Mcgill Meredith (31 results)

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condition: Good. This book has been examined carefully and the cover shows some wear. There may be light highlighting or writing with small bends or creases. paperbackUsed - Good2007.

Condition: Good. . . All orders guaranteed and ship within 24 hours. Before placing your order for please contact us for confirmation on the book's binding. Check out our other listings to add to your order for discounted shipping.

Hardcover. Condition: As New. First Edition. A special issue of PBSA featuring articles such as "Order and Access: Dorothy Porter and the Mission of Black Bibliography" and "Ishmael Reed's Mumbo Jumbo's Paratextual Condition." 8vo, perfect bound printed wrappers, 337 pages. A pristine copy.

Condition: good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing.…

Condition: As New. Unread book in perfect condition.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Paperback. Condition: New. The antebellum period has long been identified with the belated emergence of a truly national literature. And yet, as Meredith L. McGill argues, a mass market for books in this period was built and sustained through what we would call rampant literary piracy: a national literature developed not despite but because of the systematic copying of foreign works. Restoring a political dimension to accounts of the economic grounds of antebellum literature, McGill unfolds the legal arguments and political struggles that produced an American "culture of reprinting" and held it in place for two crucial decades. In this culture of reprinting, the circulation of print outstripped authorial and editorial control. McGill examines the workings of literary culture within this market, shifting her gaze from first and authorized editions to reprints and piracies, from the form of the book to the intersection of book and periodical publishing, and from a national literature to an internally divided and transatlantic literary marketplace. Through readings of the work of Dickens, Poe, and Hawthorne, McGill seeks both to analyze how changes in the conditions of publication influenced literary form and to measure what was lost as literary markets became centralized and literary culture became stratified in the early 1850s. American Literature and the Culture of Reprinting, 1834-1853 delineates a distinctive literary culture that was regional in articulation and transnational in scope, while questioning the grounds of the startlingly recent but nonetheless powerful equation of the national interest with the extension of authors' rights.…

Condition: New.

Condition: New. In English.

Condition: New. The antebellum period has long been identified with the belated emergence of a truly national literature. Restoring a political dimension to accounts of the economic grounds of antebellum literature, this book presents the arguments and struggles that produced an American "culture of reprinting" and held it in place for two crucial decades. Series: Material Texts. Num Pages: 376 pages, 16 illus. BIC Classification: 1KBB; 2AB; DSBF. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 153 x 230 x 27. Weight in Grams: 572. . 2007. Reprint. Paperback. . . . .…

Hardcover. Condition: Very Good+. No DJ. Hardcover without jacket. Binding sound, text clean, light shelfwear. Hard-to-find title. Heavy book: priority or international shipping will be extra. Book.

Condition: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New. The antebellum period has long been identified with the belated emergence of a truly national literature. Restoring a political dimension to accounts of the economic grounds of antebellum literature, this book presents the arguments and struggles that produced an American "culture of reprinting" and held it in place for two crucial decades. Series: Material Texts. Num Pages: 376 pages, 16 illus. BIC Classification: 1KBB; 2AB; DSBF. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 153 x 230 x 27. Weight in Grams: 572. . 2007. Reprint. Paperback. . . . . Books ship from the US and Ireland.…

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: Good. Used Item. Does not include New Access Codes , Cd's or one time use items that come when New. This item is Used.

Paperback. Condition: Brand New. reprint edition. 364 pages. 8.75x5.75x0.75 inches. In Stock.

hardcover. Condition: Book in good condition. Minor wear on edges and corners. Clean pages with no markings. Textbooks may not include supplemental items i.e. CDs, access codes etc.The image in this listing is stock photo for reference. Actual item may differ. Any queries, just ask for photos. Your satisfaction matters.…

Paperback. Condition: New. The antebellum period has long been identified with the belated emergence of a truly national literature. And yet, as Meredith L. McGill argues, a mass market for books in this period was built and sustained through what we would call rampant literary piracy: a national literature developed not despite but because of the systematic copying of foreign works. Restoring a political dimension to accounts of the economic grounds of antebellum literature, McGill unfolds the legal arguments and political struggles that produced an American "culture of reprinting" and held it in place for two crucial decades. In this culture of reprinting, the circulation of print outstripped authorial and editorial control. McGill examines the workings of literary culture within this market, shifting her gaze from first and authorized editions to reprints and piracies, from the form of the book to the intersection of book and periodical publishing, and from a national literature to an internally divided and transatlantic literary marketplace. Through readings of the work of Dickens, Poe, and Hawthorne, McGill seeks both to analyze how changes in the conditions of publication influenced literary form and to measure what was lost as literary markets became centralized and literary culture became stratified in the early 1850s. American Literature and the Culture of Reprinting, 1834-1853 delineates a distinctive literary culture that was regional in articulation and transnational in scope, while questioning the grounds of the startlingly recent but nonetheless powerful equation of the national interest with the extension of authors' rights.…

Kartoniert / Broschiert. Condition: New. The antebellum period has long been identified with the belated emergence of a truly national literature. Restoring a political dimension to accounts of the economic grounds of antebellum literature, this book presents the arguments and struggles that produ.

Taschenbuch. Condition: Neu. Neuware - The antebellum period has long been identified with the belated emergence of a truly national literature. And yet, as Meredith L. McGill argues, a mass market for books in this period was built and sustained through what we would call rampant literary piracy: a national literature developed not despite but because of the systematic copying of foreign works. Restoring a political dimension to accounts of the economic grounds of antebellum literature, McGill unfolds the legal arguments and political struggles that produced an American 'culture of reprinting' and held it in place for two crucial decades. In this culture of reprinting, the circulation of print outstripped authorial and editorial control. McGill examines the workings of literary culture within this market, shifting her gaze from first and authorized editions to reprints and piracies, from the form of the book to the intersection of book and periodical publishing, and from a national literature to an internally divided and transatlantic literary marketplace. Through readings of the work of Dickens, Poe, and Hawthorne, McGill seeks both to analyze how changes in the conditions of publication influenced literary form and to measure what was lost as literary markets became centralized and literary culture became stratified in the early 1850s. American Literature and the Culture of Reprinting, 1834-1853 delineates a distinctive literary culture that was regional in articulation and transnational in scope, while questioning the grounds of the startlingly recent but nonetheless powerful equation of the national interest with the extension of authors' rights.…

Condition: New. Cover slightly spotted no read in stock Univ of Iowa Pr, 2004. Hardcover. Book Condition: Brand New. 218 pages. 9.75x7.00x1.00 inches.

Hardcover. Condition: Like New. LIKE NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Condition: New. Print on Demand pp. 376 16 Illus.

Paperback. Condition: Brand New. reprint edition. 364 pages. 8.75x5.75x0.75 inches. In Stock. This item is printed on demand.

Condition: New. Print on Demand pp. 376.

Condition: New. PRINT ON DEMAND pp. 376.