally Yard, Thomas Kellein, James Roberts, Kitty Scott, Kate Linker, Dave Hickey. Extensive illustrations, artist's biographies, bibliography. Artists within exhibition: Vito Acconci, Eve Arnold, Art & Language, Michael Asher, Lothar Baumgarten, Barbara Bloom, Christian Boltanski, Marcel Broodthaers, Daniel Buren, Sophie Calle, Janet Cardiff, Henri Cartier-Bresson, Christo, Joseph Cornell, Jan Dibbets, Lutz Dille, Mark Dion, Herbert Distel, Marcel Duchamp, Kate Ericson and Mel Ziegler, Elliot Erwitt, Roger Fenton, Robert Filliou, Larry Fink, Fluxus, Gunther Forg, Andrea Fraser, General Idea, Hans Haacke, Richard Hamilton, Susan Hiller, Candida Höfer, Komar and Melamid, Louise Lawler, J.B. Gustave Le Gray, Jac Leirner, Zoe Leonard, Sherrie Levine, El Lissitzky, Allan McCollum, Christian Milovanoff, Vik Muniz, Claes Oldenburg, Dennis Oppenheim, Charles Wilson Peale, Hubert Robert, Edward Ruscha, David Seymour, Robert Smithson, Thomas Struth, Hiroshi Sugimoto, Charles Thurston, Thompson, Jeff Wall, Christopher Williams, Fred Wilson, Garry Winogrand. Endpapers of book by Daniel Buren. "Since public museums came into being in the late 18th century, artists have looked upon them with a mixture of reverence, complicity, suspicion, and disdain. In The Museum as Muse, artists of many persuasions speak their minds about museums, their functions and spaces, their practices and politics, and their relationship to the art they contain. More than 60 artists are represented by a wide range of works: photographs of museum patrons by Henri Cartier-Bresson and Elliot Erwitt; 'personal museums' and 'cabinets of curiosities' by Charles Wilson Peale, Marcel Duchamp, and Claes Oldenburg; fantasies of the destruction or transformation of museums by Hubert Robert, Ed Ruscha, and Christo and more, including works created especially for this project by contemporary artists, and an anthology of statements and writings by artists about museums. This volume was published to accompany an exhibition at The Museum of Modern Art, New York." -- publisher's statement. Very Good. Light wear to dust-jacket including a 6 mm. tear to spine edge and bumping of upper edge of recto. Light yellowing of page edges. Contents otherwise clean and unmarked.

23 pp.; 23 x 20 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held in 1987. The exhibition included work by Richard Hamilton that interacted with works by Marcel Duchamp, Francis Bacon, Sherril F. Martin, Dieter Roth, Lux Corporation and Ohio Scientific. Includes a checklist of the exhibition. Very Good. 1.5 cm. and 4 mm. tears to spine edge, otherwise Fine. Includes slipped in oversized exhibition announcement card.

