Oldenburg Barbara (70 results)

Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Softcover. Condition: Near Fine. First Edition. Sturdy, still tightly bound softcover copy, minor to moderate wear of covers and text-block, but with neither underlining nor highlighting. Perfectly readable, usable copy. German language texts by several art historians and critics, including Gotz Adriani, Dieter Koepplin and Barbara Rose. Illustrated wraps, in gate-fold, replete with a few full color and many monochrome (mostly black-and-white) illustrations of Oldenburg's works. Laid in is an exhibit invitation and with a list of purchaseable publications. [4], 5-259 pp.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

Softcover, 222 pages, good condition, multiple creases down length of front cover; no internal marks. Foreign shipping may be extra.

Softcover with protective plastic overwrap; 260 pages, in German, very good condition; except scattered scratches to front cover; no internal marks. Foreign shipping may be extra.

Softcover staple-bound exhibition catalog, 24 pages, good condition: shelfwear to covers; no internal marks. Price list laid in.

Paperback. Condition: Near Fine. Square octavo, 135 pages, pictorial wrappers; prior owner rubber stamped her name several time in this catalogue Haskell's text for this traveling exhibition catalogue incorporates much of Oldenburg's previous writings "many of which were rewritten from my interview with him in August, 1971.

Soft cover. Condition: Near Fine. First Edition. Near fine in original pictorial wrappers.

Hardcover with dustjacket, 320 pages; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Softcover, 368 pages; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Paperback. Condition: Very Good. Over 100 Color & b/w Illustrations (illustrator). First Edition. Slight rubbing and browning to wrappers. 135, [1] pages. Catalogue of the exhibition organized by the Pasadena Art Museum, at 6 US institutions in all, December 1971 - February 1973. Includes biographical chronology and bibliography; not located in Freitag. Size: 4to - over 93/4" - 12" tall. Book.

No Binding. Condition: Near Fine. 1st Edition. 2 Page Essay By Rose, Thirteen Pages Of Text By Oldenburg, Plus 12 Color Plates Depicting His 1968 Lithos For Gemini. All Enclosed In A Card Slipcase With Title On Cover, Two Interior Flaps. Lacking The Order Form. Light Usage, No Marks Or Stains, Small Corner Crease To Last Plate.

No Binding. Condition: Very Good. Dust Jacket Condition: Good. Twelve color plates, thirteen text pages loose in cardstock folder. Includes a two page introduction by Barbara Rose and an order form. Folder soiled and wrinkled with bumped corners. Loose contents unharmed.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st. Cloth, 320 pages, illustrations (some colour); 27 cm. Firm binding, clean inside copy. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A massive coffee-table book. Profusely illustrated. *** "This comprehensive monograph explores the conceptual complexity and diversity of Claes Oldenburg's early work to reveal this influential artist's extraordinary inventiveness. Accompanying an exhibition of Oldenburg's seminal early work, this publication examines the breadth of his artistic career from the late 1950s to 1970. It features works including the landmark installations The Street and The Store and their accompanying performances; the highly influential spectacular sculptures of everyday objects as well as drawings and preparatory collages for public projects from the 1960s. The book traces the development of Oldenburg's practice as it follows his work up to the Mouse Museum. Also included in the publication is an extensive chronology, alongside notes as well as a variety of installation views that showcase the careful consideration given to modes of presentation. In addition to imagery of his Pop icons, this richly illustrated book contains an extensive selection of drawings, collages, and magazine and newspaper clippings as well as a wealth of previously unpublished notebook pages, preparatory studies, and photographs taken by the artist. This volume probes diverse aspects of his work to offer fresh perspectives on Oldenburg's artistic development and unprecedented insights into the conceptual process of his artistic explorations." - Publisher. *** CONTENTS: From street to store: Claes Oldenburg's pop expressionism, by Achim Hochdo rfer; Psychological expressionism: Claes Oldenburg's theater of objects, by Branden W. Joseph; Claes Oldenburg's clippings: an introductory tour, by Ann Temkin; Hypertrophies, trophies, and tropes of the everyday: Claes Oldenburg's new definitions of sculpture, by Gregor Stemmrich; Annihilate/illuminate: Claes Oldenburg's Ray Gun and Mouse Museum, by Benjamin H.D. Buchloh; Chronology, by Maartje Oldenburg. Size: 4to. Collectible.

Vintage portfolio prospectus for the limited edition handmade book "Claes Oldenburg: Notes," published by Gemini G.E.L. circa 1968. "Claes Oldenburg: Notes" was a handmade book published by Gemini G.E.L. in 1968 containing twelve original lithographs and thirteen pages of text by Oldenburg, plus title and colophon pages. The portfolio prospectus includes: A bi-fold with an illustrated front panel with an essay by Barbara Rose and "Notes" on the publication on rear panel. Thirteen Roman numeral pages of "Introduction" by Oldenburg. Twelve reproductions of Oldenburg's lithographs created for the publication. And an "Order Form" for the publication from Gemini G.E.L. Housed in a gloss-finish two-color illustrated folder. 26 leaves, 6.5 x 9.25 inches. Unbound. Near Fine. Folder, 6.5 x 9.5. Very Good plus, with light rubbing and creasing.

