Osullivan Leanne (143 results)

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

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Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

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Condition: As New. Unread book in perfect condition.

Paperback. Condition: New. The Mining Road, Leanne O'Sullivan's third poetry collection, finds inspiration in the disused copper mines that haunt the rugged terrain around Allihies, near her home at Beara, in West Cork. Like remnants of a lost world, the mines' ruined towers, shafts, man-engines and dressing floors, evoke an elemental landscape in which men and women laboured above as well as underground, and even mined in caverns below sea level. Mining promotes a sense of memory, and the riches embedded in the landscape are human as well as material. But things brought to the surface can have a startling ability to shine in the present, and O'Sullivan's poems move and provoke as they resonate with experiences at the heart of contemporary Ireland.

Paperback. Condition: new. Paperback. The Mining Road, Leanne O'Sullivan's third poetry collection, finds inspiration in the disused copper mines that haunt the rugged terrain around Allihies, near her home at Beara, in West Cork. Like remnants of a lost world, the mines' ruined towers, shafts, man-engines and dressing floors, evoke an elemental landscape in which men and women laboured above as well as underground, and even mined in caverns below sea level. Mining promotes a sense of memory, and the riches embedded in the landscape are human as well as material. But things brought to the surface can have a startling ability to shine in the present, and O'Sullivan's poems move and provoke as they resonate with experiences at the heart of contemporary Ireland. The Mining Road, Leanne O'Sullivan's third poetry collection, finds inspiration in the disused copper mines that haunt the rugged terrain around Allihies, near her home at Beara, in West Cork. O'Sullivan's poems move and provoke as they resonate with experiences at the heart of contemporary Ireland. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Softcover. Condition: Near Fine. Poetry collection. Irish poet. ; 8vo 8" - 9" tall; 62 pp.

Condition: New.

Paperback. Condition: new. Paperback. An Cailleach Bhearra, or the Hag of Beara, is a wise woman figure embedded in the physical and mental landscape of western Ireland and Scotland, particularly in the Beara Peninsula in West Cork where Leanne O'Sullivan comes from. The Cailleach's roots lie in pre-Christian Ireland, and stories of her relationship with that rugged landscape and culture still abound. Central to these narratives is the story of her love affair with a sea god. A large stone rests on the ridge overlooking Ballycrovane Harbour, and it is said to be the petrified body of the Cailleach; she has had several lives, beginning each life with a birth from her stony form and returning to stone at the end. The supernatural and superhuman feature strongly in traditional stories of the Cailleach (pronounced Ca-lock or Cay-luck) feats such as her creating mountains or leaping vast distances that place the tales firmly into the world of myth. While still recognising the Cailleach as a figure of extraordinary power and influence, Leanne O'Sullivan's poems explore the human origins from which the legend grew. She still forms the landscape, yet at the same time is intrinsically part of it, close to it, rather than gigantically above it; and her husband is not the sea god of legend, but a fisherman. And for all her strength, she is vulnerable. Winner of the Rooney Prize for Irish Literature. An Cailleach Bhearra, or the Hag of Beara, is a wise woman figure embedded in the physical and mental landscape of western Ireland and Scotland. Recognising the Cailleach as a figure of extraordinary power and influence, this title features poems that explore the human origins from which the legend grew. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condition: New. An Cailleach Bhearra, or the Hag of Beara, is a wise woman figure embedded in the physical and mental landscape of western Ireland and Scotland, particularly in the Beara Peninsula in West Cork where Leanne O'Sullivan comes from. The Cailleach's roots lie in pre-Christian Ireland, and stories of her relationship with that rugged landscape and culture still abound. Central to these narratives is the story of her love affair with a sea god. A large stone rests on the ridge overlooking Bally crovane Harbour, and it is said to be the petrified body of the Cailleach; she has had several lives, beginning each life with a birth from her stony form - and returning to stone at the end.The supernatural and superhuman feature strongly in traditional stories of the Cailleach (pronounced Ca-lockor Cay-luck) - feats such as her creating mountains or leaping vast distances that place the tales firmly into the world of myth. While still recognising the Cailleach as a figure of extraordinary power and influence, Leanne O'Sullivan's poems explore the human origins from which the legend grew. She still forms the landscape, yet at the same time is intrinsically part of it, close to it, rather than gigantically above it; and her husband is not the sea god of legend, but a fisherman. And for all her strength, she is vulnerable.

Condition: New.

Paperback. Condition: New. Leanne O'Sullivan was born in 1983, and comes from the Beara peninsula in West Cork. She received an MA in English from University College, Cork in 2006. The winner - while still in her teens - of several of Ireland's poetry competitions, including the Seacat, Davoren Hanna and RTE Rattlebag Poetry Slam, she has since published four collections with Bloodaxe: Waiting for My Clothes (2004), Cailleach: The Hag of Beara (2009), The Mining Road (2013) and A Quarter of an Hour (2018). Waiting for My Clothes, her first collection, traces a deeply personal journey, from the traumas of eating disorder and low self-esteem to the saving powers of love and positive awareness. Leanne O'Sullivan has been writing poetry since she was 12, and began these poems not thinking they would ever form part of a book, but 'writing down the reasons I should live for' and then 'becoming addicted to looking at things to find the beauty in them'.

