Matta, Signed (46 results)

Soft cover. Condition: Near Fine. Near fine hardcover. Straight secure spine with tight hinges and clean interior. Inscribed by author. Inscribed by Author(s).

Hard. Condition: Very Good. Dust Jacket Condition: Very Good. 1st. SIGNED first edition. Hard cover in dust jacket. Published NY: Vantage, 1985, first printing. 8vo., xiv+79pp. Signed by author on fly leaf. Biblical citation notes on both sides of rear fly leaf, else very good in very good dust jacket with a slight impression stain on the cover. Signed by Author(s).

Hardcover. Condition: Very Good. No Jacket. 1st Edition. Author signed on the inside of the front cover. Laminated white and pictorial covers. 4to, 288 pages. History, names, data and inscriptions on grave stones. Name written on the first free end paper. Signed by Author(s).

Soft Cover. Condition: Very Good. Woodman, Chris; Schiannini, Fil; Cooper, Jez; Matta, Francis; Manicom, Sam (illustrator). Signed by Author.

Postkarte. Condition: Gut. Postkarte von Cristiano da Matta bildseitig mit schwarzem Stift signiert, umseitig Klebspuren von Albummontage. /// Autogramm Autograph signiert signed signee /// Cristiano Monteiro da Matta (* 19. September 1973 in Belo Horizonte) ist ein ehemaliger brasilianischer Automobilrennfahrer. Er wurde 2002 Indy-Car-Champion und fuhr 2003 und 2004 28 Formel-1-Rennen. Von 1999 bis 2002 fuhr da Matta bei den Champ Cars in der amerikanischen Championship Series, wo er 2002 mit Newman/Haas Racing den Titel holte. Danach wechselte er in die Formel 1 und bestritt insgesamt 28 GP-Rennen für Toyota Racing, bevor er nach dem Großen Preis von Deutschland 2004 durch Testfahrer Ricardo Zonta ersetzt wurde. 2005 wechselte er erneut in die Champ-Car-Serie, konnte allerdings nicht an die erfolgreiche Zeit von 2002 anknüpfen. Am 3. August 2006 kollidierte da Matta beim Training auf der Road America-Rennstrecke in Elkhart Lake / Wisconsin mit einem Rothirsch, der auf die Strecke gelaufen war. Da Matta erlitt schwere Kopfverletzungen und musste mit dem Hubschrauber zu einer Notoperation ins Krankenhaus geflogen werden. Nach der Entfernung eines subduralen Hämatoms lag er zur Beobachtung bis zum 20. August 2006 auf der Intensivstation des Theda Clark Memorial Hospital in Neenah, Wisconsin. Am 22. September 2006 wurde er nach Hause entlassen, wo das zwischenzeitlich begonnene Reha-Programm fortgesetzt wird. Sein Rennteam gab bekannt, dass seine Heilung sehr gute Fortschritte mache. Im November 2008 nahm Da Matta an einem international sehr beachteten Kart-Rennen in Brasilien teil. Außerdem testete er für das 24-h-Rennen in Daytona. In 2010 startete Da Matta in der brasilianischen Rennserie ?Fórmula Truck?.[1] Im April 2011 wurde angekündigt, dass Da Matta in den US-amerikanischen Motorsport mit dem Jagua-RSR-GT-Team in der American Le Mans Series zurückkehren wird. Ende der Saison 2012 beendete er seine Karriere[2]. /// Standort Wimregal GAD-10.249 pt Gewicht in Gramm: 10.

Encuadernación de tapa blanda. Condition: Bien. 1ª Edición. 133 p. ; 19x13 cm. Novelas chilenas (LFC). Firmado por el autor.

Encuadernación de tapa blanda. Condition: Bien. 1ª Edición. 48 p. ; 18x14 cms. Cubiertas algo sucias. Interior bien. Poesías chilenas (A-108). Dedicatoria autógrafa del autor.

Encuadernación de tapa blanda. Condition: Muy bueno. 1ª Edición. 191 p. ; 23x15 cms., ilustraciones b/n. Empresario chilenos memorias (BN-7)AV°. Dedicatoria autógrafa del autor.

Albin Michel 2006, fort In-8 broché couverture à rabats, 380 pages. Nombreux déssins. Préface de Jean Claude Carrière. Envoi autographe de Nahal Tajadod et dessin original signé de Fédérica Matta à pleine page. Très bon état.

