Monet, Signed (25 results)

Soft cover. Condition: Very Good +. No Jacket. Claude Monet (illustrator). Inscribed to John Regan, 1993. Clean unworn copy. Inscribed by Author(s).

Condition: Fine. NY 1971 first edition. Holt Rinehart. Hardcover octavo. 227p. DJ drawing done by Monet. **Signed presentation copy from Monet. Fine in VG, price clipped, dj.

Broché. Condition: D'occasion - Très bon état. DEDICACE MANUSCRITE signée de l'auteur. Envoi rapide et soigné.

Broché. Condition: D'occasion - Comme neuf. DEDICACE MANUSCRITE signée de l'auteur. Envoi rapide et soigné.

Hardcover. Condition: Good. First Edition. 95 pages. Index. Warmly signed by author upon Acknowledgements page. Abundantly illustrated in black and white. Chapters include: A pageantry rooted in our history; Head of state and head of government; A Canadian choice; Royal responsibilities; A symbol of our community; plus List of Sovereigns, Governors and Lieutenant Governors of Canada. Moderate wear. Clean and unmarked. A sound copy. Signed by Author(s).

Hardcover. Condition: New. Dust Jacket Condition: New. ALYSSA, MONET (illustrator). 1st Edition. Hardcover - 1st. UK Print of Illustrated Edition - NEW/NEW - Signed by Neil Gaiman on tipped-in Signed by the Author page - A special hardback edition of Neil Gaiman's internationally bestselling novel with stunning new contemporary artwork by Monet Alyssa. - Fat Charlie Nancy never knew his dead dad was a god - Anansi the trickster. He never knew he had a brother either. Now brother Spider is on his doorstep, about to make life more interesting . . . and a lot more dangerous. - It's a meeting that will take Fat Charlie from his London home to Florida, the Caribbean, and the very beginning of the world itself. Or the end of the world, depending on which way you're looking. - *Includes black and white chapter artwork, foiled and designed boards and beautiful full-colour illustrated endpapers by Monet Alyssa. Signed by Author(s).

First Edition. Very good publisher's review copy in paperback; wrappers lightly dust-dulled and, to the front top margin, damp-rippled. Text remains tight, bright and clean; a well-preserved copy overall. Notes; Signed and inscribed by Adrian Stokes to Sir Lawrence Gowing. Series; Faber gallery. Physical description; 22 pages : 8 mounted colour illustrations ; 31 cm. Notes; Date conjectural. Introduction and notes by Adrian Stokes. Subjects; Monet, Claude. Impressionism. Painting, French. 19th century. 20th century. Illustrated. Colour plates. 3 Kg.

Hardcover. Condition: Very Good. Dust Jacket Condition: Fair. Vincente Minelli (illustrator). About the author >>> Giacomo Girolamo Casanova (2 April 1725 - 4 June 1798) was an Italian adventurer and author from the Republic of Venice. His autobiography, Histoire de ma vie (Story of My Life), is regarded as one of the most authentic sources of the customs and norms of European social life during the 18th century. As was not uncommon at the time, Casanova, depending on circumstances, used more or less fictitious names such as baron or count of Farussi (the name of his mother) or Chevalier de Seingalt (pronounced Saint-Galle, as in French). He often signed his works Jacques Casanova de Seingalt after he began writing in French following his second exile from Venice. He has become so famous for his often complicated and elaborate affairs with women that his name is now synonymous with "womanizer". He associated with European royalty, popes and cardinals, along with luminaries such as Voltaire, Goethe and Mozart. He spent his last years in Bohemia as a librarian in Count Waldstein's household, where he also wrote the story of his life. This edition of his memoirs is edited by Joeph Monet with Vincent Minelli providing the illustrations. Faults? the dj worn at head & tail of spine, torn upper right corner (see the pics), plastic protection now. 290pp with full pg illust (bw), Size: 22.5cm. Book.

Hardcover. Condition: As New. As new trade paperback, a clean copy. Signed by Don Monet on title page. Signed by Author(s).

First Edition. Very good publisher's review copy in paperback; wrappers lightly dust-dulled and, to the front top margin, damp-rippled. Text remains tight, bright and clean; a well-preserved copy overall. Notes; Signed and inscribed by Adrian Stokes to Sir Lawrence Gowing. Series; Faber gallery. Physical description; 22 pages : 8 mounted colour illustrations ; 31 cm. Notes; Date conjectural. Introduction and notes by Adrian Stokes. Subjects; Monet, Claude. Impressionism. Painting, French. 19th century. 20th century. Illustrated. Colour plates. 1 Kg.

