Mottram Charles (32 results)

Condition: New. In.

Soft cover. Condition: Very Good. Small name, but an otherwise tight, bright, and clean copy. 207pp. (11.5x17.5cm). Please contact us for any more information.

Condition: New. In.

Hardcover. Condition: Good. Dust Jacket Condition: Good. 2nd Edition. 2nd Edition, Corner clipped, wear to edges and corners of dustjacket, edges creased and worn, some small rips and nicks, top and bottom of spine chipped and worn, some light foxing to cover, some light wear to covers and spine, corners a little bumped, top and bottom of spine a little bumped, internally in good condition, pages crisp and clear, some light foxing on edges, award plaque to a previous owner on front paste down.

Hardcover. Condition: Very Good. 1st Edition. 132 pages. This American edition is made up of sheets from the British edition with a cancel title page. Size: Small 8vo.

Soft cover. Condition: Fine. 1st edition. Near Fine. 8vo, 40pp, stapled lap wrappers. Scarce final issue of this centrally positioned '60s underground literary magazine (the third was George Dowden's "Because I Am Tired of the Night"). Includes a paragraph extract from the writings of Charles Fort. Unmarked, light wear to lap wrappers. Not Signed.

Wraps. Condition: Good. no date, mid 1970s. Wraps. 245 pp. Black and white illustrations throughout. Single issue of this influential little magazine from Wales, publishing avant-garde poetry and other related work. This with poetry by William Burroughs, Charles Bukowski; work by Eric Mottram and many others. GOOD condition. Covers scuffed and faded, with some edgewear, creasing and minor soiling. Someone went apeshit with a blue pen in the contents' pages, underlining many others, annotating authors, etc. Fortunately they stopped there, leaving the text alone.

Soft cover. Condition: Fine. 1st edition. Near Fine. 4to, 192pp, printed wrappers. Seventh issue of this important magazine of seventies experimental writing. Includes Robert Duncan (Bertholf C253). Unmarked copy with minor signs of age. Not Signed.

Soft cover. Condition: Very Good. 1st edition. VG. 8vo, 248pp, printed wrappers. Thick double issue of this important little magazine from Wales, includes experimental/concrete work (including a 30-page illustrated article on Bob Cobbing by Eric Mottram) and poetry from a range of contributors. Unmarked copy, reading wear and faint sunning to spine, and some general rubbing of covers. Not Signed.

Soft cover. Condition: Fine. 1st edition. Fine. 8vo, 28pp, stapled wrappers. Scarce fourth issue of this seminal seventies magazine of experimental writing. Nice, unmarked copy. Not Signed.

Hardcover. Condition: Fair. No Jacket. 1st Edition. 132 pages (complete). A benign and genial book that has been subjected to inconsiderate storage. The red cover is tight, secure and sure. It is also worn all about all edges, corners and faces. Inside, there is a gift inscription on the inside front cover. There are previous owner signatures. The contents are clean, clear, tight, healthy, confident and casual. fk. Our orders are shipped using tracked courier delivery services.

PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Soft cover. Condition: Very Good. Two songs: Little Nancy(words A E Rogers) and Inspiration (words L A Lefevre. 6 pages of music and words. circa 1910. A few creased corners, see pics.

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Hardcover. Condition: Fair. First edition. ISBN Hardback. No dustjacket, bound in green cloth with black lettering on front cover and spine. About Good Condition, with minor rubs and multiple bumps to edges and corners of covers, spine cock, heavy browning to edges of interior pages. Tight, sound, unmarked copy except for previous owner's address label on inside back cover. No statement of later printing on copyright page.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. First printing. Spine tight, boards rigid and tips pointed. Text block square and clean except for smudgy top text. The dust jacket is NOT price clipped but has some fray/loss and browning at some edges especially (2" by 2") at spine top and front bottom near tips. Now looks shiny and new in an archival mylar cover.

Condition: Very good. First edition. Hardcover. Very good condition (no dust jacket). Spine and edge of front cover sun-faded. Internally clean and tight.

Condition: New. Print on Demand.

Condition: New. Print on Demand.

Condition: Good. Steel engraving. 8 x 10 1/2 in. (sheet). Good, some toning and foxing in sheet margins.

HRD. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Condition: New. PRINT ON DEMAND.

Condition: New. Print on Demand.

Condition: New. Print on Demand.

No Binding. Condition: Good. Church of St. Bavon, Ghent. An interior view of St Bavo's Cathedral in Ghent. Steel Engraving by Charles Henry Mottram (1807-1876), after Thomas Allom (1804-1872), c. 1845. Source: Published in London and Paris by Peter Jackson, c. 1845. Good condition. Paper slightly soiled and slightly browned. Verso: blank. Dimensions: 123 x 177 mm. c. 1845. Print.

Condition: New. PRINT ON DEMAND.

