Mark S Weinberg (14 results)

Condition: Very Good. Very Good condition. Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Hardcover. Condition: Brand New. 512 pages. 11.00x9.10x1.60 inches. In Stock.

Hardcover. Condition: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: New. In shrink wrap. Looks like an interesting title.

Hardcover. Condition: Fine. 288p. Westport, CT: Greenwood Press, 1992.

Condition: New. In English.

Condition: New. This book examines collectivization as a way of challenging the hierarchy and ideology of traditional theatre. The collective process is a vibrant and accessible method of creating theatre, of representing a variety of cultures in the United States, and of providing a supportive environment for the creative artist. Series: Contributions in Drama & Theatre Studies. Num Pages: 288 pages, black & white illustrations. BIC Classification: AC; AN. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 230 x 156 x 18. Weight in Grams: 572. . 1992. hardcover. . . . .…

Condition: New. This book examines collectivization as a way of challenging the hierarchy and ideology of traditional theatre. The collective process is a vibrant and accessible method of creating theatre, of representing a variety of cultures in the United States, and of providing a supportive environment for the creative artist. Series: Contributions in Drama & Theatre Studies. Num Pages: 288 pages, black & white illustrations. BIC Classification: AC; AN. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 230 x 156 x 18. Weight in Grams: 572. . 1992. hardcover. . . . . Books ship from the US and Ireland.…

Hardcover. Condition: Brand New. 288 pages. 9.50x6.50x1.00 inches. In Stock.

HRD. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

HRD. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Hardcover. Condition: new. Hardcover. Collective theatres are collectively organized and run performing groups, usually socially conscious and politically oriented, often aligned with the people's theatre movement. This book examines collectivization as a way of successfully challenging the hierarchy and ideology of traditional theatre and of society. It asserts that the collective process is a vibrant and accessible method of creating theatre, of representing a variety of cultures in the United States and of providing a supportive environment for the creative artist. The study offers a general theory of the process of collective creation and explores its application and results in the theatre.Weinberg examines the process, then traces the history of collectives and the place of collective theatre in the American cultural tradition. Detailed studies of four such theatres then illustrate the way the collective process has manifested itself and describe exemplary methods and outcomes. Attention is given to the political nature of the companies in their organization and operation, to the art and politics of their plays, and to the relationship of process to production. El Teatro de la Esperanza concentrates on issues of importance to the Chicano community. The Dakota Theatre Caravan had as its major focus the problems, interests, and political awareness of rural people. The United Mime Workers, which was far from a traditional mime troupe, appealed to a general audience, but its scripts often dealt with the world of the workplace. Split Britches, a feminist collective, challenges traditional theatre's heterosexual imperative through startling performances combining narrative, vaudeville, and personal history. The final section contains a summary of the legacy of collective theatre and speculates on the theoretical and practical value of recent trends in collective creation. Assembling and analyzing a mass of fascinating detail culled from archives and interviews as well as published material, this work will be of value to theatre historians and professionals and anyone interested in the interplay of politics and the arts in society, and to those wishing to form collective theatres themselves. Collective theatres are collectively organized and run performing groups, usually socially conscious and politically oriented, often aligned with the people's theatre movement. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Hardcover. Condition: new. Hardcover. Collective theatres are collectively organized and run performing groups, usually socially conscious and politically oriented, often aligned with the people's theatre movement. This book examines collectivization as a way of successfully challenging the hierarchy and ideology of traditional theatre and of society. It asserts that the collective process is a vibrant and accessible method of creating theatre, of representing a variety of cultures in the United States and of providing a supportive environment for the creative artist. The study offers a general theory of the process of collective creation and explores its application and results in the theatre.Weinberg examines the process, then traces the history of collectives and the place of collective theatre in the American cultural tradition. Detailed studies of four such theatres then illustrate the way the collective process has manifested itself and describe exemplary methods and outcomes. Attention is given to the political nature of the companies in their organization and operation, to the art and politics of their plays, and to the relationship of process to production. El Teatro de la Esperanza concentrates on issues of importance to the Chicano community. The Dakota Theatre Caravan had as its major focus the problems, interests, and political awareness of rural people. The United Mime Workers, which was far from a traditional mime troupe, appealed to a general audience, but its scripts often dealt with the world of the workplace. Split Britches, a feminist collective, challenges traditional theatre's heterosexual imperative through startling performances combining narrative, vaudeville, and personal history. The final section contains a summary of the legacy of collective theatre and speculates on the theoretical and practical value of recent trends in collective creation. Assembling and analyzing a mass of fascinating detail culled from archives and interviews as well as published material, this work will be of value to theatre historians and professionals and anyone interested in the interplay of politics and the arts in society, and to those wishing to form collective theatres themselves. Collective theatres are collectively organized and run performing groups, usually socially conscious and politically oriented, often aligned with the people's theatre movement. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…