Mielatz (57 results)

Soft cover. Condition: VG. 4pp extract, printed in double columns, illustrated with a full-page plate by Mielatz, water staining noted at page ends, salvaged from a damaged issue of The Century Illustrated Monthly Magazine, Volume LXXIII, #5, March, 1907. The pilgrimage by John Henry Boner to the Fordham, New York, cottage of Edgar Allan Poe, which resulted in a poem that was published in Century Magazine. Charles F. W. Mielatz (illustrator).…

Soft cover. Condition: VG. 12pp extract, printed in double columns, illustrated, salvaged from a damaged issue of The Century Illustrated Monthly Magazine, Volume XLV, #2, December, 1892. Housed in protective mylar report cover. Charles F. W. Mielatz and T. R. Manly (illustrator).

Condition: New. Mielatz, Charles Frederick William (illustrator).

Condition: New. Mielatz, Charles Frederick William (illustrator).

Condition: New. Mielatz, Charles Frederick William (illustrator).

Condition: New. Mielatz, Charles Frederick William (illustrator).

Condition: As New. Unread book in perfect condition. Mielatz, Charles Frederick William (illustrator).

Condition: As New. Unread book in perfect condition. Mielatz, Charles Frederick William (illustrator).

Condition: New. Mielatz, Charles Frederick William (illustrator).

Condition: As New. Unread book in perfect condition. Mielatz, Charles Frederick William (illustrator).

Condition: As New. Unread book in perfect condition. Mielatz, Charles Frederick William (illustrator).

Condition: New. Mielatz, Charles Frederick William (illustrator).

Condition: New. Mielatz, Charles Frederick William (illustrator).

Condition: New. Klappentext John Wellborn Root: A Study Of His Life And Work is a book written by Harriet Monroe in 1896. The book is a detailed account of the life and work of John Wellborn Root, an American architect who played a significant role i. Mielatz, Charles Frederick William (illustrator).…

Taschenbuch. Condition: Neu. Neuware - ''John Wellborn Root: A Study Of His Life And Work'' is a book written by Harriet Monroe in 1896. The book is a detailed account of the life and work of John Wellborn Root, an American architect who played a significant role in the development of the Chicago School of Architecture. The book covers Root's early life, education, and career, as well as his notable projects, including the Rookery Building and the Monadnock Building. Monroe also explores Root's design philosophy and his impact on the field of architecture. The book is a valuable resource for anyone interested in the history of American architecture and the Chicago School in particular.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work. Mielatz, Charles Frederick William (illustrator).…

Condition: Very Good. Print. Engraved in aquatint. Thin gray paper portfolio. 29 cm. Edition limited to 104 copies. Image size approx 18 x 14 cm. No tissue guard present. Name stamp at top from cover of portfolio: Mrs. Henry Draper 22 Feb 06. Print lightly browned on right and left sides. Portfolio wrapper beginning to split at bottom. Their Series VII, No. 5.…

Condition: Very Good. Print. Engraved in aquatint. Thin gray paper portfolio. 29 cm. Edition limited to 104 copies. Image size approx 18 x 14 cm. Loose tissue guard present. Name stamp at top from cover of portfolio: Mrs. Henry Draper 22 Feb 06. Uneven browning on print. Their Series VII, No. 4.

Condition: Very Good. Print. Engraved in aquatint. Thin gray paper portfolio. 29 cm. Edition limited to 104 copies. Image size approx 18 x 14 cm. No tissue guard present. Name stamp at top from cover of portfolio: Mrs. Henry Draper 22 Feb 06. Print modrately browned on right and left sides. Portfolio wrapper split at bottom of fold. Their Series VII, No. 6. …

Condition: Fine. Print. Engraved in aquatint. Thin gray paper portfolio. 29 cm. Edition limited to 104 copies. Image size approx 18 x 14 cm. Loose tissue guard present. Their Series VII, No. 5.

Taschenbuch. Condition: Neu. Bewertung der modernen Gebäudesanierung anhand der Nachhaltigkeit | Eine Erörterung der Sanierungsmöglichkeiten | Christian Mielatz | Taschenbuch | 72 S. | Deutsch | 2015 | AV Akademikerverlag | EAN 9783639385731 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu. …

Hardcover. Condition: Very Good. 1st Edition. First Edition. Large Folio quarter red leather over vellum boards decorated in red and gold.Original etchings SIGNED BY THE ARTISTS. The Japan proof edition of this work, limited to 100 copies, with each of the original works of art signed by the artists. These include etchings by F. S. Church, Robert Frederick Blum, J. S. King, Stephen Parrish (Maxfield Parrish's father), H. N. Hyneman, Frederick W. Freer, Frank M. Gregory, Stephen J. Ferris, J. J. Calahan, and C. F. W. Mielatz. The etchings are laid in the binding portfolio style. Each of the etchings is carefully described and is matted as published. Some of the edges of the text pages, and the rear pastedown are lightly frayed, as are the spine ends. Also, most of the original gold tassels used to tie the portfolio are shortened from their original state, but each of the etchings is in fine condition. Very hard to find signed etchings by some of the best etchers working in America at the end of the 19th century. Signed by Author(s).…

Condition: Good. Lithograph on brown wove paper, 10 x 7 1/2 inches (253 x 190 mm), full margins. In good condition with some age tone and the lower left corner dog-eared, well outside of the image area.