271 pp.; 24 x 17 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with an international traveling exhibition of artists' books, 1994. Text by the editor and curator Michael Glasmeier. Cover designed by Jan Voss. Profusely illustrated with full bibliographical data for each entry. Explicitly documents 30 years and 651 artists' books published in Germany. Inclusive of international artists such as Georg Baselitz, Lothar Baumgarten, Bernd & Hilla Becher, Joseph Beuys, Anna Blume, Claus Böhmler, Christian Boltanski, Jonathan Borofsky, Mark Boyle, KP Brehmer, Marcel Broodthaers, Stanley Brouwn, Günter Brus, Daniel Buren, James Lee Byars, Henri Chopin, Francesco Clemente, William Copley, Philip Corner, Hanne Darboven, Braco Dimitrijevic, Felix Droese, Marcel Duchamp, Hans Peter Feldmann, Robert Filliou, Isa Genzken, Jochen Gerz, Nan Goldin, Dan Graham, Hans Haacke, Richard Hamilton, Al Hansen, Geoffrey Hendricks, Georg Herold, H.K. Hödicke, Hans Hollein, Roni Horn, Jörg Immendorff, Jasper Johns, Joe Jones, Allan Kaprow, On Kawara, Mike Kelley, Anselm Kiefer, Martin Kippenberger, Imi Knoebel, Alison Knowles, Jannis Kounellis, Sol LeWitt, Richard Long, George Maciunas, Piero Manzoni, Hansjörg Mayer, Max Neumann, Olaf Nicolai, Albert Oehlen, Nam June Paik, Blinky Palermo, Eduardo Paolozzi, Ben Patterson, A.R. Penck, Tom Phillips, Sigmar Polke, Markus Raetz, Arnulf Rainer, Dieter Roth, Jan J. Schoonhoven, Mieko Shiomi, Daniel Spoerri, Mayo Thompson, Rosemarie Trockel, Jan Voss, Wolf Vostell, Herman de Vries, Emmett Williams, and MANY OTHERS. Text in Germain with separate English supplement laid-in. Reference : No. 161 in "The Book on Books on Artists' Books" by Arnaud Desjardin. London, England : The Everyday Press, 2011, pp. 88. Good. Dust soiling to covers with 5.5 cm. faint coffee ring on recto with additional 1.7 cm. of soiling. 2.3 cm. of tearing of surface layer of dust-jacket. Light rippling of text block. Very Light bumping of page corners, contents otherwise clean and unmarked. INCLUDES THE SEPARATE ENGLISH SUPPLEMENT, with 3.3 cm. dog ear to bottom right corner of recto, otherwise Fine. Due to large size and weight of this publication additional shipping charges will be required for international orders.

Soft cover. Condition: Very Good. 1st Edition. Excellent overall condition of this rare issue of Design Quarterly. Lightly bumped at bottom corner of the back extending from the back cover in several pages but not disrupting the content, including the fold out pieces by Tony Shafrazi. Now in custom cut mylar. Includes work by Le Corbusier, Robert Grovrenor, Robert Rauschenberg, Frank Stella, Dan Flavin, Donald Judd, Marcel Duchamp, Claes Oldenburg, Robert Morris, Tony Shafrazi, Richard Hamilton, Joe Goode, Ed Ruscha, Lucas Samaras, Eduardo Paolazzo, Bob Graham and Walter De Maria.

1973. New-York et Philadelphie MOMA et Philadelphia Museum of Art 1973 - Broché cm x cm 359 pages 429 ills dont 12 couleur ? Commissaires : Anne d?Harnoncourt et Kynaston Mc Shine textes en anglais de Michel Sanouillet Richard Hamilton Lawrence D. Steefel Jr Arturo Schwarz davidantin Anne d?Harnoncourt et Kynaston Mc Shine Robert Lebel Octavio Paz et John Tancock ; portrait de Duchamp par Apollinaire Breton Man Ray Andy Warhol Yoko Ono ; chronologie bibliographie - Très bon état. Bon état.

