Max Duval (28 results)

Hardcover. Condition: Near Fine. No Jacket. Photo - Illustrated (illustrator). Los Amigos De La Historia. Red leather-like binding with lattice design embossed on front cover and black leather-like spine. Gold colored designs on spine with gold colored print in red title box. Red bookmark ribbon. Small photo of Winston Churchill pasted on front cover, photo is slightly ripped. Book is sound, tight, and unmarked. 247 pages. Contains seven histories of World War II. In Spanish Language. Volume two of three. Complete set is available for combined price if desired. Size: 4 3/4 X 7.

In-8 ( 220 X 130 mm ) de 55 pages, broché sous couverture imprimée. Bel exemplaire. Horoscope.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condition: AS NEW. Etat de NEUF / AS NEW condition 9782713800436 9782713800436 1066C 2.

Condition: AS NEW. Etat de NEUF / AS NEW condition 9782713800429 9782713800429 1066C 2.

Directions, Progressions, Cycles, Révolutions Broché. In-8 (22x13 cms). In-8 carré (20x21 cms). Quelques figures et tableaux; très bon état.

Couverture souple. Condition: Très bon. Francais.55 p.Poids 200 gr.Format 22,5 x 13,5 cm.

Couverture souple. Condition: Bon. Max DUVAL LES MOYENS DE PRONOSTICS EN ASTROLOGIE : DIRECTIONS, PROGRESSIONS, CYCLES, REVOLUTIONS 1986, Paris, Editions Traditionnelles Format : In-8 (22 x 13,5 cm), broché, 117 pages illustré de schémas Etat : traces d'adhésif aux pages de garde, ouvrage solide poids : 400g.

Condition: bon etat. Editions Traditionnelles 1984 In 8 broché, couverture souple éd., 102 pages et une intéressante bibliographie en fin d'ouvrage. Ensemble en bon état. bon etat *** PROCHAINE MISE A JOUR DU CATALOGUE LE 12 JUIN 2026 *** Paiement PayPal immédiat, Colissimo contre signature pour les envois de plus de 50 euros, Mondial Relay accepté pour : FRANCE Allemagne, Autriche, Belgique, Espagne, Italie, Portugal, Luxembourg, Pays-Bas, Pologne (Communiquer votre point ou locker si connu). Une participation supplémentaire peut être demandée pour les colis lourds hors France où les envois compris entre 5 et 25 kg sont dégressifs : 2 à 4 kilogrammes - 7.99 / 5 à 10 kg - 15.99 / 15 -25 kg - 25.99. Certaines de nos collections ( Vian, Céline, Camus (.) peuvent être expédiées en Franco de port. Pour l'international hors Europe (Suisse, Canada, Japon, Etats-Unis, les frais d'expéditions peuvent varier selon le poids (mise à jour : 1 juin 2026).

in-8, broché, 55p. Bon état. NB. Les commandes et questions sont traitées dans les 24h, les expéditions reprendront le 13 juin. Tous les ouvrages de notre catalogue peuvent être consultés et retirés sous quelques jours à Saint-Gilles ou Paris, 5e arr. Merci de nous contacter.

Broché. Condition: Etat moyen. in-8 Langue : Français Nb de volumes : 1.

Couverture souple. Condition: Très bon. Francais.102 p.Poids 250 gr.Format 22,5 x 13,5 cm.

Broché. Condition: Bon état. in-8 Description :Pages 145-184. Non coupé. Couverture légèrement salie. Langue : français Nb de volumes : 1.

Broché. Condition: Etat satisfaisant. in-8 Description :Pages 97-143. Couverture tachée. Langue : français Nb de volumes : 1.

Condition: Très bon. Tome 2. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Volume 2. Ammareal gives back up to 15% of this item's net price to charity organizations.

Editions Traditionnelles, 1985 - 52e année, 109 pages, broché, très bel ex. *** PROCHAINE MISE A JOUR DU CATALOGUE LE 12 JUIN 2026 *** Paiement PayPal immédiat, Colissimo contre signature pour les envois de plus de 50 euros, Mondial Relay accepté pour : FRANCE Allemagne, Autriche, Belgique, Espagne, Italie, Portugal, Luxembourg, Pays-Bas, Pologne (Communiquer votre point ou locker si connu). Une participation supplémentaire peut être demandée pour les colis lourds hors France où les envois compris entre 5 et 25 kg sont dégressifs : 2 à 4 kilogrammes - 7.99 / 5 à 10 kg - 15.99 / 15 -25 kg - 25.99. Certaines de nos collections ( Vian, Céline, Camus (.) peuvent être expédiées en Franco de port. Pour l'international hors Europe (Suisse, Canada, Japon, Etats-Unis, les frais d'expéditions peuvent varier selon le poids (mise à jour : 1 juin 2026).

Couverture souple. Condition: Très bon. Paris, éditions traditionnelles, 1983, in-8, broché, 56 pp.

Couverture souple. Condition: Comme neuf. Edition originale. Paris 1988. 1 volume/1. -- Comme Neuf --. Broché cousu .Couverture verte résinée. Format in-8°( 860 gr ). --------- 500 pages environ non numérotées , constituées essentiellement de tableaux . ***************** réf 81.

Couverture souple. Condition: Moyen. Pas de jaquette. In8 broché en état correct, 251 pages, 1985 (couverture jaunie de manière irrégulière, deux points de frottement, le premier au bas droit de la première de couverture, le second au bas droit de la quatrième de couverture). Envoi soigné.

