Nils Ttner (25 results)
Language: English
Published by Reaktion Books, 2024
Series: Renaissance Lives, Book 27 of 28. Book 27 of 28 - Renaissance Lives
- Softcover
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paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.
Language: English
Published by Reaktion Books, 2024
Series: Renaissance Lives, Book 27 of 28. Book 27 of 28 - Renaissance Lives
- Softcover
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.Midtown Scholar Bookstore
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paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.
Language: English
Published by Reaktion Books, 2023
Series: Renaissance Lives, Book 27 of 28. Book 27 of 28 - Renaissance Lives
- Softcover
Seller: PBShop.store UK, Fairford, GLOS, United KingdomPBShop.store UK
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PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
- Softcover
Seller: Books From California, Simi Valley, CA, U.S.A.Books From California
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Paperback. Condition: Fine. Still Sealed in Plastic. Never used.
Language: English
Published by Reaktion Books 2023-10-01, 2023
Series: Renaissance Lives, Book 27 of 28. Book 27 of 28 - Renaissance Lives
- Softcover
Seller: Chiron Media, Wallingford, United KingdomChiron Media
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Paperback. Condition: New.
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Seller: ThriftBooksVintage, Tukwila, WA, U.S.A.ThriftBooksVintage
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Hardcover. Condition: Very Good. Dust Jacket Condition: Good. Dust jacket in good condition. Minor shelf and handling wear, overall a clean solid copy with minimal signs of use. Clean cover and content pages. New protective Mylar applied to dust jacket before shipping. Secure packaging for safe delivery.
- Softcover
Seller: Aardvark Rare Books, Presteigne, HEREF, United KingdomAardvark Rare Books
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Paperback. Condition: New. **PAPERBACK**.
Published by C.H.Beck, M?nchen 2007.,, 2007
- Softcover
Seller: Antiquariat Petri, Jena, GermanyAntiquariat Petri
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SC. Condition: Gut. TB., 125s., in gutem Zustand, [AP]., Deu 400g.
- Hardcover
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrelandKennys Bookshop and Art Galleries Ltd.
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Condition: New.
Published by Antwerp, Phoebus Focus XV, 2020, 2020
- Softcover
Seller: BOOKSELLER - ERIK TONEN BOOKS, Antwerpen, BelgiumBOOKSELLER - ERIK TONEN BOOKS
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Paperback, 79 pages, 21,1 x 14,1 x 1,1 cm. Illustrated. Text in NL. ISBN 9789463883375. Phoebus Focus 15 - Een zeeman en een vrouw in omhelzing Peter Paul Rubens (1577-1640) en de moderne schilderkunst 0 g.
Published by , Phoebe Focus XXIV, 2023, 2023
- Softcover
Seller: BOOKSELLER - ERIK TONEN BOOKS, Antwerpen, BelgiumBOOKSELLER - ERIK TONEN BOOKS
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Softcover, 80 pag. NL.,210 x 150 mm, Quadrichromie, Nieuw, illustr. in kleur / z/w. ISBN 9789464366112. Servius Sulpicius Galba (kortweg Galba) is een Romeins senator en generaal die Nero in het Vierkeizerjaar, 68-69 n.Chr., ten val brengt en opvolgt. In deze editie van ?Phoebus Focus? plaatst Nils B ttner het bijzondere keizers…portret dat Peter Paul Rubens (1577-1640) van hem maakte in zijn context. B ttner neemt de lezer niet alleen mee naar het Rome van de eerste eeuw, maar analyseert ook de drager en de schilderwijze van Rubens, zijn fascinatie voor de oudheid, zijn inspiratiebronnen en zijn vele inventies. Daarnaast gaat hij dieper in op de lange beeldende traditie van heersersportretten en hun plaatsing in barokke interieurs. In de reeks Phoebus Focus gaan experts en wetenschappers in op topstukken uit de rijke collectie van kunststichting The Phoebus Foundation. 0 g.
