Marcella Lista (71 results)

Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

paperback. Condition: Good.

Condition: as new. Wie neu/Like new.

Paperback. Condition: Fine. Crisp and clean copy, like new condition. German text. Exhibition catalogue. Not paginated, approx. 60 pages. Book.

Hardcover. Condition: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: Near Fine. Paperback. Near Fine. Note: Unused or barely used with minor cosmetic defects. All orders shipped securely in a bubble envelope or box/hard mailer.

paperback. Condition: Very Good. Very Good. Gently used with no markings in text. Binding is tight.

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback. Condition: new. Paperback. A massive, long-overdue retrospective on the multimedia image critique of Hito Steyerl, influential artist and author of Duty-Free Art and The Wretched of the ScreenOver the past 30 years, through video and installation, the immensely influential German artist and writer Hito Steyerl (born 1966) has been tracking the ways that images have mutated--from the analogue image and its manifold possibilities for montage to the fluidity of the split digital image--and the implications these mutations have had for the representation of wars, genocides and the flow of capital. "We are no longer dealing with the virtual but with a confusing and possibly alien concreteness that we are only beginning to understand," writes Brian Kuan Wood of the digital visual worlds that the artist presents. At nearly 500 pages, this book--the first substantial overview on Steyerl--looks at multimedia installations and film projects of the past ten years, as well as earlier works, all of which are united by the artist's unflagging interrogation of the politics of the image. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: Neu. ONLY AS A PACKAGE DUE TO THE WEIGHT (= currently ¤ 5 ¤ postage). Abroad = 16 ¤! 224 pages, Français/anglais 150 images, illustrated cover, still originally sealed, Katalog, Carré dArt Nîmes 2017. Basée sur une histoire différente de l'art minimal, cette publication examine les perspectives qui se chevauchent sur les arts visuels et la danse des années 60 et 70 à New York. Pour en revenir à l'histoire de l'art aujourd'hui, on ne peut que saluer les parcours radicalement novateurs de Simone Forti, Steve Paxton et Yvonne Rainer. Ils ont nourri le dialogue entre l'objet et la dimension spatio-temporelle du spectateur, tel qu'il est vécu dans les ½uvres de Robert Morris, Carl Andre, Donald Judd et bien d'autres. Une nouvelle génération d'auteurs aborde ce chapitre majeur de l'histoire de l'abstraction avec une approche transmédia. Les textes sources des artistes et une chronologie scientifique ne sont pas inclus. / Suggesting another history of Minimal Art, this publication examinis intersecting perspectives on visual art and dance of the nineteen sixtes and nineteen-seventies in Nwe York. Locking back at the history of art, we can only acknowledge today the radically trail-blazing paths taken by the Simone Forti, Steve Paxton and Yvonne Rainer A collective history is attengted here, gathering these concisi and direct movements that revolutionzed visal and performing arts. They nourished the dialogue between the object and the space-time dimension occupied by the viewer, as experienced in the works of Robert Morris, Carl Andre, Donald Judd, and many others. A new generation of authors tackles this major chapter of the history of abstraction with a transmedia approach. Soucre texts by the artists and a scietific chronology are uncluded. Sprache: Englisch Gewicht in Gramm: 1010 4 ° (quart), paperback edition/4° (quart), édition de poche.…

1. Auflage.. zahlreiche Werk- Abb., 222 Seiten, Sprache: Französisch/Englisch; Zustand: erstklassiges, neuwertiges Exemplar. Noch in Original-Verlagsfolie eingeschweißt. Sprache: Englisch Gewicht in Gramm: 1250 27,0 x 20,5 cm, Broschiert, Softcover/Paperback.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Softcover, 68 pages; in English and French; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Paperback. Condition: New. Bilingual.

Hardcover. Condition: Bon. Ancien livre de bibliothèque avec équipements. Edition 2013. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Edition 2013. Ammareal gives back up to 15% of this item's net price to charity organizations.…

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: Neuf.

