Mormando Franco Editor (6 results)

Softcover. Condition: Fine. First Edition. Softcover in illustrated wraps. First edition. Fine, As New condition, crisp, clean, and unblemished. Published to accompany a 1999 exhibition of the same name at McMullen Museum of Art in Boston. Essays about Caravaggio and his work including The Taking of Christ, which made its contemporary debut at this show. Large 4to. 235 pp.

Soft cover. Condition: Very Good. 1st Edition. Large-format volume, measuring approximately 10" x 11.25", displays light shelfwear, with lightly bumped outside corners to front cover. Binding is firm. Minor annotation in ink appears in lower inside corner of table of contents. Interior is otherwise clean and bright, with numerous color reproductions of the work of Italian Baroque painter Michelangelo Merisi da Caravaggio (1571-1610). The book was published to accompany the eponymous exhibition held at Boston College from February 1 to May 24, 1999. 235 pages.

Soft Cover. Condition: Very Good Plus. First Edition. soft cover, as issued., only slight signs of handling to exterior. no other flaws. clean, no writing or markings. no bumps, tears or creases. tight binding.; distributed by university of chicago press.; 235pp., 30 full-page color plates, 40 b/w figures supporting essays/text., nine scholarly essays by eight contributors.; softcover original.; not to be confused with book of similar title that focuses on the northern contemporaries and followers of caravaggio., exhibition brochure laid-in. Size: 4to - over 9¾" - 12" tall. Exhibition Catalogue.

Paperback. Condition: New. In shrink wrap. Looks like an interesting title!

Hardcover. Condition: Brand New. illustrated edition. 352 pages. 10.00x7.00x1.00 inches. In Stock.

Soft Cover. Condition: New. 1st Edition. 4to - Published in conjunction with the Exhibition Of Hope and Healing. 2005 catalogue. Focused on painting produced in Italy during the Baroque and Renaissance periods, From the presentation: "Exploring the ways in which Italian society responded to this recurring, unpredictable disaster illuminates a variety of aesthetic, social, and religious concerns. Our exploration is interdisciplinary using contemporary documents, personal correspondence, medical and devotional treatises, chronicles and broadsides, poetry, sermons, chapbooks, and biblical commentary. The exhibit reveals the everyday life and the aspirations of those afflicted by the plague, whether the response is madness, eroticism or spirituality. There are a number of visual clues in the paintings that alert the viewer to the plague. The invisible enemy of the plague generated fear, horror and anxiety. However, thanks in part to the power of images, hope and courage persisted. ".