Published by Peter Lang AG, Internationaler Verlag der Wissenschaften, 2014
ISBN 10: 3034317506 ISBN 13: 9783034317504
Language: English
Seller: Broad Street Books, Branchville, NJ, U.S.A.
paperback. Condition: As New. Book is in excellent condition, text is unmarked and pages are tight.
Seller: PsychoBabel & Skoob Books, Didcot, United Kingdom
paperback. Condition: New. Dust Jacket Condition: No Dust Jacket. Paperback. New. AF.
Published by Peter Lang AG, Internationaler Verlag der Wissenschaften, 2014
ISBN 10: 3034317506 ISBN 13: 9783034317504
Language: English
Seller: Books Puddle, New York, NY, U.S.A.
Condition: New.
Published by Peter Lang AG, Internationaler Verlag der Wissenschaften, 2014
ISBN 10: 3034317506 ISBN 13: 9783034317504
Language: English
Seller: Majestic Books, Hounslow, United Kingdom
Condition: New.
Published by Peter Lang Ltd, International Academic Publishers, 2014
ISBN 10: 3034317506 ISBN 13: 9783034317504
Language: English
Seller: Anybook.com, Lincoln, United Kingdom
Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:9783034317504.
Published by Peter Lang AG, Internationaler Verlag der Wissenschaften, 2014
ISBN 10: 3034317506 ISBN 13: 9783034317504
Language: English
Seller: Biblios, Frankfurt am main, HESSE, Germany
Condition: New.
Published by Peter Lang AG, Internationaler Verlag der Wissenschaften, 2014
ISBN 10: 3034317506 ISBN 13: 9783034317504
Language: English
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
Published by Peter Lang AG, Internationaler Verlag der Wissenschaften, 2014
ISBN 10: 3034317506 ISBN 13: 9783034317504
Language: English
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New.
Published by Peter Lang AG, Internationaler Verlag der Wissenschaften, 2014
ISBN 10: 3034317506 ISBN 13: 9783034317504
Language: English
Seller: Ria Christie Collections, Uxbridge, United Kingdom
US$ 77.55
Quantity: Over 20 available
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Published by Peter Lang AG, Internationaler Verlag der Wissenschaften, 2014
ISBN 10: 3034317506 ISBN 13: 9783034317504
Language: English
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition.
Published by Peter Lang AG, Internationaler Verlag der Wissenschaften 2014-03-21, 2014
ISBN 10: 3034317506 ISBN 13: 9783034317504
Language: English
Seller: Chiron Media, Wallingford, United Kingdom
Paperback. Condition: New.
Published by Peter Lang AG, Internationaler Verlag der Wissenschaften, 2014
ISBN 10: 3034317506 ISBN 13: 9783034317504
Language: English
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
US$ 79.56
Quantity: Over 20 available
Add to basketCondition: New.
Published by Peter Lang AG, Internationaler Verlag der Wissenschaften, 2014
ISBN 10: 3034317506 ISBN 13: 9783034317504
Language: English
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
US$ 104.08
Quantity: Over 20 available
Add to basketCondition: As New. Unread book in perfect condition.
Published by Peter Lang, Peter Lang Mär 2014, 2014
ISBN 10: 3034317506 ISBN 13: 9783034317504
Language: English
Seller: buchversandmimpf2000, Emtmannsberg, BAYE, Germany
Taschenbuch. Condition: Neu. Neuware -As perhaps the most studied film movement in cinematic history, the French New Wave has been analysed and criticised, romanticised and mythologised, raising the question of whether it is possible to write anything new about this period. Yet there are still gaps in the scholarship, and the study of music in New Wave films is one of the most striking.Listening to the French New Wave offers the first detailed study of the music and composers of French New Wave cinema, arguing for the need to re-hear and thus reassess this important period in film history. Combining an ethnographic approach with textual and score-based analysis, the author challenges the idea of the New Wave as revolutionary in all its facets by revealing traditional approaches to music in many canonical New Wave films. However, musical innovation does have its place in the New Wave, particularly in the films of the marginalised Left Bank group. The author ultimately brings to light those few collaborations that engaged with the ideology of adopting contemporary music practices for a contemporary medium.Drawing on archival material and interviews with New Wave composers, this book re-tells the story of the French New Wave from the perspective of its music. 318 pp. Englisch.
Seller: AHA-BUCH GmbH, Einbeck, Germany
Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - As perhaps the most studied film movement in cinematic history, the French New Wave has been analysed and criticised, romanticised and mythologised, raising the question of whether it is possible to write anything new about this period. Yet there are still gaps in the scholarship, and the study of music in New Wave films is one of the most striking. Listening to the French New Wave offers the first detailed study of the music and composers of French New Wave cinema, arguing for the need to re-hear and thus reassess this important period in film history. Combining an ethnographic approach with textual and score-based analysis, the author challenges the idea of the New Wave as revolutionary in all its facets by revealing traditional approaches to music in many canonical New Wave films. However, musical innovation does have its place in the New Wave, particularly in the films of the marginalised Left Bank group. The author ultimately brings to light those few collaborations that engaged with the ideology of adopting contemporary music practices for a contemporary medium. Drawing on archival material and interviews with New Wave composers, this book re-tells the story of the French New Wave from the perspective of its music.
Seller: preigu, Osnabrück, Germany
Taschenbuch. Condition: Neu. Listening to the French New Wave | The Film Music and Composers of Postwar French Art Cinema | Orlene Denice McMahon | Taschenbuch | Kartoniert / Broschiert | Englisch | 2014 | Peter Lang | EAN 9783034317504 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.
Seller: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Germany
Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -As perhaps the most studied film movement in cinematic history, the French New Wave has been analysed and criticised, romanticised and mythologised, raising the question of whether it is possible to write anything new about this period. Yet there are still gaps in the scholarship, and the study of music in New Wave films is one of the most striking. Listening to the French New Wave offers the first detailed study of the music and composers of French New Wave cinema, arguing for the need to re-hear and thus reassess this important period in film history. Combining an ethnographic approach with textual and score-based analysis, the author challenges the idea of the New Wave as revolutionary in all its facets by revealing traditional approaches to music in many canonical New Wave films. However, musical innovation does have its place in the New Wave, particularly in the films of the marginalised Left Bank group. The author ultimately brings to light those few collaborations that engaged with the ideology of adopting contemporary music practices for a contemporary medium. Drawing on archival material and interviews with New Wave composers, this book re-tells the story of the French New Wave from the perspective of its music. 318 pp. Englisch.
Seller: moluna, Greven, Germany
Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. This book offers the first detailed study of the music and composers of French New Wave cinema, offering a new look at this popular film movement. The author challenges the view that these films were revolutionary because of their reliance on traditional ap.