Published by , Phoebus Focus XXIV, 2021, 2021
- Softcover
Seller: BOOKSELLER - ERIK TONEN BOOKS, Antwerpen, BelgiumBOOKSELLER - ERIK TONEN BOOKS
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Paperback, 80 pages, ENG, 210 x 145 mm, New, illustrated in colour / b/w. Phoebus Focus 24 ISBN 9789464366129. Servius Sulpicius Galba was a Roman emperor who overthrew and succeeded Nero during the Year of the Four Emperors, 68-69 AD. In this ?Phoebus Focus? Nils B ttner places the extraordinary emperor portrait that Peter Paul… Rubens (1577-1640) painted of him in its context. B ttner does not only whisks the reader off to first-century Rome, he also makes an analysis of Rubens? support medium and painting method, his fascination with Antiquity, his sources of inspiration and many inventions. In addition, B ttner elaborates on the long tradition of painting portraits of rulers and their integration in Baroque interiors. 0 g.
Published by Antwerp, Phoebus Focus XV, 2020, 2020
- Softcover
Seller: BOOKSELLER - ERIK TONEN BOOKS, Antwerpen, BelgiumBOOKSELLER - ERIK TONEN BOOKS
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Paperback, 79 pages, 21,1 x 14,1 x 1,1 cm. Illustrated. Text in English ISBN 9789463883382. Phoebus Focus 15 - A Sailor and a Woman Embracing Peter Paul Rubens (1577-1640) and modern painting 0 g.
Language: English
Published by Reaktion Books, 2016
Series: Renaissance Lives, Book 27 of 28. Book 27 of 28 - Renaissance Lives
- Hardcover
- First Edition
Seller: Michael Knight, Bookseller, Forest Grove, OR, U.S.A.Michael Knight, Bookseller
Contact seller5-star sellerCondition: Used - Very good
US$ 165.00
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hardcover. Condition: Very Good. First Edition. 1st edition. Hardcover issued without dust-jacket. Clean and solid. No tears, stains, or odors. NOT a book club edition. NOT ex-library. Hand-wrapped and packaged in cardboard.
More images- Hardcover
Seller: Sage Rare & Collectible Books, IOBA, Livonia, MI, U.S.A.Sage Rare & Collectible Books, IOBA
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Condition: Used - Near fine
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Hardcover. Condition: Near Fine. Near Fine. Black cloth cover is pristine. Boards and spine are straight. Binding is tight. Pages are clean and pristine. Book has never been cracked open. Dust jacket has a 1" closed tear but near pristine. DJ protected by a brand new, clear, acid-free mylar cover. We add mylar covers to all book…s with DJs to preserve the DJs and add luster to magnify their beauty. (If pictured, shown without the mylar cover for an accurate representation of dust jacket. ) .
- Softcover
Seller: BWS BKS, Ferndale, NY, U.S.A.BWS BKS
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Paperback. Condition: New.
Language: English
Published by Reaktion Books, 2016
Series: Renaissance Lives, Book 27 of 28. Book 27 of 28 - Renaissance Lives
- Hardcover
Seller: BWS BKS, Ferndale, NY, U.S.A.BWS BKS
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Hardcover. Condition: New.
Language: English
Published by Reaktion Books, 2016
Series: Renaissance Lives, Book 27 of 28. Book 27 of 28 - Renaissance Lives
- Hardcover
Seller: BWS BKS, Ferndale, NY, U.S.A.BWS BKS
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Hardcover. Condition: New.
Blind Date Portretten met Blikken en Blozen
Katharina Van Cauteren, Nils B ttner, Matthias Ubl, Hildegard Van de Velde
Published by , Hannibal Books, 2020, 2020
- Hardcover
Seller: BOOKSELLER - ERIK TONEN BOOKS, Antwerpen, BelgiumBOOKSELLER - ERIK TONEN BOOKS
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HARDCOVER 290 x 250 mm, 288 pages, NL edition met prachtige illustraties in kleur. ISBN 9789463887397. Mannen in statig zwart, vrouwen met molensteenkragen, kinderen met gouden rammelaars, oude besjes en zelfgenoegzame kunstenaars? Ze zijn de hoofdrolspelers op zowat ieder portret dat ooit werd geschilderd in de Zuidelijke Neder…landen. Van de vijftiende tot de zeventiende eeuw is het kleine lapje grond dat vandaag ?Vlaanderen? heet het economische en culturele, intellectuele en financi le hart van Europa. En geld moet rollen: iedereen die het zich kan veroorloven, investeert in een portret. Vandaag hebben de gekoesterde statussymbolen van weleer hun oorspronkelijke betekenis grotendeels verloren. Van functioneel en emotioneel transformeerden de portretten tot toegangspoortjes tot het verleden. Aan de hand van topstukken uit de collectie van The Phoebus Foundation schetst dit boek de brede context waarin ze tot stand kwamen. Het pelt de betekenislagen van de voorstellingen, als waren het rokken van een ui. Want of het nu gaat om een indrukwekkende Rubens of Van Dyck, of om een intiem portret door een vergeten kunstenaar: ooit waren de mensen op deze schilderijen van vlees en bloed. Ze hadden eigenaardigheden en verborgen agenda?s, ambities en hogere doelen. Soms zijn die hoogstpersoonlijk en hyperindividueel. Soms ligt er een laagje stof op, en zijn de dames en heren kinderen van hun tijd. Meestal echter, zijn hun dromen en pretenties verrassend tijdloos en ontnuchterend herkenbaar. Blind Date is een afspraak met de geschiedenis: een ontmoeting met geportretteerde mannen en vrouwen uit vervlogen eeuwen. Maar voor wie bereid is om goed te kijken, blijkt de grens tussen heden en verleden flinterdun. HET VERHAAL VAN DE VLAAMSE PORTRETKUNST VERTELD AAN DE HAND VAN TOPSTUKKEN UIT DE COLLECTIE VAN THE PHOEBUS FOUNDATION De gelijknamige tentoonstelling Blind Date. Portretten met blikken en blozen loopt van 14 maart tot 31 december 2020 in het Snijders&Rockoxhuis Antwerpen, gecureerd door dr. Katharina Van Cauteren & Hildegard Van de Velde en in een scenografie van Walter Van Beirendonck. 0 g.
Published by , Hannibal / Kannibaal , 2020, 2020
- Hardcover
Seller: BOOKSELLER - ERIK TONEN BOOKS, Antwerpen, BelgiumBOOKSELLER - ERIK TONEN BOOKS
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Hardcover, 290 x 250 mm, 288 pages, English edition. ISBN 9789463887403. Portraits from the late Middle Ages and the early modern period, what should we do with those long forgotten people from centuries ago? They stare at us, sometimes with a little monk, or ignore us completely. Without saying a word. Yet they have so much to…tell us. About their fascinating lives, who they were or hoped to be. This book wants to offer the reader an appointment with history, or rather, a blind date with portrayed men and women from days gone by. Blind Date shows an exceptional sample of portraiture from the past. The Phoebus Foundation possesses a wealth of such portraits, so many and diverse that they could compile an exhibition and a book that illuminate the genre of portrait painting in all its facets, from selfie to group portrait. 0 g.
Works in Collaboration Frans Snijders and Other Masters. Corpus Rubenianum Ludwig Burchard, vol. 27.2
Anne T. Woollett, Nils B ttner, Elizabeth McGrath, Alexandra N. Bauer
Published by , Brepols - Harvey Miller, 2025, 2025
- Hardcover
Seller: BOOKSELLER - ERIK TONEN BOOKS, Antwerpen, BelgiumBOOKSELLER - ERIK TONEN BOOKS
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hardcover, dusjacket, 290 pages, Size:175 x 260 mm, Illustrations:65 b/w, 42 col., Language(s):English. *New. ISBN 9781915487582. Summary Peter Paul Rubens already had assistants working for him in his studio when he first gained admission to the Antwerp Guild of St Luke in 1598. At this period too he began to co-operate with ot…her masters, such as Jan Brueghel the Elder; a separate volume, dedicated to that collaboration, was published in 2016 (Corpus Rubenianum Ludwig Burchard, XXVII (1): Jan Brueghel I & II). On his return from Italy in 1609, not only did Rubens?s studio assistants increase in number, so too did the co-operative projects that the artist undertook. Rubens continued to work with Jan Brueghel the Elder until 1621. When Brueghel died in 1625, his son Jan continued the partnership with Rubens until the latter?s death in 1640. Similarly productive was the collaboration between Rubens and the still life and animal painter Frans Snijders. It began shortly after Rubens's return to Antwerp and is reflected in various large-format works for the courts of Brussels and Madrid [?], but also in smaller ?cabinet? paintings, some of which were executed by members of the respective workshops of the two masters. The collaboration soon extended to the studio of the animal painter Paul de Vos, whose sister Margriete had married Snijders in 1611. One such joint painting was still in Rubens?s possession at the time of his death and was listed in the 1640 catalogue of the works for sale from the artist?s estate. This document also reveals that, among the paintings by other masters that he owned, Rubens possessed a surprisingly large quantity by the Dutch landscape and genre painter Cornelis Saftleven. Rubens had worked with Saftleven during his stay in Antwerp at the beginning of the 1630s, and evidently appreciated his talent, even if this collaboration can be represented only by a single painting. The present is devoted to Rubens?s fruitful partnership with Frans Snijders, as well as to his collaborations with Paul de Vos and Cornelis Saftleven. It thus contributes not only to the documentation of Rubens?s oeuvre, but also to the understanding of workshop practices and the lives and social networks of painters in the city of Antwerp. -- Catalogue Raisonn Rubens and Snijders: An Enduring Alliance Rubens and Paul de Vos Rubens and Cornelis Saftleven 0 g.