Taschenbuch. Condition: Gut. 1. Auflage. Autor:Hilda Matta, Nadia Metwally, Nahed El Dib, Aleya Khattab, Alexaq Ezzat Ayad, Fatma Massoud, Mona Noueshi - Titel:Kairoer Germanistische Studien Band 19 - mit Widmung eines der Autoren; Einband:Taschenbuch,Zustand:Gut, , Verlag:Cairo University, Erscheinungsjahr:2011, Erscheinungsort:Kairo. Gut bis sehr gut erhalten, kaum berieben, keine Beschriftungen gefunden. Innen mit Tacker befestigt die Visitenkarte eines der Autoren, darunter die Signatur.; Gewicht:100 g. Vom Autor signiert.

Condition: Good / Bien. Lisbonne: Imprensa Portugal-Brasil, 1934.- 92 p.; 4º mayor (25,5 x 17,5 cm); Texto en francés; Cartulina Ed.- RARO. Dedicatoria autógrafa del autor en la portadilla. Livre en français PORTUGAL.

paperback. Illustrations originales de Matta et Sergio Dangelo (illustrator). Bibliothèque Phantomas 1969. in-12. 160 pages. Bibliothèque Phantomas 1969. in-12. 160 pages. Nb de volume : 1. Envoi autographe signé de l'auteur : " Pour M. et C. S. amis de l'art et de la révolution, cordial souvenir, Michel Vachey." ENRICHI d'une lettre de remerciements de voeux sous enveloppe de Michel Vachey écrite avec plusieurs couleurs d'encre différentes sous forme d'un poème naïf et signé par Michel Vachey . Envoi autographe signé de l'auteur : " Pour M. et C. S. amis de l'art et de la révolution, cordial souvenir, Michel Vachey." ENRICHI d'une lettre de remerciements de voeux sous enveloppe de Michel Vachey écrite avec plusieurs couleurs d'encre différentes sous forme d'un poème naïf et signé par Michel Vachey . Bon état de la couverture, intérieur propre . Illustrations originales de Matta et Sergio Dangelo .

En Feuilles. Condition: Très bon. Roberto Matta (illustrator). Edition originale. Paris, Pierre Belfond, 1970. Coll. "les Cahiers du Regard" (n° 1). 39 x 29 cm, grand in-4, 50 (2) pp. - 2 gravures en couleurs hors texte, en feuilles sous couverture blanche muette, coffret de l'éditeur de pleine soie moirée. Edition originale et premier tirage. Tirage à 200 exemplaires sur grand vélin d'Arches (n° 54). Complet des deux gravures signées et numérotées par Matta. Coffret insolé. (MONOD, 4447). Signé par l'illustrateur.

Soft cover. Condition: Very Good. 1st Edition. First edition softcover book of surrealist poems by Max Clarac-Serou with color reproductions of six etchings by Roberto Matta affixed. Folded wrappers with printed title on front. 56 pages, 8vo. Number 287 of 300 copies on pure Johannot thread paper, after 56 copies on vellum arches. With an inscription on the title page from Clarac-Serou to American art historian and dealer Lawrence Saphire. Text in French. Small damp stain to top edge of text block, affecting half a dozen leaves towards the middle. Minimal bumping and rubbing to extremities. Otherwise in remarkable condition. Inscribed by Author(s).

Hardcover with Dust Jacket. Condition: NEAR FINE. Dust Jacket Condition: Very Good. First Edition. SIGNED and INSCRIBED by author on FFEP to Stathis Orphanos: 'For Stathis- towards a new friendship d. 3.23.90.' Stathis Orphanos was a photographer and half of the Los Angeles-based fine-press publishing duo Sylvester and Orphanos. Limited first edition, one of 400 copies. 76pp. Mint cloth, maroon spine lettering, deckled fore edge, beautiful frontispiece illustration by MATTA. Some toning to the extremities as usual, top edge a bit dusted, otherwise clean and sharp. Dust jacket is a bit sunned to spine, small chip to head of spine, toned. Now in mylar. Signed By Author.

Hardcover. Condition: Good. 1st Edition. Folio. 540x400mm. Loose as issued in original publisher cloth portfolio. Edition of 300, this is copy 47 one of 100 with an original colour engraving, signed by Matta. With a suite of off-set colour lithographs. From the library of the Royal College of Art with label to inside front cover and blinstamps to title and each of the plates (all in the margin). Portfolio, rubbed and a little thumbed with bump to lower end of spine. Signed by Author(s).