Softcover exhibition catalog, 136 pages, very good minus condition moderate wear to spine, no internal marks.

Paperback. Condition: new. Paperback. In the early 1960s, Claes Oldenburg redefined the concept of sculpture. Published in conjunction with a comprehensive exhibition of the artist's early work, Claes Oldenburg: Selected Writings 1956-1969 gathers together in a single volume the artist's key writings from the 1960s and several years from either side of the decade. Much of the publication comprises of previously unpublished material, including sections of an extensive diary the artist kept during the formative years of the 1960s, and selection from an autobiographical manuscript that Oldenburg wrote in 1971. The book also reprints seminal texts related to Oldenburg's early exhibitions, a selection of scripts for the accompanying Happenings and related interviews. Claes Oldenburg: Selected Writings 1956-1969 provides insight into the artist's working process through a transformative period of his long career. In the early 1960s, Claes Oldenburg redefined the concept of sculpture. Published in conjunction with a comprehensive exhibition of the artists early work, this title gathers together the artist's key writings from the 1960s and several years from either side of the decade. It also reprints seminal texts related to Oldenburgs early exhibitions. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: Schönes Exemplar. [BHN-B-5] 320 Seiten, 4°. Orig.-Leinwand, Orig.-Umschlag,

Paperback. Condition: Brand New. 438 pages. 10.91x7.52x1.10 inches. In Stock.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. 1st ed., 1st printing ; xix, 295 p., [8] p. of plates ; 24 cm. ; ISBN: 1555840760; 9781555840761 LCCN: 87-22490 ; LC: N6512; Dewey: 709/.73 ; OCLC: 16683887 ; blue and white cloth with gold lettering, in photographic dustjacket ; Contents: America as paradise -- Geometry, American-style -- Synchromism : a tale of the two Gertrudes -- Photography in America -- Filthy pictures -- Venus envy -- The auction is the action -- Diane Arbus : the American scene as the American nightmare -- Andy Warhol's aluminum foil : the mirror of our time -- Pop in perspective -- Roy Lichtenstein : reproduction as representation -- ABC art -- Color-field painting : the Washington school -- Mondrian boogies in New York -- The late paintings of Georgia O'Keeffe -- Decoys and doubles : Jasper Johns and the modernist mind -- Ellsworth Kelly : an American in Paris -- Painting within the tradition : the career of Helen Frankenthaler -- Seventies painting -- Jackson Pollock and the death of painting -- Sculpture and perception -- Blowup : the problem of scale in sculpture -- Lucas Samaras : the self as icon and environment -- John Chamberlain : painterly sculpture -- On Mark di Suvero : sculpture outside walls -- Richard Serra : the site is specific -- Sculpture in the seventies -- About Eva Hesse -- Art criticism in America -- One-dimensional criticism -- Criticism as propaganda -- The politics of art -- The myth of Pollock and the failure of criticism -- Document of an age -- Protest in art -- Twilight of the superstars -- American painting : the eighties -- Art in discoland. ; small tear at bottom of spine, else VG/VG. Book.

[12] pp.; 15.8 x 23.8 cm. (folded) ; 94.8 x 23.8 cm.; accordion; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Accordion fold essay about the Chrysler Airflow as a theme in Claes Oldenburg's work by Barbara Rose accompanied by illustrations and photographs of Oldenburg at work. Good / Very Good. 2.7 cm. of bumping to upper right corner, 1.1 cm. bend to bottom right corner and bumping of additional corners. 5 mm. yellow stain to recto. 3 mm. dog-ear to upper right corner of verso. Light yellowing of paper, contents otherwise clean and unmarked.

