Niyogi (509 results)

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Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. PAPERBACK Standard-sized.

Paperback. Condition: Near Fine. Dust Jacket Condition: No Dust Jacket As Issued. Not First Edition. Just a hint of rubbing, unopened, no creases. Review copy slip laid inside. ; Large 8vo 9" - 10" tall; 360 pages.

Condition: New.

Paperback. Condition: Very Good.

Condition: New.

Paperback. Condition: Very Good. Can we write women?s authorial roles into the history of industrial cinema in South Asia? How can we understand women?s creative authority and access to the film business infrastructure in this postcolonial region? Esha Niyogi De draws on rare archival and oral sources to explore these questions from a uniquely comparative perspective, delving into examples of women holding influential positions as stars, directors, and producers across the film industries in India, Pakistan, and Bangladesh. De uses film tropes to examine the ways women directors and film entrepreneurs claim creative control within the contexts of anti-colonial nationalism and global capitalism. The region?s fictional cinemas have become staging grounds for postcolonialism, with colonial and local hierarchies merged into new imperial formations. De?s analysis shows how the gendered intersections of inequity and opportunity shape women?s fiction filmmaking while illuminating the impact of state and market formations on the process. Innovative and essential, Women?s Transborder Cinema examines the works of South Asia?s women filmmakers from a regional perspective.…

Paperback. Condition: Like New. Can we write women?s authorial roles into the history of industrial cinema in South Asia? How can we understand women?s creative authority and access to the film business infrastructure in this postcolonial region? Esha Niyogi De draws on rare archival and oral sources to explore these questions from a uniquely comparative perspective, delving into examples of women holding influential positions as stars, directors, and producers across the film industries in India, Pakistan, and Bangladesh. De uses film tropes to examine the ways women directors and film entrepreneurs claim creative control within the contexts of anti-colonial nationalism and global capitalism. The region?s fictional cinemas have become staging grounds for postcolonialism, with colonial and local hierarchies merged into new imperial formations. De?s analysis shows how the gendered intersections of inequity and opportunity shape women?s fiction filmmaking while illuminating the impact of state and market formations on the process. Innovative and essential, Women?s Transborder Cinema examines the works of South Asia?s women filmmakers from a regional perspective.…

Paperback. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

paperback. Condition: Good. A used book with light to moderate shelf wear and imperfections. Thank you for supporting Last Word Books and independent bookstores.

Condition: New.

Paperback. Condition: Like New. Can we write women?s authorial roles into the history of industrial cinema in South Asia? How can we understand women?s creative authority and access to the film business infrastructure in this postcolonial region? Esha Niyogi De draws on rare archival and oral sources to explore these questions from a uniquely comparative perspective, delving into examples of women holding influential positions as stars, directors, and producers across the film industries in India, Pakistan, and Bangladesh. De uses film tropes to examine the ways women directors and film entrepreneurs claim creative control within the contexts of anti-colonial nationalism and global capitalism. The region?s fictional cinemas have become staging grounds for postcolonialism, with colonial and local hierarchies merged into new imperial formations. De?s analysis shows how the gendered intersections of inequity and opportunity shape women?s fiction filmmaking while illuminating the impact of state and market formations on the process. Innovative and essential, Women?s Transborder Cinema examines the works of South Asia?s women filmmakers from a regional perspective.…

Paperback. Condition: Very Good. Can we write women?s authorial roles into the history of industrial cinema in South Asia? How can we understand women?s creative authority and access to the film business infrastructure in this postcolonial region? Esha Niyogi De draws on rare archival and oral sources to explore these questions from a uniquely comparative perspective, delving into examples of women holding influential positions as stars, directors, and producers across the film industries in India, Pakistan, and Bangladesh. De uses film tropes to examine the ways women directors and film entrepreneurs claim creative control within the contexts of anti-colonial nationalism and global capitalism. The region?s fictional cinemas have become staging grounds for postcolonialism, with colonial and local hierarchies merged into new imperial formations. De?s analysis shows how the gendered intersections of inequity and opportunity shape women?s fiction filmmaking while illuminating the impact of state and market formations on the process. Innovative and essential, Women?s Transborder Cinema examines the works of South Asia?s women filmmakers from a regional perspective.…

paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

Condition: New. pp. 204.

Condition: New.

Condition: New.

paperback. Condition: Good.

paperback. Condition: Very Good.

paperback. Condition: Fine.

Condition: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Condition: New.

Condition: New.

Condition: New. pp. 216.

Condition: New. pp. ix + 169.

Condition: New. pp. 204.

Condition: New. pp. 204.

Condition: New.

Condition: New.