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paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
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Marching to the Canon: The Life of Schubert's "Marche militaire" (Eastman Studies in Music): The Life of Schubert's "Marche militaire"
Book 17 of 48: Eastman Studies in MusicLanguage: English
Published by University of Rochester Press, 2014
ISBN 10: 1580464386 ISBN 13: 9781580464383
US$ 15.65
US$ 11.82 shipping
Ships from United Kingdom to U.S.A.Quantity: 1 available
Add to basketCondition: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.
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Neoclassicism in Music (Paperback or Softback)
Language: English
Published by University of Rochester Press 1/1/1988, 1988
ISBN 10: 187882273X ISBN 13: 9781878822734
Paperback or Softback. Condition: New. Neoclassicism in Music. Book.
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Can America Survive? The Rage of the Left, the truth, and What to do Acout it
Language: English
Published by New Beginnings Press, Carlsbad, CA, 2004
ISBN 10: 1401903339 ISBN 13: 9781401903336
Hardcover. Condition: Like New. Dust Jacket Condition: Very Good. Jenny Richards (Front Cover Design); Amy Gingery (Jacket Design); Susan Reifer, Bill Jones (Author Photos); Scott Messing (Front Cover Photo) (illustrator). 1st Printing July 2004. 207 pp. Clean, fresh copy with very light shelf wear, crisp pages and clean text. Dj shows minimal wear.
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Neoclassicism in Music
Language: English
Published by Boydell and Brewer Ltd, US, 1988
ISBN 10: 187882273X ISBN 13: 9781878822734
Paperback. Condition: New. The first historical and critical study of neoclassicism from the genesis of the concept in fin de siecleFrance in the 1870s through the Schoenberg/Stravinsky polemic. By the end of the nineteenth century the traits of "classicism" in music had become clearly established. This codification cast long shadows over contemporary artists, encouraging a movement away from order, continuity and tradition towards freedom, innovation and novelty - and the term neoclassicism made its first appearance. This study, the first ever critical examination of "neoclassicism" in music, provides a broad cultural context for the investigation of its origins, then looks in turn at Wagner and the French reaction to him; Saint-Saens, d'Indy, Debussy, Ravel and their French contemporaries; Germany and France in the decade which includes the First World War, with special reference to Thomas Mann and Ferrucio Busoni, and to Jean Cocteau and the "New Simplicity"; and Igor Stravinsky, the composer most frequently cited in connection with this term. Reprint; first published 1988.
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Schubert in the European Imagination, Volume 1: The Romantic and Victorian Eras (Eastman Studies in Music)
Language: English
Published by University of Rochester Press, 2008
ISBN 10: 1580462332 ISBN 13: 9781580462334
Seller: Powell's Bookstores Chicago, ABAA, Chicago, IL, U.S.A.
Seller rating 5 out of 5 stars
Hardcover. Condition: Used-Very Good. Vol. 1 only. Cloth, d.j. Some shelf-wear. Else clean copy.
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Neoclassicism in Music: From the Genesis of the Concept Through the Schoenberg/Stravinsky Polemic
Language: English
Published by Univ of Rochester Pr, Rochester, New York, U.S.A., 1989
ISBN 10: 0835720535 ISBN 13: 9780835720533
Soft cover. Condition: Fine. First Edition. Scott Messing is a good digger. He successfully unearths the cultural politics out of which nouveau classicisme (in German, Klassizitat) began to emerge - not as nostalgia, and long before the Great War.He demonstrates the connections between (neo)classicism and youth culture, (neo)classicism and cultural elitism, (neo)classicism and authoritarianism, (neo)classicism and the politics of exclusion. He knows how (neo)classicism relates to 'decadence'. His book, in short, is a breakthrough in culturally informed music historiography. The fact that in five years it has not managed to attract interest commensurate with its deserts.[is largely] the result of some long-standing academic biases. 19TH CENTURY MUSIC [sic] (Richard Taruskin) (US).
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Neoclassicism in Music From the Genesis of the Concept through the Schoenberg/Stravinsky Polemic
Language: English
Published by Univ of Rochester Pr, 1996
ISBN 10: 187882273X ISBN 13: 9781878822734
US$ 40.82
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Add to basketPaperback. Condition: Brand New. 234 pages. 9.00x6.25x0.75 inches. In Stock.
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Neoclassicism in Music: From the Genesis of the Concept through the Schoenberg/Stravinsky Polemic
Seller: Ria Christie Collections, Uxbridge, United Kingdom
Seller rating 5 out of 5 stars
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Add to basketCondition: New. In.
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Neoclassicism in Music: From the Genesis of the Concept through the Schoenberg/Stravinsky Polemic
Language: English
Published by University of Rochester Press 1996-09-22, 1996
ISBN 10: 187882273X ISBN 13: 9781878822734
US$ 41.52
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Add to basketPaperback. Condition: New.