Condition: Gut. Zustand: Gut | Sprache: Französisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Condition: Sehr gut. Zustand: Sehr gut | Sprache: Französisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Condition: Comme neuf. In-8 broché, couverture illustrée. A l'état de neuf. "Vingt et un auteurs vous entraînent à travers Genève. Grâce à ces textes drôles, engagés, rêveurs, haletants, nostalgiques ou critiques, vous découvrirez des quartiers, des rues de Genève mais aussi les secrets, les traces d'histoires passées, les flux et les reflux qui agitent une ville. Puisse cette promenade littéraire inciter les lecteurs à ouvrir tout grand leurs yeux dans le sillage des écrivains dont ils partagent le quotidien !".

4 volumes, In-8, 208pp., illustr.,

4 volumes, In-8, 208pp., illustr.,

4 volumes , In-8 , 216pp. illustr.

4 volumes, In-8, 200pp., illustr.,

In-8, 22 cm, 103pp., illustr.,

Condition: Good. 4to. 22.5 x 28cm. Five portfolios with different colored paper covers. Spines are faded, some small tears or cuts at the edge of some covers (with a small loss at the top of the cover of the 2nd notebook). Presented in an elegant black pebbled shagreen slipcase. Each one of 812 numbered copies.Five volume serial novel with 182 line blocks after collages.MoMA: A Week of Kindness (Une Semaine de bonté), is the most elaborate of Ernst's inventive "collage novels." Its 182 images were created by cutting up and reorganizing illustrations from nineteenth-century novels, scientific journals, and other sources. By printing these collages photomechanically, Ernst transformed them into the seamless images he desired. The surreal constructions, alternately dark and humorous in their subversion of bourgeois gentility, are rife with suggestions of repressed sexuality, violence, anti-militarism, and anti-clericalism. Though originally planned as seven volumes, one for each day of the week, the last three "days" were combined into the fifth and final volume. Ernst released them consecutively, like popular serial stories.Luc Monod, no. 4323. First notebook: Sunday, element: Mud, example: The Lion of Belfort. [3] ff., 36 engraved plates (out of 18 ff), [1 bl.f.]. Second notebook: Monday, element: Water, example: Water. [3] ff., 27 engraved plates (out of 14 ff), [1 bl.f.]. Third notebook: Tuesday, element: Fire, example: The Court of the Dragon. [3] ff., 44 engraved plates (out of 22 ff), [1 bl.f.]. Fourth notebook: Wednesday, element: Blood, example: Oedipus. [3] ff., 28 engraved plates (out of 14 ff), [1 bl.f.]. Last notebook: Thursday, element: The Black, examples: The Rooster's Laughter, Easter Island, Friday, element: The View, example: The Interior of the View, Saturday, element: Unknown, example: The Key to the Fields. [4] ff., 16 engraved plates (on 8 ff.), [1 f.], 10 engraved plates (on 5 ff.), [2] ff., 6 pl. heavy (on 3 ff.), [1] f., 4 pl. heavy (on 2 ff.), [1] f., 2 pl. heavy (on 1 f.), [1] f., 10 pl. heavy (on 1 f.), [1 f. bl.]. ?.No. 416 of 800 on Navarre paper. Apart from the small defects on the covers, a very good set, well preserved and very complete. Invited to the Château de Vigolino in Italy in August 1933, Max Ernst drew on the library of his hostess, the Duchess of Gramont, to cut out illustrations from various works of the previous century (such as Les Damnées de Paris by Jules Mary or works illustrated by Gustave Doré) and thus constitute a fantastic set of 184 collages, 182 of which were selected to be published in 5 booklets by the gallery owner Jeanne Bucher. Initially planned in seven booklets (for each day of the week, each with an element and an associated "example"), the poor sales of the first four forced the condensing of the last 3 days into a 5th and final volume. This is Max Ernst's third collage novel after The Woman with 100 Heads (1929) and Dream of a Little Girl Who Wanted to Enter Carmel (1930). The original collages, of an incredible degree of perfection and refinement, were exhibited for the first time at the Museo de Arte Moderno in Madrid in 1936 (except for 5 plates deemed too blasphemous), before being rediscovered only in 2008-2009 during a series of exhibitions passing through Vienna, Brühl, Hamburg, Madrid and finally Paris at the Musée d'Orsay, provoking the enthusiasm of the public and the press? the dreamlike force, the impressive disturbance of déjà vu bewitch. Each rape perpetrated by a statue from Easter Island emerging from behind a curtain, each torture of a man with a bird's head, each woman in a crinoline surrounded by dragons, each staging of a crime that is always absurd: all this goes straight to the brain. And once seen, it is impossible to forget these madnesses." (Le Figaro, June 30, 2009, Éric Biétry-Rivierre). "In Une semaine de bonté, the scenes and events that unfold over the pages form a striking contrast with the title. Power, violence, torture, murder and catastrophes are the dominant themes. The scenes full of agitation and brutality that appear on many pages are to be linked to the alarming political situation of the time and the rise of dangers. Ernst was reacting to the establishment of dictatorships in Europe and the seizure of power by the National Socialists. His contemporary concerns are intertwined with allegories, allusions to mythology, Genesis, fairy tales and legends, but also fragments of dreams and poetic worlds. The work is also pervaded by themes dear to the author: sexuality, anticlericalism, the rejection of family and the bourgeoisie, the refusal of patriotism. It is ultimately a certain form of society that Max Ernst seems to want to denounce?His irreverent collages reflect the state of mind of his men, who returned traumatized from the First World War (he himself served in the German artillery) and who had to find their place in a society that was doing everything possible to forget the horrors of the conflict. He seizes upon conventional, stereotypical representations of evil, abjection, and suffering found in newspapers, magazines, and novels. But by transforming them and combining them, he radically diverts these images from their original message and reinforces their impact." Presentation of the Musée d'Orsay exhibition, "Max Ernst 'A Week of Goodness' - The Original Collages", June 30 - September 13, 2009?.