Max Bense Will Grohmann (10 results)

Condition: Good. 84 pp., Paperback, ex library, else text and binding clean and tight. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Softcover. Condition: Sehr gut. 1. Auflage. A : 176 Seiten, 19,5 x 25,5 cm, zahlreiche s/w Abbildungen.

Original publishers paper-covered boards, unpag. (ca. 120 Seiten) mit zahlr., teils farb. Abb. Deutsch . 4to. CATALOGUE Kunstverein Fuer Die Rheinlande Und Westfalen Duesseldorf, 20. Juli Bis 8. Sept. 1968 0 g.

Catalogo mostra Dusseldorf , kunstverein fur die Rheinlande und Westfalen Kunsthalle , 28 giugno - 8 settembre 1968 - testo tedesco , brossura, formato 19x26 , pagine nn , illustrato, ottime condizioni - 17293 ISBN non applicabile 1.

Condition: Gut. 1. Auflage. 84 Seiten broschierter Band mit transparentem Schutzumschlag; derselbe vorne braunfleckig, sonst sehr gutes Exemplar mit Abbildungen - Festschrift für MAX BILL mit 9 Beiträgen, Würdigungen Sprache: Deutsch Gewicht in Gramm: 140.

Soft cover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Sm.4° - 176pp - Color & B/w reproductions and B/w photo-reproductions. First edition published in occasion of Max Bill 80th birthday. First edition, text in German language. Original boards and dust-jacket. In very good condition.

Soft cover. Condition: Very Good. 1st Edition. Sm.8° - 51pp - Color & B/w reproductions. Exhibition Catalogue: Max Bill (1908-1994) Swiss architect, artist, painter, typeface designer, industrial designer and graphic designer. First edition, text in German, typo Max Bill. Original boards. In Very good condition.

Soft cover. Condition: Very Good. 1st Edition. Sm.8° - 84pp- B/w Photo-reproductions. Publication on the occasion of the 50th anniversary of Max Bill (1908-1994) Swiss architect, artist, painter, typeface designer, industrial designer and graphic designer. First edition, text in German. Original wrappers. In Very good condition.

Softcover. Condition: Near fine condition. First edition. "Für mausi mit allen guten wünschen Max Bill am jahresende 1958" on front free endpaper. Octavo. 84pp. Original cream wraps with black lettering on cover and spine, in original glassine dustwrapper. Publication in appreciation of the Swiss architect, artist, painter, typographer and designer Max Bill. Contributions by Max Bense (Arguments for Max Bill), Will Grohmann (Tendency towards Synthesis), Richard P. Lohse (Unity of the Design Principle), Kurt Marti (The Second Commandment and Concrete Art), Annie Müller-Widmann (Dear Max Bill), Carlos Flexa Ribeiro (The Fiftieth; in French), Ernesto N. Rogers (The Unit of Max Bill; Italian), Ernst Scheidegger (Visual Report 19441958 on Max Bill) and Eugen Gomringer (Max Bill and Concrete Poetry). Illustrated with eight b/w photographs of Max Bill in professional and personal situations. Contains biographical data from 1928 to 1958 on Max Bill and short biographical sketches of the contributors at rear. Texts in German, one each in French and Italian.

Softcover. Condition: Good to fine condition. First edition. Inscribed "Für Amalie Max Bill 13-5-67" underneath a b/w photograph of Max Bill on inside front cover. Octavo. 48 (4)pp. Original illustrated glossy wraps with black lettering on spine, protected by modern mylar. Exhibition catalog for the first major retrospective exhibition at the "Galerie im Erker" in St. Gallen from April 8 to May 27, 1967. The catalog opens with twenty-eight pages of an illustrated history of Max Bill's work and biographical data, starting with an b/w photograph of an electrical samovar made of brass in 1925 up to his participation in the exhibition "dix ans d'art vivant 1955-65" at the Fondation Maeght St. Paul in 1967. Illustrations are printed to glossy paper. Asides of the thumbnail b/w photographs of Max Bill's work at front the catalog contains twelve full page photographs of Bill's work, two of them in color, and contributions on Bill and his work by Will Grohmann, Max Bense on 'aspects of Hegel in an exhibition of Max Bill' and a contribution by Bill himself, a transcript of Bill's answer to the question 'how will art look like in the year 2000?' spoken for the radio and television department of the Swiss State Exhibition in Lausanne in 1964. The typography of the catalog was design by Max Bill. Text in German. Wraps with light foxing and lightly rubbed. Interior in fine condition.