Ossanna (157 results)

Pietro Giovanni Guzzo, Maria Rosaria Esposito, Nicoletta Ossanna Cavadini, eds. Ercolano e Pompei: visioni di una scoperta. [Herculaneum and Pompeii: Visions of a Discovery] Skira, 2018. Softcover without jacket. Condition: new. Broad octavo (9.5"W x 9.5"H); 387 pp. Bilingual text: Italian and English. Copiously illustrated. *** From the jacket notes: "The 280th anniversary of the discovery of Herculaneum and the 270th anniversary of that of Pompeii are celebrated with a completely original approach by exploring the media and the methods with which the discoveries of the two sites were communicated, from the late 18th century to the early 20th, from J.J. Winckelmann to the Alinari brothers. This is an account of the enthusiasm for excavations and refined archaeological finds, with the desire to convey the discoveries through letters, notebooks painted with watercolours, engravings, lithographs, drawings, reliefs, copperplates, gouaches, early photographs and postcards.".

paperback, Condition: Good, Ossanna Ink, Minneapolis, c.1968, 1st. 3-1/2 x7 oblong, stapled wraps, 32pp. alternating a half page with a full page. lightly soiled covers, ow F $.

Condition: new.

Paperback. Condition: New. The first complete monograph devoted to Luciano Rigolini's photography Alongside his work in cinema and documentary, Luciano Rigolini has also carried out intense and rigorous research in the field of photography. Between 1990 and 2002 he photographed the urban landscapes and architectural details of European and American cities. These black and white images are uniform in size (140 x 140 cm), and immediately reveal their aesthetic and conceptual roots in the historical avant-garde, especially constructivism and German objectivity. At the same time he began to collect vintage stereoscopic plates, nineteenth century photographic prints and anonymous amateur images dating from the eighties of last century. A synthesis of these elements gave rise to an exhibition entitled La forma dello sguardo held in Spring 2001 at the Museo Cantonale d'Arte in Lugano; a substantial catalogue was also published. This was followed in 2008 by the exhibition Fotostiftung Schweiz di Winterthur "What you see", which was centred around anonymous works by 107 amateur photographers. This new work focuses in particular on the relationship between photography, painting and the role played by digital technology. Among other things, it presents a wealth of hitherto unpublished large format works, a reinterpretation of anonymous photographs and documents uncovered in forgotten archives, at flea markets or purchased from antique dealers or on the Internet. These images, originally created with no artistic pretensions, restored or re-elaborated using specific digital processes and printed in large format, reveal surprising sculptural, pictorial and formal qualities.

Tapa Blanda. Condition: New. Rosario es la segunda ciudad argentina en superficie y población de trascendente importancia por su puerto ubicado a orillas del río Paraná. Fue fundada en la segunda mitad del siglo XVIII. 89 Páginas. 120 gr. Libro.

Condition: New.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New. pp. 80 29 Illus. (19 Col.).

Condition: As New. Unread book in perfect condition.

Paperback. Condition: new. Paperback. Olivetti's leading graphic designer receives a comprehensive survey, full of rarely-seen advertisements and unpublished archival materialGiovanni Pintori (1912-99) cemented his legacy in Italian design as the art director of Olivetti from 1950 to 1967. Advertising as Art surveys his most famous campaigns together with his early and late works, all supplemented by previously unpublished sketches and notebooks. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Tapa Blanda. Condition: New. Estudio del discurso periodístico, basado en modernas técncias de análisis textual. Plaantea aspectos didácticos relacionados con los contenidos de cada ciclo en la enseñanza y ofrece ejercitación adecuada. 124 Páginas. 160 gr. Libro.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Tapa Blanda. Condition: New. Contiene: Sarmiento educador, version escrita de la participacion de Ossanna en el panel "Pensar a Sarmiento", organizado por el Departamento de Postgrado de Secretaria Academica de la U.N.R., la catedra de Historia Politica Argentina, laEscuela de Graduados y el Instituto de Investigaciones de laFacultad de Ciencia Politica y Relaciones Internacionales. Estanislao Lopez y el sistema educativo santafesino (1818-1838), ponencia presentada por Ascolani en las Jornadas Docentes Universitarias de Historia de la Educacion (2 : 1988: Neuquen). 36 Páginas. 50 gr. Libro.

