Passe Crispijn (183 results)

Condition: New. pp. 221.

Condition: New. pp. 208.

Condition: New. pp. 221.

Condition: New. pp. 208.

Condition: New. pp. 208.

Condition: New. pp. 208.

Condition: New. pp. 208.

Condition: New. pp. 221.

Condition: New. pp. 208.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condition: Good. Dust Jacket Condition: Good. Hardcover: Good Condition. Dust Jacket: Good Condition. Binding Tight And Secure. Pages Clean And Bright Throughout. Corners Minor Bumping. Previous Owner Left Inscription On First Page. Photograph Is Added By Selling Site And Not Ours, Therefore May Not Reflect This Edition Or Condition.

Paperback. Condition: Brand New. Van De Passe, Crispijn (illustrator). 138 pages. 9.00x6.00x0.32 inches. This item is printed on demand.

Paperback. Condition: New. Print on Demand. This book guides readers through the diverse and eye-catching flowers that bloom in autumn, winter, spring, and summer. With exquisite illustrations and meticulous descriptions, the author helps readers identify and observe the natural beauty that surrounds them throughout the year. From the delicate petals of the spring snowflake to the vibrant hues of the autumn crocus, this book captures the essence of each flower and guides the reader through their unique characteristics, providing a deeper appreciation for the natural world and its seasonal wonders. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.

LeatheBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 156. A perfect gift for your loved ones. Reprinted from 1929 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Volume v. 2 Language: English Pages: 156 Volume v. 2.

LeatheBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 108. A perfect gift for your loved ones. Reprinted from 1929 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Volume 1 Language: English Pages: 108 Volume 1.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 64. A perfect gift for your loved ones. Reprinted from 1631 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: French Pages: 64.

Hardcover. First Edition. Small Quarto, [40], 382 pages. In Good condition. Bound in contemporary worn calf, rebacked with brown calf, black label with gilt lettering. Lacking pages 383-400. With 18 out of 19 emblems and 2 other plates of symbolic character. With engraved title page. First 6 pages with repair to gutter. Names written to front pastedown. Scarce. Follows the work itself consisting of a collection of poems containing emblemata on pages 47, 52, 65, 85, 97, 104, 110, 114, 116, 140, 179, 185, 189, 200, 283, 328, 333, 337. Lacking plate on page 389. Those on pages 116, 283 and 337 are from Cr. de Passe Jr. They are bordered in squares. Moreover, the work also contains 2 plates on pages 17 and 19, also from Cr. de Passe Jr. The rest of the preliminary work contains praise from: Abr. van der Meer, J. Cats and Ludov. à Kinschoot (Lat.) Num Zelus init damna? I.V. D.M. D., Herm. the Hubert, &c (Volgt het werk zelf bestaande uit een bundel gedichten waarin emblemata voorkomen op blz. 47, 52, 65, 85, 97, 104, 110, 114, 116, 140, 179, 185, 189, 200, 283, 328, 333, 337, 389. Die op blz. 116, 283 en 337 zijn van Cr. de Passe Jr. Ze zijn rond in vierkanten geärceerden rand. Bovendien bevat het werk nog 2 platen op blz. 17 en 19, eveneens van Cr. de Passe Jr. ) [Anne Gerard Christiaan de Vries, 1899]. 1316802. Special Collections - Downstairs.

Condition: Good. 12mo. 10.5 x 17.4 cm. 38], 525, 352pp. Contemporary calf, gilt spine. Engraved title page and 10 engraved plates.Translation and commentary by J. de MontlyardEngraved title page; illustrations by Crispin van de Passe and Isaac Briot.OCLC Number / Unique Identifier:36275391,

0. 11 x 6 cm. 592 S., Frontiispiez, Titelkupfer m. den Wappen von Köln, Braunschweig ,Danzig, Lübeck, sowie kleine Lübeckansicht, Or.-Leder, Kapitale bestoss., Seiten unten braunrandig, sonst wohl erhalten,guter Zustand. [Portr. sign. "C. d. Pas. Senior fe" = Crispyn de Passe d.Ä.?] Sprache: Deutschu 1,100 gr.