Mielatz, Charles. CATHERINE MARKET. Etching, before 1903. Edition size not known. Unsigned. 9 7/8 x 7 inches (plate), 12 x 10 inches (sheet). Printed on very thin tissue. In excellent conditionIn the foreground is a sanitation worker's cart, unattended in the middle of the street. The large Market building is in the mid-ground, with a view of activities at the open sheds on its outer perimeter; Brooklyn Bridge is seen in the background. The Market, which began on Catherine Street in lower Manhattan, was a popular and busy neighborhood presence. It was demolished in 1903 and replaced by a park.Mielatz, taught etching at the National Academy of Design, and is noted for his views of New York City.…

Condition: Excellent. Lithograph on tissue-thin Japon paper with a deckle edge, 14 1/8 x 10 inches (357 x 252 mm), the full sheet. Titled in pencil in the lower left margin. In excellent condition with minor toning. Ex-collection Kennedy Galleries, New York, with the gallery label in the mat interior.…

Mielatz, Charles. (American, born Germany, 1864-1919). ARCH OF ST. JOHN THE DIVINE. Etching and aquatint, 1900. Signed "Mielatz, Imp, trial proof of third state" in pencil. 10 1/2" x 5 1/4" (26.2 x 13.1 cm). Very good. Mielatz, Charles (illustrator).

Condition: Superb. Etching with drypoint on Japon paper, 13 7/8 x 9 3/4 inches (353 x 248 mm); sheet 17 1/8 x 12 1/2 inches (435 x 317 mm), full margins. Sixth state (of 7). Signed, titled, dated, numbered "Imp. No. 10," and annotated by the artist in the lower margin. In superb condition with excellent inking, and silvery plate tone. Well documented in chapter 1 of Herman Melville's epic Moby Dick, Coenties Slip once served as a busy loading berth for commercial sailing vessels in lower Manhattan.…

Mielatz, Charles. .DOOR OF THE OLD ASTOR HOUSE Etching, 1910. Edition size not known. Signed in the plate and in pencil, and annotated as a "Trial Proof" near the bottom edge. 9 7/8 x 6 3/4 inches (plate), 12 x 10 inches (sheet). Printed on wove paper. In excellent condition.Mielatz, taught etching at the National Academy of Design, and is noted for his views of New York City.…

No Binding. Condition: Very Good. 1st Edition. This portfolio consist of 10 loose prints from the collection of The University of Chicago; each print is dry matted: size: 22 x 17in, the images are approx. size: 14 x 10-1/2in; each tissue guard has the text information with artists names, titles & descriptions; some of the prints are signed in the plate (not hand signed); there is no publication date but probably published in the early 1900s because the Mielatz (American 1864-1919) plates are original; THE PLATES: 1 & 2) C. F. W. Mielatz: an original etching signed in the plate "Wall Street, New York", an another original etching faintly signed in the plate at bottom right corner "Cintra", (Mielatz was an American but born in Germany 1860-1919, he was both an etcher and teacher. He received his early art training at the Chicago School of Design); 3) Thomas R. Manley: an original etching signed in the plate " Citadel of Quebec"; 4) P. Sala: facsimile in color signed in the plate "Grand Canal, Venice"; 5) J. D. Woodward: facsimile in colors signed in the plate "Thebes Restored"; 6) Thomas Moran: facsimile in colors signed & date 1885 in the plate "The Hanging Gardens of Babylon"; 7) Harry Fenn: facsimile in colors " The Alhambra"; 8) Unknown photographer: a photogravure "The Arch of Constantine"; 9) Unknown photographer: a photogravure "The Cathedral of Cologne"; 10) Henry Sandham: photogravure from painting signed in the plate "Boston in the Olden Time"; plates housed in clam shaped cloth box which has some tears and one flap loose but over all in good cond., the box has The University Of Chicago label inside; only one matt is stamped with library's stamp "Wall Street, New York"; some of the tissue guards have some tears & are detached loose from mat; ALL prints are dry mounted (attached to mats), some of the mats have nicks to edges but over all are in very good condition, the plates have no foxing or tears, the plates are in almost VERY GOOD COND. NOTE: EXTRA postage will be necessary. …

Each a lithograph printed on grayish-green, or white wove paper each sheet 10 3/4 x 7 1/2 inches (274 x 190 mm), each with full margins. Each with the "Gott schutze die Marke" windmill copyright blindstamp in the lower left. Ten lithographs, loose as issued. [Society of Iconophiles, Series II, no. 9] Richard Hoe Lawrence, Harris Dunscombe Colt, Isaac Newton Phelps Stokes - History of the Society of Iconophiles of the city of New York, MDCCCXCV:MCMXXX, and catalogue of its publications, with historical and biographical notes, etc., 1930, Series II, no. 9, p. 43, ill. …

Condition: Very good. Drypoint with aquatint on watermarked, cream laid Van Gelder Zonen paper, 12 x 7 1/2 inches (303 x 190 mm), full margins. Signed and inscribed in the lower margin. One of only 5 trial proof impressions of the second (and final) state, printed by Henry Voigt. In very good condition with light uniform toning. A superb impression with good inking on extremely fine paper. A view of Cherry Street as it existed under the Manhattan Bridge overpass, not far from the storied Five Points neigborhood of lower Manhattan.…