First Edition. ~ 2 vol. ~ El autor preparó la edición de las poesías escritas en los años 1857-1859 (tomo primero) y 1862-1876 (tomo segundo), haciéndolas publicar durante su estadía en Alemania como ministro plenipotenciario de Chile en ese país ~ Con dedicatoria autógrafa a José Arturo Scotto, fechada en 1896 ~ Cartoné editorial. Conserva las cintas de registro de seda verde ~ Tomo I: 3f+562p; Tomo II: 2f+682p ~ 22x15x6cm. ~ Muy Buen estado ~ Heavy item, circa 1.4 Kg. Extra postage costs may apply (please ask for quotation before ordering, clicking on the "Contact this seller" button to be found above) ~ LANGUAGE: Español / Additional images available/ Poetry / Latin American Literature / Romanticism // We accept PayPal & EU bank transfer in EUROS //.

Soft cover. Condition: Good. Dust Jacket Condition: No Jacket Issued. Roberto Matta (illustrator). Exhibition catalogue, Museum of Modern Art Bulletin: volume 25, no. 1. "Jack Palance Collection 2006" sticker on cover. Housed in a custom-made hardcover binder. Opening front sheet starting. Signed Roberto Matta. Brochure.

Hardcover. Condition: Very Good. 1st Edition. Artist: Roberto Matta. Poet: Robert Valançay Year: 1972. Medium: Color aquatint etchings. Publisher: Éditions Georges Visat, Paris. Portfolio comprising the complete text and a suite of six color etchings and aquatints printed on Japon nacré, featuring abstract, cosmic imagery paired with texts by Robert Valançay. The images reflect Matta s exploration of psychological states and the loosening of mental and creative constraints, a central theme of his work during this period. Each plate is signed and numbered 66/100 in pencil in the lower margin. The justification page is signed in pencil by Robert Valançay. Printed and published by Éditions Georges Visat, Paris. Loose as issued, preserved in the original clothbound slipcase. Each image measures approximately 9 × 6¼ inches (22.9 × 16 cm), printed with full margins. In very good condition other than light offprinting on some text pages. Etchings in very good condition. . Signed by Illustrator(s).

Hardcover. Condition: Very Good. 1st Edition. Edition Pierre Belfond,1970. Michel Fardoulis Lagrange, Illustrated by Roberto Matta with two original etchings in color and two additional engravings, all signed and numbered.  Limited edition of 150 copies (N. 24), of which this copy is one of the first 50 copies numbered in arabic  with the two additional signed and numbered engravings in Japon Nacre paper. Ref: Matta catalogue de l'oeuvre grave - #234 pag 100 - Sonet, Visat. Signed by Illustrator(s).

Hardcover. Condition: Very Good. 1st Edition. Éditions Meyer, Lausanne, 1962. Illustrated with 22 color etchings of varying sizes by Matta, fifteen of which are signed in crayon by the artist. One of only 80 copies (N. 53) printed on Rives vellum. Loose as issued, housed in the publisher's original canvas folder with a printed title label on the spine, and presented in the matching slipcase. Reference: Visat 58 83. Dimensions: 15.5 x 19 x 1.5 inches. Signed by Illustrator(s).

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. In-4 (41x26cm). Très bel ouvrage orné de 8 gravures à l'eau-forte originales signées et numérotées par Roberto Matta. Avec une très belle couverture gaufrée avec des illustrations originales de l'artiste. Edition limitée à 165 exemplaires. Très bel exemplaire. Very scarce illustrated book including 8 original colored-etching signed and numbered by Roberto Matta. With a beautiful illustrated cover. Limited edition of 165 copies. Signed by Illustrator(s).