Lex.-8°, Kartoniert. 222 Seiten Mit zahlreichen Abbildungen; --- gutes Exemplar, ungelesen Sprache: Englisch Gewicht in Gramm: 1300.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Brand New. bilingual edition. 496 pages. French language. 11.25x7.75x1.50 inches. In Stock.

Taschenbuch. Condition: Neu. Neuware -Die Arbeiten und Texte von Hito Steyerl gehören zu den zentralen Positionen, wenn es um die aktuelle Reflexion der gesellschaftlichen Rolle von Kunst und Museum geht, um das Experimentieren mit medialen Präsentationsformen und um die kritische Auseinandersetzung beim Einsatz von künstlicher Intelligenz. In den letzten 30 Jahren verfolgt die Künstlerin die Mutationen von Kamerabildern, vom analogen Bild und seinen vielfältigen Montagen hin zum geteilten, flüssig werdenden digitalen Bild und den sich daraus ergebenden Implikationen für die Repräsentation von Kriegen, Genoziden, Kapitalströmen. 'Wir haben es nicht mehr mit dem Virtuellen zu tun, sondern mit einer verwirrenden und möglicherweise fremden Konkretheit, die wir erst beginnen zu verstehen', schreibt Brian Kuan Wood zu den digitalen Bildwelten, die die Künstlerin vorführt. Die Publikation erscheint anlässlich der Überblicksschau von Hito Steyerl, die im Herbst 2020 im Centre Pompidou, Paris, und in der Kunstsammlung Nordrhein-Westfalen, Düsseldorf, stattfindet.Das Kooperationsprojekt wird von der Kulturstiftung des Bundes gefördert.The positions adopted by Hito Steyerl in her works and texts are of key importance in any consideration of the contemporary role that art and the museum play in society. They are also crucial to experimental forays into different forms of media presentation and to the critical examination of artificial intelligence and its uses. Over the past thirty years, the artist has been tracking the way camera images have mutated, from the analogue image and its manifold possibilities for montage to the fluidity of the split digital image and the implications this then had for the representation of wars, genocides, and capital flows. 'We are no longer dealing with the virtual but with a confusing and possibly alien concreteness that we are only beginning to understand,' writes Brian Kuan Wood of the digital visual worlds that the artist presents. The book is being published in conjunction with Hito Steyerl's survey show, which will take place in autumn 2020 at the Centre Pompidou in Paris and the Kunstsammlung Nordrhein-Westfalen in Düsseldorf.The cooperative project is funded by the German Federal Cultural Foundation.Hito Steyerl, born 1966 in Munich, lives and works in Berlin as an artist, filmmaker, and author. Her work has been shown in numerous international exhibitions and festivals, including the Armory (2019) and the Venice Biennale (in 2019 and 2013). In 2007 she was part of documenta 12. 384 pp. Englisch, Französisch.…