paper-covered boards. Plantin, Christopher (illustrator). small folio. paper-covered boards. variously paginated, but hundreds of pages. Volumes 5-10 (lacking volumes 1-4) of this early work on Theology. Boards of both volumes with severe damage to the fore-edges, as well as the preliminary pages of both volumes. Lacking the spines. Generally poor condition on the outside, however the interior is in generally very good condition. Volumes 6-8 dated 1578; vols 5 & 9 dated 1579. Volume 5-6 with title: 'Tomus V. [-VI.] operum D. Hieronymi, a Mariano Victorio Reatoni, canonico, et sacrĉ theologiĉ professore; . '; with woodcut printer's device on title pages Volume 7 with title: 'Tomus VII. commentariorum D. Hieronymi, super Psalmos; . '; woodcut printer's device on title page Volume 8 with title: 'Tomus VIII. commentariorum D. Hieronymi adscriptorum . '; woodcut printer's device on title page Volume 9 with title: 'Tomus IX epistolarum D. Hieronymo falso adscriptarum . ; woodcut printer's device on title page Volume 10 (Index) with title: 'Index locupletissimus in omnes tomos operum D. Hieronymi, quammaxima diligentia collectus. . '; title page with woodcut device; printed in 3 columns; unpaginated. With printed marginalia. Includes indexes.

Hardcover. Condition: Fine. FIRST STATE. Signed in the lower margin with the names of the artist and publisher: "Crisp de pas inu inv et fe" / "C. de pas ex." Numbered in the image, lower center: 3. Four lines in Latin, divided into two columns: "Haec alia est facies rerum, sic vertitur ordo/ Post tot delicias subeunt morbusque dolorque./ Mutantur laetis tristia, grata malis/ Nempe solet Nemesis redere iusta vices.". Brilliant, richly-inked, early impression, printing sharp and crisp, with excellent contrasts and remarkable clarity, with the support lines along the text distinct. Like most of the surviving copies, with the number in the lower margin, as described by Franken. Slim margins around the border, in very fine condition. A print of great rarity, especially in such fine condition. This plate by Crispijn de Passe II is one of a set of four illustrating the biblical parable of Lazarus and the rich man. The story, from the Gospel of Luke (16:19-31), tells of an extremely wealthy man who shows no compassion when the poor, leprous beggar Lazarus begs him for bread and water. After his death, the rich man is sent to hell, where he is punished for his greed and heartlessness, whereas the pious and humble Lazarus is taken to heaven. It reminds us that earthly wealth is of no consequence after death and that those who suffer in this life will receive comfort in the next. The episode depicted here is The Dying Hour of the Rich Man. Even as the doctor attends the man on his deathbed, the notary in the foreground is already dividing the old man's estate, while to the far left a demon cheerfully welcomes him to the hereafter with music. The inscription reads: "This is the other face of things. Thus is the order reversed. Sad things are turned to happy ones; good things to evil. After so many joys come pain and illness. / Indeed, retribution (Nemesis) is wont to return just punishments." The verses are possibly by the Dutch antiquarian and humanist Aernout van Buchel (1565-1641), whose monogram appears next to the verses on the second plate in the series. The other prints in the series (Hollstein 3, 4, and 6) depict: 1. Lazarus in the house of the rich man; 2. Feast in the house of the Rich Man; and 4. The Rich Man in Hell. The design for the fourth plate is the work of De Passe the Elder. "Parabole du mauvais riche. Quatre planches numérotées, avec 4 l. de souscr. en 2 div. Suite intéressante pour les murs, costumes et intérieurs qui sont des premières années du 17e siècle, et parce que les estampes appartiennent aux meilleures productions des deux maîtres, dont on peut en même temps comparer le burin. Il résulte de cette comparaison que Crispyn junior le gagne sur son père pour la taille fine et propre, et qu'il a une science du clair obscur qui manque à Crispyn le vieux. Mais dans chacune des quatre estampes il y a des parties dignes des meilleurs maîtres du temps, tant pour le dessin, que pour la gravure." (Franken 1062-1065) The Artist: Crispijn de Passe the Younger came from a large, distinguished Dutch family of professional engravers and was trained in the workshop of his father, Cripsijn de Passe the Elder (who published this print). He was known for his remarkable handling of the burin, of which this engraving is an excellent example. The artist modeled both the interior and the figures in costume on contemporary tastes, offering insights into the elegant lifestyle of the seventeenth-century upper classes. De Passe worked in his father's Utrecht workshop beginning in 1612 until his departure for Paris around 1618. He worked in Paris (with some interruptions) until 1629, at which time he resumed work in Utrecht. In 1639 he removed to Amsterdam, where he died circa 1670. The Dives and Lazarus series must have been made before 1618, when Crispijn the Younger left for Paris (See Veldman, Crispijn de Passe and his Progeny, p. 221). The Publisher: "The elder De Passe (15651637) began his career as an engraver and publisher in Antwerp; forced to leave because of his Anabaptist faith he settled -after an interlude in Aachen- in 1589 in Cologne. He set up a print publishing house, producing portraits of the European nobility, as well as religious, mythological and allegorical prints and books. In 1611, he and his family were exiled from Cologne and took refuge in Utrecht. With the assistance of his children, he soon started another prosperous business. It is in Utrecht that this print was produced."(National Portrait Gallery) He died in Utrecht in 1637. While publishing in Cologne, the elder De Passe had engraved another series (also of 4 prints) on the Rich Man and Lazarus theme, after drawings by Maarten de Vos (Hollstein XV, nos. 118-121.) The second plate in that series shows the Rich Man being bathed by naked women. The other three plates are versions of the same scenes as those found in the series described here.