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Marching to the Canon: The Life of Schubert's "Marche militaire"
Book 17 of 48: Eastman Studies in MusicLanguage: English
Published by University of Rochester Press, Rochester, NY, 2014
ISBN 10: 1580464386 ISBN 13: 9781580464383
US$ 30.44
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Add to basketHardback. Condition: Near Fine. Glazed boards. 235 x 155 mm. 326 pp. An examination of Schubert's most recognizable and beloved instrumental work, from its modest beginnings as a duet published for domestic consumption to its now-ubiquitous presence. Book.
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Marching to the Canon: The Life of Schubert's Marche militaire.
Book 17 of 48: Eastman Studies in MusicLanguage: English
Published by University of Rochester Press [2014], Rochester NY, 2014
ISBN 10: 1580464386 ISBN 13: 9781580464383
US$ 62.26
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Ships from United Kingdom to U.S.A.Quantity: 1 available
Add to basketEastman Studies in Music. Size: 8vo. xviii, 319pp. Publisher's printed hardback. Illustrations, music examples.
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Marching to the Canon: The Life of Schubert's Marche Militaire
Book 17 of 48: Eastman Studies in MusicLanguage: English
Published by University of Rochester Press / Boydell & Brewer, Rochester, New York / Woodbridge, England, 2014
ISBN 10: 1580464386 ISBN 13: 9781580464383
Seller: Andover Books and Antiquities, Andover, MA, U.S.A.
Seller rating 5 out of 5 stars
Hardcover. Condition: Excellent condition. xviii, 319 pp. LCC: 2014009312.
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Neoclassicism in Music
Language: English
Published by Boydell and Brewer Ltd, US, 1988
ISBN 10: 187882273X ISBN 13: 9781878822734
Paperback. Condition: New. The first historical and critical study of neoclassicism from the genesis of the concept in fin de siecleFrance in the 1870s through the Schoenberg/Stravinsky polemic. By the end of the nineteenth century the traits of "classicism" in music had become clearly established. This codification cast long shadows over contemporary artists, encouraging a movement away from order, continuity and tradition towards freedom, innovation and novelty - and the term neoclassicism made its first appearance. This study, the first ever critical examination of "neoclassicism" in music, provides a broad cultural context for the investigation of its origins, then looks in turn at Wagner and the French reaction to him; Saint-Saens, d'Indy, Debussy, Ravel and their French contemporaries; Germany and France in the decade which includes the First World War, with special reference to Thomas Mann and Ferrucio Busoni, and to Jean Cocteau and the "New Simplicity"; and Igor Stravinsky, the composer most frequently cited in connection with this term. Reprint; first published 1988.
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Marching to the Canon The Life of Schubert`s "Marche militaire"
Book 17 of 48: Eastman Studies in MusicLanguage: English
Published by Univ of Rochester Pr, 2014
ISBN 10: 1580464386 ISBN 13: 9781580464383
US$ 76.59
US$ 16.79 shipping
Ships from United Kingdom to U.S.A.Quantity: 1 available
Add to basketHardcover. Condition: Brand New. 418 pages. 9.00x6.25x1.00 inches. In Stock.
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Neoclassicism in Music: from the Genesis of the Concept through the Schoenberg/Stravinsky Polemic.
Language: English
Published by University of Rochester Press (1996), 1996
ISBN 10: 187882273X ISBN 13: 9781878822734
Seller: Yushodo Co., Ltd., Fuefuki-shi, Yamanashi Pref., Japan
Association Member: ILAB
Seller rating 5 out of 5 stars
Softcover. Condition: Good. xviii, 215p.
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Paperback. Condition: New. In shrink wrap. Looks like an interesting title!
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Schubert in the European Imagination, Volume 2: Fin-de-Siècle Vienna (Eastman Studies in Music, 42)
Language: English
Published by University of Rochester Press, 2007
ISBN 10: 1580462138 ISBN 13: 9781580462136
Hardcover. Condition: Very Good. minor shelf wear only.
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Schubert in the European Imagination, Volume 1 : The Romantic and Victorian Eras
Language: English
Published by University of Rochester Press, 2006
ISBN 10: 1580462332 ISBN 13: 9781580462334
Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
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Schubert in the European Imagination, Volume 1: The Romantic and Victorian Eras (eng)
Language: English
Published by University of Rochester Press, 2006
ISBN 10: 1580462332 ISBN 13: 9781580462334
Condition: new.
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Schubert in the European Imagination : The Romantic And Victorian Eras
Language: English
Published by University of Rochester Press, 2006
ISBN 10: 1580462332 ISBN 13: 9781580462334
Condition: New.
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Schubert in the European Imagination : The Romantic And Victorian Eras
Language: English
Published by University of Rochester Press, 2006
ISBN 10: 1580462332 ISBN 13: 9781580462334
Condition: As New. Unread book in perfect condition.
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Schubert in the European Imagination : The Romantic And Victorian Eras
Language: English
Published by University of Rochester Press, 2006
ISBN 10: 1580462332 ISBN 13: 9781580462334
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Seller rating 5 out of 5 stars
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Schubert in the European Imagination, Volume 1
Language: English
Published by Boydell and Brewer Ltd, 2006
ISBN 10: 1580462332 ISBN 13: 9781580462334
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
Seller rating 5 out of 5 stars
US$ 132.18
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Add to basketHRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.