Hardcover. Condition: New. Monet Alyssa. (illustrator). 1st Edition. The 2023 signed exclusive limited edition. First edition thus. A brand new shrinkwrapped copy without any flaws published at £100 Personally signed by Neil Gaiman. Includes the special edition print by Monet Alyssa, signed by the artist. Also signed by Neil Gaiman directly onto the special title page. A slipcased limited edition. Neil Gaiman's internationally bestselling novel with stunning new contemporary artwork signed by Monet Alyssa. Signed by Author(s).

Hardcover. Condition: Fine. No Jacket. Monet Alyssa (illustrator). 1st Edition. Book and slipcase covered in green shiny stars on black background, unblemished. Book signed on the title page by Neil Gaiman, and there is a loose signed illustration inserted. A fine book and slip-case. Signed by Author(s).

Hardcover. Condition: Fine. 1st Edition. A fine UK slipcased deluxe Illustrated edition hardback, first printing thus - no dustjacket (as issued) - All my books are always securely packed with plenty of bubblewrap in professional boxes and promptly dispatched (within 2-3 days) - SIGNED BY NEIL GAIMAN + SIGNED PRINT BY THE ARTIST - Pictures available upon request. Signed by Author(s).

Couverture souple. Condition: Bon. Vally Monet Flammes insaisissables Aux éditions du C.E.L.F. 1958 Envoi de l'auteur 64p format 18x14,5cm Livre propre et en bon état général. Signé par l'auteur.

Hardcover. Condition: New. Dust Jacket Condition: New, Not Price Clipped. Monet Alyssa (illustrator). First Edition/First Printing. An unread copy, signed 'Neil Gaiman' to the signature page. Fat Charlie Nancy used to have a normal life. But that all changes the moment his estranged father drops dead in a karaoke bar, leaving a trail of chaos in his wake. Fat Charlie didn't know his dad was a god. He certainly didn't know he was Anansi the trickster spider-god, lord of rebellion and disorder. He didn't know he had a brother, either. Now his brother, Spider, is on his doorstep trying to take over his life, flat and fiancee. And Fat Charlie's going to have to resort to something drastic - and dangerous - to get back on track. Signed Without Inscription. Book.

Couverture souple. Condition: bon. R240087545: 1958. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 64 pages - envoi de l'auteur sur la page de garde - 2 photos disponibles . . . . Classification Dewey : 97.2-Dédicace, envoi.

FIRST AND ONLY EDITION OF THE CATALOGUE RAISONNE OF MONET'S PAINTINGS FROM 1882 TO 1886. IV, 307 pp. Hundreds of items reproduced and exhaustively described. Folio, publisher's cloth, dustjacket. FINE AND BRIGHT, WITH NO DEFECTS.

Hardcover. Condition: Very Good. No Jacket. Vincente Minelli (illustrator). 1st Edition. From the recently auctioned collection of Caroline Riesor Rau and David Wallerstein--this copy is inscribed by the illustrator (and future husband of Judy Garland)--Vincent Minelli to Caroline Riesor Rau, " Not nearly nice enough for you but it will do to put gin glasses on-Vincente Minelli"--on the half title page. Very rare to find a signed copy by Minelli--signed in 1930 before he was well known and before Judy Garland starred in the Wizard of Oz in 1939. 7 Beardsley like wiid-cut black and white semi erotic drawings. A very good copy without the rare dustjacket. Burgundy cloth boards with silver lettering and decorations on front board and spine--although the spine is just a bit faded. The burgundy cloth on the rear boards has some light streaking--uncut paper edges. A clean copy and mostly tight hinges. Caroline Rau was married to David Wallerstein--who was on the board of directors of Disney, ABC and later on McDonalds. He was a persona friend of Walt Disney and his wife was a well known Chicago socialite. Signed by Illustrator(s).

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. 11.25" x 8.75" SIGNED and dated to ffep. Oblong. Full black paper boards. [26] pp. Fully illustrated in colour. Fine. Norman Takeuchi was born to Japanese parents and grew up in Vancouver. His work is a moving expression of his struggle and ultimately his success in finding the harmony, resolution and beauty that comes with inheriting two distinct cultures. He draws deeply on memories of his family's relocation during World War II. Laid in is an invitation to the exhibition, April 27-May 30 at the Cube Gallery. Also laid in is a note from Takeuchi to Keith Branscombe, reading "June 2010 / Keith, This is my catalogue for the show. My first catalogue so it's pretty exciting. Norman. / P.S. I did not design the invitation card.". Signed by Artist.

Hard/Slipcase. Condition: New. Alyssa, Monet (illustrator). First Thus. Brand new sealed copy. Light damage to edge of slipcase. Book signed by Neil Gaiman. Includes a special limited edition print by Monet Alyssa, signed by the artist. Black and white chapter artwork. Foiled and designed slipcase and boards. Exclusive full-colour illustrated endpaper. Size: 8vo. Signed.