4to. (11 13/16 x 9 3/8 inches). [8], 11 etchings, with title, introduction, and colophon. 100 total copies: 60 numbered (1-60), 25 hors commerce for collaborators (I-XXV), and 15 artist proofs marked "E. A." This is number 39 of 60 copies. Black cloth with red and white dye-stamped lettering on front and spine, in black cardboard slipcase. Book holds 11 black and white engravings on handmade wove papier pur chiffon des Papeteries de Rives, each housed in a separate gray mount with a protective mylar window, information for each etching printed on verso of the mounts, signed in ink or pencil by artists and numbered 39/60 A complete spectacular set of 11 signed and numbered first edition prints from Surrealist luminaries such as Duchamp, Magritte, and Bellmer, in a beautiful book with slipcase. The story of a work of art's production is too often reduced to the individual, the artist of genius who arose sui generis to change culture. But it's only from within the interchange of ideas, the history of artistic conventions, and an artist's social context that artwork can be made, so it is edifying for the viewer to compare works from similarly disposed artists in the direct light of one another. Much more is learned here, via editor Arturo Schwarz's (1924-2021) Surrealism between Two Wars, about Surrealism and its unifying themes than could be ascertained from the study of any one of its individual artists. This book, the second of fourteen in the International Anthology of Contemporary Engraving series, is a museum unto itself. It contains original etchings by eleven major Surrealist artists, including household names like Man Ray and Hans Arp; it is a valuable addition to any collection of twentieth-century modern art. Jacob 3; Schwarz 360; Cramer 74; Anselmino 72. Not in Arntz.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Sm.8° (194x147mm) - 148pp - One original Color etching, Tryptic and one replica both signed by MATTA. "The End and the Way" by Jean-Pierre Duprey (1930-1959) French poet and sculptor, one of the modern examples of a poète maudit. Original etchings by Robert S. Matta Echaurren (1911-2002) one of Chile's best-known painters and a seminal figure in 20th century abstract expressionist and surrealist art. First edition, text in French. Original slipcase. Slightly damaged at upper spine, in Very good condition. Signed by Illustrator(s).

4to. 2 pp. in pencil with red and green oil pastel highlights on brown paper. Pencil drawing with additions in green and blue oil pastel (ca. 70 x 30 mm). Beautiful, rare illustrated letter to the New-York-based art dealer Julien Lévy, concerning a colour reproduction of one of Matta's paintings for the "Horizon" magazine of the British collector and patron Peter Watson. In his typical poetic and associative style, Matta moves from rather obscure remarks to the matter at hand: "At the tenebrum of the theatrical death of the city, purring of this red lake of lobster [?], or as a construction of the spirit one could have lost, in a photographic atmosphere, the white girl (limit of the representation of this colour). Black waters of the Gulf, I hide you! damned. I learned from [Nicolas] Calas that Watson in London would like to reproduce one of my canvases in his magazine, if possible in colour. I do not have a single photograph of my paintings, expensive embroidery, I do not know the price of a colour photograph, but if it is possible, well (if impossible, an automatic black and white and somewhat exalted)". Matta asks Levy to hire a photographer named Lee, probably his friend Lee Miller: "It would be necessary to send, if possible, the colour negative of the canvas with the central tree of multiple problems of vision (re-folding in its astral being). Canvas 15 Figure, which is in the gallery and which answers to the name of 'Memorable transformations of Death'". The negative was to be sent to London by plane, as the matter was pressing. - Julien Lévy was Roberto Matta's art dealer in New York and did his first solo show in 1940. The painting supposed to be photographed cannot be identified with certainty but it is quite likely "Fabulous Race Track of Death (Instrument very dangerous to the eye)", dated ca. 1941 and held in the Yale University Art Gallery. The similarities of the title and the representation of a tree suggest this identification. Horizon no. 117 (September 1949) featured a text on Roberto Matta by Pierre Mabille and reproductions of several of his paintings. - At the top of the first page, Matta calligraphed "Julien" in large letters with black and red oil pastels. The original drawing of an amorphous shape incorporates an illegible text and is captioned: "Fatal circles of the fly". Matta signed with green and red oil pastels.

