Mccubbin James (13 results)

hardcover. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!

Hardcover. Condition: Good. 8vo, hardcover. No dj. Good condition. Ex-lib copy w/ markings to opening pgs, text-block edges stamped, rear pocket & spine label; contents clean, binding firm. xvi, 485 p., illus.

Hardcover. Condition: Very Good. Ex-Library with usual stamps and markings. Card pocket on REP. Interior pages are clean. Light bumping to corners and edges. Light shelf wear.

32.0 x 24.0cms c 120pp b/w & colour illusts very good+ hardback (facsimile no dustwrapper as issued) Holden writs on 'Painting Publishing & Propganda iIN 1916 The Genesis Of The Australian Art Press'.

32.0 x 24.0cms c 120pp b/w & colour illusts very good+ hardback (facsimile no dustwrapper as issued) Holden writs on 'Painting Publishing & Propganda iIN 1916 The Genesis Of The Australian Art Press'.

Decorative Canvas Hardcover. Condition: Very Good. No Jacket. 493 pp. Solidly bound copy with minimal external wear, crisp pages and clean text. No dj. Slightly slanted spine.

Paperback. Condition: Brand New. 502 pages. 9.25x5.75x1.14 inches. In Stock.

Brossura. Condition: discrete. Testo inglese. Cm.24,7x16,3. Pg.496. Legatura in tela editoriale. 1100 gr.

Hardcover. Black library buckram. 104 pp. 45 plates, tissue guarded. This is No. 792 of 1000 copies and is signed by McCubbin. good (tissue guard missing for frontispiece, a few others torn or folded. ex-library with ink stamps overlapping corners of plates. blind stamps on frontispiece and title page. half title page is loose. ).

Hardcover. Condition: Very Good. Large 4to. limited edition, number 131 of 1000 copies, numbered and signed by McCubbin to limitation page, 45 tipped in full page plates of McCubbin's works (of which 20 colour, 25 black & white), all tissue guarded, complete, 104pp, (37 x 26cm), original pictorial cloth gilt, top edge gilt, others uncut. Spine slight faded with one very faint mark otherwise very good indeed. Signedes.

Folio, 97pp, tipped in plates with tissue guards. A good hardback copy which has been rebound with matching endpapers. Green cloth boards show wear, especially to extremities, including spine ends, and small chips to cloth at rear and corners. The gold lettering to spine is discoloured but legible. The gold lettering and decoration to front cover is slightly discoloured and rubbed. Foxed and toned fore edges, with foxing to prelims and less so to pages. . This edition is limited to 1000 copies, of which this is number 562, signed by Frederick McCubbin.

Limited Edition. With an essay by James MacDonald and some remarks on Australian art by the artist. Frederick McCubbin (1855-1917) was an Australian artist and an outstanding member of the Heidelberg School of Australian impressionism. A student of Eugen von Guerard, McCubbin's paintings remain iconic images of pioneer life in the wilderness. They were keystones in building a mythology relating the Australian landscape to national identity. Edition of 1000 copies, fully signed by McCubbin. Quarto, forty-five illustrations in colour and black and white (some are tipped plates with printed tissue guards); original gilt decorated cloth, a little rubbed, some preliminary foxing but still a lovely clean copy.

With an essay by James MacDonald and some remarks on Australian art by the artist. Frederick McCubbin (1855-1917) was an Australian artist and an outstanding member of the Heidelberg School of Australian impressionism. A student of Eugen von Guerard, McCubbin's paintings remain iconic images of pioneer life in the wilderness. They were keystones in building a mythology relating the Australian landscape to national identity. Edition of 1000 copies, fully signed by McCubbin. Quarto, bound in green cloth with gilt decorations + slipcase, forty-five illustrations in colour and black and white (some are tipped plates with printed tissue guards); a couple of very small marks to back board otherwise fine.