Othoniel (166 results)

hardcover. Condition: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Paperback. Condition: Fine. The post-colonial birth, life, and death of the collective consciousness known as the Animal. Middle-aged streamer twins in Bayamon, Puerto Rico, are the first human beings to successfully connectsharing their consciousness across 34 translucent cables. In that moment, the Animal is born, an intracerebral force that quickly grows to encompass anthills of synaptically entwined bodies, a floating library kitchen redolent of rice and beans far above the Mississippi river, and a transhuman compound in a future Cuba on the Isle of Youth. Circling back and forth and ever progressing, Animal Spiral moves through 400 years of human, and then post-human history, beginning with a revolution on the streets of San Juan and ending with five brilliant siblings: the Squash (humanoid), Calima (beetles), Yemaya (eels), Coatlicue (serpents), and Juracan (anthropomorphic birds), who have millions of bodies and all the worlds intelligence, but only want to no longer be alone. This is a buoyant, joyous ode to possibility, a warning about the dangers of neglecting what makes us human, and an astonishing exercise of the flexibility and capacity of liminal spaces. Loneliness is a collective disease! We defend our right to madness!Brave are not the ones who resist; brave are the ones who let go!.

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No jacket. Condition: Très bon. Ancien livre de bibliothèque avec équipements. Sans jaquette. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. No dust jacket. Ammareal gives back up to 15% of this item's net price to charity organizations.

Hardcover. Condition: Très bon. Ancien livre de bibliothèque avec équipements. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.

Condition: Bon. Ancien livre de bibliothèque. Couverture différente. Edition 2011. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Different cover. Edition 2011. Ammareal gives back up to 15% of this item's net price to charity organizations.

Hardcover. Condition: Très bon. Ancien livre de bibliothèque. Edition 2015. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Edition 2015. Ammareal gives back up to 15% of this item's net price to charity organizations.

Hardcover. Condition: Très bon. Ancien livre de bibliothèque. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.

Condition: New.

Paperback. Condition: New. From September 2021, Jean-Michel Othoniel will be taking over the whole of the Petit Palais and its garden. It will be the biggest exhibition devoted to the artist in Paris since the My Way retrospective at the Centre Pompidou in 2011. The Petit Palais itself and its history will provide the running thread of the exhibition, the works entering into a dialogue with the architecture of the building and its garden. For the occasion, Othoniel has come up with the Narcissus Theorem focusing on the man of the beautiful flower who in his own reflection also reflects the world around him. Narcissism is not always a neurosis and can play a positive role in aesthetic creation. And sublimation is not always the negation of desire but can be a means of engaging with an ideal. Whereupon Narcissus no longer says 'I love myself as I am' but rather 'I am as I love myself'. Featuring over 70 new works, the 'Narcissus Theorem' exhibition weaves the artist's spell once again and explores the theory of reflections that he has been developing for nearly a decade in conjunction with the Mexican mathematician Aubin Arroyo, imbuing his recurring themes with a fresh and visionary meaning in the world of today. The exhibition welcomes us with a river of a thousand shimmering blue bricks flowing down the main staircase of the Petit Palais, indicating the start of the path that we will be following. Inspired by the sumptuous architectural flourishes of the Petit Palais and the flowers of its garden, the artist has installed some twenty new works: mirrored pieces that reflect the frescoes of the peristyle painted by Paul Baudoüin, monumental water lilies placed on the mirrors of the water basins with their blue mosaics, gold necklaces attached to the branches of trees from the Orient, and pearls niched in the peristyle. The Crown of the Night comes from a forest in northern Europe and for a long time this sculpture was hidden beneath the 300-year old oaks of a cathedral-like forest. And now, like a coloured glass spider, it majestically fills the dome of the palace's northern staircase. Narcissus's grotto awaits us at the foot of the staircase, where we find the whole universe of reflections so central to Othoniel's art and astutely orchestrated by Aubin Arroyo, including the two-tone Precious Stonewall and monochrome triptychs. The wild knots created over the course of nearly a decade are like Borromean rings in which we discover our own reflections and which reflect themselves in an endless mise en abyme.

Hardcover. Condition: Très bon. Ancien livre de bibliothèque. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.

Condition: Très bon. Ancien livre de bibliothèque avec équipements. Couverture différente. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Different cover. Ammareal gives back up to 15% of this item's net price to charity organizations.

Hardcover. Condition: new. Hardcover. A follow-up to The Secret Language of Flowers: Notes on the Hidden Meanings of Flowers in Art . To celebrate the 30th anniversary of the Louvre pyramid, Jean-Michel Othoniel was invited to create a work relating the importance of flowers in the Museum's eight art departments. The artist photographed the floral wealth concealed in the masterpieces of the Museum's painting, drawing, sculpture, embroidery and enamel collections. Using this, Othoniel composes his own original herbarium, accompanied with notes on the secret language of flowers and their symbolism in the history of art. Among the seventy details of flowers, you will find the thistle in Duerer's selfportrait, the poppy in the Paros funerary stele, the apple sitting on a stool in The Lock by Fragonard, or the peony attached to the unfastened blouse of the young woman in Greuze's Broken Pitcher. The work also introduces us to lesser-known details in works, offering a magnificent treasure hunt for visitors of the museum. Amid this vast prairie spangled with symbolic flowers, the artist asks this question: If there could be only one, which would be the Louvre's flower? A question to which the artist himself offers his own response. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condition: New. In.

Hardcover without dustjacket as issued, unpaginated; in English and French; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Condition: As New. Unread book in perfect condition.

Condition: new.

Softcover staple-bound, 16 pages; in Japanese with illustration captions also in French; very good condition; clean and crisp; no internal marks.

Condition: New.

Hardcover. Condition: Very Good. Folio, approx 11 7/8 in tall, 127 pp, color photographic illustrations and reproductions, publisher's pictorial papered boards (minor bumps to corners, very good or better).

Condition: as new. Wie neu/Like new.

blanda. Condition: New. Dust Jacket Condition: Excelente. Product description All our books are brand new. We ship worldwide From the Back Cover En el Pueblo de la Princesa, el narrador y Alfred Dust terminan su vida de estudiantes doctorales y barajan culpas y confidencias. Enredos de amor y marihuana, historias de la guerra del guano y de invasiones al Caribe, fiestas en las que nadie baila, escatología e imperialismo. Nada es lo que parece ser en este pueblo burgués de vida sana primermundista, en el que aparecen suficientes entramados filiales como acertijos ligados por algo que no se puede descifrar. Un libro puede ser una tortuga, pero moverse como una liebre. La intriga académica que tan bien cultivara Nabokov y el frenesí eslabonado de la poética de Aira se combinan en los nueve alejamientos que componen esta novela de Luis Othoniel Rosa, que llevará a sus lectores a pensar, si no en el guano, al menos sí en las distancias que contiene todo presente, y en la triste resignación de que los amigos nunca terminen sus historias. Porque Otra vez me alejo es también la historia de una amistad: un libro generoso y dulce, escrito con la urgencia y calma de quien ve pasar una tarde unos pájaros sobre un puente. - José Quiroga, Emory University.

Softcover with dustjacket, 160 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Condition: Neuf.

blanda. Condition: New. Dust Jacket Condition: Excelente. Contratapa: "A la pregunta del millón, '¿Hay un afuera del capitalismo?' Luis Othoniel contesta que sí, que hay y que no es uno sino cinco: el futuro, el espacio, la alucinación, la muerte y la literatura. Cinco milagros laicos que protagonizan una novela colocadísima, llena de mártires románticos, éxodos y secretos ecos argentinos." -Alan Pauls.