Couverture rigide. "Très rare édition originale enrichie d'un manuscrit autographe de Lamarck | Maillard Chez l'Auteur Agasse | Paris An x (1802) | 12.8 x 20.4 cm | Relié | Edition originale, fort rare, de cet ouvrage important. Reliure en demi basane fauve mouchetée, dos lisse orné de triples filets dorés, pièce de titre de chagrin vert, petits coins de vélin, plats de papier marbré, ex-libris encollé sur un contreplat, tranches rouges, reliure moderne. Un manque comblé en marge gauche de la la page de titre. L'Hydrogéologie contient les observations géologiques de Lamarck recueillies pendant ses voyages en Allemagne, en Hongrie et en France. Son principal mérite est de montrer la grande importance des plantes et des animaux comme agents des transformations géologiques. C'est dans cet ouvrage que se trouve employé pour la première fois, à la page 8, le mot biologie, que Lamarck considère comme un terme approprié aux sciences de la vie. "Lamarck's geology was closely connected with his work in other fields. His Hydrogéologie, which grew out of a 1799 memoir presented to the Academy and his work in invertebrate paleontology, was published in 1802. He originally intended it to be a much broader work, as the manuscript shows () It was to have been a terrestrial physics including meteorology, geology, and biology, a term he coined. He had not only a sense of interrelation of fields but, within geology, a vision of the whole. He saw all of nature working according to similar principles : general natural tendencies producing gradual change over long periods of time, with local circumstances explaining the irregularities. His approach to geology was similar to that in other sciences : concern with the general principles and contempt for those who interested themselves too much with the specifics". Cf. Leslie J. Burlingame, notice "Lamarck", in : D.S.B. Précieux exemplaire, enrichi d'un manuscrit autographe de Lamarck de 6 lignes, inséré entre les pp. 56 et 57, donnant des précisions sur une maçonnerie antique découverte dans le département de la Somme, et attestant d'un tracé plus ancien du rivage : "L'abbaye de Valoir près de l'Authie dépt. de la Somme conserve encore dans ses fondations et ses caves les restes d'une maconnerie tres ancienne, soupconnée romaine, dans lesquels on voit les anneaux pour amarer les batimens marins et des eperons de vaisseau, accompagnés de beaucoup de petrifications ; ce qui prouve qu'alors c'etoit un quai ou arrivoient les eaux de la mer" (s.l.n.d., 1 p. in-16 oblong). Bel exemplaire. | [ENGLISH DESCRIPTION FOLLOWS] First edition, very scarce, of this important work. Contemporary-style half speckled fawn calf binding, smooth spine decorated with triple gilt fillets, green shagreen title label, small vellum corners, marbled paper boards, bookplate pasted onto a pastedown, red edges, modern binding. A restored loss to the left margin of the title page. Hydrogéologie contains Lamarck's geological observations gathered during his travels in Germany, Hungary, and France. Its principal merit lies in demonstrating the considerable importance of plants and animals as agents of geological transformation. It is in this work that the word biology appears for the first time, on page 8, which Lamarck regarded as an appropriate term for the sciences of life. "Lamarck's geology was closely connected with his work in other fields. His Hydrogéologie, which grew out of a 1799 memoir presented to the Academy and his work in invertebrate paleontology, was published in 1802. He originally intended it to be a much broader work, as the manuscript shows () It was to have been a terrestrial physics including meteorology, geology, and biology, a term he coined. He had not only a sense of interrelation of fields but, within geology, a vision of the whole. He saw all of nature working according to similar principles : general natural tendencies producing gradual change over long periods of time, with local circumstances explaining the irregularit" in-8 ; 268 pp.

A pristine deluxe copy of the most important early monograph on impressionism, COMPLETE WITH ELEVEN ORIGINAL ETCHINGS BY RENOIR (5), PISSARRO (2), CEZANNE (2), AND GUILLAUMIN (2). IV, 214 pp plus numerous hors-texte plates in two states. ONE OF ONLY 100 COPIES PRINTED ON IMPERIAL JAPANESE PAPER WITH THE PLATES IN TWO STATES. Includes the following original etchings: (1) Pissarro, "Faneuses" (1890, Delteil 94), in bistre on Japanese paper and in black on Dutch laid paper. (2) Renoir, "Femme nue assise" (1906, Delteil 12), in bistre on Japanese paper and in black on Dutch laid paper. (3) Renoir, "Femme couchée (tournée à gauche)" (1906, Delteil 15), in sanguine on Japanese paper and in black on Dutch laid paper. (4) Renoir, "Femme nue couchée (tournée à droite) (2e planche)" (1906, Delteil 14), in sanguine on Japanese paper--this etching appears ONLY in the deluxe edition of the book.) (5) Cézanne, "Guillaumin au pendu" (1873, Cherpin 2), in bistre on Japanese paper and in black on Dutch laid paper. (6) Guillaumin, "Vue prise de Saardam", in black on Japanese paper and printed in colors on wove paper. Also includes, in two states, "Le laboureur", an original woodcut by Lucien Pissarro after Camille Pissarro, and "Bords du Loing", an etching by Roy after Sisley. 4to. A PRISTINE COPY, IN THE ORIGINAL DECORATED WRAPS WITH PAPER LABELS ON FRONT COVER AND SPINE, in the original board slipcase. Completely uncut. Minimal wear to wraps, otherwise FINE AND BRIGHT, WITH THE ETCHINGS IN PERFECT CONDITION. Most copies were broken up for the original prints, and most of the remaining copies were rebound, so a pristine copy like this one is a very rare survival.