Hardcover. Condition: As New. 1st Edition. 1st Printing. Signed. 270 pages. Published in 2001. Retrospective Monograph. One of the most beautiful and valuable books on art and photography in our time. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions. Published in a small and limited first print run as a hardcover original only. The First Edition is now scarce. An austerely elegant production by Lowie & Lowrey Los Angeles: Oversize-volume format. Orange cloth boards with titles embossed on the cover and spine, as issued. Art by various contributors, a Who's Who of modern and contemporary art and photography. Curated with Essay by Barbara Tannenbaum, one of the most influential curators of our time, and various other leading specialist-writers such as Keith F. Davis and Luc Sante. Printed on pristine-white, thick coated stock paper to the highest standards. Without DJ, as issued. Presents "Akron Art Museum Since 1850: An Introduction To The Collection". An impressive and immersive artistic experience in book form. "One hundred paintings, sculptures, and photographs from the collection of the Akron Art Museum are lavishly reproduced and thoughtfully discussed. Each with a brief Essay written by a member of the Museum or one of 16 guest authors. Stresses the collection's three areas of special strength: Turn-of-the-century American painting, painting and sculpture since 1960, and twentieth-century photography. Artists include William Merritt Chase, Thomas Wilmer Dewing, Philip Guston, Nancy Graves, Chuck Close, Claes Oldenburg, Lewis Hine, Lee Friedlander, Gilbert & George, Carrie Mae Weems, and Lari Pittman" (Publisher's blurb). An absolute "must-have" title for art and photography collectors. This copy is very prominently, neatly, and beautifully signed, dated (shortly after publication), and inscribed in black ink-pen on the half-title page by the museum curator/author: "For Martha - Thanks for your support of the museum and for being such a champion of photography and photographers. Barbara Tannenbaum Oct.10, 2001". It is signed directly on the page itself, not on a tipped-in page. The recipient, Martha Schneider, who is named, is one of the most important figures of contemporary art photography. This title is now collectible. As far as we know, this is the only such signed, post-publication dated, and inscribed copy of the First Hardcover Edition/First Printing available online and is in especially fine condition: Clean, crisp, and bright. A rare signed copy thus. 100 black-and-white and color plates. Some of the greatest American artists and photographers ever. A fine copy. ISBN 0940665050. Signed by Author.

Soft cover. Condition: Very Good. 1st edition. VG+. 8vo, 128pp, printed wrappers. Fifth issue of this seventies review from Kenward Elmslie's Z Press, featuring work by John Ashbery, Bernadette Mayer, Ron Padgett, et al. Unmarked copy, light bump to one corner. Not Signed.

Very good oversize illustrated wraps with strong spine. Profusely illustrated text throughout. Many in color and smaller detailed black and white. A wild ride and fully Oldenburg.

Soft cover. Condition: Fine. 1st Edition. Fine set of loose sheets enclosed in a printed card folder. Notes is a handmade book containing twelve original color lithographs, thirteen text pages by Oldenburg, title and colophon pages, two page article by Barbara Rose. Slight toning to folder, no writing or marks. M06849.

softcover. Condition: Sehr gut. 221 p. Mild creasing to wrappers. Sprache: Englisch Gewicht in Gramm: 982.

1988. Art, Gemini G.E.L., 6 pages, three color plates, in a small folio, good ex-library with library stamp on inside cover and title page, no marks on color plates.

211 pp.; 30 x 21 cm.; sewn bound; color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at Setagaya Art Museum, Tokyo, July 6 - August 18, 1991. Traveled to The National Museum of Art, Osaka, August 29 - September 29, 1991 and Fukuoka Art Museum, Fukuoka, November 15 - December 15, 1991. Essays by Lynn Gumpert and Brian Wallis. Artists include Richard Artschwager, John Baldessari, Gretchen Bender, Sarah Charlesworth, Nancy Dwyer, Kate Ericson and Mel Ziegler, Suzan Etkin, Jenny Holzer, Jasper Johns, Joseph Kosuth, Barbara Kruger, Louise Lawler, Sherrie Levine, Roy Lichtenstein, Gordon Matta-Clark, Allan McCollum, Bruce Nauman, Claes Oldenburg, Stephen Prina, Robert Rauschenberg, James Rosenquist, David Salle, Andres Serrano, Cindy Sherman, Lorna Simpson, Robert Smithson, Nancy Spero, Haim Steinbach, Andy Warhol and Lawrence Weiner. Includes exhibition checklist and selected bibliographies. Texts in Japanese and English. Very Good. Yellowing and light rubbing of covers with light edge wear. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Paperback. Condition: new. Paperback. In the early 1960s, Claes Oldenburg redefined the concept of sculpture. Published in conjunction with a comprehensive exhibition of the artist's early work, Claes Oldenburg: Selected Writings 1956-1969 gathers together in a single volume the artist's key writings from the 1960s and several years from either side of the decade. Much of the publication comprises of previously unpublished material, including sections of an extensive diary the artist kept during the formative years of the 1960s, and selection from an autobiographical manuscript that Oldenburg wrote in 1971. The book also reprints seminal texts related to Oldenburg's early exhibitions, a selection of scripts for the accompanying Happenings and related interviews. Claes Oldenburg: Selected Writings 1956-1969 provides insight into the artist's working process through a transformative period of his long career. In the early 1960s, Claes Oldenburg redefined the concept of sculpture. Published in conjunction with a comprehensive exhibition of the artists early work, this title gathers together the artist's key writings from the 1960s and several years from either side of the decade. It also reprints seminal texts related to Oldenburgs early exhibitions. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.