Hardcover. Condition: Very Good. 1st Edition. [A ROYAL GARDENER'S COPY] FIRST EDITION thus. Oblong folio. Five parts in one volume. 1) ff. (vii) [(-)1, A-C2], forty three plates of flowers, one of garden scene and one of 'Epigramma'. 2) ff. (ii) [D1-2], one plate of garden scene, 20 plates of flowers. 3) ff. (iii) [E1-2, F1], twenty eight plates of flowers. 4) ff. (ii) [F2, G1], twelve plates of flowers. 5) ff. (ii) (title and engraved title), sixty one plates of flowers with explanatory text on versos, ff. (i) [G2]. Book one extra illustrated with two additional plates after plate 41, "Bulbus Narcisci marini" and "Radix Cyclamini." Book three with plate seventeen from the latin version, text on verso, bound out of order, plate 24 re-margined (book four has a fine extra plate 24), extra illustrated with plates 7 and 12 from the winter section, and plate 1 of winter section bound at end. Book four with plates out of order (with plate 1 at end of book 3), extra illustrated with plate 24 from book three, plate 7 from latin edition with text on verso (the correct version is added in book 3). Roman and Italic letter. Text to Parts I-IV in English, text to Altera Pars in Latin. Additional engraved title in Latin tipped in, dated 1614, with mythical figures to sides, portraits in roundels of Dodoens and Clusius, verso of general typographic title with 'The Book to his Readers' within typographical border, final leaf G2r within typographical border, Altera pars with letterpress and engraved architectural title with vases of flower to the sides and explanatory text to plates I and II on verso, large historiated, white on black and floriated woodcut initials in explanatory text in Altera pars, ink ownership inscription on plate 7 in part II, "Watts Gardener to his Majesty," most probably Richard Watts, gardener to Prince George of Denmark at Camden House, St. James's Palace and Windsor, c. 1700 1703, monogram in red crayon on title. Light age yellowing, some light soiling and creasing, small tear in lower blank margin of plate 16 in book two just entering plate, a few very short marginal nicks and chips, early ink pen trials to a couple of plates, mostly confined to margins but some into plate area, plates in parts I-II numbered in ink manuscript both in margins and within plate. A lovely copy with the plates in very fine, rich, and detailed impressions remarkably preserved in contemporary English limp vellum, contained in a modern morocco-backed box by Laurenchet, rubbed, and a bit soiled and creased. The very rare first English edition of the wonderfully illustrated Hortus Floridus, complete with the rare addition of the Altera pars, and all the plates called for in the contents; it "was without question the most popular florilegium ever published," An Oak Spring Flora. The first edition appeared in 1614 in Latin and proved so popular that it was almost immediately followed by French, Dutch, and English editions. The introduction is enlarged with details on how to colour the plates. One of the earliest florilegia, the Hortus Floridus contains very fine realistic and delicate prints created by Crispin van de Passe, a member of a famous family of Dutch artists. The book is divided into four sections, each corresponding with one of the seasons and prefaced with an engraving of a model garden. Most of the flowers shown are tulips, hyacinths, crocuses and other bulb plants, the new enthusiasm of the increasingly prosperous Dutch citizenry. Van de Passe's work both documented and stimulated the Dutch passion for bulbs, which eventually led to the 'tulipomania' of 1636 1637, when speculation in tulip bulbs led to a financial crash. Unlike earlier botanical works in which the plants were shown by themselves, van de Passe placed his specimens in a natural environment, often accompanied by insects and animals that provide a narrative element to the images. The ground level perspective of the illustrations reflects the tradition of Dutch landscape painting.