Paperback. Condition: Brand New. bilingual edition. 79 pages. Italian language. 9.25x9.75x0.50 inches. In Stock.

Condition: New. Alongside his work in cinema and documentary, Luciano Rigolini has also carried out intense and rigorous research in the field of photography. This title deals with his works. Editor(s): Rigolini, Luciano; Ossanna Cavadini, Nicoletta. Num Pages: 80 pages, 29 illustrations, 19 in colour. BIC Classification: AJB. Category: (G) General (US: Trade). Dimension: 241 x 242 x 11. Weight in Grams: 472. . 2012. Bilingual. paperback. . . . .

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condition: Fine. unused.

Paperback. Condition: New.

Condition: New. pp. 80.

Condition: NEW.

Tapa Blanda. Condition: Muy Bien. Manuel Gálvez fue uno de los escritores argentinos de mayorprestigio y de los mas difundidos en su país y en el exterior, autor de "Nacha Regules", "Hombres en soledad", "El uno yla multitud", "El mal metafísico" y "La maestra normal", entre otros títulos. 55 Páginas. 70 gr. Libro.

Condition: New. Alongside his work in cinema and documentary, Luciano Rigolini has also carried out intense and rigorous research in the field of photography. This title deals with his works. Editor(s): Rigolini, Luciano; Ossanna Cavadini, Nicoletta. Num Pages: 80 pages, 29 illustrations, 19 in colour. BIC Classification: AJB. Category: (G) General (US: Trade). Dimension: 241 x 242 x 11. Weight in Grams: 472. . 2012. Bilingual. paperback. . . . . Books ship from the US and Ireland.

Brossura. Condition: new. A cura di Ossanna Cavadini N. e Rigolini L.Chiasso, Centro Culturale - Spazio Officina, 26 ottobre - 8 dicembre 2011.Testo Italiano e Inglese.Milano, 2012; br., pp. 80, ill. b/n e col., cm 24x24.(Fotografia). The first complete monograph devoted to Luciano Rigolini's photography Alongside his work in cinema and documentary, Luciano Rigolini has also carried out intense and rigorous research in the field of photography. Between 1990 and 2002 he photographed the urban landscapes and architectural details of European and American cities. These black and white images are uniform in size (140 x 140 cm), and immediately reveal their aesthetic and conceptual roots in the historical avant-garde, especially constructivism and German objectivity. At the same time he began to collect vintage stereoscopic plates, nineteenth century photographic prints and anonymous amateur images dating from the eighties of last century. A synthesis of these elements gave rise to an exhibition entitled La forma dello sguardo held in Spring 2001 at the Museo Cantonale dArte in Lugano; a substantial catalogue was also published. This was followed in 2008 by the exhibition Fotostiftung Schweiz di Winterthur What you see, which was centred around anonymous works by 107 amateur photographers. This new work focuses in particular on the relationship between photography, painting and the role played by digital technology. Among other things, it presents a wealth of hitherto unpublished large format works, a reinterpretation of anonymous photographs and documents uncovered in forgotten archives, at flea markets or purchased from antique dealers or on the Internet. These images, originally created with no artistic pretensions, restored or re-elaborated using specific digital processes and printed in large format, reveal surprising sculptural, pictorial and formal qualities. Libro.

Condition: Buone. Condizioni dell'esterno: Buone Condizioni dell'interno: Buone.

Condition: NEW.