Taschenbuch. Condition: Neu. Neuware -Die Arbeiten und Texte von Hito Steyerl gehören zu den zentralen Positionen, wenn es um die aktuelle Reflexion der gesellschaftlichen Rolle von Kunst und Museum geht, um das Experimentieren mit medialen Präsentationsformen und um die kritische Auseinandersetzung beim Einsatz von künstlicher Intelligenz. In den letzten 30 Jahren verfolgt die Künstlerin die Mutationen von Kamerabildern, vom analogen Bild und seinen vielfältigen Montagen hin zum geteilten, flüssig werdenden digitalen Bild und den sich daraus ergebenden Implikationen für die Repräsentation von Kriegen, Genoziden, Kapitalströmen. 'Wir haben es nicht mehr mit dem Virtuellen zu tun, sondern mit einer verwirrenden und möglicherweise fremden Konkretheit, die wir erst beginnen zu verstehen', schreibt Brian Kuan Wood zu den digitalen Bildwelten, die die Künstlerin vorführt. Die Publikation erscheint anlässlich der Überblicksschau von Hito Steyerl, die im Herbst 2020 im Centre Pompidou, Paris, und in der Kunstsammlung Nordrhein-Westfalen, Düsseldorf, stattfindet.Das Kooperationsprojekt wird von der Kulturstiftung des Bundes gefördert.The positions adopted by Hito Steyerl in her works and texts are of key importance in any consideration of the contemporary role that art and the museum play in society. They are also crucial to experimental forays into different forms of media presentation and to the critical examination of artificial intelligence and its uses. Over the past thirty years, the artist has been tracking the way camera images have mutated, from the analogue image and its manifold possibilities for montage to the fluidity of the split digital image and the implications this then had for the representation of wars, genocides, and capital flows. 'We are no longer dealing with the virtual but with a confusing and possibly alien concreteness that we are only beginning to understand,' writes Brian Kuan Wood of the digital visual worlds that the artist presents. The book is being published in conjunction with Hito Steyerl's survey show, which will take place in autumn 2020 at the Centre Pompidou in Paris and the Kunstsammlung Nordrhein-Westfalen in Düsseldorf.The cooperative project is funded by the German Federal Cultural Foundation.Hito Steyerl, born 1966 in Munich, lives and works in Berlin as an artist, filmmaker, and author. Her work has been shown in numerous international exhibitions and festivals, including the Armory (2019) and the Venice Biennale (in 2019 and 2013). In 2007 she was part of documenta 12. 384 pp. Englisch, Französisch.…

Condition: New.

Condition: New. Special order direct from the distributor.

Condition: New.

Taschenbuch. Condition: Neu. Neuware -Die Arbeiten und Texte von Hito Steyerl gehören zu den zentralen Positionen, wenn es um die aktuelle Reflexion der gesellschaftlichen Rolle von Kunst und Museum geht, um das Experimentieren mit medialen Präsentationsformen und um die kritische Auseinandersetzung beim Einsatz von künstlicher Intelligenz. In den letzten 30 Jahren verfolgt die Künstlerin die Mutationen von Kamerabildern, vom analogen Bild und seinen vielfältigen Montagen hin zum geteilten, flüssig werdenden digitalen Bild und den sich daraus ergebenden Implikationen für die Repräsentation von Kriegen, Genoziden, Kapitalströmen. 'Wir haben es nicht mehr mit dem Virtuellen zu tun, sondern mit einer verwirrenden und möglicherweise fremden Konkretheit, die wir erst beginnen zu verstehen', schreibt Brian Kuan Wood zu den digitalen Bildwelten, die die Künstlerin vorführt. Die Publikation erscheint anlässlich der Überblicksschau von Hito Steyerl, die im Herbst 2020 im Centre Pompidou, Paris, und in der Kunstsammlung Nordrhein-Westfalen, Düsseldorf, stattfindet.Das Kooperationsprojekt wird von der Kulturstiftung des Bundes gefördert.The positions adopted by Hito Steyerl in her works and texts are of key importance in any consideration of the contemporary role that art and the museum play in society. They are also crucial to experimental forays into different forms of media presentation and to the critical examination of artificial intelligence and its uses. Over the past thirty years, the artist has been tracking the way camera images have mutated, from the analogue image and its manifold possibilities for montage to the fluidity of the split digital image and the implications this then had for the representation of wars, genocides, and capital flows. 'We are no longer dealing with the virtual but with a confusing and possibly alien concreteness that we are only beginning to understand,' writes Brian Kuan Wood of the digital visual worlds that the artist presents. The book is being published in conjunction with Hito Steyerl's survey show, which will take place in autumn 2020 at the Centre Pompidou in Paris and the Kunstsammlung Nordrhein-Westfalen in Düsseldorf.The cooperative project is funded by the German Federal Cultural Foundation.Hito Steyerl, born 1966 in Munich, lives and works in Berlin as an artist, filmmaker, and author. Her work has been shown in numerous international exhibitions and festivals, including the Armory (2019) and the Venice Biennale (in 2019 and 2013). In 2007 she was part of documenta 12.…

Softcover, 208 pages; in English and French; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Condition: Brand New. 235 pages. 10.75x8.25x1.00 inches. In Stock.