Couverture rigide. Condition: Bon. Matta, Roberto (illustrator). Edition originale. Paris, Pierre Jean Oswald, 1959. 2. Couverture rigide, NP. 32 ff ; 51 ff. Veau havane, plaques de parchemin mosaïquées sur chacun des plats et traversées de bandeaux de box rouges et verts, tranches supérieures dorées, couverture et dos conservés. Frottements aux dos d?une reliure.   EXCEPTIONNEL ENSEMBLE DANS DEUX RELIURES À DÉCORS DE GEORGES LEROUX COMPRENANT : - L'ÉDITION ORIGINALE ENRICHIE D'UN ÉTAT INTERMÉDIAIRE DE L'EAU-FORTE REHAUSSÉE PAR L'ARTISTE - LE MANUSCRIT AUTOGRAPHE COMPLET D'HENRI KRÉA ET DEUX JEUX D'ÉPREUVES Le ravin de la femme sauvage Un volume in-12 (222 x 105 mm). ÉDITION ORIGINALE. Tirage unique à 60 exemplaires signés par l'auteur et accompagnés d'une eau-forte en couleur signée de Matta en frontispice. L'exemplaire est enrichi d'un état intermédiaire de l'eau-forte mise en couleurs aux pastels par l'artiste et signée. MANUSCRIT AUTOGRAPHE COMPLET du texte de Henri Kréa accompagné d'épreuves. Un volume in-4 (267 x 209 mm). Le volume réunit les 8 manuscrits autographes signés des poèmes composant le recueil. Ils furent vraisemblablement écrits en plusieurs fois et sur différents supports. Les manuscrits, uniquement écris au recto, sont montés sur des feuillets blancs. Des jeux d'épreuves avec corrections sont interfoliés : - La Ravin de la femme sauvage : 6 feuillets autographes (135 x 190 mm, encre bleue), signature finale . Une épreuve imprimée avec quelques corrections autographe de l'auteur (un feuillet de 90 x 235 mm) précède le manuscrit du poème. - Une épreuve imprimée sur papier bleu des 7 derniers poèmes du recueil avec quelques corrections autographes de l'auteur,5 feuillets (150 x 255 mm). - Poésie Temporelle Poésie éternelle Poésie: 5 feuillets autographes (205 x 270 mm, encre noire), signature finale. - Gnose: 1 feuillet autographe (205 x 270 mm, encre noire), signature finale. - Écolières: 1 feuillet autographe (205 x 270 mm, feutre noir), signature finale. - Pesanteur du temps: 1 feuillet autographe (205 x 270 mm, encre noire), signature finale et date 27.11. 59. - Soleil: 1 feuillet autographe (205 x 270 mm, encre noire), signature finale et date 27.11. 59. - Pendant ce temps: 1 feuillet autographe (papier pelure de 205 x 270 mm, feutre noir), signature finale. - Blé: 1 feuillet autographe (papier pelure de 205 x 270 mm, feutre noir), signature finale. - Tapuscrit complet ayant servi à la composition typographique de l'ouvrage : 7 feuillets (papier pelure de 205 x 270 mm) avec des remarques manuscrites de l'imprimeur sur le premier feuillet. BEL ENSEMBLE BIEN ÉTABLI DANS DEUX RELIURES À DÉCORS SIGNÉES DE GEORGES LEROUX, datées de 1965 et réunies dans un étui à double compartiments. Signé par l'auteur.

Couverture rigide. Sistan Edition Limited | Lugano 2000 | 27 x 34 cm | reliure de l'éditeur | Edition originale. Reliure de l'éditeur en plein cartonnage vert, dos lisse, plats illustrés. Ouvrage illustré de reproductions d'oeuvres de Sebastian Matta. Agréable exemplaire. Envoi autographe daté et signé de Sebastian Matta enrichi d'un dessin original tricolore. | [ENGLISH DESCRIPTION FOLLOWS] First edition. Publisher's binding, covers illustrated. Illustrated with with reporductions of Sebastian Matta's works. A nice copy. Autograph inscription dated and signed by Sebastian Matta with an original drawing. *.

Couverture souple. Condition: Très bon. 1ère édition. In-8 (19,4 x 14,7 cm), broché, couverture imprimée, bien complet du cristal illustré par Matta (quelques accrocs), 148 pp., 4 ff. n. ch., triptyque en couleurs gravée à l'eauforte de 41,5 x 16,5 cm. Édition originale. Exemplaire d'artiste comportant, avec 25 autres exemplaires sur Arches, un triptyque en couleurs gravé à l'eau-forte et signé par Matta. Signé par l'auteur. Livre d'occasion.

Paris : Association Duelle pour la poésie, printemps 1999 - Directeur : Patrick Depin (Impression Arte / Maeght). Un volume 8x10,5cm broché sous couverture à rabats, avec un bandeau, 95 pages illustrées de hors texte en noir - Envoi autographe avec un dessin signé de Patrick Depin - bon état - La revue Duelle comptera 3 livraisons. Livres.

Brosch. 8°, o. P.: 17 Bl. mit 12 Tafeln (davon 1 mehrfach gefaltet). Einband über Rücken min. gebräunt, sonst tadellos. EA. Beiliegend eine gedruckte Gepäcketikette, vom Künstler als Absender gestempelt sowie in schwarzer Tinte adressiert an den Schweizer Ausstellungsmacher und Kunstpublizisten John Matheson (ausserdem gestempelt als «Urgent», «Exprès» und «le 1 Jan. 1978»), verso mit handschriftlichem Gruss versehen.