Paperback. Condition: New. The book, like the related exhibition, is part of the strand of events that the m.a.x. museo cyclically devotes to photography. It presents a broad range of iconic images of Sophia Loren, which portray her at special moments in her life, during the filming of her famous movies or on more personal occasions, portrayed by some of the twentieth century's greatest photo­graphers. Organised on thematic-chronological principles, the illustrations present a total of almost 200 photographs, mostly vintage, embracing the full span of Sophia Loren's life and conveying the profound feelings that the diva aroused in both her films (over a hundred) and her life.The book is divided into seven sections: starting from the Naples of the Origins, the city where Sofia Lazzaro Scicolone, as she was known, lived with her mother and experienced the first difficulties of life, moving on to cinema with photographs of Screenplays, then to elegance and its particular relationship with art. This is followed by the parts of the exhibition devoted to public encounters and important awards received, and then those that capture her in more intimate moments with her family. The exhibition closes with a series of images expressing the identification of Loren with an Icon of Beauty. There is also an in-depth study of the relationship between Sophia Loren and Salvatore Ferragamo, and later Giorgio Armani, documented through photographs and designer objects such as the refined shoes from the Ferragamo Museum in Florence.The exhibition interprets the guiding theme of Centro Culturale Chiasso for 2025-2026, namely pulchritudo, understood as both external and internal beauty, through a series of shots that, following the etymology of the word "photography" or "drawing with light", depict a global icon of beauty in the broadest sense, as a symbol of charisma as well as harmony of fe­atures. Born in Rome and raised in Pozzuoli (Naples), Sophia Loren has chosen to live in Geneva, Switzerland. This exhibition and its catalogue are intended to enhance this twofold connection, building a cultural bridge between Switzerland and Italy and revealing the diva as a paradigm of a beauty acknowledged worldwide.Providing a critical interpretation of the works presented in the catalogue are essays by Angela Madesani, Francesco Casetti, Nicoletta Ossanna Cavadini, Giovanna Bertelli and Maria Canella, together with a rich bio-bibliographical apparatus.Text in English and Italian.

Softcover. Condition: As New in Shrinkwrap. White wraps with bw illustration on front cover, 191 pp, chiefly illustrated in color. Catalog of an exhibition held at the Spazio Officina, Chiasso, Switzerland, May 25-July 15, 2012. Includes bibliographical references.

In-8° pp. 188 con alcune foto n.t. Bross. edit. ill.

Brossura. Condition: new. Chiasso, M.a.x. Museo, 29 settembre 2019 - 29 febbraio 2020.A cura di Curci R. e Ossanna Cavadini N.Testo Italiano e Inglese.Milano, 2019; br., pp. 366, 420 ill. col., cm 24x24.(Fotografia). Marcello Dudovich è considerato uno dei padri della cartellonistica. Triestino di nascita e internazionale per vocazione, Dudovich fu un grande comunicatore e un innovatore assoluto, divenendo uno dei riferimenti più importanti nella storia del manifesto. Basti pensare alle sue opere per i Magazzini Mele, per Borsalino, La Rinascente, Campari, Martini, Agfa, Pirelli e molti altri. Questo volume si propone di approfondire il rapporto tra la fotografia e la cartellonistica nei lavori del grande maestro ripercorrendo le tappe fondamentali della sua produzione artistica. Si ricostruisce in particolare il suo iter creativo attraverso materiale inedito proveniente da archivi e musei. Partendo dall'analisi della fotografia, di cui Dudovich era un grande appassionato, si affiancano schizzi e bozzetti acquerellati ai manifesti stessi. Non mancano riferimenti al cinema muto e alle dive dell'epoca, dal cui fascino l'artista fu particolarmente attratto, come anche ai rapporti con il suo maestro Leopoldo Metlicovitz, del quale sono proposte una ventina di fotografie inedite. Correda il materiale espositivo un ricco apparato iconografico e documentario comprendente lettere autografe, cartoline e copertine di riviste; oltre 300 sono le immagini riprodotte nel volume, provenienti da rinomate collezioni pubbliche e private tra cui il Museo Nazionale Collezione Salce di Treviso, la Civica Raccolta delle Stampe "Achille Bertarelli" e il Gabinetto dei Disegni del Castello Sforzesco di Milano, la Staatliche Graphische Sammlung di Monaco di Baviera, il Civico Archivio Fotografico di Milano, il Civico Museo Revoltella - Galleria d'Arte Moderna di Trieste, la Galleria Campari di Sesto San Giovanni, l'Archivio Ricordi di Milano. Libro.