14 layers of each-two loosely inserted double-sheets (=112 pages in total) of strong fine art-paper: Title-sheet, Preface, List of Stories, Photograph / 12 titled 'STORIES', each with wholepage Illustration / 'The Authors', Colophon, 'The Images', Photograph. - Together loose in titled cardboard-wrapper with flaps, ''encased in [the publisher's silver-titled blue] hand-crafted box made . . . at Les Ateliers Dermont Duval in Paris, France'' (ca. 27 x 32 x 4 cm; ca. 1,5 kg.). *** [FRÜHLINGSVERKAUF-Endspurt, noch bis Montag den 25.05.2026 / Ultimate SPRING-SALE, only until Monday May 25th 2026: um über 40% REDUZIERTER PREIS / PRICE-REDUCTION of over 40%; ehemaliger Preis / previously EUR 465,-] --- FIRST EDITION, COMPLETE ARTIST-BOOK BOX; #13 OF 125 COPIES SIGNED BY EDITOR (Susan Mann) AND PUBLISHER (Samuel Lalouz) IN THE COLOPHON. - ''>Historians' Stories from Canada< is a limited edition art book containing 12 original stories written by historians in Canada in the language of their choice. Each story is edited by Susan Mann and accompanied by an image of an original work of art chosen by her. ''. --- THE BOX IS MINIMALLY RUBBED, ELSE IN BEST CONDITION.

Ephemera. First Edition; First Printing. Autograph letter in French signed by Claude Monet regarding the shipment of his paintings, one page on his personal stationery, measuring 8.25 by 5.25 inches. Created in Giverny, France on December 6, 1909. Sunning, fading to the ink, and evidence of mounting on the verso. ; Penned and signed by Claude Monet. ; Signed by Author. Signed.

In-4 de (682) ff., maroquin brun janséniste, dos à nerfs, blason doré dans l'angle gauche supérieur du premier plat, dentelle intérieure, tranches dorées sur marbrures (Dupré). Rare édition augmentée du dictionnaire français latin de Philibert Monet publié une première fois en 1620 à l'intention « des écoles de grammaire en France (?) le soin d?avantager la jeunesse française occupée des premiers rudiments de la langue latine, nous a convié et comme forcé à pervertir le commun ordre et d?art et de nature, en l?édition du présent abrégé de notre parallèle antérieure à celle de son originale. L?impression du corps entier de cet ouvrage, pour être de plus longue traite, aurait d?autant retardé le profit que les basses écoles peuvent recevoir d?un livre façonné et fourni des industries plus avantageuses (?) or ce sommaire leur en a pu fournir, en beaucoup moins de temps autant que leur plus urgente nécessité requérait et leur donner moyen de supporter le délai d?une oeuvre plus assortie de bonnes pièces françaises et latines » (Avis au lecteur fait à Lyon le 30 mars 1620).Deux autres éditions de l'Abrégé furent publiées en 1627 et 1635 préparatoires au grand lexique que Philibert Monet publia en 1635 sous le titre Invantaire des deus langues françoise et latine assorti des plus utiles curiositez de l'un et de l'autre idiome. Cependant les deux dictionnaires qui connurent chacun plusieurs éditions ne doivent pas être confondus, l'Abrégé publié aux formats maniables in-octavo et in-quarto, était destiné aux élèves tandis que l'Invantaire au format in-folio affichait une « attitude réformatrice quant à l'orthographe, parfois simplifiée phonétiquement, parfois non (.) les deux principaux ouvrages du Père Philibert Monet marquent une volonté de décrire l'usage dans son actualité, qui va ouvrir discrètement la voie aux dictionnaires français débarrassés du latin, pratique qu'inaugurera Pierre Richelet en 1680 » (A. Rey, Dictionnaire des dictionnaires).Savant jésuite, Philibert Monet (1569-1643) fut l?un des meilleurs latinistes de son siècle. Fondateur du Collège de Thonon, il enseigna durant vingt-deux ans, les humanités au prestigieux collège de la Trinité à Lyon.Très bel exemplaire dans une reliure janséniste signée Dupré.Brunet, III, 1824 ; Sommervogel, V, 1211.