271 pp.; 24 x 17 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with an international traveling exhibition of artists' books, 1994. Text by the editor and curator Michael Glasmeier. Cover designed by Jan Voss. Profusely illustrated with full bibliographical data for each entry. Explicitly documents 30 years and 651 artists' books published in Germany. Inclusive of international artists such as Georg Baselitz, Lothar Baumgarten, Bernd & Hilla Becher, Joseph Beuys, Anna Blume, Claus Böhmler, Christian Boltanski, Jonathan Borofsky, Mark Boyle, KP Brehmer, Marcel Broodthaers, Stanley Brouwn, Günter Brus, Daniel Buren, James Lee Byars, Henri Chopin, Francesco Clemente, William Copley, Philip Corner, Hanne Darboven, Braco Dimitrijevic, Felix Droese, Marcel Duchamp, Hans Peter Feldmann, Robert Filliou, Isa Genzken, Jochen Gerz, Nan Goldin, Dan Graham, Hans Haacke, Richard Hamilton, Al Hansen, Geoffrey Hendricks, Georg Herold, H.K. Hödicke, Hans Hollein, Roni Horn, Jörg Immendorff, Jasper Johns, Joe Jones, Allan Kaprow, On Kawara, Mike Kelley, Anselm Kiefer, Martin Kippenberger, Imi Knoebel, Alison Knowles, Jannis Kounellis, Sol LeWitt, Richard Long, George Maciunas, Piero Manzoni, Hansjörg Mayer, Max Neumann, Olaf Nicolai, Albert Oehlen, Nam June Paik, Blinky Palermo, Eduardo Paolozzi, Ben Patterson, A.R. Penck, Tom Phillips, Sigmar Polke, Markus Raetz, Arnulf Rainer, Dieter Roth, Jan J. Schoonhoven, Mieko Shiomi, Daniel Spoerri, Mayo Thompson, Rosemarie Trockel, Jan Voss, Wolf Vostell, Herman de Vries, Emmett Williams, and MANY OTHERS. Text in Germain with separate English supplement laid-in. Reference : No. 161 in "The Book on Books on Artists' Books" by Arnaud Desjardin. London, England : The Everyday Press, 2011, pp. 88. Good / Very Good. Rubbing of edges and light yellowing along spine. 1.4 cm. yellow soiling to recto and 1.1 cm., 1.4 cm., 2.8 cm., and 2.1 cm of soiling to verso with additional dust soiling of covers. 4 mm. of tearing to top left corner of verso. 3 mm. tear and 3.3 cm. of creasing to dust-jacket flap. Recto is lightly separated from the text block, binding otherwise tight to the spine and contents are otherwise clean and unmarked. INCLUDES THE SEPARATE ENGLISH SUPPLEMENT, in Fine condition. Due to large size and weight of this publication additional shipping charges will be required for international orders.

252 pp.; 23.5 x 22 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue / quasi catalogue raisonné published in conjunction with show held at Deichtorhallen Hamburg, September 2 - October 30, 1994. Texts by Zdenek Felix, Stefan Germer, Claus Pias and Katerina Vatsella. Documents, in depth, multiples produced by Editionen MAT, Richard Artschwager, Joseph Beuys, Claes Oldenburg, as well as multiples by Arman, John M. Armleder, Hans Arp, Enrico Baj, Stephan Balkenhol, Guillaume Bijl, Ross Bleckner, Barbara Bloom, Bernhard Johannes Blume, Alighiero Boetti, Davide Boriani, Martha Boto, Louise Bourgeois, George Brecht, Marcel Broodthaers, Werner Büttner, Pol Bury, John Cage, Mario Ceroli, Christo, Chryssa, Hanne Darboven, H.R. Demarco, Jessica Diamond, Mark Dion, Marcel Duchamp, Maria Eichhorn, Hans-Peter Feldmann, Robert Filliou, Ian Hamilton Finlay, Peter Fischli & David Weiss, FLATZ, Sylvie Fleury, Günther Förg, Lucio Fontana, Katharina Fritsch, General Idea, Karl Gerstner, Jochen Gerz, Piero Gilardi, Felix Gonzalez-Torres, Rodney Graham, Richard Hamilton, Georg Herold, Damien Hirst, Ottamar Hörl, Rebecca Horn, Ilya Kabakov, Allan Kaprow, Mike Kelley, Jon Kessler, Herbert Kiecol, Martin Kippenberger, Yves Klein, Milan Knizak, Imi Knoebel, Jeff Koons, Joseph Kosuth, Sean Landers, Louise Lawler, Annette Lemieux, Julio Le Parc, Sherrie Levine, Sol LeWitt, Roy Lichtenstein, Heinz Mack, Piero Manzoni, Hans-Jörg Mayer, Paul McCarthy, Olaf Metzel, John Miller, François Morellet, Matt Mullican, Maurizio Nannucci, Bruce Nauman, Daniel Oates, Markus Oehlen, Dennis Oppenheim, Tom Otterness, Nam June Paik, Blinky Palermo, Panamarenko, Giuseppe Penone, Dan Peterman, Lucio Del Pezzo, Sigmar Polke, Man Ray, Patrick Raynaud, Larry Rivers, Mimmo Rotella, Dieter Roth, Gerhard Rühm, Allen Ruppersberg, Reiner Ruthenbeck, Niki de Saint Phalle, Icolas Schoeffer, Cindy Sherman, Robert Smithson, Francisco Sobrino, Jesus Raphael Soto, Daniel Spoerri, Klaus Staeck, Haim Steinbach, Paul Talman, Joe Tilson, Rirkrit Tiravanija, Lincoln Tobier, Rosemarie Trockel, Richard Tuttle, Günther Uecker, Meyer Vaisman, Gregorio Vardanega, Victor Vasarely, Villeglé, Wolf Vostell, Jeff Wall, Franz Erhard Walther, Lawrence Weiner, Tom Wesselmann, Bill Woodrow, Jean Pierre Yvaral, Peter Zimmermann and Heimo Zobernig. Includes bibliographies for each artist. Texts in German. Very Good. Light rubbing corners with light dust soiling of covers, spine and text block edge. Contents are clean and unmarked. Due to large size and weight of this publication additional shipping charges will be required for international orders.