Condition: Very good. (ed.) Pierre Joris and William Prescott, Sixpack 1-9 (complete set in seven volumes), 1972-1975. Issue no. 1, 1972. 58pp. A4 mimeo, side-stapled in card covers. Includes texts by Charles Bukowski, Paul Celan (translated by Pierre Joris), Allen Ginsberg, Jeff Nuttall et al. Condition: covers somewhat worn, internally fine. Issue no. 2, 1972. 54pp. A4 offset, side-stapled in card covers. Texts by William S. Burroughs, Paul Blackburn, Bill Butler, Allen Fisher, Jack Kerouac, Eric Mottram, Jeff Nuttall et al. Collages by Claude Pelieu. Condition: covers slightly soiled, staples rusty, internally near fine. Issue no. 3/4, 1973. 98pp A4 offset, perfect-bound in wraps. Texts by Peter Finch, Allen Fisher, John Giorno, Bill Griffiths, Robert Kelly, Eric Mottram, Jeff Nuttall et al. Condition: wraps rubbed and some glue-staining to edges of first and last pages. Issue no. 5, 1973. Edited by Bill Sherman. 54pp. offset, centre-stapled. Texts by Asa Benveniste, Eric Mottram, John Weiners et al. Issue no. 6, 1973/74. 134pp. offset, perfect-bound in wraps. Texts by Ted Berrigan, William S. Burroughs, Bob Cobbing, Allen Fisher, Allen Ginsberg, John Giorno, Robert Kelly, Jackson Mac Low, Eric Mottram, Alice Notley, Tom Pickard, Jerome Rothenberg et al. Condition: page 16 loose, otherwise very good. Issue no. 7/8, 1974. 260pp. offset, perfect-bound in wraps. Special issue on Paul Blackburn, featuring his poems and translations as well as other contributions from David Antin, Allen Fisher, Allen Ginsberg, Lee Harwood, Robert Kelly, Jackson Mac Low, Eric Mottram, Jerome Rothenberg, Carolee Schneemann, Armand Schwerner, Anne Waldman, Jonathan Williams et al. Condition: pages 105-128 loose, otherwise very good. Issue no. 9, 1975. 192pp. offset, perfect-bound in wraps. Texts by David Antin, Antonin Artaud, Edward Dorn, Allen Fisher, Robert Kelly, Jackson Mac Low, Charles Olsen, Armand Schwerner, Jonathan Williams et al. Condition: Very good. Condition: some aging and foxing to the paper of the covers. Overall: Very good.

Famous uncolored view of Boston, as seen from the harbor, with many sailing vessels in the foreground. Not viewed out of frame. Light stain at bottom left corner, mild soiling in title area, no visible damage to view area. A beautiful view, seen in colored and uncolored format. Mottram, the engraver, also engraved a view of New York City around the same time. The original view was drawn by J.W. Hill and then engraved on steel by Mottram. Published by Francis, George W., David C., and Benjamin F. Smith of New York. There is an extensive write-up on the Smith Brothers in Reps, Views and Viewmakers of Urban America. This print is not listed there, however, as it would be classified as a panoramic view, not a bird's-eye view which is the subject of that work.

Steel-engraved print by Charles Mottram after John Martin, printed in colours and finished by hand. Image size: 37 1/2 x 24 inches. Skillful restoration. The painter of the Apocalypse in lyrical mood. John Martin was born, and spent his early youth in Northumberland in the north of England. His memories of the idyllic landscape of Allendale in the Northern Penines are said to have been the source for this image of Paradise painted late in a life of contrasting fortunes. Martin had enjoyed enormous popularity during the 1820s, but by the 1850s tastes had changed and his "grandiose visions seemed theatrical and outmoded to the mid-Victorians, and Martin died [in 1854] both neglected and forgotten" (Christopher Wood. Victorian Painting [1999], p.20). In an effort to restore his fortunes, Martin had spent the last four years of his life engaged upon a triptych of very large biblical subjects painted in oils: 'The Last Judgment ', 'The Great Day of His Wrath', and 'The Plains of Heaven'. All three were subsequently bequeathed to the Tate Gallery in London, and are now rightly reckoned among his masterpieces. The present beautifully-presented work by Charles Mottram, one of the greatest engravers of his time, ably captures the sense of a limitless landscape that was such a hallmark of all Martin's work. Clusters of angels offer endless praise to the Almighty whilst the souls of the saved look on: all in a setting where unimagined glory is made manifest, where sky and water, cloud and mountain blend and merge.

No Binding. Condition: Very Good. Charles Mottram (1807-1876), after the original painting by Henry Courtney Selous (1811-1890) Published: Published George Lord Beeforth, Scarborough and Haywood and Legatt, London 1860 Medium: Engraving Dimensions: Image size 27 x 37 1/4", FRame size 38 x 49".