Published by American Record Guide, Cincinnati, Ohio, 1996
Seller: Cameron-Wolfe Booksellers, Taos, NM, U.S.A.
Large Softcover. Condition: Very Good Plus. The definitive journal offering reviews of classical recordings and music in concert. Concert highlights include Chicago Lyric Opera, Alfred Brendel, Jost Meier's "The Dreyfus Affair", (NYC Opera), William Bolcolm's "Left-Hand Piano Concertos", Aaron Jay Kernis's "Concerto for Violin and Guitar" (Nadja Solerno Sonnenberg & Sharon Isbin). CONTENTS: ***See accompanying scan image of the Table of Contents.*** 288 pages. CONDITION: A bright, solid, square, unmarked Very Good Plus to Near Fine copy with light edge-/corner-wear and a vertical crease along the pre-scored line adjacent to the front spine edge. The interior is pristine. This attractive copy now in a clear, protective polypropylene bag.
Published by Mark Steven Greenfield, 2002
ISBN 10: 0971709106 ISBN 13: 9780971709102
Seller: George Kent, Bookseller, Silverhill, AL, U.S.A.
First Edition
Hardcover. Condition: Fine. No Jacket. 1st Edition. This first edition examines black face and its use in art in America through a series of essays and photographs. The book is fine. There probably was no dust jacket as issued, but the black embossed linen cover is most unusual. Language: eng.
Published by Full Court Press, 2003
ISBN 10: 0971709106 ISBN 13: 9780971709102
Seller: Moe's Books, Berkeley, CA, U.S.A.
Hardcover. Condition: Very Good. No Jacket.
Hardcover. Condition: Near Fine. Illustrated by Mark Steven Greenfield (illustrator). First Edition; First Printing. Black cloth with with embossed design that is difficult to see in scan. No dustjacket issued. Book is about fine. ; B&W Illustrations; Large 8vo 9" - 10" tall; 47 pages; Images and essay by Mark Steven Greenfield. Also, essays by Grace Carroll, Merilene M. Murphy and Leonard Simon. Greenfield's art is a combination of photographs and other illustrations of 19th and early 20th century white entertainers in blackface with biting social commentary. The book explores the relationship between black and white cultures during the turn of the 20th century and the true wierdness that typified the development and popularity of minstrel shows.
Blattgröße 45,4 cm x 58,2 cm. Mit Bleistift-Untertitel links und Bleistift-Signatur und Datierung unten rechts--- 750 Gramm.
Blattgröße 45,4 cm x 58,2 cm. Mit Bleistift-Untertitel links und Bleistift-Signatur und Datierung unten rechts--- 750 Gramm.
Blattgröße 45,4 cm x 58,2 cm. Mit Bleistift-Untertitel links und Bleistift-Signatur und Datierung unten rechts--- 750 Gramm.
Published by Global media Network, Los Angeles, 2013
Seller: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB), Santa Monica, CA, U.S.A.
First Edition Signed
Hardcover. Condition: Near fine condition. First edition. 62/150 signed Mark Steven Greenfield on colophon. 11pp., 15 plates with 7 printed overlays. Original red leather over illustrated Plexiglas with red lettering. Paper portfolio case missing. Book accompanying an exhibition at Offramp Gallery, Pasadena, March 3 -April 14, 2013. ". the work might offer a glimpse into the origins of both conscious and subconscious contemporary thinking with regard to race, while at the same time exorcising the enduring specter that dwells in the American psyche. Animalicious. concentrates on cartoons an animated characterizations of black people from the 1930s, 40s and as recently as the 1970s, that while arguably accepted as benign by many in the dominant culture at the time, left wide latitude for disturbing interpretations. Characters include Br'er Rabbit and Tar-Baby from Song of the South, Bosko, Professor Scarecrow and Jasper from George Pal's Puppetoons, the crows from Dumbo, and characters from Ralph Bakshi's Fritz the Cat and Coonskin. The complexity of the issue raised by this genre has resulted in these cartoons being banned from public exhibition, but. never been fully excised from public consciousness." Greenfield artist statement). Beautifully executed color and b/w reproductions of Greenfield's work in various mediums, ink on wood and Duralar, acrylic, and embroidery on cotton, with seven printed parchment overlays. Rachael Z. DeLue provides a delicate analysis and characterization of Greenfield's Re-animation in her introduction. Slightly starting at title page. Printing error circled in pencil in introduction.