0. The Bride Stripped Bare by Her Bachelors, Even. A A Typograpic Version by Richard Hamilton of Marcel Duchamp's Green Box. Edition Hansjörg Mayer, Stuttgart u.a.O. 1976. (112) S. mit zahlr. s/w Abb., Ppbd. - Aufl. 2500 Expl. - Guter Zustand.

Soft cover. Condition: Good. 82 unnumbered pages illustrations, facims., color plates (3 tipped in), portraits. Paper wrappers good, dented and creased at foot, sunned at head; contents fine. 340 grams.

Softcover, 110 pages, very good condition; except scuffs to top of spine and 1-inch diagonal tear/crease to lower left corner of rear cover; no internal marks. Foreign shipping may be extra.

Softcover, unpaginated, good condition: the top and bottom of the covers are creased and lightly torn at the part that juts out above the cover edge; front and rear covers also have light vertical crease at the embossed lines; scattered stains to covers; owner s name on first page, the Fluxus artist \"Geoffrey Hendricks / 17 January 1965" no other internal marks. Missing the errata slip. Foreign shipping may be extra.

Paperback. Condition: Very Good. 1st. [82] pages, illustrations (some colour); 28 cm. Edition of 3000 copies. Exhibition held January 14 to February 13, 1965. A very good copy with moderate edgewear to wraps & light foxing. Previous owner's signature/title page, otherwise unmarked. Size: 4to - over 9¾" - 12" tall.

Hardcover. Condition: Fine. Dust Jacket Condition: No Dust Jacket. First Edition; First Printing. First edition. (thus) Fine in quarter black cloth and pictorial boards, without dust jacket as issued. ; 8vo 8" - 9" tall; 115 pages.

Printed green paper over boards with clear plastic dust jacket. This is from the third edition of 2500 copies. Very near fine with light shelf wear to crown and foot of spine and corners, yet overall clean and crisp with sharp corners.

