Seller: World of Books (was SecondSale), Montgomery, IL, U.S.A.
Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
Seller: Better World Books, Mishawaka, IN, U.S.A.
Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Seller: Goodwill Southern California, Los Angeles, CA, U.S.A.
Condition: good.
Hardcover. Condition: Wie neu. Ohne Schutzumschlag. 1. Auflage. 128 pages with many illustrations, partly coloured.
Language: English
Published by University of Chicago press, 2016
ISBN 10: 3777426326 ISBN 13: 9783777426327
Seller: INDOO, Avenel, NJ, U.S.A.
Condition: New. Brand New.
HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.
US$ 33.63
Quantity: Over 20 available
Add to basketHardback. Condition: New. From 19th-century studio practice through the independence era, African photography has best been known for modes of portraiture that crystallize the sitter's identity and social milieu. Even portraits by contemporary artists are often interpreted as windows into African realities. This exhibition reconsiders African contemporary photographic portraiture by presenting four practitioners whose concerns range well beyond questions of social identity. Sammy Baloji, Mohamed Camara, Saïdou Dicko, and George Osodi expand their subjects' interpretive possibilities, exemplifying a new creativity and versatility in portrait-making. While each artist employs different strategies, they all challenge the assumption that photographic portraits serve as mirrors of the "self." Baloji's montages dislocate the subject historically, Camara probes the boundaries of the portrait genre, Dicko expresses uncertainty at the possibility of representation, and Osodi engages his subjects as platforms for political commentary. The four artists enlist portraiture as a point of departure for exploring subjectivity, history, and photographic form. The Expanded Subject offers new insights into the expressive and conceptual range of African photo-portraiture today.
Language: English
Published by Hirmer Verlag, Munich, 2016
ISBN 10: 3777426326 ISBN 13: 9783777426327
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Hardcover. Condition: new. Hardcover. From 19th-century studio practice through the independence era, African photography has best been known for modes of portraiture that crystallize the sitter's identity and social milieu. Even portraits by contemporary artists are often interpreted as windows into African realities. This exhibition reconsiders African contemporary photographic portraiture by presenting four practitioners whose concerns range well beyond questions of social identity. Sammy Baloji, Mohamed Camara, Saidou Dicko, and George Osodi expand their subjects' interpretive possibilities, exemplifying a new creativity and versatility in portrait-making. While each artist employs different strategies, they all challenge the assumption that photographic portraits serve as mirrors of the "self." Baloji's montages dislocate the subject historically, Camara probes the boundaries of the portrait genre, Dicko expresses uncertainty at the possibility of representation, and Osodi engages his subjects as platforms for political commentary. The four artists enlist portraiture as a point of departure for exploring subjectivity, history, and photographic form. The Expanded Subject offers new insights into the expressive and conceptual range of African photo-portraiture today. From 19th-century studio practice through the independence era, African photography has been known for modes of portraiture that crystallize the sitter's identity and social milieu. This title reconsiders African contemporary photographic portraiture by presenting four practitioners whose concerns range well beyond questions of social identity. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Seller: Brook Bookstore On Demand, Napoli, NA, Italy
Condition: new.
Seller: Anybook.com, Lincoln, United Kingdom
US$ 18.71
Quantity: 1 available
Add to basketCondition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,800grams, ISBN:9783777426327.
Seller: Majestic Books, Hounslow, United Kingdom
Condition: New. pp. 128.
US$ 32.76
Quantity: 15 available
Add to basketHRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.
Language: English
Published by Hirmer Publishing, Munich, 2016
ISBN 10: 3777426326 ISBN 13: 9783777426327
Seller: Exquisite Corpse Booksellers, Houston, TX, U.S.A.
Cloth. Condition: Fine Condition. 128 pages 51 illustrations in color. Illustrated boards. Artist Biographies. Book.
Seller: Chiron Media, Wallingford, United Kingdom
US$ 22.56
Quantity: 20 available
Add to basketHardcover. Condition: New.
Seller: Book Broker, Berlin, Germany
Condition: Wie neu. 1. 128 Seiten Alle Bücher & Medienartikel von Book Broker sind stets in gutem & sehr gutem gebrauchsfähigen Zustand. Dieser Artikel weist folgende Merkmale auf: Helle/saubere Seiten in fester Bindung. Sprache: Englisch Gewicht in Gramm: 660 Gebundene Ausgabe, Größe: 20.3 x 1.5 x 25.4 cm.
Published by Columbia University Press, New York, 2016
ISBN 10: 1884919332 ISBN 13: 9781884919336
Seller: Argosy Book Store, ABAA, ILAB, New York, NY, U.S.A.