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Schubert in the European Imagination : Fin-de-siecle Vienna
Language: English
Published by University of Rochester Press, 2007
ISBN 10: 1580462138 ISBN 13: 9781580462136
Condition: New.
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Self-Quotation in Schubert : Ave Maria, the Second Piano Trio, and Other Works
Book 35 of 48: Eastman Studies in MusicLanguage: English
Published by University of Rochester Press, 2020
ISBN 10: 1580469655 ISBN 13: 9781580469654
Condition: New.
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Schubert in the European Imagination : The Romantic And Victorian Eras
Language: English
Published by University of Rochester Press, 2006
ISBN 10: 1580462332 ISBN 13: 9781580462334
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Seller rating 5 out of 5 stars
US$ 129.16
US$ 20.15 shipping
Ships from United Kingdom to U.S.A.Quantity: 10 available
Add to basketCondition: As New. Unread book in perfect condition.
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Schubert in the European Imagination, Volume 2: Fin-de-Siècle Vienna (Eastman Studies in Music, 42)
Language: English
Published by University of Rochester Press, 2007
ISBN 10: 1580462138 ISBN 13: 9781580462136
hardcover. Condition: New. In shrink wrap. Looks like an interesting title!
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Schubert in the European Imagination, Volume 1
Language: English
Published by Boydell and Brewer Ltd, US, 2006
ISBN 10: 1580462332 ISBN 13: 9781580462334
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Seller rating 5 out of 5 stars
Hardback. Condition: New. How Franz Schubert and his compositions were viewed in nineteenth-century European criticism, literature, and the visual arts, from Schumann to George Eliot to Whistler.In Schubert in the European Imagination, Volume 1: The Romantic and Victorian Eras, Scott Messing examines the historical reception of Franz Schubert as conveyed through the gendered imagery and language of nineteenth- and early twentieth-century European culture. The concept of Schubert as a feminine type vaulted into prominence in 1838 when Robert Schumann described the composer's Mädchencharakter ("girlish" character), by contrast to the purportedly more masculine, more heroic Beethoven. What attracted Schumann to Schubert's music and marked it as feminine is evident in some of Schumann's own works that echo those of Schubert's in intriguing ways.Schubert's supposedly feminine quality acted upon the popular consciousness also through the writers and artists -- in German-speaking Europe but also in France and England -- whose fictional characters perform and hear Schubert'smusic. The figures discussed include Musset, Sand, Nerval, Maupassant, George Eliot, Henry James, Beardsley, Whistler, Storm, Fontane, and Heinrich and Thomas Mann. Over time, Schubert's stature became inextricably entwinedwith concepts of the distinct social roles of men and women, especially in domestic settings. For a composer whose reputation was principally founded upon musical genres that both the public and professionals construed as most suitable for private performance, the lure to locate Schubert within domestic spaces and to attach to him the attributes of its female occupants must have been irresistible. The story told is not without its complications, as this book reveals in an analysis of the response to Schubert in England, where the composer's eminence was questioned by critics whose arguments sometimes hinged on the more problematic aspects of gender in Victorian culture. Scott Messing is Charles A. Dana Professor of Music at Alma College, and author of Neoclassicism in Music (University of Rochester Press, 1996).
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Self-Quotation in Schubert
Book 35 of 48: Eastman Studies in MusicLanguage: English
Published by Boydell and Brewer Ltd, US, 2020
ISBN 10: 1580469655 ISBN 13: 9781580469654
Hardback. Condition: New. Examines the history of musical self-quotation, and reveals and explores a previously unidentified case of Schubert quoting one of his own songs in a major instrumental work.Enthusiasts and experts have long relished Schubert's quotations of his own music. This study centers on a previously unidentified pairing: "Ave Maria," one of his most beloved songs, and the Piano Trio no. 2, a masterpiece that holds a unique position in his career. Messing's Self-Quotation in Schubert interrogates the concept of self-quotation from the standpoints of terminology and authorial intent, and it demonstrates, for the first time, how Schubert's practice of self-quotation relates to prevailing practices in the late eighteenth and early nineteenth centuries. Messing goes on to analyze in detail the musical relationships between the two works and to investigate thecircumstances that led Schubert to compose each of them. "Ave Maria" is one of the few Schubert songs for which we have documentation of some early private performances, and the trio stood at the heart of Schubert's only public concert devoted to his works. Messing establishes that Schubert sought to convey an associative meaning with this self-quotation, trusting in his contemporaries' familiarity with the original melody and with Walter Scott's poem, a text that carried profound resonances in Catholic Vienna. Scrutinizing this evidence yields the symbolic purpose behind Schubert's allusion to "Ave Maria" in the piano trio: honoring the recently deceased Beethoven andvalidating Schubert as his legatee. SCOTT MESSING is Charles A. Dana Professor of Music Emeritus at Alma College.