[44] pp.; 27.5 x 10.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with joint presentation by Art Metropole and Printed Matter at Art Basel, Basel, Switerzland, June 12 - 17, 1991. Cover artwork by Richard Prince and Lawrence Weiner. Curated by AA Bronson, John Goodwin. Artists include Carl Andre, David Antin, Eleanor Antin, Ida Applebroog, John Armleder, Art & Language, John Baldessari, Robert Barry, Lothar Baumgarten, Iain Baxter, Ingrid Baxter, Joseph Beuys, Barbara Bloom, Mel Bochner, Alighiero E. Boetti, Christian Boltanski, George Brecht, Marcel Broodthaers, Stanley Brouwn, David Buchan, Chris Burden, Daniel Buren, Michael Buthe, James Lee Byars, Genevieve Cadieux, Guiseppe Chiari, Christo, Francesco Clemente, Robert Cumming, Jan Dibbets, Marcel Duchamp, Hans-Peter Feldmann, File, Robert Filliou, Ian Hamilton Finlay, Fluxus, Robert Fones, Katharina Fritsch, Hamish Fulton, General Idea, Gilbert & George, Dan Graham, Rodney Graham, Jenny Holzer, Douglas Huebler, Image Bank, International Situationist, Joe Jones, Allan Kaprow, Anselm Kiefer, Martin Kippenberger, Michael Kirby, Yves Klein, Bengt af Klintberg, Joseph Kosuth, Barbara Kruger, Louise Lawler, Sol LeWitt, George Maciunas, Allan MacKay, Jackson Mac Low, Liz Magor, Christian Marclay, Lise Melhorn-Boe, Mario Merz, Robert Morris, Multiples Inc., Ian Murray, Maurizio Nannucci, Bruce Nauman, Hermann Nitsch, Claes Oldenburg, Yoko Ono, Dennis Oppenheim, Meret Oppenheim, Nam June Paik, Robert Rauschenberg, Steve Reich, Dieter Rot [Dieter Roth], Jerome Rothenberg, Edward Ruscha, Carolee Schneemann, Becky Singleton, Robert Smithson, SMS [Shit Must Stop], Michael Snow, Valerie Solanis, Jesus Raphael Soto, Jana Sterbak, Rosemarie Trockel, Ben Vautier, Bernar Venet, Andy Warhol, Robert Watts, Krzysztof Wodiczko, Wolf Vostell, La Monte Young and Zaj. "An Exhibition of Artists' Books and Multiples from the Permanent Collection of Art Metropole. LEARN TO READ ART is an exhibition of 287 published works by artists from the postwar period to the present. Although the contemporary artist's book emerged early in the twentieth century, it was not until the sixties that it came into its own as a medium ideally suited to the needs of Fluxus and Conceptual artists of the period thus our exhibition picks up this thread of history in the postwar years and follows it into that period of intense evolution which was the sixties and early seventies." ?- AA Bronson, General Idea, from introduction. Reference : No. 54 in "The Book on Books on Artists' Books" by Arnaud Desjardin. London, England : The Everyday Press, 2011, pp. 35. Very Good. Yellowing of recto edges with 6 cm. of yellowing across top of verso. Dust soiling to covers with light wear to corners including a 2 cm. dog-ear to top left of verso. Contents clean and unmarked.

Hardcover. Condition: Fine. B000FPDDE0 1976 3rd Publishing, Limited to 2500 copies. Book is in like new condition. Customer service is our #1 priority. We sell great books at great prices with super fast shipping and free tracking.

Cartonnage Editeur. Condition: Bon. Edition originale - First edition - pour cette transcription typographique par Richard Hamilton des notes de Duchamp de "La Boîte Verte" traduites du français par Georges Heard Hamilton. Certaines reproductions on été imprimées sur papier calque. Non paginé. Tirage à 1000 exemplaires non justifiés. Pas d'achevé d'imprimer. Format : 16 x 23,5 cms. sans rhodoïd. A noter : menus frottis aux coiffes et 2 petites oxydations sur dernière garde.

1. 8°. Erste Auflage, OPpbd. mit FolienU. Sprache: Englisch, Folienumschlag mit Fehlstellen an den Kapitalen, Einband leicht berieben an den Rändern, Vorsatzblatt mit Namen des Vorbesitzers, zudem untere Ecke abgeschnitten, Inneres in sehr gutem Zustand. Zustand insgesamt gut. 2200 Gramm.

With black-and-white illustrations. Text partly in two-color printing (black and red). Unpaginated. Octavo. Illustr. green hardcover, plastic dust-jacket. Dust jacket with small tear otherwise in a very fine condition.

Soft cover. Condition: Very Good. 1st Edition. First edition, first state catalog of an exhibition of Duchampiana from the Mary Sisler collection held at Cordier & Ekstrom in New York January 14-February 13, 1965. While the show subsequently traveled to CAM in Houston and other venues, the present example lists only Cordier & Ekstrom. According to Schwarz, "the Mary Sisler Collection was the most important private collection of works by Duchamp; and the exhibition, a historical event. It was the first and the most inclusive Duchamp retrospective to be held by a private gallery in the United States." When Mary Sisler saw the first version of the catalogue she was incensed that her name was not only much smaller than Duchamp's, but at the bottom of the title-page, and demanded that the catalogue be withdrawn, and be reissued. As a result surviving copies of the first version are extremely rare." White & partially colored color-printed stiff wrappers. Duchamp open door intaglio cut-out as cover, with cover 1/4 inch larger than the pages to accommodate the door design. 4to, unpaginated, with 3 tipped-in color plates and 100+ BW illus. Introduction and textual notes by British Pop artist and critic Richard Hamilton. Text block partially detached from the top, though still firmly attached at bottom. Bumping and soiling to wrappers, with 1" open tear to bottom of the notoriously fragile front cover. From the collection of renowned art historian Dore Ashton, though unmarked.