First Edition
hardcover. Condition: fine. First. Illustrated in color and in black and white. 128 pages. Short, slim 4to, printed boards. New York: Columbia University Press, (2016). A fine copy.
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
First Edition
Condition: New. From 19th-century studio practice through the independence era, African photography has been known for modes of portraiture that crystallize the sitter's identity and social milieu. This title reconsiders African contemporary photographic portraiture by presenting four practitioners whose concerns range well beyond questions of social identity. Num Pages: 128 pages, 70 colour illustrations. BIC Classification: 1H; AJC. Category: (G) General (US: Trade). Dimension: 213 x 264 x 16. Weight in Grams: 720. . 2016. 01st Edition. Hardcover. . . . .
Seller: Revaluation Books, Exeter, United Kingdom
US$ 33.35
Quantity: 1 available
Add to basketHardcover. Condition: Brand New. 01 edition. 128 pages. French language. 10.25x8.25x0.75 inches. In Stock.
Seller: Chiron Media, Wallingford, United Kingdom
US$ 29.30
Quantity: 1 available
Add to basketHardcover. Condition: New.
Language: English
Published by Princeton University Press, 2024
ISBN 10: 0691246017 ISBN 13: 9780691246017
Hardcover. Condition: Good.
Seller: Biblios, Frankfurt am main, HESSE, Germany
Condition: New. pp. 128.
Seller: Kennys Bookstore, Olney, MD, U.S.A.
Condition: New. From 19th-century studio practice through the independence era, African photography has been known for modes of portraiture that crystallize the sitter's identity and social milieu. This title reconsiders African contemporary photographic portraiture by presenting four practitioners whose concerns range well beyond questions of social identity. Num Pages: 128 pages, 70 colour illustrations. BIC Classification: 1H; AJC. Category: (G) General (US: Trade). Dimension: 213 x 264 x 16. Weight in Grams: 720. . 2016. 01st Edition. Hardcover. . . . . Books ship from the US and Ireland.
Buch. Condition: Neu. Neuware -Bis in das 20. Jahrhundert stellte die afrikanische Porträt-Fotografie hauptsächlich den Menschen und sein soziales Umfeld in den Mittelpunkt. Das Subjekt der Aufnahme sollte gleichsam als Fenster zur Realität des Kontinents dienen. Die zeitgenössischen afrikanischen Fotografen Sammy Baloji, Mohamed Camara, Saïdou Dicko und George Osodi vereint dagegen die Überzeugung, dass Foto-Porträts als Spiegel des Selbst fungieren. Balojis Montagen verlassen den historischen Kontext, Camara lotet die Grenzen des Genres aus, Dicko spielt mit der Ambivalenz von Darstellungsmöglichkeiten und Osodi betont politische Aussagen. Zusammen zeigen Ihre Bilder die faszinierende Bandbreite der zeitgenössischen afrikanischen Fotografie. 128 pp. Englisch.
Buch. Condition: Neu. Neuware -Bis in das 20. Jahrhundert stellte die afrikanische Porträt-Fotografie hauptsächlich den Menschen und sein soziales Umfeld in den Mittelpunkt. Das Subjekt der Aufnahme sollte gleichsam als Fenster zur Realität des Kontinents dienen. Die zeitgenössischen afrikanischen Fotografen Sammy Baloji, Mohamed Camara, Saïdou Dicko und George Osodi vereint dagegen die Überzeugung, dass Foto-Porträts als Spiegel des Selbst fungieren. Balojis Montagen verlassen den historischen Kontext, Camara lotet die Grenzen des Genres aus, Dicko spielt mit der Ambivalenz von Darstellungsmöglichkeiten und Osodi betont politische Aussagen. Zusammen zeigen Ihre Bilder die faszinierende Bandbreite der zeitgenössischen afrikanischen Fotografie. 128 pp. Englisch.
Condition: As New. Unread book in perfect condition.
Language: English
Published by Princeton University Press, 2024
ISBN 10: 0691246017 ISBN 13: 9780691246017
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition.
Language: English
Published by Princeton University Press, 2024
ISBN 10: 0691246017 ISBN 13: 9780691246017
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.
Language: English
Published by Princeton University Press, 2024
ISBN 10: 0691246017 ISBN 13: 9780691246017
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New.
Language: English
Published by Princeton University Press, 2024
ISBN 10: 0691246017 ISBN 13: 9780691246017
Seller: Brook Bookstore On Demand, Napoli, NA, Italy
Condition: new.
Seller: Majestic Books, Hounslow, United Kingdom
Condition: New.