Drawings Unrelated to Known Compositions, Corpus Rubenianum 28
Veronika Korbei, Nils B ttner, Elizabeth McGrath, Corina Kleinert, Sanja Hilscher
Published by , Brepols - Harvey Miller, 2025, 2025
- Hardcover
Seller: BOOKSELLER - ERIK TONEN BOOKS, Antwerpen, BelgiumBOOKSELLER - ERIK TONEN BOOKS
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hardcover, dusjacket, Pages: 272 pages, Size:175 x 260 mm, Illustrations:38 b/w, 129 col. Language:English. .NEW ISBN 9780905203782. This volume is an oddity in the Corpus Rubenianum. Rather than being devoted to one particular project, or category of subject, it presents what at first sight might appear a miscellany of drawings…. The works discussed here are indeed united only in the circumstance that they have proved difficult to associate directly with any particular painting or project undertaken by Rubens ? and, for the most part, they remain so. Many of these ?unrelated? sheets have been relegated to the margins of Rubens scholarship as a result of their ambiguous status, whether because of uncertainties regarding their attribution, their subject-matter or their function (or all three). Given the nature of the drawings catalogued here, many of which resist iconographic classification, the decision has been made to order the items chronologically, so that they can be seen at least in relation to Rubens?s stylistic development. The present publication is essentially a compilation based on the current state of research on individual items. At the same time it introduces new perspectives on, and suggests a few solutions to, some old problems, as well as shedding light on aspects of Rubens?s work that have been largely, and sometimes unjustly, overlooked. TABLE OF CONTENTS Preface Introduction: Rubens as a Draugthsman - Introduction - Development, Technique and Purpose - Materials and Functions Catalogue Raisonn List of Figures Figures Bibliography Indexes I: Collections Ii: Subjects III: Other Works by Rubens Mentioned in the Text IV: Names and Places Sources of Photographs 0 g.
Published by , Brepols - Harvey Miller, 2024, 2024
- Hardcover
- Signed
Seller: BOOKSELLER - ERIK TONEN BOOKS, Antwerpen, BelgiumBOOKSELLER - ERIK TONEN BOOKS
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Hardcover with dusjacket, 2 vols Pages: 802 pages, Size:180 x 265 mm Illustrations:158 b/w, 110 col., 1 tables b/w. Language(s):English. ISBN 9781915487278. The decoration of the Luxembourg Palace galleries was the largest commission Rubens ever received. On Saturday 26 February 1622, the artist signed two contracts at the Louvr…e with the agreement ?to make and paint with his own hand each and every one of the figures? of the paintings which would decorate the two parallel galleries of the palace that the Queen Mother, Maria de? Medici (1573?1642), had begun to have built on the left bank of the Seine. According to the first contract, the western gallery was now ready and Rubens ?will be bound and obliged to design and to paint with his own hand twenty-four paintings depicting the history of the very illustrious life and heroic exploits? of the Queen Mother, conforming to an incomplete memoir, of which he had received a copy. Rubens arrived in Paris to put the final touches to the finished canvases celebrating the life of Maria de? Medici at the beginning of February 1625. But at this time the eastern gallery, planned to display the ?battles? and triumphs? of King Henri IV (1553?1610), Maria?s late husband, was still under construction. The Henri IV Gallery was to be an unfinished masterpiece: after a temporary suspension of the work in 1630, the project was definitively abandoned in 1631. Alexis Merle du Bourg?s in-depth study of the Henri IV Series was published as Part XIV.2 of the Corpus Rubenianum Ludwig Burchard in 2017. The present volume charts the earlier part of the Medici commission, which happily survives, splendidly completed. It presents Maria in her relationship with Henri, her public role after her husband?s death and, not least, her difficulties and then reconciliation with Louis XIII, her son. Here Rubens invoked the gods of ancient myth and a whole company of personified abstractions to help mask problematic episodes, dignify banal events and create a glorious commemoration of the life and aims of the Queen Mother. 0 g.