Hardcover. Condition: Sehr gut. Dust Jacket Condition: Sehr gut. 1. Auflage. Design: Richard Hamilton. Edition of 1000. First edition. Unpaginated. Hardcover. With plastic dustjacket. 124 pages.

Hardcover. Unpag., zahlr. ganzs. Abb., OPp., OU., 23,5 x 15,5 c Sehr guter Zustand.

116 pp.; 28 x 21.5 cm.; staple bound; tipped in image[s]; black-and-white & color; edition size 2000; unsigned and unnumbered; offset-printed Exhibition catalogue / artist's book published in conjunction with show held October 8 - November 3, 1963. Catalogue designed, with printed acetate dust-jacket, by Marcel Duchamp. Introduction by Walter Hopps, with two short interview quotes credited to R.H. and M.D. (Richard Hamilton and Duchamp). Catalogue operates as an early quasi catalogue raisonné of Duchamp's work, incorporating a "Chronology: Certain Facts of and About Marcel Duchamp," indexes of "Early Work 1902-1911," "Chess Paintings, Drawings, & the Game," "Climactic Work of Oil on Canvas, 1911-12," ". Out of Cubism and into a Mechanomorphology, 1912," "A Moment of Critical Change . Notation and Measurement, 1913-14," "Related to The Large Glass, 1913-14," "The Large Glass Continues to its Sate of Incompletion.," "First Readymades and Related Work, 1912-1916," "Readymades Continue, 1916-1919," "Late Readymades, 1919-1924," "Optical Works, 1918-36 (Plus Later Editions)," "Recent Activities, 1935-1942," "Recent Activities [1943-1951]," "Recent Activities, 1953-63." Catalogue printed by Cunningham Press, who would later print many of Edward Ruscha's artists' books. Reference: Arturo Schwarz, "The Complete Works of Marcel Duchamp," Harry N. Abrams, New York, 1970, pp. 541. Good / Very Good. Printed acetate dust-cover in Fair condition with 3 x 1 cm. loss at top of spine, 2.5 x 6 cm. area of folding and 2.5 cm. tear at lower right corer of dust-jacket's rectro, and 3 cm. tear at top right edges of dust-jacket's fold. Covers and contents of catalogue are Very Good, clean and unmarked. Additional images available upon request.

116 pp.; 28 x 21.5 cm.; staple bound; tipped in image[s]; black-and-white & color; edition size 2000; unsigned and unnumbered; offset-printed Exhibition catalogue / artist's book published in conjunction with show held October 8 - November 3, 1963. Catalogue designed, with printed acetate dust-jacket, by Marcel Duchamp. Introduction by Walter Hopps, with two short interview quotes credited to R.H. and M.D. (Richard Hamilton and Duchamp). Catalogue operates as an early quasi catalogue raisonné of Duchamp's work, incorporating a "Chronology: Certain Facts of and About Marcel Duchamp," indexes of "Early Work 1902-1911," "Chess Paintings, Drawings, & the Game," "Climactic Work of Oil on Canvas, 1911-12," ". Out of Cubism and into a Mechanomorphology, 1912," "A Moment of Critical Change . Notation and Measurement, 1913-14," "Related to The Large Glass, 1913-14," "The Large Glass Continues to its Sate of Incompletion.," "First Readymades and Related Work, 1912-1916," "Readymades Continue, 1916-1919," "Late Readymades, 1919-1924," "Optical Works, 1918-36 (Plus Later Editions)," "Recent Activities, 1935-1942," "Recent Activities [1943-1951]," "Recent Activities, 1953-63." Catalogue printed by Cunningham Press, who would later print many of Edward Ruscha's artists' books. Reference: Arturo Schwarz, "The Complete Works of Marcel Duchamp," Harry N. Abrams, New York, 1970, pp. 541. Good / Very Good. Printed acetate dust-cover has 3 cm. vertical split depending from top right corner of recto; 5.5 diagonal rip depending from top left corner of verso with 10 cm. diagonal fold return to top of jacket. Additionally, acetate has light additional overall wear. Book is near Fine with very light edge wear. Contents are clean and unmarked.