hardcover. Condition: near fine. First. Title vignette and 38 circular engraved plates printed with wide margins on one side only, with mottoes in Latin and Dutch. Each plate followed by short descriptive text in Latin. (iv), 76 pages. Slim 4to, handsomely rebound in recent full green morocco with simple gilt and blind-stamped borders. Amstelaeldami: Apud Franciscum vander Plaats, 1704. Some offsetting and occasional fingermarks and marginal soiling, still a near fine copy. A charming Dutch Emblem book, with plates that had previously appeared in F. Egger's "Elegantissimorum emblematum corpusculum", 1696, and, later, in "Acht en dertig zinnebeelden," 1737.

Hardcover. Condition: Very Good+. First Edition. 4to (218 x 162 mm). Pagination: [38], 1-400 pp. Signatures: *-*****(4); A-Z(4); Aa-Zz(4); Aaa-Ddd(4). Engraved pictorial title of Heraclitus and Democritus and 2 illustrations and 19 circular emblematic engravings partly by Crispijn van de Passe the Younger. Contemporary stamped vellum with central arabesque ornament; (some light browning, some margins sliced in final quire but present, few corners chipped). Rear pastedown with inscription from the library of Van Isaac le Long and dated 1744. Modern armorial bookplate of Bibliotheque I.G. Schorsch on the front pastedown. Dawson's Bookshop label also affixed on rear pastedown. First edition and scarce variant copy of this classic Dutch poetry and emblem work by Zierikzee native Adriaan Hoffer, which Benesch described as, ".adorned with etchings which in themselves are perfect little works of art, although only slightly connected with the text" (Benesch, Rubens to Daumier p. 39). Hoffer's work contains poems comprising the author's self-commentary, Biblical quotes, and notably mentioned the victory of the Spanish silverfleet by Pieter Heyn in 1628, all in verse. Largely written in the vernacular, Hoffer supplemented Latin notes to his poetry through ample marginal references. Hoffer was a wealthy man and book collector with many connections in the Zierikzee community. The Nederduytsche Poëmata was his most important work, which sought to restrict the interest of natural inquiry to its edifying potential. This edition is notable for its engravings by Crispijn van de Passe the Younger, a talented engraver who inherited his father's style and repertoire and who remains inextricably linked to seventeenth-century Dutch printmaking. Not much else is known about the influence of Hoffer's Nederduytsche Poëmata or "Dutch Poems," but an earlier work of the same title was written by Daniel Heinsius (1580-1655) and published in Amsterdam by Willem Jansson in 1618. Landwehr, Dutch Emblem Books 92; Landwehr, Low Countries 217; De Vries 161; Praz p. 370.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1616 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 73 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 73 Language: Latin.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1616 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set and contains approximately 39 pages. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: Latin.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1615 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 75 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 75 Language: Dutch.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1631 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 65 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 65 Language: Dutch,French,German.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1615 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set and contains approximately 38 pages. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English.