Published by , Brepols - Harvey Miller, 2023, 2023
- Hardcover
Seller: BOOKSELLER - ERIK TONEN BOOKS, Antwerpen, BelgiumBOOKSELLER - ERIK TONEN BOOKS
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hardcover with dusjacket, 2 vols, 946 pages.Size:175 x 260 mm Illustrations:450 b/w. Language(s):English. ISBN 9781912554867. One remarkable feature of European culture as it developed in the Renaissance was the accommodation it made with ancient paganism. The classical gods and their legends were allegorised, transformed into s…ymbolic figures or emblematic scenes that might accord with Christian morality. At the same time a secular space was created in art for the depiction of the most popular myths, above all the love stories recounted by the ancient poets. These stories were not only attractive in themselves; they offered the opportunity to depict nude figures in narrative action, which the example of antiquity held forth as the highest goal for painting. Rubens was one of the greatest creators of classical allegory; he was also a supreme interpreter of the classical stories. No painter was so at home in the literature of the Greeks and Romans. When he painted for pleasure, which, increasingly in the course of his life, he felt able to do, he used pagan myth to express and celebrate themes of love, beauty and the creative forces of nature, often in wonderfully idiosyncratic ways. At the same time, as a Christian committed to the ideals of the Catholic Reformation, Rubens respected the restrictions generally placed on the depiction of pagan tales. Most of his mythological paintings were made for private settings, for display within houses (including his own) or in the galleries of princes, noblemen and prelates. It is happy accident of history that these splendid paintings are now widely visible in the great museums of the world. 0 g.
Mythological Subjects, Paris to Venus. Corpus Rubenianum Ludwig Burchard, vol. 11.3 Corpus (2 VOLS.)
Elizabeth McGrath, Gerlinde Gruber, Gregory Martin, Koenraad Jonckheere, Bert Schepers, Nils B ttner
Published by Turnhout, Brepols, 2025, 2025
Seller: BOOKSELLER - ERIK TONEN BOOKS, Antwerpen, BelgiumBOOKSELLER - ERIK TONEN BOOKS
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2 vols, 976 pages 175 x 260 mm, Illustrations:224 b/w, 91 col. English text. NEW . ISBN 9781915487636. One remarkable feature of European culture as it developed in the Renaissance was the accommodation it made with ancient paganism. The classical gods and their legends were allegorised, transformed into symbolic figures or embl…ematic scenes that might accord with Christian morality. At the same time there emerged a new, secular, genre of art devoted to the depiction of the most popular myths, above all the love stories recounted by the ancient poets. These stories were not only attractive in themselves; they offered the opportunity to depict nude figures in narrative action, which the example of antiquity held forth as the highest goal for painting. Rubens was one of the greatest creators of classical allegory; he was also a supreme interpreter of the classical stories. No painter was so at home in the literature of the Greeks and Romans. When he painted for pleasure, which, increasingly in the course of his life, he felt able to do, he used pagan myth to express and celebrate themes of love, beauty and the creative forces of nature, often in wonderfully idiosyncratic ways. Still, as a Christian committed to the ideals of the Catholic Reformation, Rubens respected the restrictions generally placed on the depiction of pagan tales. Most of his mythological paintings were made for private settings, for display within houses (including his own) or in the galleries of princes, noblemen and prelates. It is a happy accident of history that so many of these splendid paintings are now widely visible in the great museums of the world. TABLE OF CONTENTS Volume One Preface Catalogue Raisonn - Paris and his Judgement of the Goddesses: Nos 101-106 - Phaeton?s Temerity and the Consequences: Nos 107-108 - Philemon and Baucis: No.109 - Procris and Cephalus: No. 110 - Prometheus: No. 111 - Proserpina?s Abduction by Pluto: No. 112 - The Story of Psyche: Nos 113-114 - Satyr Subjects: Nos 115-120 - Silenus, with Bacchic and Rustic Companions: Nos 121-129 - Venus: Her Loves and her Worship: Nos 130-139 - Vertumnus and Pomona: No. 140 - Rejected Attributions: Nos R1-5 Volume Two List of Figures Figures Bibliography Indexes I: Collections II: Subjects III: Other Works by Rubens Mentioned in the Text IV: Names and Places Sources of Photographs 0 g.