116 pp.; 28 x 21.5 cm.; staple bound; tipped in image[s]; black-and-white & color; edition size 2000; unsigned and unnumbered; offset-printed Exhibition catalogue / artist's book published in conjunction with show held October 8 - November 3, 1963. Catalogue designed, with printed acetate dust-jacket, by Marcel Duchamp. Introduction by Walter Hopps, with two short interview quotes credited to R.H. and M.D. (Richard Hamilton and Duchamp). Catalogue operates as an early quasi catalogue raisonné of Duchamp's work, incorporating a "Chronology: Certain Facts of and About Marcel Duchamp," indexes of "Early Work 1902-1911," "Chess Paintings, Drawings, & the Game," "Climactic Work of Oil on Canvas, 1911-12," ". Out of Cubism and into a Mechanomorphology, 1912," "A Moment of Critical Change . Notation and Measurement, 1913-14," "Related to The Large Glass, 1913-14," "The Large Glass Continues to its Sate of Incompletion.," "First Readymades and Related Work, 1912-1916," "Readymades Continue, 1916-1919," "Late Readymades, 1919-1924," "Optical Works, 1918-36 (Plus Later Editions)," "Recent Activities, 1935-1942," "Recent Activities [1943-1951]," "Recent Activities, 1953-63." Catalogue printed by Cunningham Press, who would later print many of Edward Ruscha's artists' books. Reference: Arturo Schwarz, "The Complete Works of Marcel Duchamp," Harry N. Abrams, New York, 1970, pp. 541. Good / Very Good. Printed acetate dust-cover has light overall wear and small, 1 cm., diagonal split at tip of verso's top left corner. Book's covers are clean and unmarked with light edge wear at top of volume. Light 1 cm. horizontal water staining along top edge of first free right hand / left hand page and 5 mm x 2 cm light color stain at top corner of last free left hand page. Contents otherwise clean and unmarked.

116 pp.; 28 x 21.5 cm.; staple bound; tipped in image[s]; black-and-white & color; edition size 2000; unsigned and unnumbered; offset-printed Exhibition catalogue / artist's book published in conjunction with show held October 8 - November 3, 1963. Catalogue designed, with printed acetate dust-jacket, by Marcel Duchamp. Introduction by Walter Hopps, with two short interview quotes credited to R.H. and M.D. (Richard Hamilton and Duchamp). Catalogue operates as an early quasi catalogue raisonné of Duchamp's work, incorporating a "Chronology: Certain Facts of and About Marcel Duchamp," indexes of "Early Work 1902-1911," "Chess Paintings, Drawings, & the Game," "Climactic Work of Oil on Canvas, 1911-12," ". Out of Cubism and into a Mechanomorphology, 1912," "A Moment of Critical Change . Notation and Measurement, 1913-14," "Related to The Large Glass, 1913-14," "The Large Glass Continues to its Sate of Incompletion.," "First Readymades and Related Work, 1912-1916," "Readymades Continue, 1916-1919," "Late Readymades, 1919-1924," "Optical Works, 1918-36 (Plus Later Editions)," "Recent Activities, 1935-1942," "Recent Activities [1943-1951]," "Recent Activities, 1953-63." Catalogue printed by Cunningham Press, who would later print many of Edward Ruscha's artists' books. Reference: Arturo Schwarz, "The Complete Works of Marcel Duchamp," Harry N. Abrams, New York, 1970, pp. 541. Very Good. 3 cm. folds to dust-jacket recto and verso at spine along with a 3 mm. tear. Very light rubbing of cover edges. Light color 2 x 3 cm. stain on first inside page otherwise contents are clean and unmarked.