Paperback. Condition: new. Paperback. Leanne O'Sullivan was born in 1983, and comes from the Beara peninsula in West Cork. She received an MA in English from University College, Cork in 2006. The winner while still in her teens of several of Ireland's poetry competitions, including the Seacat, Davoren Hanna and RTE Rattlebag Poetry Slam, she has since published four collections with Bloodaxe: Waiting for My Clothes (2004), Cailleach: The Hag of Beara (2009), The Mining Road (2013) and A Quarter of an Hour (2018). Waiting for My Clothes, her first collection, traces a deeply personal journey, from the traumas of eating disorder and low self-esteem to the saving powers of love and positive awareness. Leanne O'Sullivan has been writing poetry since she was 12, and began these poems not thinking they would ever form part of a book, but 'writing down the reasons I should live for' and then 'becoming addicted to looking at things to find the beauty in them'. Waiting for My Clothes, Leanne O'Sullivan's first collection, traces a deeply personal journey, from the traumas of eating disorder and low self-esteem to the saving powers of love and positive awareness. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: new. Paperback. In 2013, Leanne O'Sullivan's husband Andrew suffered a severe infection in his brain. He spent just over three weeks in a coma, during which time his temperature soared to 42 degrees. When he finally woke it immediately became clear that his memory had been almost completely destroyed; he didn't even know his wife. More present and visual to him were the birds and wild animals that he believed he could see during his recovery: foxes, wildcats and herons animals that seemed to be guiding him back. This became the starting point for poems that deal not simply with personal memory and recovery, but also the ways in which, collectively, even globally, we are trying (or not) to save entire species of plants and animals that we are now actually losing because of human activity. Nature has a voice that can speak back. This is a collection that celebrates the earth's intoxicating wildness as well as the richness and preciousness of human experience. Overall, we can rejoice in the fact that we're here, whatever the challenges. Winner of the Farmgate Cafe National Poetry Award 2019. Shortlisted for the Irish Times Poetry Now Award 2019 and for the Pigott Poetry Prize 2019 in association with Listowel Writers' Week. Fourth collection by popular young Irish poet written in response to her husband's total loss of memory following a brain infection. More present to him him were birds and animals he believed he could see during his recovery. Winner of the inaugural Farmgate Cafe National Poetry Award 2019. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condition: New. In 2013, Leanne O'Sullivan's husband Andrew suffered a severe infection in his brain. He spent just over three weeks in a coma, during which time his temperature soared to 42 degrees. When he finally woke it immediately became clear that his memory had been almost completely destroyed; he didn't even know his wife. More present and visual to him were the birds and wild animals that he believed he could see during his recovery: foxes, wildcats and herons - animals that seemed to be guiding him back. This became the starting point for poems that deal not simply with personal memory and recovery, but also the ways in which, collectively, even globally, we are trying (or not) to save entire species of plants and animals that we are now actually losing because of human activity. Nature has a voice that can speak back. This is a collection that celebrates the earth's intoxicating wildness as well as the richness and preciousness of human experience. Overall, we can rejoice in the fact that we're here, whatever the challenges.Winner of the inaugural Farmgate Café National Poetry Award 2019. Shortlisted for the Irish Times Poetry Now Award 2019 and for the Pigott Poetry Prize 2019 in association with Listowel Writers' Week.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback or Softback. Condition: New. A Quarter of an Hour. Book.

Condition: Very Good. paperback 100% of proceeds go to charity! May have signs of use, wear and minor cosmetic defects.

Paperback or Softback. Condition: New. Cailleach: The Hag of Beara. Book.

Paperback. Condition: New. In 2013, Leanne O'Sullivan's husband Andrew suffered a severe infection in his brain. He spent just over three weeks in a coma, during which time his temperature soared to 42 degrees. When he finally woke it immediately became clear that his memory had been almost completely destroyed; he didn't even know his wife. More present and visual to him were the birds and wild animals that he believed he could see during his recovery: foxes, wildcats and herons - animals that seemed to be guiding him back. This became the starting point for poems that deal not simply with personal memory and recovery, but also the ways in which, collectively, even globally, we are trying (or not) to save entire species of plants and animals that we are now actually losing because of human activity. Nature has a voice that can speak back. This is a collection that celebrates the earth's intoxicating wildness as well as the richness and preciousness of human experience. Overall, we can rejoice in the fact that we're here, whatever the challenges.Winner of the inaugural Farmgate Café National Poetry Award 2019. Shortlisted for the Irish Times Poetry Now Award 2019 and for the Pigott Poetry Prize 2019 in association with Listowel Writers' Week.